Eurospy film

Eurospy film, or Spaghetti spy film (especially when referring to Italian-produced films in the genre),[1][2][3] is a genre of spy films produced across Europe, especially in Italy, France, and Spain, that either imitated or parodied the British James Bond series. The first wave of Eurospy films were released in 1964, two years after the first James Bond film, Dr. No, and in the same year as the premiere of what many consider to be the apotheosis of the Bond series, Goldfinger. For the most part, the Eurospy craze lasted until around 1967 or 1968. In Italy, where most of these films were produced, this trend replaced the declining sword and sandal genre.

Christopher Frayling, who estimated the number of Eurospy films at 50, felt that they passed on such traits to the Spaghetti Western as emphasis on the technology of death, such as special weapons, the anonymity of the protagonist, the "money = power" equation of the villains and humorous asides that released the audience's laughter after a violent sequence.[4]

For additional verisimilitude, these films often featured American and British stars in the lead roles.[5] The heroes of the films were secret agents who were often given a name similar to "James Bond" (including "Charles Bind", "Charles Vine" and "James Tont"), and/or a code name matching, or similar to, James Bond's "007". Other Eurospy films made use of existing literary fictional spies, including Bulldog Drummond, Harry Palmer, Hubert Bonisseur de La Bath, AKA OSS 117 (who was not based on James Bond but rather had helped to inspire James Bond), Francis Coplan and Rolf Torring.

James Tont operazione D.U.E. (1966) film poster spoofs the 007 hit Thunderball.


Some European stars and their films were renamed and retitled to cash in on the superspy craze. For example, Jesus Franco's or "Jess Frank"'s 1962 La Muerte silba un Blues was later retitled 077 Operation Jamaica or 077 Operation Sexy with star Conrado San Martín rechristened "Sean Martin" to evoke images of Sean Connery and Dean Martin (who played Matt Helm). Germany's fictional hero Rolf Torring's film Der Fluch des Schwarzen Rubin was retitled Agente S3S Operazione Uranio.[6]

Continental Europe

So many French and Italian films used "007" that United Artists told the Italian film industry that only James Bond could be 007, and threatened legal action.[7] Working around this restriction, many films were given similar, but legally acceptable, three-digit numbers in their titles such as the Italian-Spanish A 001, operazione Giamaica a.k.a. Our Man in Jamaica (1965) and the Secret Agent 077 trilogy starring Ken Clark (Agent 077 – Mission Bloody Mary, Agent 077 From the Orient with Fury, and Special Mission Lady Chaplin). 008: Operation Exterminate (1965) from director Umberto Lenzi features the first female Bond-type hero. Lenzi also made three films starring Roger Browne, Superseven chiama Cairo (1965), Last Man to Kill (1966), and The Spy Who Loved Flowers (1966). Browne was also in Password: Kill Agent Gordon (1966).

Director Bruno Corbucci's James Tont series starring Lando Buzzanca[8] is the earliest Italian comedy series based on 007. James Tont operazione U.N.O. (1965) features a female character named "Goldsinger" and underwater sequences that echo Thunderball. This was quickly followed by the sequel James Tont operazione D.U.E. a.k.a. The Wacky World of James Tont (1965). Corbucci also wrote the screenplays for Kiss Kiss...Bang Bang (1966) and the Derek Flint parody Il vostro super agente Flit (1966). Another Bond spoof, Two Mafiosi Against Goldfinger, also known as The Amazing Dr. G (1965), features Fernando Rey as a criminal mastermind named Goldginger.

CIA agent Bob Fleming is featured in a trio of Italian films, Secret Agent Fireball also titled Da 077: le spie uccidono a Beirut (1965), Killers are Challenged a.k.a. A 077, sfida ai killers (1966), directed by Antonio Margheriti, and Fury in Marrakesh, a.k.a. Furia a Marrakech (1966). Margheriti made one other spy film, Lightning Bolt, a.k.a. Operazione Goldman (1966).

Other notable examples include Berlin, Appointment for the Spies, a.k.a. Spy in Your Eye (Italy, 1965), the French OSS 117 André Hunebelle series based on the Jean Bruce character [9] and Claude Chabrol's Tiger trilogy (Le Tigre aime la chair fraiche, Le Tigre se parfume à la dynamite, and Blue Panther, a.k.a. Marie Chantal contre Dr.), and the German Kommissar X and Jerry Cotton series. France's Eddie Constantine Nick Carter and Lemmy Caution series moved into espionage with several films, including Jean-Luc Godard's Alphaville (1965).

