He is well known for his evil laughter followed the introduction from The Shadow radio drama: "Who knows what evil lurks in the hearts of men? The Shadow knows!". Readick replaced James La Curto to perform The Shadow narrator in the Detective Story Hour (the precursor of The Shadow) in 1930, four months after the launch of the series when La Curto went for a Broadway role. This signature line remained intact in The Shadow even after Orson Welles succeeded Readick.
He later played the doomed CBS reporter Carl Phillips in the 1938 radio production of The War of the Worlds. Readick modeled his performance on WLS reporter Herbert Morrison's coverage of the Hindenburg disaster the previous year.
He was also known for House of Mystery (1931) and A Burglar to the Rescue (1931).
He died in 1965 in the USA.
Robert Readick (November 28, 1925 – May 27, 1985), also known professionally as Bob Readick or Bobby Readick, was an American voice and film actor, best known for a run as the voice of "Johnny Dollar" in the CBS radio series Yours Truly, Johnny Dollar in the early 1960s.Cavalcade of America
Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented musicals, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising.
Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. The series was intended to improve DuPont's public image after World War I. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.Evil laughter
Evil laughter or maniacal laughter is a stock manic laughter by a villain in fiction. The expression "evil laugh" dates back to at least 1860. "Wicked laugh" can be found even earlier, dating back to at least 1784. Another variant, the "sardonic laugh," shows up in 1714 and might date back even further.In comic books, where supervillains utter such laughs, it is variously rendered as mwahahaha, mwhahaha, muahahaha, hehehehe, bwuhuhuhaha, etc. (Compare with Ho ho ho.) These words are also commonly used on internet blogs, bulletin board systems, and games. There, they are generally used when some form of victory is attained, or to indicate superiority over someone else. The words are often used as interjections, and less frequently as nouns.During the 1930s, the popular radio program The Shadow used a signature evil laugh as part of its presentation. This was voiced by actor Frank Readick, and his laugh was used even after Orson Welles took over the lead role. The evil laugh voiced by Vincent Price has been used or copied many times in radio, film, music, and television, notably at the end of the music video Michael Jackson's Thriller.
In films, evil laughter often fills the soundtrack when the villain is off-camera. In such cases, the laughter follows the hero or victim as they try to escape. An example is in Raiders of the Lost Ark, where Belloq's laugh fills the South American jungle while Indiana Jones attempts to escape from the Hovitos.
On the television series Dallas, JR Ewing (Larry Hagman) would often break into his trademark evil laugh whenever he knew he had put one over on somebody, especially Cliff Barnes (Ken Kercheval).Hello Americans
Hello Americans (1942–43) is a CBS Radio series produced, directed and hosted by Orson Welles. Created to promote inter-American understanding and friendship during World War II, the series aired Sundays at 8 p.m. ET beginning November 15, 1942. Its last broadcast was January 31, 1943. Sponsored by the Office of the Coordinator of Inter-American Affairs, the drama series featured many of the actors from Welles's Mercury Theatre repertory ensemble.
Hello Americans was produced concurrently with Welles's other CBS series, Ceiling Unlimited, a salute to the aviation industry, and his work was considered a significant contribution to the war effort.Joe Palooka
Joe Palooka is an American comic strip about a heavyweight boxing champion, created by cartoonist Ham Fisher in 1921. The strip debuted in 1930 and was carried at its peak by 900 newspapers.
The strip was adapted to a short-lived 15-minute CBS radio series, 12 feature-length films (chiefly from Monogram Pictures), nine Vitaphone film shorts, a 1954 syndicated television series (The Joe Palooka Story), comic books and merchandise, including a 1940s board game, a 1947 New Haven Clock & Watch Company wristwatch, a 1948 metal lunchbox featuring depictions of Joe, Humphrey and Little Max, and a 1946 Wheaties cereal box cut-out mask. In 1980, a mountain in Pennsylvania was named for the character.Journey into Fear (1943 film)
Journey into Fear is a 1943 American spy film directed by Norman Foster, based on the Eric Ambler novel of the same name. The film broadly follows the plot of the book, but the protagonist was changed to an American engineer. The RKO Pictures release stars Joseph Cotten, who also wrote the screenplay with uncredited support from Orson Welles. The Mercury Production was also produced by Welles, again uncredited.
In 2005, an alternate cut was shown at a Welles film retrospective at the Locarno International Film Festival in Switzerland. It was the original European release print, lacking the narration and ending of the US version but including about six minutes of footage deleted by RKO Pictures.Les Misérables (radio series)
Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's novel, directed the series and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio.Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio". The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland.Orson Welles radio credits
This is a comprehensive listing of the radio programs made by Orson Welles. Welles was often uncredited for his work, particularly in the years 1934–1937, and he apparently kept no record of his broadcasts.
