Flash Gordon Strange Adventure Magazine was a pulp magazine which was launched in December 1936. It was published by Harold Hersey, and was an attempt to cash in on the growing comics boom, and the popularity of the Flash Gordon comic strip in particular. The magazine contained a novel about Flash Gordon and three unrelated stories; there were also eight full-page color illustrations. The quality of both the artwork and the fiction was low, and the magazine only saw a single issue. It is now extremely rare.
Although science fiction (sf) had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of Amazing Stories, a pulp magazine published by Hugo Gernsback. After 1931, when Miracle Science and Fantasy Stories was launched, no new science fiction magazines appeared for several years. In 1934 a science fiction comic strip following the adventures of superhero Flash Gordon appeared in newspapers and quickly became popular. In 1936 the strip spawned a movie serial in thirteen parts, also titled Flash Gordon. Late that year Harold Hersey, an experienced pulp magazine editor and publisher, decided to launch three new magazines based on comics. The first two were titled Dan Dunn Detective Magazine and Tailspin Tommy Air Adventure Magazine; these were launched in September and October 1936 respectively.  The third was Flash Gordon Strange Adventures Magazine, which saw a single issue, dated December 1936; it was copyrighted by both Hersey and King Features, the syndicate that owned the copyright to Flash Gordon. Dan Dunn and Tailspin Tommy produced one more issue each before Hersey closed down the venture. It is not known why only one issue of Flash Gordon Strange Adventure Magazine appeared; poor sales figures from the other magazines may have been responsible, or Hersey may simply have run out of money, or possibly King Features, the owner of the copyright to Flash Gordon, only granted rights to Hersey for one issue, and withdrew from the venture after the first issue appeared. Sf historian Everett Bleiler notes that Hersey did not mention the venture in his autobiographical Pulpwood Editor, published a year later, and adds that "given Hersey's usual attempts to glorify himself and to gild his failures, this silence suggests a fiasco larger than usual".
The magazine contained a lead novel and three short stories. The novel, The Master of Mars, by James Edison Northford (or Northfield; the name is spelled one way on the contents page and the other way at the head of the story), has been described by Bleiler as "moronic". Bleiler also comments that of three short stories, one is dated and another third-rate. Two of the stories were by R.R. Winterbotham; one, "The Saga of the Smokepot", was published under his own name; the other, "The Last War", was published under the pseudonym "R.R. Botham". The other story, "The Man Without a Brain", is a collaboration between R.C. Vance (or R.C. Vane; as with Northford, the magazine is inconsistent in spelling the name) and F.K. Young.
Hersey's idea was to have a pulp magazine about comic strip characters; he hoped that there would be sufficient overlap between pulp readers and comics fans to make the magazine successful. The presentation was like that of a typical pulp, but with eight full page color illustrations, all by Fred Meagher, who had previously illustrated Westerns. Bleiler describes the artwork as crude and "far inferior to the sometimes elegant work" of Alex Raymond, the creator of Flash Gordon.
The attempt to market pulp fiction to comics fans turned out to be the wrong approach: the comics field was on the verge of dramatic successes, but the crossover appeal for pulp magazines was not there. The magazine was not widely known at the time it was issued, and has since become extremely rare.
The publisher of Flash Gordon Strange Adventure Magazine was C.J.H. Publishing Co., based in New York. The sole issue was numbered volume 1, number 1; it was in large pulp format, with 96 pages and was priced at 10 cents. Harold Hersey was the president of C.J.H. and the editor of the magazine. A facsimile of the magazine was released as a book in 2005.
Notable events of 1936 in comics. See also List of years in comics.Argosy (magazine)
Argosy, later titled The Argosy and Argosy All-Story Weekly, was an American pulp magazine from 1882 through 1978, published by Frank Munsey. It is the first American pulp magazine. The magazine began as a children's weekly story–paper entitled The Golden Argosy.Flash Gordon
Flash Gordon is the hero of a space opera adventure comic strip created by and originally drawn by Alex Raymond. First published January 7, 1934, the strip was inspired by, and created to compete with the already established Buck Rogers adventure strip.The Flash Gordon comic strip has been translated into a wide variety of media, including motion pictures, television, and animated series. The latest version, a Flash Gordon television series, appeared on the Syfy channel in the United States in 2007–2008.George Kelley Paperback and Pulp Fiction Collection
The George Kelley Paperback and Pulp Fiction Collection is a collection of over 25,000 pulp magazine and fiction works that is housed in the Special Collections unit, in the University at Buffalo Libraries at State University of New York at Buffalo. Noted as one of the best preserved collections of pulp material in modern times, it was donated to UB Libraries in 1994 by Dr. George Kelley, a professor at Erie Community College in Buffalo, New York.The collection spans genres from adventure, crime and horror to Westerns, fantasy and science fiction, including books, pulp magazines, fanzines and other literature. According to UB Libraries, there are hundreds of paperbacks from the 1940s, thousands from the 1950s and 1960s and more from the 1970s and 1980s. Many of these are paperback originals which have never appeared in hardcover editions.History of US science fiction and fantasy magazines to 1950
Science fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
In 1933 Astounding was acquired by Street & Smith, and it soon became the leading magazine in the new genre, publishing early classics such as Murray Leinster's "Sidewise in Time" in 1934. A couple of competitors to Weird Tales for fantasy and weird fiction appeared, but none lasted, and the 1930s is regarded as Weird Tales' heyday. Between 1939 and 1941 there was a boom in science fiction and fantasy magazines: several publishers entered the field, including Standard Magazines, with Startling Stories and Thrilling Wonder Stories (a retitling of Wonder Stories); Popular Publications, with Astonishing Stories and Super Science Stories; and Fiction House, with Planet Stories, which focused on melodramatic tales of interplanetary adventure. Ziff-Davis launched Fantastic Adventures, a fantasy companion to Amazing. Astounding extended its pre-eminence in the field during the boom: the editor, John W. Campbell, developed a stable of young writers that included Robert A. Heinlein, Isaac Asimov, and A.E. van Vogt. The period starting in 1938, when Campbell took control of Astounding, is often referred to as the Golden Age of Science Fiction. Well-known stories from this era include Slan, by van Vogt, and "Nightfall", by Asimov. Campbell also launched Unknown, a fantasy companion to Astounding, in 1939; this was the first serious competitor for Weird Tales. Although wartime paper shortages forced Unknown's cancellation in 1943, it is now regarded as one of the most influential pulp magazines.