The French Francis Coplan novels resulted in six films including Coplan Saves His Skin (1968). Jean Marais starred in the French-Italian The Reluctant Spy (1963) and Killer Spy (1965). Jean-Paul Belmondo was in the French spy spoof That Man From Rio (1964). American actor Ray Danton made two French films, Code Name: Jaguar (1965), Secret Agent Super Dragon (1966), and the Spanish-Italian 007 parody Lucky, el intrépido a.k.a. Lucky, the Inscrutable (1966) directed by Jesús Franco. Franco also made The Girl from Rio (1969) with Goldfinger's Shirley Eaton in the title role.

Dino De Laurentiis's international co-production Kiss the Girls and Make Them Die (1966) was filmed in Rio de Janeiro using an American director and an Anglo-American cast (Mike Connors, Terry-Thomas, et al.) and a higher budget than most Eurospy films. A touchstone of this series of films was OK Connery, a.k.a. Operation Kid Brother (1967) starring Neil Connery, brother of the then-James Bond actor Sean Connery, plus several actors from the official James Bond series. The director, Alberto De Martino, also made Special Mission Lady Chaplin (1966) and The Spy with Ten Faces (1966) with Karin Dor. She was the first German Bond girl, appearing in You Only Live Twice (1967).

British actor Stewart Granger starred in Red Dragon (1965), Target for Killing (1966) with Adolfo Celi from Thunderball, and Requiem for a Secret Agent (1966) in Italy along with Daniela Bianchi. In addition to the James Bond film From Russia with Love (1963), Bianchi made the Italian spy films Code Name: Tiger (1964), Special Mission Lady Chaplin (1966), and two 007 parodies: Balearic Caper (1966), and the previously mentioned O.K. Connery (1967). Sergio Sollima, who directed Requiem for a Secret Agent, also helmed two Bond-like films starring George Ardisson, Agent 3S3: Passport to Hell (1965), and Agent 3S3, Massacre in the Sun (1966). Ardisson made a third Italian spy film, Operation Counter Spy (1965).

Marilù Tolo was in seven Italian/French-Italian productions: Espionage in Lisbon (1965), Balearic Caper (1966), Kiss the Girls and Make Them Die (1966), Perry Grant, agente di ferro, a.k.a. The Big Blackout (1966), To Skin a Spy (1966), Judoka-Secret Agent (1966), and Casse-tête chinois pour le judoka (1967). And Luciana Paluzzi from Thunderball (1965) also made the French-Italian OSS 117 – Double Agent (1968).

Canadian-American actor Lang Jeffries played a secret agent in Agente X 1-7 operazione Oceano (Italy, 1965), Z7 Operation Rembrandt (Germany–Italy, 1966), Spies Strike Silently (Italy, 1966), The Beckett Affair (France-Italy, 1966), The Killer Lacks a Name (Spain–Italy, 1966), and Mexican Slayride (Spain–Italy, 1967).

A post 1960s pair of films based on French author Gérard de Villiers SAS series appeared in the 1980s, S.A.S. à San Salvador (1982) starring Miles O'Keeffe as Malko and Eye of the Widow (1989) with Richard Young as Malko.

British films

Daliah Lavi, best known for her two American 007 spoofs The Silencers (1966) and Casino Royale (1967), was in Shots in 3/4 Time, a.k.a. Spy Hunt in Vienna and Operation Solo (Germany, 1965) and British films The Spy with a Cold Nose (1966) and Some Girls Do (1969), starring Richard Johnson. He starred in Danger Route (1967) and Deadlier Than the Male (1967), the latter with Sylva Koscina. She made two other British films, Hot Enough for June, a.k.a. Agent ​8 34 (1964), that featured a mention of Agent 007 and Our Man in Marrakesh a.k.a. Bang! Bang! You're Dead! (1966) and two Italian productions, That Man in Istanbul (1965) and Agent X-77 Orders to Kill (1966).

