Epistolary novel

An epistolary novel is a novel written as a series of documents. The usual form is letters, although diary entries, newspaper clippings and other documents are sometimes used. Recently, electronic "documents" such as recordings and radio, blogs, and e-mails have also come into use. The word epistolary is derived from Latin from the Greek word ἐπιστολή epistolē, meaning a letter (see epistle).

The epistolary form can add greater realism to a story, because it mimics the workings of real life. It is thus able to demonstrate differing points of view without recourse to the device of an omniscient narrator.

Behn Love-Letters 1684
Titlepage of Aphra Behn's Love-Letters (1684)

Early works

There are two theories on the genesis of the epistolary novel. The first claims that the genre is originated from novels with inserted letters, in which the portion containing the third person narrative in between the letters was gradually reduced.[1] The other theory claims that the epistolary novel arose from miscellanies of letters and poetry: some of the letters were tied together into a (mostly amorous) plot.[2] Both claims have some validity. The first truly epistolary novel, the Spanish "Prison of Love" (Cárcel de amor) (c.1485) by Diego de San Pedro, belongs to a tradition of novels in which a large number of inserted letters already dominated the narrative. Other well-known examples of early epistolary novels are closely related to the tradition of letter-books and miscellanies of letters. Within the successive editions of Edmé Boursault's Letters of Respect, Gratitude and Love (Lettres de respect, d'obligation et d'amour) (1669), a group of letters written to a girl named Babet were expanded and became more and more distinct from the other letters, until it formed a small epistolary novel entitled Letters to Babet (Lettres à Babet). The immensely famous Letters of a Portuguese Nun (Lettres portugaises) (1669) generally attributed to Gabriel-Joseph de La Vergne, comte de Guilleragues, though a small minority still regard Marianna Alcoforado as the author, is claimed to be intended to be part of a miscellany of Guilleragues prose and poetry.[3] The founder of the epistolary novel in English is said by many to be James Howell (1594–1666) with "Familiar Letters" (1645–50), who writes of prison, foreign adventure, and the love of women.

The first novel to expose the complex play that the genre allows was Aphra Behn's Love-Letters Between a Nobleman and His Sister, which appeared in three volumes in 1684, 1685, and 1687. The novel shows the genre's results of changing perspectives: individual points were presented by the individual characters, and the central voice of the author and moral evaluation disappeared (at least in the first volume; her further volumes introduced a narrator). Behn furthermore explored a realm of intrigue with letters that fall into the wrong hands, faked letters, letters withheld by protagonists, and even more complex interaction.

The epistolary novel as a genre became popular in the 18th century in the works of such authors as Samuel Richardson, with his immensely successful novels Pamela (1740) and Clarissa (1749). In France, there was Lettres persanes (1721) by Montesquieu, followed by Julie, ou la nouvelle Héloïse (1761) by Jean-Jacques Rousseau, and Laclos' Les Liaisons dangereuses (1782), which used the epistolary form to great dramatic effect, because the sequence of events was not always related directly or explicitly. In Germany, there was Johann Wolfgang von Goethe's Die Leiden des jungen Werther (1774) (The Sorrows of Young Werther) and Friedrich Hölderlin's Hyperion. The first North American novel, The History of Emily Montague (1769) by Frances Brooke was written in epistolary form.

Starting in the 18th century, the epistolary form was subject to much ridicule, resulting in a number of savage burlesques. The most notable example of these was Henry Fielding's Shamela (1741), written as a parody of Pamela. In it, the female narrator can be found wielding a pen and scribbling her diary entries under the most dramatic and unlikely of circumstances. Oliver Goldsmith used the form to satirical effect in The Citizen of the World, subtitled "Letters from a Chinese Philosopher Residing in London to his Friends in the East" (1760–61). So did the diarist Fanny Burney in a successful comic first novel, Evelina (1788).

