Elizabeth (film)

Elizabeth is a 1998 British biographical drama film written by Michael Hirst, directed by Shekhar Kapur, and starring Cate Blanchett in the title role of Queen Elizabeth I of England, alongside Geoffrey Rush, Christopher Eccleston, Joseph Fiennes, John Gielgud, Fanny Ardant, and Richard Attenborough. The film is based on the early years of Elizabeth's reign, where she is elevated to the throne after the death of her half-sister Mary I, who had imprisoned her. As her early years continue, she faces plots and threats to take her down.

The film earned positive reviews from critics, who praised the production merits and performances of its cast. Blanchett's performance earned critical acclaim as it brought her to international attention. She won several awards for her portrayal of Elizabeth, notably a BAFTA and a Golden Globe in 1998. The film was named the 1998 BAFTA Award for Best British Film and was nominated for seven awards at the 71st Academy Awards, including Best Picture and Best Actress, winning Best Makeup. In 2007, Blanchett and Rush reprised their roles in Kapur's follow-up film Elizabeth: The Golden Age, which covers the later part of Elizabeth's reign.

Elizabeth
Elizabeth Poster
Theatrical release poster
Directed byShekhar Kapur
Produced by
Written byMichael Hirst
Starring
Music byDavid Hirschfelder
CinematographyRemi Adefarasin
Edited byJill Bilcock
Production
company
Distributed byGramercy Pictures
Release date
  • 8 September 1998 (Venice)
  • 23 October 1998 (United Kingdom)
Running time
123 minutes
CountryUnited Kingdom
Language
  • English
Budget$30 million
Box office$82.1 million[1]

Plot

In 1558, Catholic Queen Mary dies of a uterine tumour. Mary's Protestant half-sister, Elizabeth, under house arrest for conspiracy charges, is freed and crowned the Queen of England.

As briefed by her adviser William Cecil, Elizabeth inherits a distressed England besieged by debts, crumbling infrastructure, hostile neighbours and treasonous nobles within her administration, chief among them the Duke of Norfolk. Cecil advises Elizabeth to marry, produce an heir, and secure her rule. Unimpressed with her suitors, Elizabeth delays her decision and continues her secret affair with Lord Robert Dudley while Cecil appoints Francis Walsingham, a Protestant exile returned from France, to act as Elizabeth's bodyguard and adviser.

Mary of Guise lands an additional 4,000 French troops in neighbouring Scotland. Unfamiliar with military strategy and browbeaten by Norfolk at the war council, Elizabeth orders a military response, which proves disastrous when the younger, ill-trained English forces are defeated by the professional French soldiers. Walsingham tells Elizabeth that Catholic lords and priests intentionally deprived Elizabeth's army of proper soldiers and used their defeat to argue for Elizabeth's removal. Realizing the depth of the conspiracy against her and her dwindling options, Elizabeth accepts Mary of Guise's conditions, to consider marrying her nephew Henry of France.

To stabilize her rule and heal England's religious divisions, Elizabeth proposes the Act of Uniformity, which unites English Christians under the Church of England and severs their connection to the Vatican. In response to the Act's passage, the Vatican sends a priest to England to aid Norfolk and his cohorts in their growing plot to overthrow Elizabeth. Unaware of the plot, Elizabeth meets Henry of France but ignores his advances in favour of Lord Robert. William Cecil confronts Elizabeth over her indecisiveness about marrying and reveals Lord Robert is married to another woman. Elizabeth rejects Henry's marriage proposal when she discovers he is a cross-dresser and confronts Lord Robert about his secrets, fracturing their idyllic affair and banishing him from her private residence.

Elizabeth survives an assassination attempt, whose evidence implicates Mary of Guise. Elizabeth sends Walsingham to secretly meet with Mary in Scotland, under the guise of once again planning to marry Henry. Instead, Walsingham assassinates Guise, inciting French enmity against Elizabeth. When William Cecil orders her to solidify relations with the Spanish, Elizabeth dismisses him from her service, choosing instead to follow her own counsel.

Walsingham warns of another plot to kill Elizabeth spearheaded by the priest from Rome carrying letters of conspiracy. Under Elizabeth's orders, Walsingham apprehends the priest who divulges the names of the conspirators and a Vatican agreement to elevate Norfolk to the English crown if he weds Mary, Queen of Scots. Walsingham arrests Norfolk and executes him and every conspirator except Lord Robert. Elizabeth grants Lord Robert his life as a reminder to herself to never be blinded by romance again.

Drawing inspiration from the divine, Elizabeth cuts her hair and models her appearance after the Virgin Mary. Proclaiming herself married to England, she ascends the throne as "the Virgin Queen".

Cast

Production

The costuming and shot composition of the coronation scene are based on Elizabeth's coronation portrait.

Elizabeth I in coronation robes
This portrait "The Coronation of Elizabeth" was used as the basis for the photography and costume of Cate Blanchett during the coronation scene in the film. This is a copy of a now lost original, this copy attrib. Nicholas Hilliard

Kapur's original choice for the role was Emily Watson, however she turned it down.[2] Cate Blanchett was chosen to play Elizabeth after Kapur saw a trailer of Oscar and Lucinda.[3] According to the director's commentary, Kapur mentioned that the role of the Pope (played by Sir John Gielgud) was originally offered to, and accepted by, Marlon Brando. However, plans changed when Kapur noted that many on set would probably be concerned that Brando would be sharing the set with them for two days. Later, when Gielgud had taken the role, Kapur at one point suggested (in vain) that the Pope's accent should be Italian; he added that every British actor within earshot was horrified that any director was asking Sir John Gielgud to speak in an accent that "wasn't John Gielgud".

A large proportion of the indoor filming, representing the royal palace, was conducted in various corners of Durham Cathedral—its unique nave pillars are clearly identifiable.

Reception

The film was received well by critics and the public, it holds an 81% "fresh" rating on film aggregate website Rotten Tomatoes based on 59 film critic reviews. The site's consensus was: "No mere historical drama, Elizabeth is a rich, suspenseful journey into the heart of British Royal politics and features a typically outstanding performance from Cate Blanchett."[4]

Historical accuracy

The film takes considerable factual liberties and misconstrues several historic events to depict them as having occurred in the early years of Elizabeth's reign. Furthermore, the timeline of events prior to her accession is also inaccurate. For instance, the film depicts Mary I of England as being pregnant prior to Elizabeth's imprisonment. In actuality, Elizabeth was imprisoned on 18 March 1554 whereas it was not announced that the Queen was believed to be pregnant until September of that same year. Elizabeth was also released from the Tower of London in May, again, before Mary was thought to be pregnant. Mary's false pregnancy was not caused by a cancerous tumor or a tumor of any kind. Mary had another false pregnancy between the fall of 1557, and March 1558 that is not mentioned in the movie, and she died on the 17 November 1558, four years after Elizabeth's imprisonment in the Tower.

Elizabeth was put under house arrest at Woodstock, not Hatfield, and did not remain there until her sister's death. On 17 April 1555 she was summoned from this location to Hampton Court to be with Mary during the Queen's delivery. When the Queen did not deliver, Elizabeth remained at court though 18 October 1555 until after it had become apparent that Mary was not pregnant and after the Queen's husband Philip II of Spain had gone abroad. It was only after this time that Elizabeth was finally able to return to Hatfield.

Robert Dudley, Earl of Leicester was also imprisoned in the Tower under suspicion of involvement with the Wyatt Revolt. However, he was imprisoned before Elizabeth. Dudley is also wrongly depicted as having been a co-conspirator in the plot against Elizabeth. In fact, he remained one of Elizabeth's closest friends until his death in 1588, long after their romantic relationship had ended.

Mary of Guise was not assassinated by Walsingham, but died naturally from edema on 11 June 1560.[5]

William Cecil, Baron Burghley was not an old man when Elizabeth began her reign, he was only thirteen years older than her. Likewise she never compelled him to retire, as is depicted in the film. He remained her chief advisor and was Lord High Treasurer from 1572 until his death in 1598. Similarly, the film depicts Cecil being given the title Lord Burghley before the Northern Rising of 1569. In fact, he was given this title two years after this in 1571.

Elizabeth began to paint her face white with lead pigment after she was left scarred from an attack of smallpox in 1563, not after the 1569 Northern Rising as depicted. Although the idea of marriage to Henry, Duke of Anjou was briefly entertained in 1570, Elizabeth never actually met him and there is no evidence that he was a transvestite, as depicted in the film. It was his brother Francis, Duke of Anjou, 22 years younger than Elizabeth, whom she seriously courted beginning in 1578, when she was 45 years old and he was 23. At the end of the film, Elizabeth is shown as having decided permanently against marriage. In fact, she entertained the idea of marriage with several European monarchs well into middle-age. These included her former brother-in-law, Philip II of Spain, Archduke Charles of Austria, Eric XIV of Sweden, Adolphus, Duke of Holstein, and the Valois princes Francis and Henry (later King Henry III of France and Poland.)[6]

Accusations of anti-Catholicism

The Catholic League for Religious and Civil Rights accused the film of anti-Catholicism, stating that the film gives the "impression that the religious strife was all the doing of the Catholic Church," noting that the review in The New York Times considered it "resolutely anti-Catholic" complete with a "scheming pope" and repeating the charge made in the Buffalo News that "every single Catholic in the film is dark, cruel and devious."[7]

Release

Elizabeth premiered in September 1998 at the Venice Film Festival; it was also shown at the Toronto International Film Festival.[8] It premiered in London on 2 October 1998 and it premiered in the United States on 13 October 1998.[8] It opened in the United Kingdom on 23 October 1998[8] and opened in limited release in the United States in nine cinemas on 6 November 1998, grossing $275,131.[9] Its widest release in the United States and Canada was in 624 cinemas,[9] and its largest weekend gross throughout its run in cinemas in the US and Canada was $3.9 million in 516 cinemas,[9] ranking No.9 at the box office.[10] Elizabeth went on to gross $30 million in the United States and Canada, and a total of $82.1 million worldwide.[11]

Awards

Wins

Nominations

also directed by Shekhar Kapur, starring Cate Blanchett as Queen Elizabeth I and Geoffrey Rush as Francis Walsingham, deals with latter part of Elizabeth's reign and another love interest that was not to come to fruition (Walter Raleigh).

References

  1. ^ Elizabeth at Box Office Mojo
  2. ^ Archerd, Army (17 February 1999). "'Jackie' thesp sez she's no 'Elizabeth'". Variety. Retrieved 6 April 2017.
  3. ^ "Arts: Her Brilliant Career" independent.co.uk
  4. ^ "Elizabeth". Rotten Tomatoes. Retrieved 24 March 2012.
  5. ^ CSP Scotland, vol. i (1898), 389 and CSP Foreign Elizabeth, vol. ii (1865), 604, 29 April 1560.
  6. ^ "The Tudor Age 1480-1603" Guy, John. The Oxford Illustrated History of Britain; Ed. Kenneth O. Morgan, 266
  7. ^ Elizabeth is "resolutely anti-Catholic" Catholic League for Religious and Civil Rights, January–February 1999
  8. ^ a b c "Elizabeth (1998) – Release dates". Internet Movie Database. Retrieved 15 October 2007.
  9. ^ a b c "Elizabeth (1998) – Weekend Box Office". Box Office Mojo. Retrieved 15 October 2007.
  10. ^ Weekend Box Office - November 27-29, 1998. Box Office Mojo. (8 July 2011). Retrieved on 8 August 2011.
  11. ^ "Elizabeth (1998)". Box Office Mojo. Retrieved 15 October 2007.
  12. ^ "The 1999 Oscar Winners - RopeofSilicon.com Award Show Central". Ropeofsilicon.com. Archived from the original on 1 October 2011. Retrieved 8 August 2011.
  13. ^ "Awards Database - The BAFTA site". Bafta. Retrieved 8 August 2011.
  14. ^ "The BFCA Critics' Choice Awards :: 1998". Bfca.org. Archived from the original on 19 July 2012. Retrieved 8 August 2011.
  15. ^ "Chicago Film Critics Awards - 1998-07". Chicagofilmcritics.org. Archived from the original on 17 October 2013. Retrieved 8 August 2011.
  16. ^ a b c d e f g Awards IMDb
  17. ^ "The 1999 Golden Globe Award Winners - RopeofSilicon.com Award Show Central". Ropeofsilicon.com. Archived from the original on 26 April 2012. Retrieved 8 August 2011.
  18. ^ "National Board of Review of Motion Pictures :: Awards". Nbrmp.org. Archived from the original on 27 September 2011. Retrieved 8 August 2011.
  19. ^ "Online Film Critics Society". Rotten Tomatoes. Archived from the original on 12 May 2008. Retrieved 8 August 2011.
  20. ^ "Awards Database - The BAFTA site". Bafta. Retrieved 8 August 2011.

External links

For the Love of Benji

For the Love of Benji is the first sequel to the original film, featuring Benji and released in 1977.

House of Tudor

The House of Tudor was an English royal house of Welsh origin, descended in the male line from the Tudors of Penmynydd. Tudor monarchs ruled the Kingdom of England and its realms, including their ancestral Wales and the Lordship of Ireland (later the Kingdom of Ireland) from 1485 until 1603, with five monarchs in that period. The Tudors succeeded the House of Plantagenet as rulers of the Kingdom of England, and were succeeded by the House of Stuart. The first Tudor monarch, Henry VII of England, descended through his mother from a legitimised branch of the English royal House of Lancaster. The Tudor family rose to power in the wake of the Wars of the Roses, which left the House of Lancaster, to which the Tudors were aligned, extinct.

Henry Tudor was able to establish himself as a candidate not only for traditional Lancastrian supporters, but also for the discontented supporters of their rival House of York, and he rose to the throne by the right of conquest. His victory at the Battle of Bosworth Field was reinforced by his marriage to the English princess Elizabeth of York, daughter of Edward IV, symbolically uniting the former warring factions under a new dynasty. The Tudors extended their power beyond modern England, achieving the full union of England and the Principality of Wales in 1542 (Laws in Wales Acts 1535 and 1542), and successfully asserting English authority over the Kingdom of Ireland. They also maintained the nominal English claim to the Kingdom of France; although none of them made substance of it, Henry VIII fought wars with France trying to reclaim that title. After him, his daughter Mary I lost control of all territory in France permanently with the fall of Calais in 1558.

In total, five Tudor monarchs ruled their domains for just over a century. Henry VIII was the only son of Henry VII to live to the age of maturity. Issues around the royal succession (including marriage and the succession rights of women) became major political themes during the Tudor era. In 1603 when Elizabeth I died without heir, the Scottish House of Stuart supplanted the Tudors as England's royal family through the Union of the Crowns. The first Stuart to be King of England, James VI and I, descended from Henry VII's daughter Margaret Tudor, who in 1503 married James IV as part of the Treaty of Perpetual Peace.

For analysis of politics, diplomacy and social history, see Tudor period.

Karen Dotrice

Karen Dotrice ( doh-TREESS; born 9 November 1955) is a British actress, known primarily for her role as Jane Banks in Walt Disney's Mary Poppins, the feature film adaptation of the Mary Poppins book series. Dotrice was born in Guernsey to two stage actors. Her career began on stage, and expanded into film and television, including starring roles as a young girl whose beloved cat magically reappears in Disney's The Three Lives of Thomasina and with Thomasina co-star Matthew Garber as one of two children pining for their parents' attentions in Poppins. She appeared in five television programmes between 1972 and 1978, when she made her only feature film as an adult. Her life as an actress concluded with a short run as Desdemona in the 1981 pre-Broadway production of Othello.

In 1984, Dotrice retired from show business to focus on motherhood—she has three children from two marriages—though she has provided commentary for various Disney projects and has resumed making public appearances. She was named a Disney Legend in 2004.

List of Arab Americans

This is a list of Arab Americans. It includes prominent Arab American individuals from various fields, such as business, science, entertainment, sports and fine arts.

Reclaim (film)

Reclaim is a drama-thriller directed by Alan White, and starring Ryan Phillippe and Rachelle Lefevre. The film was released on video on demand, with a simultaneous limited theatrical release in the United States, on September 19, 2014. Phillippe and Lefevre play an American couple who travel to Puerto Rico to adopt an orphan (Briana Roy), and become entangled in a deadly scam.

The Education of Elizabeth

The Education of Elizabeth is a 1921 American silent comedy romance film produced by Famous Players-Lasky and distributed by Paramount Pictures. It was directed by Edward Dillon and stars stage star Billie Burke in her last silent film. The film was based on a play by Roy Horniman and is now a lost film.

The Stranger (1946 film)

The Stranger is a 1946 American film starring Edward G. Robinson, Loretta Young, and Orson Welles. It is Welles's third completed feature film as director and his first film noir, about a war crimes investigator tracking a high-ranking Nazi fugitive to a Connecticut town. It is the first Hollywood film to present documentary footage of the Holocaust. The original story by Victor Trivas was nominated for an Academy Award. The film entered the public domain when its copyright was not renewed.

This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.