Eugène Manet (21 November 1833 – 13 April 1892) was a French painter. He did not achieve the high reputation of his older brother Édouard Manet or his wife Berthe Morisot, and devoted much of his efforts to supporting his wife's career.
Manet was the middle of the three sons of Auguste Manet, an official at the French Ministry of Justice. He was born in Paris, 22 months after his older brother Édouard in January 1832, and 16 months before his younger brother Gustave in March 1835. He was named after his mother Eugénie-Désirée (née Fournier). The brothers Édouard and Eugène took piano lessons from Suzanne Leenhoff from 1849; she eventually married Édouard in 1863.
Eugéne served in the French Army, and then studied law, but did not follow his father into a legal career. He travelled to Italy with Édouard in 1853 to study Old Master paintings in Florence, Venice, and Rome.
Berthe Morisot developed a close relationship with Édouard Manet from 1868, but they could not be married. Instead, she married his brother Eugène in Passy on 22 December 1874 (sometimes described as a marriage of convenience). Their wedding gift from Edgar Degas was a portrait of Eugène Manet. Manet and Morisot had one daughter, Julie Manet, born on 14 November 1878.
Manet was depicted by his brother in his paintings Music in the Tuileries (1862), and was probably a model for the right male figure in Le Déjeuner sur l’herbe (1863) which has been identified as either Eugène or his dark-haired younger brother Gustave Manet, and may be a composite of the two. Eugène may also be the chiffonnier (rag-picker) to the right in his brother's painting Philosophers of 1865, and was depicted with Édouard's wife Suzanne in On the Beach (1873). He was also painted several times by his wife.
Like his brother Édouard, Eugène had Republican political sympathies. He published a semi-autobiographical novel, "Victimes!", in 1889. He suffered from ill health from 1891 and died in Paris the following year. He was survived by his wife and daughter; Morisot herself died in 1895. His older brother Édouard had died in 1883 and his younger brother Gustave in 1884.
A Studio at Les Batignolles is a painting by Henri Fantin-Latour created in 1870. The work is now at the Musée d'Orsay.Berthe Morisot
Berthe Marie Pauline Morisot (French: [mɔʁizo]; January 14, 1841 – March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. She was described by Gustave Geffroy in 1894 as one of "les trois grandes dames" of Impressionism alongside Marie Bracquemond and Mary Cassatt.In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Académie des beaux-arts in Paris. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the "rejected" Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar.
Morisot was married to Eugène Manet, the brother of her friend and colleague Édouard Manet.Berthe Morisot with a Bouquet of Violets
Berthe Morisot with a Bouquet of Violets (French: Berthe Morisot au bouquet de violettes) is an 1872 oil painting by Édouard Manet. It depicts fellow painter Berthe Morisot dressed in black mourning dress, with a barely visible bouquet of violets. The painting, sometimes known as Portrait of Berthe Morisot, Berthe Morisot in a black hat or Young woman in a black hat, is in the collection of the Musée d'Orsay in Paris. Manet also created an etching and two lithographs of the same composition.Edma Morisot
Edma Morisot (French: [mɔʁizo]; Marie Edma Caroline Morisot-Pontillon; 1839–1921) was a French artist and the older sister of the Impressionist painter Berthe Morisot.Julie Manet
Julie Manet (November 14, 1878 – July 14, 1966) was a French painter, model, diarist, and art collector.Le Déjeuner sur l’herbe
Le Déjeuner sur l'herbe (English: The Luncheon on the Grass) – originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The piece is now in the Musée d'Orsay in Paris. A smaller, earlier version can be seen at the Courtauld Gallery, London.Music in the Tuileries
Music in the Tuileries is an 1862 painting by Édouard Manet. It is jointly owned by the National Gallery, London and The Hugh Lane, Dublin. It currently hangs in the National Gallery in London.The work is an early example of Manet's painterly style, inspired by Frans Hals and Diego Velázquez, and it is a harbinger of his lifelong interest in the subject of leisure. The painting influenced Manet's contemporaries – such as Monet, Renoir and Bazille – to paint similar large groups of people.
The painting depicts the gatherings of Parisians at weekly concerts in the Tuileries gardens near the Louvre, although no musicians are depicted. While the picture was regarded as unfinished by some, the suggested atmosphere imparts a sense of what the Tuileries gardens were like at the time; one may imagine the music and conversation.