The epistolary novel slowly fell out of use in the late 18th century. Although Jane Austen tried her hand at the epistolary in juvenile writings and her novella Lady Susan (1794), she abandoned this structure for her later work. It is thought that her lost novel First Impressions, which was redrafted to become Pride and Prejudice, may have been epistolary: Pride and Prejudice contains an unusual number of letters quoted in full and some play a critical role in the plot.

The epistolary form nonetheless saw continued use, surviving in exceptions or in fragments in nineteenth-century novels. In Honoré de Balzac's novel Letters of Two Brides, two women who became friends during their education at a convent correspond over a 17-year period, exchanging letters describing their lives. Mary Shelley employs the epistolary form in her novel Frankenstein (1818). Shelley uses the letters as one of a variety of framing devices, as the story is presented through the letters of a sea captain and scientific explorer attempting to reach the north pole who encounters Victor Frankenstein and records the dying man's narrative and confessions. Published in 1848, Anne Brontë's novel The Tenant of Wildfell Hall is framed as a retrospective letter from one of the main heroes to his friend and brother-in-law with the diary of the eponymous tenant inside it. In the late 19th century, Bram Stoker released one of the most widely recognized and successful novels in the epistolary form to date, Dracula. Printed in 1897, the novel is compiled entirely of letters, diary entries, newspaper clippings, telegrams, doctor's notes, ship's logs, and the like.


There are 3 types of epistolary novels: monologic (giving the letters of only one character, like Letters of a Portuguese Nun and The Sorrows of Young Werther), dialogic (giving the letters of two characters, like Mme Marie Jeanne Riccoboni's Letters of Fanni Butlerd (1757), and polylogic (with three or more letter-writing characters, such as in Bram Stoker's Dracula). In addition, a crucial element in polylogic epistolary novels like Clarissa, and Dangerous Liaisons is the dramatic device of 'discrepant awareness': the simultaneous but separate correspondences of the heroines and the villains creating dramatic tension.

An important strategic device in the epistolary novel for creating the impression of authenticity of the letters is the fictional editor.[4]

Later works

Epistolary novels have made several memorable appearances in more recent literature:

  • John Cleland's early erotic novel Fanny Hill (1748) is written as a series of letters from the titular character to an unnamed recipient.
  • The Coquette; or, The History of Eliza Wharton (1797) by Hannah Webster Foster is a series of letters between several characters.
  • Sophia Briscoe used the form in both her novels: Miss Melmoth... (1771) and The Fine Lady... (1772).
  • Marianne Ehrmann wrote the epistolary novel Amalie and Minna around 1787.
  • Fyodor Dostoevsky used the epistolary format for his first novel, Poor Folk (1846), as a series of letters between two friends, struggling to cope with their impoverished circumstances and life in pre-revolution Russia.
  • The Moonstone (1868) by Wilkie Collins uses a collection of various documents to construct a detective novel in English. In the second piece, a character explains that he is writing his portion because another had observed to him that the events surrounding the disappearance of the eponymous diamond might reflect poorly on the family, if misunderstood, and therefore he was collecting the true story. This is an unusual element, as most epistolary novels present the documents without questions about how they were gathered. He also used the form previously in The Woman in White (1859).
  • Spanish foreign minister Juan Valera's Pepita Jimenez (1874) is written in three sections, the first and third being a series of letters, the middle part narrated by an unknown observer.
  • Bram Stoker's Dracula (1897) uses not only letters and diaries, but also dictation cylinders and newspaper accounts.
  • Jean Webster's Daddy-Long-Legs (1912).
  • Dorothy L. Sayers and Robert Eustace's The Documents in the Case (1930).
  • Haki Stërmilli's novel If I Were a Boy (1936) is written in the form of diary entries documenting the life of the protagonist.
  • Kathrine Taylor's Address Unknown (1938) is an anti-Nazi novel in which the final letter is returned marked "Address Unknown", indicating the disappearance of the German character.
  • Virginia Woolf used the epistolary form for her feminist essay Three Guineas (1938).
  • C. S. Lewis used the epistolary form for The Screwtape Letters (1942), and considered writing a companion novel from an angel's point of view—though he never did so. It is less generally realized that his Letters to Malcolm: Chiefly on Prayer (1964) is a similar exercise, exploring theological questions through correspondence addressed to a fictional recipient, "Malcolm", though this work may be considered a "novel" only loosely in that developments in Malcolm's personal life gradually come to light and impact the discussion.
  • Thornton Wilder's fifth novel Ides of March (1948) consists of letters and documents illuminating the last days of the Roman Republic.
  • Mark Harris's comic novel Wake Up, Supid (1959) is made up of letters, telegrams, newspaper clippings and pamphlets, all sent either to or from the protagonist.
  • Theodore Sturgeon's short novel Some of Your Blood (1961) consists of letters and case-notes relating to the psychiatric treatment of a non-supernatural vampire.
  • Saul Bellow's novel Herzog (1964) is largely written in letter format. These are both real and imagined letters, written by the protagonist Moses Herzog to family members, friends, and celebrities.
  • Up the Down Staircase is a novel written by Bel Kaufman, published in 1965, which spent 64 weeks on the New York Times Best Seller list. In 1967 it was released as a movie starring Patrick Bedford, Sandy Dennis and Eileen Heckart.
  • Shūsaku Endō's novel Silence (1966) is an example of the epistolary form, half of which consists of letters from Rodrigues, the other half either in the third person or in letters from other persons.
  • The Anderson Tapes (1969, 1970) by Lawrence Sanders is a novel primarily consisting of transcripts of tape recordings.
  • 84, Charing Cross Road (1970) is not a novel but a true account by Helene Hanff written in epistolary form as an exchange of letters between the writer in New York City and a bookseller in London over the course of two decades.
  • Stephen King's novel Carrie (1974) is written in an epistolary structure through newspaper clippings, magazine articles, letters, and book excerpts.
  • In John Barth's epistolary work Letters (1979), the author interacts with characters from his other novels.
  • Alice Walker employed the epistolary form in The Color Purple (1982). The 1985 film adaptation echoes the form by incorporating into the script some of the novel's letters, which the actors deliver as monologues.
  • The Secret Diary of Adrian Mole, Aged 13¾ (1982) by Sue Townsend is a comic novel in the form of a diary set in 1980s Britain.
  • The Good War: An Oral History of World War II (1984) by Studs Terkel is not a novel but a compilation of interviews with people who lived the events from the beginning of America's involvement in World War II, Pearl Harbor, to the end.
  • Michael Dibdin's A Rich Full Death (1986) is an epistolary crime novel set in 19th-century Florence.
