|Edge of Doom|
Theatrical release poster
|Directed by||Mark Robson|
|Produced by||Samuel Goldwyn|
|Screenplay by||Philip Yordan|
|Based on||the novel|
by Leo Brady
|Narrated by||Dana Andrews|
|Music by||Hugo Friedhofer|
|Edited by||Daniel Mandell|
|Distributed by||RKO Radio Pictures|
The story concerns a young mentally disturbed man, Martin Lynn (Farley Granger), who goes on a rampage after his sick mother dies. One of the man's biggest beefs is with the Catholic Church who, in addition to slighting him when his mother needed a priest, once refused to bury his father years earlier because he committed suicide. The man, blaming the environment he lives in, goes on a rampage taking revenge on his cheap boss, a mortician and a priest, Father Kirkman (Harold Vermilyea), who refuses to give his poor mother a big funeral. He begins his rampage by killing the hard-line Catholic priest, who slighted him, by beating him with a heavy crucifix. Later, another young priest, Father Roth (Dana Andrews), suspects the young man, now arrested for another crime, for the killing.
When the film was released, the staff at Variety magazine gave the film a positive review, writing, "A grim, relentless story, considerably offbeat, gives some distinction to Edge of Doom. It is played to the hilt by a good cast and directed with impact by Mark Robson." The New York Times wrote, "Robson's direction gives flashes of high tension to the film, for he has made effective use of street scenes and noises and has skillfully reflected the oppressive atmosphere of poverty and squalor, but his actors run more to types than to real people."
The year 1950 in film involved some significant events.Charles Brackett
Charles William Brackett (November 26, 1892 – March 9, 1969) was an American novelist, screenwriter, and film producer, best known for his long collaboration with Billy Wilder.Dana Andrews
Carver Dana Andrews (January 1, 1909 – December 17, 1992) was an American film actor and a major Hollywood star during the 1940s. He continued acting in less prestigious roles into the 1980s. The role for which he received the most praise was as war veteran Fred Derry in The Best Years of Our Lives (1946).Elizabeth Horrocks
Elizabeth Horrocks (born 3 May 1946) is an author and winner of the BBC quiz series Mastermind.
Horrocks attended Whitchurch Grammar School in Cardiff, a school also attended by fellow writer Andrew Davies. She then graduated from Bristol University in 1967, after which she went on to have a teaching career. Schools at which she taught include The Grove School Market Drayton, Clayton Hall School in Newcastle Staffs, and Hyde Clarendon College in Hyde, Greater Manchester
In 1974, Horrocks contested and won the BBC Mastermind programme, hosted by Magnus Magnusson with specialist subjects Shakespeare's plays, Works of J.R.R. Tolkien, Works of Dorothy L. Sayers. Subsequently, she took part in various Mastermind "Specials", most recently Mastermind Champion of Champions in 2010, answering questions on "Arthurian Legend", which has been a lifelong subject for her.Horrocks is the author of the Arthurian Trilogy featuring the works The Edge of Doom, The Dark Space and The New Found Land. She has a new take on the Arthurian legend with the introduction of time travel mixed with the rural and quiet settings of Alderley Edge in Cheshire.Farley Granger
Farley Earle Granger Jr. (July 1, 1925 – March 27, 2011) was an American actor, best known for his two collaborations with director Alfred Hitchcock: Rope in 1948 and Strangers on a Train in 1951.
Granger was first noticed in a small stage production in Hollywood by a Goldwyn casting director, and given a significant role in The North Star, a controversial film praising the Soviet Union at the height of World War II, but later condemned for its political bias. Another war film, The Purple Heart, followed, before Granger's naval service in Honolulu, in a unit that arranged troop entertainment in the Pacific. Here he made useful contacts, including Bob Hope, Betty Grable and Rita Hayworth. It was also where he began exploring his bisexuality, which he said he never felt any need to conceal.
In 1948, Hitchcock cast him in Rope, a fictionalized account of the Leopold and Loeb murder case, which earned mixed reviews, but much critical praise for Granger. Hitchcock then cast him again in Strangers on a Train, as a tennis star drawn into a double murder plot by a wealthy psychopath, played by Robert Walker. Granger would describe this as his happiest film-making experience, and was deeply saddened by Walker's death shortly after shooting.