Radio is what I love most of all. The wonderful excitement of what could happen in live radio, when everything that could go wrong did go wrong. I was making a couple of thousand a week, scampering in ambulances from studio to studio, and committing much of what I made to support the Mercury. I wouldn't want to return to those frenetic 20-hour working day years, but I miss them because they are so irredeemably gone.Readick
Readick is a surname. Notable people with this surname include:
Bob Readick (1925–1985), American actor
Frank Readick (1896–1955), American actorRebecca (novel)
Rebecca is a Gothic novel by English author Dame Daphne du Maurier. A best-seller, Rebecca sold 2,829,313 copies between its publication in 1938 and 1965, and the book has never gone out of print. The novel is remembered especially for the character Mrs Danvers, the fictional estate Manderley, and its opening line: "Last night I dreamt I went to Manderley again."The Adventures of Smilin' Jack
The Adventures of Smilin' Jack was an aviation comic strip that first appeared October 1, 1933, in the Chicago Tribune and ended April 1, 1973.
After a run of 40 years, it was the longest-running aviation comic strip. The strip was created by 27-year-old cartoonist and aviation enthusiast Zack Mosley, who had previously worked on the Buck Rogers and Skyroads strips. Mosley was a member of organizations that indicate his avid aviation research for his strip: Aircraft Owners and Pilots Association, Aviation-Space Writers Association, National Cartoonists Society, B.P.O. Elks, Silver Wings Society, OX-5 Club, and the Quiet Birdmen Fraternity for many years. On September 18, 1976, he was inducted into the Civil Air Patrol Auxiliary-USAF Hall of Honor.Smilin' Jack was originally Mack Martin, in On the Wing, but Chicago Tribune editor Joseph Medill Patterson did not like the original title, so on December 31, 1933, the name was changed to Jack Martin, and the strip was retitled The Adventures of Smilin' Jack after its creator, who had been nicknamed "Smilin' Zack" by his colleagues. In later years it was simply known as Smilin' Jack. Zack Mosley's assistant during the 1930s and early 1940s was Boody Rogers. Smilin' Jack's appearance was based on that of notable air racing star Roscoe Turner.The Bad Man (play)
The Bad Man is a 1920 three-act comedy by American playwright Porter Emerson Browne. The Broadway production at the Comedy Theatre ran for 342 performances beginning August 30, 1920. It was included in Burns Mantle's The Best Plays of 1920–1921.The Campbell Playhouse (radio series)
The Campbell Playhouse (1938–40) was a live CBS radio drama series directed by and starring Orson Welles. Produced by Welles and John Houseman, it was a sponsored continuation of The Mercury Theatre on the Air. The series offered hour-long adaptations of classic plays and novels, as well as adaptations of popular motion pictures.
When Welles left at the end of the second season, The Campbell Playhouse changed format as a 30-minute weekly series that ran for one season (1940–41).The Count of Monte Cristo
The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by French author Alexandre Dumas (père) completed in 1844. It is one of the author's most popular works, along with The Three Musketeers. Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter Auguste Maquet. Another important work by Dumas, written prior to his work with Maquet, was the short novel Georges; this novel is of particular interest to scholars because Dumas reused many of the ideas and plot devices later in The Count of Monte Cristo.The story takes place in France, Italy, and islands in the Mediterranean during the historical events of 1815–1839: the era of the Bourbon Restoration through the reign of Louis-Philippe of France. It begins just before the Hundred Days period (when Napoleon returned to power after his exile). The historical setting is a fundamental element of the book, an adventure story primarily concerned with themes of hope, justice, vengeance, mercy, and forgiveness. It centres on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune, and sets about exacting revenge on those responsible for his imprisonment. His plans have devastating consequences for both the innocent and the guilty.
The book is considered a literary classic today. According to Luc Sante, "The Count of Monte Cristo has become a fixture of Western civilization's literature, as inescapable and immediately identifiable as Mickey Mouse, Noah's flood, and the story of Little Red Riding Hood."The March of Time (radio program)
The March of Time is an American radio news documentary and dramatization series sponsored by Time Inc. and broadcast from 1931 to 1945. Created by broadcasting pioneer Fred Smith and Time magazine executive Roy E. Larsen, the program combined actual news events with reenactments. The "voice" of The March of Time was Westbrook Van Voorhis. The radio series was the basis of the famed March of Time newsreel series shown in movie theaters from 1935 to 1951.The Mercury Theatre on the Air
The Mercury Theatre on the Air (first known as First Person Singular) is a radio series of live radio dramas created by Orson Welles. The weekly hour-long show presented classic literary works performed by Welles's celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series began July 11, 1938 as a sustaining program on the CBS Radio network, airing Mondays at 9 pm ET. On September 11, 1938, the show moved to Sundays at 8 pm.