  • John Updike's S. (1988) is an epistolary novel consisting of the heroine's letters and transcribed audio recordings.
  • Patricia Wrede and Caroline Stevermer's Sorcery and Cecelia (1988) is an epistolary fantasy novel in a Regency setting from the first-person perspectives of cousins Kate and Cecelia, who recount their adventures in magic and polite society. Unusually for modern fiction, it's written using the style of the letter game.[5]
  • Avi's young-adult novel Nothing But the Truth (1991) uses only documents, letters, and scripts.
  • Bridget Jones's Diary (1996) by Helen Fielding is written in the form of a personal diary.
  • Last Days of Summer (1998) by Steve Kluger is written in a series of letters, telegrams, therapy transcripts, newspaper clippings, and baseball box scores.
  • The Perks of Being a Wallflower (1999) was written by Stephen Chbosky in the form of letters from an anonymous character to a secret role model of sorts.
  • The Whalestoe Letters (2000) by Mark Z. Danielewski is an epistolary novella and a companion piece to his debut novel House of Leaves. It is written with letter's from the protagonist's mother who lives in a mental institution.
  • Richard B. Wright's Clara Callan (2001) uses letters and journal entries to weave the story of a middle-aged woman in the 1930s.
  • The Boy Next Door (2002) by Meg Cabot is a romantic comedy novel consisting entirely of e-mails sent among the characters.
  • The Princess Diaries by Meg Cabot is a series of ten novels written in the form of diary entries.
  • Lemony Snicket: The Unauthorized Autobiography (2002) by Lemony Snicket/Daniel Handler uses letters, documents, and other scripts to construct the plotline.
  • Several of Gene Wolfe's novels are written in the forms of diaries, letters, or memoirs.
  • La silla del águila (The Eagle's Throne) by Carlos Fuentes (2003) is a political satire written as a series of letters between persons in high levels of the Mexican government in 2020. The epistolary format is treated by the author as a consequence of necessity: the United States impedes all telecommunications in Mexico as a retaliatory measure, leaving letters and smoke signals as the only possible methods of communication, particularly ironic given one character's observation that "Mexican politicians put nothing in writing."
  • We Need to Talk About Kevin (2003) is a monologic epistolary novel written as a series of letters from Eva, Kevin's mother, to her husband Franklin.
  • The 2004 novel Cloud Atlas by David Mitchell tells a story in several time periods in a nested format, with some sections told in epistolary style, including an interview, journal entries and a series of letters.
  • In the Ross O'Carroll-Kelly novels, out-of-context text messages, usually humorous, mark transitions between sections.
  • Griffin and Sabine by artist Nick Bantock is a love story written as a series of hand-painted postcards and letters.
  • Where Rainbows End (alternately titled "Rosie Dunne" or "Love, Rosie" in the United States) (2004), by Cecelia Ahern, is written in the form of letters, e-mails, instant messages, newspaper articles, etc.
  • Uncommon Valour (2005) by John Stevens, the story of two naval officers in 1779, is primarily written in the form of diary and log extracts.
  • The Great Detective at the Crucible of Life (2005) by Thomas Kent Miller, comprises a variety of letters, parchments, and journal entries that bring to light an adventure by H. Rider Haggard's Allan Quatermain.
  • World War Z: An Oral History of the Zombie War (2006), by Max Brooks, is a series of interviews from various survivors of a zombie apocalypse.
  • Diary of a Wimpy Kid (2007), by Jeff Kinney, is a series of fiction books written in the form a diary, including hand-written notes and cartoon drawings.
  • The White Tiger (2008) by Aravind Adiga, winner of the 40th Man Booker Prize in 2008, is a novel in the form of letters written by an Indian villager to the Chinese Premier Wen Jiabao.
  • The Guernsey Literary and Potato Peel Pie Society (2008), by Mary Ann Shaffer and Annie Barrows, is written as a series of letters and telegraphs sent and received by the protagonist.
  • A Visit from the Goon Squad (2010) by Jennifer Egan has parts which are epistolary in nature.
  • Super Sad True Love Story (2010) by Gary Shteyngart.
  • Why We Broke Up (2011) by Daniel Handler, illustrated by Maira Kalman.
  • The Martian, by Andy Weir, is written as a collection of video journal entries for each Martian day (sol) by the protagonist on Mars, and sometimes by main characters on Earth and on the space station Hermes.
  • The Closeness That Separates Us (2013), by Katie Hall and Bogen Jones, is written almost exclusively as an exchange of e-mails between the two forbidden lovers, Lena and Ed.
  • The Sacred Diary of Adrian Plass Aged 373⁄4 is one of a series of books written by Adrian Plass, this one consisting entirely of diary entries. Another consists of transcripts of tapes, yet another consists of letters.