Other British-made films include Master Spy (1964), The Quiller Memorandum (1966), and Subterfuge (1968) starring Gene Barry. Michael Caine played the spy Harry Palmer in The Ipcress File (1965), and four sequels. The semi-parody Licensed to Kill a.k.a. The Second Best Secret Agent in the Whole Wide World (1965), directed by Lindsay Shonteff, featured Bond-like agent Charles Vine. This was followed by two sequels: Where the Bullets Fly (1966), directed by John Gilling, and an obscure Spanish production O.K. Yevtushenko a.k.a. Somebody's Stolen Our Russian Spy (1968). Shonteff went on to direct three more films with a similar spy named "Charles Bind": Number One of the Secret Service (1970), Licensed to Love and Kill a.k.a. The Man from S.E.X. (1979), and Number One Gun (1990).

Post-sixties parodies

Two French films starring Jean Dujardin, 2006's OSS 117: Cairo, Nest of Spies (set in 1955) and 2009's OSS 117: Lost in Rio (set in 1967) both recreate the style of the period and parody the spy genre for a new audience.

The American Austin Powers series (1997–2002) of three comedies starring Mike Myers are set in the 1960s and 1970s. The trio parodies James Bond and other Eurospy films. Michael Caine, as a character similar to his Harry Palmer role (The Ipcress File, et al.), plays Powers' father in the third film, Austin Powers in Goldmember (2002).

The Spanish film Anacleto: agente secreto/Spy Time (2015) reimagines the 1964 comic hero for the screen.

See also


  1. ^ Chapman, James (2000). Licence to Thrill: A Cultural History of the James Bond Films. Columbia University Press.
  2. ^ Parish, James Robert; Pitts, Michael R. (1974). The Great Spy Pictures. Scarecrow Press.
  3. ^ "Films in Review". National Board of Review of Motion Pictures. 25. 1974.
  4. ^ p. 92 Frayling, Christopher. Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone, I.B. Taurus, 2006. See Karl May and Sergio Leone.
  5. ^ Blake, Matt & Deal, David. The Eurospy Guide, Luminary Press, 2004
  6. ^ Der Fluch des schwarzen Rubin (1965) on IMDb
  7. ^ Chapman, James. Licence to Thrill: A Cultural History of the James Bond Films, I. B. Tauris, 2007
  8. ^ p. 126 Biederman, Danny. The Incredible World of Spy-Fi: Wild and Crazy Spy Gadgets, Props and Artifacts from TV and the Movies, Chronicle Books, 2004
  9. ^ "Google Translate".


  • Blake, Matt & Deal, David. The Eurospy Guide, Luminary Press, 2004
  • Giusti, Marco. 007 all'Italiana, Isbn Edizioni, 2010
  • Magni, Daniele. Segretissimi, guida agli spy-movie italiani anni '60, Bloodbuster edizioni, 2010 ISBN 978-88-902087-3-7 (in Italian)
  • Rhys Davies, Richard. The International Spy Film Guide 1945 - 1989, The Kiss Kiss Kill Kill Archive 2016 ISBN 978-0-9569435-2-1
Berlin, Appointment for the Spies

Berlin, Appointment for the Spies (Italian: Berlino - Appuntamento per le spie) is a 1965 Italian Eurospy film directed by Vittorio Sala and starring Dana Andrews. The film is also known as Bang You're Dead.

It was retitled Spy in Your Eye for American International Pictures' American release where it was double billed with Secret Agent Fireball.

Bob Fleming... Mission Casablanca

Agent 077, sfida ai killers, internationally released as Bob Fleming: Mission Casablanca and The Killers Are Challenged, is a 1966 Italian/French international co-production eurospy film directed by Antonio Margheriti. Richard Harrison reprised his role as Bob Fleming from Secret Agent Fireball (1965). The film was shot in Casablanca and Geneva.

Coplan Saves His Skin

Coplan Saves His Skin (French: Coplan sauve sa peau, Italian: L'assassino ha le ore contate) is a 1968 French-Italian Francis Coplan Eurospy film directed by Yves Boisset (at his directorial debut) and starring Claudio Brook. It is the last chapter in the Francis Coplan film series.

Last Plane to Baalbek

Last Plane to Baalbek (also known as Operation Baalbeck) is a 1964 Eurospy film directed by Marcello Giannini and Hugo Fregonese. It is a coproduction between Italy (where the film is known as F.B.I. operazione Baalbeck or La moneta spezzata), France (where it was released as Dernier avion pour Baalbeck) and Lebanon.