Only eight science fiction and fantasy magazines survived World War II. All were still in pulp magazine format except for Astounding, which had switched to a digest format in 1943. Astounding continued to publish popular stories, including "Vintage Season" by C. L. Moore, and "With Folded Hands ..." by Jack Williamson. The quality of the fiction in the other magazines improved over the decade: Startling Stories and Thrilling Wonder in particular published some excellent material and challenged Astounding for the leadership of the field. A few more pulps were launched in the late 1940s, but almost all were intended as vehicles to reprint old classics. One exception, Out of This World Adventures, was an experiment by Avon, combining fiction with some pages of comics. It was a failure and lasted only two issues. Magazines in digest format began to appear towards the end of the decade, including Other Worlds, edited by Raymond Palmer. In 1949, the first issue of The Magazine of Fantasy and Science Fiction appeared, followed in October 1950 by the first issue of Galaxy Science Fiction; both were digests, and between them soon dominated the field. Very few science fiction or fantasy pulps were launched after this date; the 1950s was the beginning of the era of digest magazines, though the leading pulps continued until the mid-1950s, and authors began selling to mainstream magazines and large book publishers.Science fiction magazine
A science fiction magazine is a publication that offers primarily science fiction, either in a hard copy periodical format or on the Internet.
Science fiction magazines traditionally featured speculative fiction in short story, novelette, novella or (usually serialized) novel form, a format that continues into the present day. Many also contain editorials, book reviews or articles, and some also include stories in the fantasy and horror genres.Unknown (magazine)
Unknown (also known as Unknown Worlds) was an American pulp fantasy fiction magazine, published from 1939 to 1943 by Street & Smith, and edited by John W. Campbell. Unknown was a companion to Street & Smith's science fiction pulp, Astounding Science Fiction, which was also edited by Campbell at the time; many authors and illustrators contributed to both magazines. The leading fantasy magazine in the 1930s was Weird Tales, which focused on shock and horror. Campbell wanted to publish a fantasy magazine with more finesse and humor than Weird Tales, and put his plans into action when Eric Frank Russell sent him the manuscript of his novel Sinister Barrier, about aliens who own the human race. Unknown's first issue appeared in March 1939; in addition to Sinister Barrier, it included H. L. Gold's "Trouble With Water", a humorous fantasy about a New Yorker who meets a water gnome. Gold's story was the first of many in Unknown to combine commonplace reality with the fantastic.
Campbell required his authors to avoid simplistic horror fiction and insisted that the fantasy elements in a story be developed logically: for example, Jack Williamson's "Darker Than You Think" describes a world in which there is a scientific explanation for the existence of werewolves. Similarly, L. Sprague de Camp and Fletcher Pratt's Harold Shea series, about a modern American who finds himself in the worlds of various mythologies, depicts a system of magic based on mathematical logic. Other notable stories included several well-received novels by L. Ron Hubbard and short stories such as Manly Wade Wellman's "When It Was Moonlight" and Fritz Leiber's "Two Sought Adventure", the first in his Fafhrd and the Gray Mouser series.
Unknown was forced to a bimonthly schedule in 1941 by poor sales, and cancelled in 1943 when wartime paper shortages became so acute that Campbell had to choose between turning Astounding into a bimonthly or ending Unknown. The magazine is generally regarded as the finest fantasy fiction magazine ever published, despite the fact that it was not commercially successful, and in the opinion of science fiction historian Mike Ashley it was responsible for the creation of the modern fantasy publishing genre.Weird Tales
Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18th. The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright's control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright's control the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction.
Lovecraft's Cthulhu mythos stories first appeared in Weird Tales, starting with "The Call of Cthulhu" in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn's series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched there were no magazines specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere.
In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, and within two years Wright, who was ill, was replaced by Dorothy McIlwraith as editor. Although some successful new authors and artists, such as Ray Bradbury and Hannes Bok, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, with the original title returning in 1998. As of 2018, the most recent published issue was dated Spring 2014.
The magazine is regarded by historians of fantasy and science fiction as a legend in the field, with Robert Weinberg, author of a history of the magazine, considering it "the most important and influential of all fantasy magazines". Weinberg's fellow historian, Mike Ashley, is more cautious, describing it as "second only to Unknown in significance and influence", adding that "somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of Weird Tales".