Other media

  • "Dear Dad", episode twelve of the first season of M*A*S*H, used the framing device of a letter written by Hawkeye Pierce to his father to describe the events of the episode.
  • "The Stackhouse Filibuster", episode seventeen of the second season of The West Wing, used the framing device of emails sent by C.J. Cregg, Josh Lyman and Sam Seaborn to their respective parents to describe the events of the episode. Aaron Sorkin also used this device on his earlier show Sports Night.
  • Epistolary songs include The Beatles' "P.S. I Love You", Eminem's "Stan", Leonard Cohen's "Famous Blue Raincoat", Tom Waits's "Christmas Card from a Hooker in Minneapolis" and Bloodhound Gang's "The Ballad of Chasey Lain".
  • Thomas Bailey Aldrich's Marjorie Daw and Charlotte Perkins Gilman's The Yellow Wallpaper are two examples of epistolary short stories.
  • The works of Christine Love all share an epistolary style; from the forum documents and e-mails of "Digital: A Love Story", the e-mails and chat logs of students in "Don't take it personally, babe, it just ain't your story". "Analogue: A Hate Story" and "Hate Plus" are tales told in the form of diary entries and letters between residents of the colonial spaceship, the Mugunghwa.
  • Dear Esther is a 2012 video game by thechineseroom that allows the player to traverse an uninhabited Hebridean island; as the player does this, letters and diary excerpts are recalled audibly by the narrator to reveal the story and encourage progression towards certain areas. These narrations are randomly chosen, and so a different story (or more details of the same story) are revealed during multiple playthroughs of the game.
  • The Frictional Games video games Penumbra: Overture (2007) and its sequel Penumbra: Black Plague (2008) are framed in the form of an e-mail written by the protagonist Philip to an outside contact and the story culminates at the point of writing. The developer's later 2010 title Amnesia: The Dark Descent would also frequently refer to letters as a means of exposition, as well as flashbacks, but this time read through by the original writer Daniel after chemically inducing memory loss.
  • The entire Star Trek franchise can be described as epistolary to a degree, as its characters are frequently heard making entries in their personal or official logs, whichever is applicable.
  • The text portions the multimedia webcomic Homestuck are largely composed of online chats between characters, interspersed with commentary by several omniscient in-universe narrators who interact with the plot.

See also


  1. ^ E.Th. Voss. Erzählprobleme des Briefromans, dargestellt an vier Beispielen des 18. Jahrhunderts. Bonn, 1960.
  2. ^ B.A. Bray. L'art de la lettre amoureuse: des manuels aux romans (1550-1700). La Haye/Paris, 1967
  3. ^ G. de Guilleragues. Lettres portugaises, Valentins et autres oeuvres. Paris, 1962
  4. ^ A. Takeda. Die Erfindung des Anderen: Zur Genese des fiktionalen Herausgebers im Briefroman des 18. Jahrhunderts. Würzburg, 2008; U. Wirth. Die Geburt des Autors aus dem Geist der Herausgeberfiktion. Editoriale Rahmung im Roman um 1800. Munich, 2008.
  5. ^ "Interview with Patricia C. Wrede". The Enchanted Inkpot. Retrieved 27 February 2016.

External links

Aline and Valcour

Aline et Valcour; ou, Le Roman philosophique is an epistolary novel by the Marquis de Sade. It contrasts a brutal African kingdom, Butua, with a South Pacific island paradise known as Tamoé and led by the philosopher-king Zamé.

Sade wrote the book while incarcerated in the Bastille in the 1780s. Published in 1795, it was the first of Sade's books published under his true name.

Bloodline (Cary novel)

Bloodline is a 2005 novel written by Kate Cary. It is an unofficial sequel to Bram Stoker's Dracula. Like the original novel, Bloodline is an epistolary novel written entirely in letters, diary entries and news articles. A second novel, titled Bloodline: Reckoning was later released.


