Edmund Dulac

Edmund Dulac (born Edmond Dulac; 22 October 1882 – 25 May 1953) was a French British naturalised magazine illustrator, book illustrator and stamp designer. Born in Toulouse he studied law but later turned to the study of art at the École des Beaux-Arts. He moved to London early in the 20th century and in 1905 received his first commission to illustrate the novels of the Brontë Sisters. During World War I, Dulac produced relief books and when after the war the deluxe children's book market shrank he turned to magazine illustrations among other ventures. He designed banknotes during World War II and postage stamps, most notably those that heralded the beginning of Queen Elizabeth II's reign.

Edmund Dulac
Picture of Edmund Dulac
Edmund Dulac, 1914
Born22 October, 1882
Died25 May, 1953 (aged 70)
ResidenceFrance; London
NationalityFrench-British
EducationEcole des Beaux Arts; Académie Julian
Known forPainter, illustrator
MovementOrientalist

Early life and career

Edmund Dulac - Prince and Princess
Dulac illustration "She had read all the newspapers" from "The Snow Queen" in Stories from Hans Christian Andersen, London, Hodder & Stoughton, Ltd., 1911
Edmund Dulac - The Mermaid - The Prince
Dulac illustration for Hans Christian Andersen's "The Little Mermaid"
Edmund Dulac - The Nightingale 2
Dulac illustration for Hans Christian Andersen's "The Nightingale"

Born in Toulouse, France, he began his career by studying law at the University of Toulouse. He also studied art, switching to it full-time after he became bored with law, and having won prizes at the Ecole des Beaux Arts. He spent a very brief period at the Académie Julian in Paris in 1904 before moving to London.[1]

Edmund Dulac newspaper photo
Dulac painting Mrs. Wellington Koo, circa 1921.

Settling in London's Holland Park, the 22-year-old Frenchman was commissioned by the publisher J. M. Dent to illustrate Jane Eyre.[1] and nine other volumes of works by the Brontë sisters. He then became a regular contributor to The Pall Mall Magazine, and joined the London Sketch Club, which introduced him to the foremost book and magazine illustrators of the day. Through these he began an association with the Leicester Galleries and Hodder & Stoughton; the gallery commissioned illustrations from Dulac which they sold in an annual exhibition, while publishing rights to the paintings were taken up by Hodder & Stoughton for reproduction in illustrated gift books, publishing one book a year. Books produced under this arrangement by Dulac include Stories from The Arabian Nights (1907) with 50 colour images; an edition of William Shakespeare's The Tempest (1908) with 40 colour illustrations; The Rubaiyat of Omar Khayyam (1909) with 20 colour images; The Sleeping Beauty and Other Fairy Tales (1910); Stories from Hans Christian Andersen (1911); The Bells and Other Poems by Edgar Allan Poe (1912) with 28 colour images and many monotone illustrations; and Princess Badoura (1913).

Dulac became a naturalised British citizen on 17 February 1912.[2]

During World War I he contributed to relief books, including King Albert's Book (1914), Princess Mary's Gift Book, and, unusually, his own Edmund Dulac's Picture-Book for the French Red Cross (1915) including 20 colour images. Hodder and Stoughton also published The Dreamer of Dreams (1915) including 6 colour images – a work composed by the then Queen of Romania.

Dulac's wife was Helen Beauclerk, author of The Green Lacqueur Pavilion, 1926, and The Love of the Foolish Angel, 1929, both of which books have his illustrations.

Later life

After the war, the deluxe edition illustrated book became a rarity and Dulac's career in this field was over. His last such books were Edmund Dulac's Fairy Book (1916), the Tanglewood Tales (1918) (including 14 colour images) and The Kingdom of the Pearl (1920). His career continued in other areas however, including newspaper caricatures (especially at The Outlook), portraiture, theatre costume and set design, bookplates, chocolate boxes, medals, and various graphics (especially for The Mercury Theatre, Notting Hill Gate).

He also produced illustrations for The American Weekly, a Sunday supplement belonging to the Hearst newspaper chain in America and Britain's Country Life. Country Life Limited (London) published Gods and Mortals in Love (1935) (including 9 colour images) based on a number of the contributions made by Dulac to Country Life previously. The Daughter of the Stars (1939) was a further publication to benefit from Dulac's artwork - due to constraints related to the outbreak of World War II, that title included just 2 colour images. He continued to produce books for the rest of his life, more so than any of his contemporaries, although these were less frequent and less lavish than during the Golden Age.

Halfway through his final book commission (Milton's Comus), Dulac died of a heart attack on 25 May 1953 in London.

Stamp design

He designed postage stamps for Great Britain,[3] including the postage stamp issued to commemorate the Coronation of King George VI that was issued on 13 May 1937. The head of the King used on all the stamps of that reign was his design and he also designed the 2s 6d and 5s values for the 'arms series' high value definitives and contributed designs for the sets of stamps issued to commemorate the 1948 Summer Olympics and the Festival of Britain.[4]

Stamp UK 1953 1shilling3d coronation
Dulac designed 1953 coronation stamp denominated 1/3

Dulac was one of the designers of the Wilding series stamps, which were the first definitive stamps of the reign of Queen Elizabeth II. He was responsible for the frame around the image of the Queen on the 1s, 1s 3d and 1s 6d values although his image of the Queen was rejected in favour of a photographic portrait by Dorothy Wilding to which he carried out some modifications by hand.[5] He also designed the 1s 3d value stamp of the set issued to commemorate the Coronation of Queen Elizabeth II[6] but he died just before it was issued.

Dulac designed stamps (Marianne de Londres series) and banknotes for Free France during World War II. In the early 1940s Edmund Dulac also prepared a project for a Polish 20-zlotych note for the Bank of Poland (Bank Polski). This banknote (printed in England in 1942 but dated 1939) was ordered by the Polish Government in Exile and was never issued.

See also

References

  1. ^ a b Edmund Dulac. Henry Ransom Humanities Research Center, University of Texas. Retrieved July 2, 2011.
  2. ^ Colin White Edmund Dulac, Studio Vista 1976 p.52
  3. ^ "George VI stamps". The British Postal Museum & Archive. Retrieved 2009-07-23.
  4. ^ David Aggersberg (1998). Great Britain Concise Stamp Catalogue. Stanley Gibbons Publications. ISBN 0-85259-443-7.
  5. ^ Royal Mail (2003). The Wilding Definitive Collection II. Royal Mail.
  6. ^ Bruns, Franklin R. (2006). The Stamps Of Elizabeth Regina And The Royal Family. Whitefish, Montana: Kessinger Publishing. p. 11. ISBN 1428661735.

Further reading

  • Hughey, Ann (1995). Edmund Dulac - His Book Illustrations: A Bibliography
  • White, Colin. Edmund Dulac, Studio Vista 1976

External links

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