Granger continued to appear on stage, film and television well into his 70s. His work ranged from classical drama on Broadway to several Italian-language films and major documentaries about Hollywood. He tended to find fault with his directors and scriptwriters, however, and his career remains defined by the two Hitchcock films.Harry Stradling
Harry Stradling Sr., A.S.C. (September 1, 1901 – February 14, 1970) was an American cinematographer with more than 130 films to his credit.
His uncle Walter Stradling, son Harry Stradling Jr. and godson Gerald Perry Finnerman were also cinematographers.Joan Evans (actress)
Joan Evans (born Joan Eunson, July 18, 1934) is an American film actress.John Ridgely
John Ridgely (born John Huntington Rea, September 6, 1909 – January 18, 1968) was an American film character actor with over 175 film credits.Leo Brady
Leo Brady (January 23, 1917 – November 18, 1984) was a multidimensional American writer and theater artist who also achieved great success as a teacher of young playwrights.
After writing some well-received plays as an undergrad at Catholic University of America in Washington, D.C., Brady published a play version of Richard Connell’s short story Brother Orchid, which became a staple of the Samuel French catalog and inspired Hollywood to adapt the story for a film starring Edward G. Robinson. (Brady received no credit.) In collaboration with Walter Kerr, he wrote Yankee Doodle Boy, a musical about the life of Broadway showman George M. Cohan, which debuted to great success in Washington and received national media exposure along with the endorsement of Cohan himself. Again, Hollywood lifted this idea whole cloth without giving the authors credit, and subsequently released the film version, Yankee Doodle Dandy, starring James Cagney. Brady received his first major New York credit as the coauthor (again with Kerr) of a 1942 Broadway musical revue called Count Me In. After serving in World War II, where he continued creating as a writer and radio producer for the Army Recruitment Service, Brady returned to civilian life as a drama teacher at his alma mater. For a brief time he wrote film criticism for the Washington Post, while teaching, doing some acting and also beginning his career as a stage director.
In 1949, Brady published his first novel, Edge of Doom, which Samuel Goldwyn produced as a feature film in 1950. Directed by Mark Robson and with a screenplay by Philip Yordan, with post-primary scenes added by writers Ben Hecht and Charles Brackett and directed by Charles Vidor, the film was a rather notorious failure, due in no small part to the creative team’s inability to realize the story’s thematic critique of organized religion and the way society fails to respond to the less-fortunate poor. The Hecht-Brackett rewrites, spurred on after the initial screening by the producer's fear that the movie was too bleak, attempted to turn a dark tale of a pathetic murder into some kind of hopeful Hollywood preach-fest. These changes—including a sappy narration and hackneyed prologue and epilogue—were designed to gain the film wider audience appeal but only helped to doom the project completely. The film still turns up now and then as an acknowledged curiosity piece in the film noir genre.
Brady, a Roman Catholic with a social conscience, followed up Edge of Doom with Signs and Wonders in 1953, yet another novel that criticized the church, in particular what he saw as the phony piety and narrowmindedness of so-called “professional” Catholics of the Knights of Columbus variety. Signs and Wonders received better reviews than his first book but failed to garner the same sales or public attention. Brady didn’t write another novel for 20 years, then published The Quiet Gun, a literary western, and The Love Tap, a mystery, in the 1970s.
In the interim and beyond, Brady dedicated most of his energies to the theater while also turning out a few highly regarded scripts for socially and culturally relevant television programs such as Studio One (TV series) and Omnibus (US TV series). He successfully adapted Greek tragedies for the modern stage, including a version of Oedipus Rex that received rave reviews during a New York engagement in the late ‘50s. Brady later wrote plays that were produced locally in the Washington, D.C., area, including a musical, The Coldest War of All, which received an off-Broadway mounting in 1969. For about five years, he was a major contributor of articles on regional theater to the industry standard Burns Mantle annual Best Plays volumes. Another writing venture he took on successfully was crafting documentary filmscripts for Oscar-winning producer Charles Guggenheim.