Coquette may refer to:

a flirtatious female

Coquette (film), an Academy Award-winning 1929 film starring Mary Pickford

Coquette (1949 film), a 1949 Mexican musical film

Coqueta (1983 film), a 1983 Mexican musical drama film

"Coquette" (song), 1929 song by Johnny Green and Carmen Lombardo

Coquette Productions, the production company of Courteney Cox and David Arquette

The Coquette, a 1797 epistolary novel by Hannah Webster Foster

HMS Coquette, various ships of the British Royal Navy

Coquettes, several species of hummingbird in the genus Lophornis, and the Racket-tailed coquette in the genus Discosura

Dear Mr. Henshaw

Dear Mr. Henshaw is a juvenile epistolary novel by Beverly Cleary and illustrator Paul O. Zelinsky that was awarded the Newbery Medal in 1984. Based on a 2007 online poll, the National Education Association named the book one of its "Teachers' Top 100 Books for Children."

Desmond (novel)

Desmond is an epistolary novel by Charlotte Turner Smith, first published in 1792. The novel focuses on politics during the French Revolution.

Unlike her previous and subsequent novels, Smith used Desmond to introduce her audiences to contemporary politics. While critics initially supported this element of Desmond, the radicalism of the French Revolution and the "conservative mood among her audience" prompted Smith to "tone down" the political references in her novels.

Doctor Glas

Doctor Glas, an epistolary novel by Hjalmar Söderberg, tells the story of a physician in 19th-century Sweden who deals with moral and love issues.


An epistolary (Latin: epistolarium) is a Christian liturgical book containing set readings for church services from the New Testament Epistles. In the Catholic Church, it is usually used at a Solemn High Mass.

Epistolary means "in the form of a letter or letters". As an adjective it may refer to the following art forms:

Epistolary novel

Epistolary poem


Fangland is a 2007 novel written by John Marks, a former producer for 60 Minutes. It is a reimagined version of Dracula by Bram Stoker, setting in a post-9/11 New York. Like Dracula, Fangland is written in parts as an epistolary novel through e-mails, diary entries and letters. It received a World Fantasy Award nomination.

Give a Boy a Gun

Give a Boy a Gun is an epistolary novel for young adults by Todd Strasser, first published in 2000. The novel describes the events and social circumstances that lead up to, and form the aftermath of, a fictional school shooting. The story is presented in the form of segments of transcribed post-incident interviews with students, parents, teachers, and community members, compiled by Denise Shipley, a journalism student who is the stepsister of one of the shooters. The interviews provide a variety of viewpoints on the incident – some sympathetic, others hostile. Interspersed through the book are footnotes providing statistical information about guns and gun violence.

The plot has some similarities to the real-life Columbine High School massacre of April 20, 1999, although Strasser began research on the book before the Columbine shooting. The book was the first book relating to school shootings published after Columbine.

Hyperion (Hölderlin novel)

Hyperion is an epistolary novel by German poet Friedrich Hölderlin. Originally published in two volumes in 1797 (Volume 1) and 1799 (Volume 2), respectively, the full title is Hyperion; or, The Hermit in Greece (German: "Hyperion; oder, Der Eremit in Griechenland"). Each volume is divided into two books, with each second book including an epigraph from Sophocles. The work is told in the form of letters from the protagonist, Hyperion, to his German friend Bellarmin, alongside a few letters between Hyperion and his love Diotima in the second volume of the novel, and is noted for its philosophical classicism and expressive imagery.


LETTERS is an epistolary novel by the American writer John Barth, published in 1979. It consists of a series of letters in which Barth and the characters of his other books interact.

In addition to the Author and Germaine Pitt (or 'Lady Amherst', unrelated to any of Barth's previous novels), the correspondents are Todd Andrews (from The Floating Opera), Jacob Horner (from The End of the Road), A.B. Cook (a descendent of Burlingame in The Sot-Weed Factor), Jerome Bray (associated with Giles Goat-Boy and Chimera) and Ambrose Mensch (from Lost in the Funhouse).The book is subtitled "An old time epistolary novel by seven fictitious drolls & dreamers each of which imagines himself factual." The structure is such that when the first character of each of the letters in the book are placed on a calendar according to their dates, and the individual months are turned sideways, they spell out the subtitle. In addition, the marked dates spell out the word "LETTERS."

Les Liaisons dangereuses

Les Liaisons dangereuses (French pronunciation: ​[le ljɛ.zɔ̃ dɑ̃.ʒə.ʁøz]; Dangerous Liaisons) is a French epistolary novel by Pierre Choderlos de Laclos, first published in four volumes by Durand Neveu from March 23, 1782.

It is the story of the Marquise de Merteuil and the Vicomte de Valmont, two narcissistic rivals (and ex-lovers) who use seduction as a weapon to socially control and exploit others, all the while enjoying their cruel games and boasting about their manipulative talents. It has been claimed to depict the decadence of the French aristocracy shortly before the French Revolution, thereby exposing the perversions of the so-called Ancien Régime. However, it has also been described as an amoral story.

As an epistolary novel, the book is composed entirely of letters written by the various characters to each other. In particular, the letters between Valmont and the Marquise drive the plot, with those of their victims and other characters serving as contrasting figures to give the story its depth.

Letter collection

A letter collection or collection of letters consists of a publication, usually a book, containing a compilation of letters written by a real person.

Unlike an epistolary novel, a collection of letters belongs to non-fiction literature. Letter collections have a strong link with biographies, autobiographies and historical narrations.

Matt Beaumont

Matthew Beaumont is a British novelist and former copywriter.

Beaumont made his debut in 2000 with the comic novel, e. The Novel of Liars, Lunch and Lost Knickers, which consists entirely of e-mails composed by the staff of one advertising office. A recent example of an epistolary novel, it is generally recognised as one of the first e-mail novels.For the BBC, Beaumont created the storyline of the alternate reality game, Jamie Kane (2005).Beaumont is married to novelist Maria Beaumont. They have two children and live in London.

Philtrum Press

Philtrum Press is a small publishing house run by Stephen King. This small press operation, operating out of King's front business offices in Bangor, Maine, is primarily run by King's personal assistant, Marsha DeFillipo (who is also the moderator of the Stephen King Website Message Board.)

At least the following have been published:

The Plant part 1 (1982), unfinished, serialized, epistolary novel written by Stephen King

The Plant part 2 (1983)

The Eyes of the Dragon (1984), novel written by Stephen King, 1000 copies, Signed/Limited

The Plant, part 3 (1995)

The Ideal Genuine Man 1997, a novel written by Don Robertson

Six Stories (1997), a short story collection written by Stephen King, 1100 copies, Signed/Limited

"The New Lieutenant's Rap" (1999), a short story written by Stephen King, 500 copies (approx.), Signed/Limited

"Guns" (2013), an essay written by Stephen King, published as a 25-page e-book

Pygmy (novel)

Pygmy is an epistolary novel by Chuck Palahniuk. It was released on May 5, 2009.

The Book of Renfield

The Book of Renfield: A Gospel of Dracula is a 2005 novel written by Tim Lucas and the first of the mash-up horror-themed novels that rose to commercial prominence later in the decade. It is an unofficial prequel to Bram Stoker's Dracula. Like the original novel, Renfield is an epistolary novel written in series of written documents. It focuses mainly on Renfield, mostly remembered for his minor role in Dracula as a lunatic that ate flies, rodents and other animals, and Dr. John Seward, the administrator of an insane asylum who is trying to understand Renfield's psychosis.

The Hippopotamus

The Hippopotamus (1994) is a comic novel by Stephen Fry. Written in part as an epistolary novel, it is largely narrated by the main character Edward "Ted" Wallace. Wallace is an alcoholic washed-up poet and theatre critic who, having been fired from his newspaper job, accepts a lucrative commission from his terminally ill goddaughter to investigate rumours of miracle healings at Swafford Hall, country mansion of Wallace's old friend Lord Logan.

The Kempton-Wace Letters

The Kempton-Wace Letters was a 1903 epistolary novel written jointly by Americans Jack London and Anna Strunsky, then based in San Francisco, California. It was published anonymously.


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