The show made headlines with its "The War of the Worlds" broadcast on October 30, 1938 and is one of the most famous broadcasts in the history of radio due to the panic which it accidentally caused, after which the Campbell Soup Company signed on as sponsor. The Mercury Theatre on the Air made its last broadcast December 4, 1938, and The Campbell Playhouse began December 9, 1938.The Mysterious Traveler
The Mysterious Traveler was an anthology radio series, a magazine, and a comic book. All three featured stories which ran the gamut from fantasy and science fiction to straight crime dramas of mystery and suspense.The Shadow
The Shadow is the name of a collection of serialized dramas, originally in 1930s pulp novels, and then in a wide variety of Shadow media. One of the most famous adventure heroes of 20th century North America, the Shadow has been featured on the radio, in a long-running pulp magazine series, in American comic books, comic strips, television, serials, video games, and at least five feature films. The radio drama included episodes voiced by Orson Welles.
Originally a mysterious radio show narrator, The Shadow was developed into a distinctive literary character in 1931, later to become a pop culture icon, by writer Walter B. Gibson. The character has been cited as a major influence on the subsequent evolution of comic book superheroes, particularly Batman.The Shadow debuted on July 31, 1930, as the mysterious narrator of the radio program Detective Story Hour, which was developed to boost sales of Street and Smith's monthly pulp Detective Story Magazine. When listeners of the program began asking at newsstands for copies of "That Shadow detective magazine", Street & Smith decided to create a magazine based on The Shadow and hired Gibson to create a character concept to fit the name and voice and write a story featuring him. The first issue of The Shadow Magazine went on sale on April 1, 1931, a pulp series.
On September 26, 1937, The Shadow radio drama, a new radio series based on the character as created by Gibson for the pulp magazine, premiered with the story "The Death House Rescue", in which The Shadow was characterized as having "the power to cloud men's minds so they cannot see him". As in the magazine stories, The Shadow was not given the literal ability to become invisible.
The introduction from The Shadow radio program "Who knows what evil lurks in the hearts of men? The Shadow knows!", spoken by actor Frank Readick Jr, has earned a place in the American idiom. These words were accompanied by an ominous laugh and a musical theme, Camille Saint-Saëns' Le Rouet d'Omphale ("Omphale's Spinning Wheel", composed in 1872). At the end of each episode The Shadow reminded listeners that, "The weed of crime bears bitter fruit! Crime does not pay... The Shadow knows!" (Some early episodes, however, used the alternate statement, "As you sow evil, so shall you reap evil! Crime does not pay... The Shadow knows!")The War of the Worlds (radio drama)
"The War of the Worlds" is an episode of the American radio drama anthology series The Mercury Theatre on the Air directed and narrated by actor and future filmmaker Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898). It was performed and broadcast live as a Halloween episode at 8 p.m. on Sunday, October 30, 1938 over the Columbia Broadcasting System radio network. The episode became famous for causing panic among its listening audience, but the scale of that panic is disputed, as the program had relatively few listeners.The one-hour program began with the theme music for the Mercury Theatre on the Air and an announcement that the evening's show was an adaption of The War of the Worlds. This was followed by a prologue read by Orson Welles which was closely based on the opening of H.G. Wells' novel but updated to state the story events were taking place in 1939. The next half hour of the broadcast was presented as typical evening of radio programming which was interrupted by a series of news bulletins. The first few bulletins interrupt a program of dance music and describe a series of odd explosions observed on Mars. This is followed by a seemingly unrelated report of an unusual object falling on a farm in Grover's Mill, New Jersey. Another brief musical interlude is interrupted by a live report from Grover's Mill, where police officials and a crowd of curious onlookers have surrounded the strange cylindrical object which has fallen from the sky. The situation quickly escalates when Martians emerge from the cylinder and attack using a heat-ray, abruptly cutting off the panicked reporter at the scene. This is followed by a rapid series of increasingly alarming news updates detailing a devastating alien invasion taking place around the world and the futile efforts of the U.S. military to stop it. This portion of the show climaxes with another live report describing giant Martian war machines releasing clouds of poisonous smoke in New York City, after which the program took its first break. During the second half of the show, the program shifts to a more conventional radio drama format and follows a survivor dealing with the aftermath of the invasion and Martian occupation of Earth. As in the original novel, the story ends with the discovery that the Martians have been defeated by microbes rather than by humans.
The illusion of realism was furthered because the Mercury Theatre on the Air was a sustaining show without commercial interruptions, and the first break in the program came almost 30 minutes after the introduction. Popular legend holds that some of the radio audience may have been listening to The Chase and Sanborn Hour with Edgar Bergen and tuned in to "The War of the Worlds" during a musical interlude, thereby missing the clear introduction that the show was a drama; however, contemporary research suggests that this happened only in rare instances.In the days after the adaptation, widespread outrage was expressed in the media. The program's news-bulletin format was described as deceptive by some newspapers and public figures, leading to an outcry against the broadcasters and calls for regulation by the Federal Communications Commission. Nevertheless, the episode secured Welles's fame as a dramatist.