The iron chairs in the foreground had just replaced the wooden chairs in the garden in 1862. Manet has included several of his friends, artists, authors, and musicians who take part, and a self-portrait. Manet is depicted on the far left; next to him is another painter Albert de Balleroy. To their right, seated, is sculptor and critic Zacharie Astruc. Manet's brother Eugène Manet is in foreground, right of centre, with white trousers; the composer Jacques Offenbach with glasses and moustache sits against a tree to the right; critic Théophile Gautier stands against a tree in brown suit and full beard, while author Charles Baudelaire is to the left of Gautier. Henri Fantin-Latour is further left, with beard, looking at the viewer. The fair-haired child in the centre is Léon Leenhoff.
The work measures 76.2 × 118.1 centimetres (30.0 × 46.5 in). It was first exhibited in 1863, and Manet sold the painting to opera singer and collector Jean-Baptiste Faure in 1883. It was sold on to dealer Durand-Ruel in 1898, and then to collector Sir Hugh Lane in 1903. After Lane's death, when RMS Lusitania was sunk in 1915, an unwitnessed codicil to his will left the painting to the Dublin City Gallery (now known as The Hugh Lane). The codicil was found to be invalid, and in 1917 a court case decided that his previous will left the work to the National Gallery in London. After intervention from the Irish government, the two galleries reached a compromise in 1959, agreeing to share the paintings, with half of the Lane Bequest lent and shown in Dublin every five years. The agreement was varied in 1993 so that 31 of the 39 paintings would stay in Ireland, and four of the remaining eight would be lent to Dublin for 6 years at a time.Paule Gobillard
Paule Gobillard (December 3, 1867 – 1946) was a French artist and Post-Impressionist painter who was heavily influenced by the Impressionists. She is the niece of Berthe Morisot and Eugène Manet, the brother of Édouard Manet, who taught her lessons in painting as part of her education upon being orphaned at an early age. She was unknown in the art scene compared to her relatives. She exhibited with the Société des Indépendants in 1904 and in 1926.Portrait of Emile Zola
Portrait of Émile Zola is a painting of Émile Zola by Édouard Manet. Manet submitted the portrait to the 1868 Salon.
At this time Zola was known for his art criticism, and perhaps particularly as the writer of the novel Thérèse Raquin. This told the story of an adulterous affair between Thérèse, the wife of a clerk in a railway company, and a would-be painter named Laurent, whose work, rather like that of Zola's friend Paul Cézanne, is denigrated by the critics. In the eleventh chapter the milieu of Manet's Le Déjeuner sur l’herbe is evoked, in the murder scene, where Camille, the husband, goes out for the day with his wife and her lover to Saint-Ouen.
On the wall is a reproduction of Manet's Olympia, a controversial painting at the 1865 Salon but which Zola considered Manet's best work. "Behind it is an engraving from Velazquez's Bacchus indicating the taste for Spanish art shared by the painter and the writer. A Japanese print of a wrestler by Utagawa Kuniaki II completes the décor." A Japanese screen on the left of the picture recalls the role that the Far East played in revolutionizing ideas on perspective and colour in European painting.Suzanne Manet
Suzanne Manet (UK: , US: ; born Suzanne Leenhoff; 30 October 1829 – 8 March 1906) was a Dutch-born pianist and the wife of the painter Édouard Manet, for whom she frequently modeled.The Balcony (painting)
The Balcony (French: Le balcon) is an 1868-69 oil painting by the French painter Édouard Manet. It depicts four figures on a balcony, one of whom is sitting; the painter Berthe Morisot, who married Manet's brother Eugène in 1874. In the centre is the painter Jean Baptiste Antoine Guillemet. On the right is Fanny Claus, a violinist. The fourth figure, partially obscured in the interior's background, is possibly Léon Leenhoff, Manet's son. It was exhibited at the Paris Salon of 1869, and then kept by Manet until his death in 1883. It was sold to the painter Gustave Caillebotte in 1884, who left it to the French state in 1894. It is currently held at the Musée d'Orsay, in Paris.Victorine Meurent
Victorine-Louise Meurent (also Meurant) (February 18, 1844 – March 17, 1927) was a French painter and a famous model for painters.
Although she is best known as the favourite model of Édouard Manet, she was also an artist in her own right who regularly exhibited at the prestigious Paris Salon. In 1876 her paintings were selected for inclusion at the Salon's juried exhibition, when Manet's work was not.Édouard Manet
Édouard Manet (US: ; UK: ; French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters.