Edward Lucas White (May 11, 1866 – March 30, 1934) was an American author and poet. Born in the USA in Bergen, New Jersey, he attended Johns Hopkins University in Baltimore, where he lived for the rest of his life. From 1915 until his retirement in 1930 he was a teacher at the University School for Boys in Baltimore.
He published a number of historical novels, including The Unwilling Vestal (1918), Andivius Hedulio (1921) and Helen (1926), but he is best remembered for fantasy horror stories such as "The House of the Nightmare" and "Lukundoo" that were based on his own nightmares. Two collections of his short fiction were published in his lifetime, The Song of the Sirens (1919) and Lukundoo and Other Stories (1927).
"Lukundoo", White's most frequently anthologized story, is the tale of an American explorer in a remote section of Africa who incurs the wrath of the local witch doctor, who casts a spell on him. Hundreds of sore pustules erupt all over the explorer's body. As these develop, it becomes clear that each sore is actually a sort of homunculus: a tiny African man, emerging head-first from within the explorer's flesh. He is able to terminate the development of individual homunculi by beheading them as they develop, but there are too many for him to defeat them all – and some of them are on portions of his back which he cannot reach. The explorer's only option is suicide.
Two posthumous collections of his fiction have been published by Midnight House: The House of the Nightmare (12547ac) edited by John Pelan and Sesta and Other Strange Stories (2001) edited by Lee Weinstein. The latter contains mostly previously unpublished and uncollected material.
During 1885 White began a utopian science fiction novel, Plus Ultra. He destroyed the first draft and started over in 1901, then worked on it for most of the rest of his life. The resulting monumental work—estimated by one critic at 500,000 words—remains unpublished, although a portion of it was released separately in 1920 as the novella From Behind the Stars.
On March 30, 1934, seven years to the day after the death of his wife, Agnes Gerry, he committed suicide by gas inhalation in the bathroom of his Baltimore home. His last book, Matrimony (1932) was a memoir of his happy marriage to her.
American Fantastic Tales is a set of two reprint horror anthologies, released as American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps and American Fantastic Tales: Terror and the Uncanny from the 1940s to Now. Both anthologies were edited by Peter Straub. They were published by Library of America in 2009. The anthologies contain horror stories by American authors from the 18th century to modern times, split at 1940. The anthology pair itself won the 2010 World Fantasy Award for Best Anthology. The pair were also released as a boxed set in 2009.Henry S. Whitehead
Henry St. Clair Whitehead (March 5, 1882 – November 23, 1932) was an Episcopal minister and author of horror fiction and fantasyList of poets from the United States
The poets listed below were either born in the United States or else published much of their poetry while living in that country.
A B C D E F G H I J K L M N O P Q R S
T U V W X Y ZPlus Ultra (disambiguation)
Plus ultra (Latin for "further beyond") is the national motto of Spain and (among others) Holy Roman Emperor Charles V.
Plus Ultra may also refer to:
Plus Ultra Líneas Aéreas (airline), a Spanish airline
Plus Ultra (aircraft), a Dornier Wal flying boat flown by a team of Spanish aviators, including Ramón Franco and Julio Ruiz de Alda Miqueleiz, on a Trans-Atlantic flight from Spain to Argentina in 1926
AD Plus Ultra, a former Spanish football team, now known as Real Madrid Castilla
Plus Ultra Brigade, a brigade of troops from five Spanish speaking countries including Spain, the Dominican Republic, Nicaragua, Honduras, and El Salvador, which served in the Iraq War
Plus Ultra, a novel by Edward Lucas White
Plus Ultra, a secret society of highly intelligent and gifted "dreamers" from the Disney film Tomorrowland.Ramble House
Ramble House is a small American publisher founded by Fender Tucker and Jim Weiler in 1999. The press specializes in reprints of long-neglected and rare crime fiction novels, modern crime fiction, 'weird menace' / 'shudder pulps' - short story collections from rare pulp magazines, and scholarly works by noted authors on the crime fiction genre, and a host of other diverse books of a collectible or curious nature. Apart from its main publishing arm, Ramble House has two imprints: Surinam Turtle Press and Dancing Tuatara Press, headed by author Richard A. Lupoff and John Pelan respectively.
Ramble House titles were originally handmade by Tucker in small crafted editions, but the growth in the publisher’s list together with print on demand technology led to the titles being available online now as trade paperback editions. Gavin L. O’Keefe is the cover designer for Ramble House books, creating many original new designs for the books or adapting existing art.Retiarius
A retiarius (plural retiarii; literally, "net-man" or "net-fighter" or fisherman in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete, hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.
The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenseless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly and keep his distance. It was a strong weapon, capable of inflicting piercing wounds on an unprotected skull or limb. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers.
Retiarii first appeared in the arena during the 1st century AD and had become standard attractions by the 2nd or 3rd century. The gladiator's lack of armour and his reliance on evasive tactics meant that many considered the retiarius the lowliest (and most effeminate) of an already stigmatised (i.e. gladiators) class. Passages from the works of Juvenal, Seneca, and Suetonius suggest that those retiarii who fought in tunics may have constituted an even more demeaned subtype (retiarii tunicati) who were not viewed as legitimate retiarii fighters but as arena clowns. Nevertheless, Roman artwork, graffiti, and grave markers include examples of specific net-men who apparently had reputations as skilled combatants and lovers.S. T. Joshi
Sunand Tryambak Joshi (born 22 June 1958), known as S. T. Joshi, is an American literary critic, novelist, and a leading figure in the study of H. P. Lovecraft and other authors of weird and fantastic fiction. Besides having written what critics such as Harold Bloom and Joyce Carol Oates consider to be the definitive biography of Lovecraft, I Am Providence: The Life and Times of H. P. Lovecraft (Hippocampus Press, 2 vols., 2010 [originally published in one volume as H. P. Lovecraft: A Life, 1996]), Joshi has prepared (with David E. Schultz) several annotated editions of works by Ambrose Bierce. He has also written on crime novelist John Dickson Carr and on Lord Dunsany, Algernon Blackwood and M. R. James, and has edited collections of their works, as well as collections of the best work of numerous other weird writers.
He has compiled bibliographies of Lovecraft, Bierce, Dunsany, Ramsey Campbell, Ray Bradbury and Clark Ashton Smith. He has been general editor of the Horror Classics series for Dover Publications.
Joshi is known for his acerbic style, and has been described by editor Ellen Datlow as 'the nastiest reviewer in the field'. Most recently he has turned his attention to collecting and editing the works of H. L. Mencken. He currently resides in Seattle, Washington.The Book of Fantasy
The Book of Fantasy is the English translation of Antología de la Literatura Fantástica, an anthology of appromixately 81 fantastic short stories, fragments, excerpts, and poems edited by Jorge Luis Borges, Adolfo Bioy Casares, and Silvina Ocampo. It was first published in Argentina in 1940, and revised in 1965 and 1976. Anthony Kerrigan previously translated the similar work Cuentos Breves y Extraordinarios as Extraordinary Tales, published by Herder & Herder in 1971. The 1988 Viking Penguin edition for English-speaking countries includes a foreword by Ursula K. Le Guin.
The idea and seed for this volume came into being one "night in 1937 in Buenos Aires, when Jorge Luis Borges, Adolfo Bioy Casares, and Silvina Ocampo fell to talking - so Casares tells us - 'about fantastic literature. ..simply a compilation of stories from fantastic literature which seemed to us to be the best.'"The Sleeping and the Dead
The Sleeping and the Dead is an anthology of fantasy and horror stories edited by American writet August Derleth. It was first published by Pellegrini & Cudahy in 1947. Many of the stories had originally appeared in the magazines The London Mercury, Weird Tales, Scribner's, Dublin University Magazine, Unknown, Esquire, The Bellman, Vanity Fair and Black Mask. An abridged edition (15 stories) was published by Four Square Books in 1963 under the same title.Weird fiction
Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. John Clute defines weird fiction as a "Term used loosely to describe Fantasy, Supernatural Fiction and Horror tales embodying transgressive material". China Miéville defines weird fiction thus: "Weird Fiction is usually, roughly, conceived of as a rather breathless and generically slippery macabre fiction, a dark fantastic (“horror” plus “fantasy”) often featuring nontraditional alien monsters (thus plus “science fiction”)." Discussing the "Old Weird Fiction" published in the late 19th and early 20th centuries, Jeffrey Andrew Weinstock says, "Old Weird fiction utilises elements of horror, science fiction and fantasy to showcase the impotence and insignificance of human beings within a much larger universe populated by often malign powers and forces that greatly exceed the human capacities to understand or control them." Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction. Weird fiction is sometimes symbolised by the tentacle, a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers such as William Hope Hodgson, M. R. James, and H. P. Lovecraft. Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing
commentators like Miéville to say that weird fiction evokes a sense of the numinous. Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, the term has also been increasingly used since the 1980s, sometimes to describe slipstream fiction that blends horror, fantasy, and science fiction.Who Knocks?
Who Knocks? is an anthology of fantasy and horror stories edited by American writer August Derleth and illustrated by Lee Brown Coye. It was first published by Rinehart & Company in 1946. Many of the stories had originally appeared in the magazines Everybody’s Magazine, The Century, Weird Tales, Unknown, Temple Bar, Hutchinson’s Magazine, The English Review, Smith's Magazine and Harper's.