Le Tigre aime la chair fraiche

Le Tigre aime la chair fraîche (English title: Code Name: Tiger) is a 1964 Eurospy film directed by Claude Chabrol and starring and written by Roger Hanin as the Tiger. The film was an attempt to create a French franchise equal to James Bond, and the film From Russia with Love is referenced within the film that features the film's female lead Daniela Bianchi. It also was the predecessor of Our Agent Tiger which got released in 1965.

OSS 117 – Double Agent

OSS 117 – Double Agent (also known as OSS 117: Murder for Sale or No Roses for OSS 117 (Pas de Roses pour OSS 117) is a 1968 Eurospy film about agent OSS 117, starring John Gavin.

Our Man in Casablanca

Our Man in Casablanca (Spanish: Nuestro agente en Casablanca, Italian: Il nostro agente a Casablanca, also known as The Killer Lacks a Name) is a 1966 Spanish-Italian Eurospy film written and directed by Tulio Demicheli and starring Lang Jeffries.

Requiem for a Secret Agent

Requiem for a Secret Agent (also known as Requiem per un agente segreto) is an Italian international co-production Eurospy film. It was co-produced with Spain (where it was released as Consigna: Tánger 67) and West Germany (where it was released as Der Chef schickt seinen besten Mann).

The film was directed by Sergio Sollima, and was Sollima's third and last Eurospy film, and the first one he directed with his real name (in the two previous spy films he was credited as Simon Sterling). It was shot in Morocco.

Secret Agent Super Dragon

Secret Agent Super Dragon (also known as New York chiama Superdrago, which translates as New York calls Superdragon) is a 1966 French, German and Italian international co-production Eurospy film, directed by Giorgio Ferroni and starring Ray Danton as the titular secret agent. The film was later mocked and riffed on Mystery Science Theater 3000 (MST3K). Filmed in Amsterdam, the film was released in the United States by United Screen Arts, a company created by actor Dale Robertson as a double feature with The One Eyed Soldiers.

Super Seven Calling Cairo

Super Seven Calling Cairo (Italian: Superseven chiama Cairo) is a 1965 Italian Eurospy film directed by Umberto Lenzi and filmed in Egypt. It is directly inspired by James Bond. It was based on a novel written by Umberto Lenzi. It starred Roger Browne and Massimo Serato, and a young Rosalba Neri.

The Quiller Memorandum

The Quiller Memorandum is a 1966 Anglo-American Eurospy film filmed in DeLuxe Color and Panavision, adapted from the 1965 spy novel The Berlin Memorandum, by Elleston Trevor under the name "Adam Hall", screenplay by Harold Pinter, directed by Michael Anderson, featuring George Segal, Alec Guinness, Max von Sydow and Senta Berger. The film was shot on location in West Berlin and in Pinewood Studios, England. It was nominated for 3 BAFTA Awards, while Pinter was nominated for an Edgar Award for the script.

The film is a spy-thriller set in 1960s West Berlin, where agent Quiller is sent to investigate a neo-Nazi organisation.

The film had its World Premiere on 10 November 1966 at the Odeon Leicester Square in the West End of London.

The Spy Who Loved Flowers

The Spy Who Loved Flowers (Italian: Le spie amano i fiori, also known as Hell Cats) is a 1966 Italian/Spanish co-production science fiction-Eurospy film written and directed by Umberto Lenzi (here credited as "Hubert Humphry"). Set in Paris, Geneva and Athens, it is the sequel to Super Seven Calling Cairo (1965). It starred Roger Browne and Yoko Tani.

The Spy with Ten Faces

The Spy with Ten Faces (Italian: Upperseven, l'uomo da uccidere, German: Der Mann mit den tausend Masken, also known as The Man of a Thousand Masks and Upperseven, the Man to Kill) is a 1966 Italian-West German Eurospy film written and directed by Alberto De Martino.

Tiffany Memorandum

Tiffany Memorandum (also known as The Tiffany Memorandum) is a 1967 Eurospy film directed by Sergio Grieco. It is an international co-production between Italy, France (where the film is known as Coup de force à Berlin) and West Germany (where it was released as Komm Gorilla, schlag zu!). The film is set in Berlin.

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