As a director, Brady tended toward classics and comedies, with a special affinity for the works of Shakespeare, Shaw, Molière, Chekhov, Ibsen, Anouilh, O’Casey, Synge and Arthur Miller. His lone New York directing credit was an off-Broadway production of the Hecht-MacArthur newspaper drama The Front Page, starring Robert Ryan and Henry Fonda. He also directed Helen Hayes’ final stage appearance in a galvanizing Washington production of O’Neill’s Long Day’s Journey into Night.
It is as a teacher that Brady has probably had the most influence on the American theater scene. Three of his former playwriting students - Jason Miller (That Championship Season), Michael Cristofer (The Shadow Box), and Paula Vogel (How I Learned to Drive) — have won the Pulitzer Prize for Drama. He also taught Tony and Obie winners Mart Crowley (The Boys in the Band), Joseph Walker (The River Niger), and John Pielmeier (Agnes of God).List of film noir titles
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.The terms which are used below to subsume various periods and variations of film noir are not definitive and are meant as a navigational aid rather than as critical argument. Because the 1940s and 1950s are universally regarded as the "classic period" of American film noir, films released prior to 1940 are listed under the caption "Precursors / early noir-like films". Films released after 1959 should generally only be listed in the list of neo-noir titles.Mabel Paige
Mabel Paige (December 19, 1880 – February 9, 1954) was an American stage and film actress. She was born in New York, New York and began acting at age four. She went on to appear in dozens of popular stage plays, including Little Lord Fauntleroy in 1892, Rip van Winkle in 1899, and At Cozy Corners in 1905. In the South, she became particular a favorite and was acclaimed as the "Idol of the South." Her Mabel Paige Theatrical Company toured the region for many years. She later acted in more than 50 films between 1914 and 1953. In her first silent films for the Lubin Company, she co-starred in romantic comedies with Oliver Hardy as her leading man. One of Paige's last appearances as an actress was on the CBS-TV sitcom I Love Lucy. That episode, "The Girls Go Into Business", aired on October 12, 1953, four months before Paige's death at the age of 73. She died in Van Nuys, California from a heart attack on February 9, 1954.Mala Powers
Mary Ellen "Mala" Powers (December 20, 1931 – June 11, 2007) was an American film actress.Mark Robson
Mark Robson (4 December 1913 – 20 June 1978) was a Canadian-born film director, producer, and editor. Robson began his 45-year career in Hollywood as a film editor. He later began working as a director and producer. He directed thirty-four films during his career, including The Bridges at Toko-Ri (1955), Peyton Place (1957), for which he earned his first Academy Award nomination, Von Ryan's Express (1965), and Valley of the Dolls (1967).
Robson died of a heart attack after shooting his final film, Avalanche Express, in 1978. The film was released a year after his death.National Board of Review Awards 1950
The 22nd National Board of Review Awards were announced on December 20, 1950.Nine Hours to Rama
Nine Hours to Rama is 1963 British film, directed by Mark Robson, that follows a fictionalised Nathuram Godse in the hours before he assassinated the Indian independence leader, Gandhi, and police attempts to prevent the murder. It is based on a 1962 novel of the same name by Stanley Wolpert. The movie was written by Nelson Gidding and filmed in England and India with mainly white actors in prominent roles. It stars Horst Buchholz, Diane Baker, Jose Ferrer, and Robert Morley. It was shot in CinemaScope DeLuxe Color.Romantic Tales
Romantic is the third studio album by the German gothic metal band Darkseed. It was released in 1998, with Nuclear Blast. Songs 1-4 are from the band's 1996 ep, "Romantic Tales", and songs 5-8 are from the demo, "Darksome Thoughts" originally released in 1993,Samuel Goldwyn Productions
Samuel Goldwyn Productions was an American film production company founded by Samuel Goldwyn in 1923, and active through 1959. Personally controlled by Goldwyn and focused on production rather than distribution, the company developed into the most financially and critically successful independent production company in Hollywood's Golden Age.
As of 2012, the distribution rights of Samuel Goldwyn films from the library were transferred to Warner Bros., with Miramax managing global licensing, with the exception of The Hurricane, which is now back with its original distributor, United Artists.Sonnet 116
Shakespeare's Sonnet 116 was first published in 1609. Its structure and form are a typical example of the Shakespearean sonnet.
The poet begins by stating he should not stand in the way of "the marriage of true minds", and that love cannot be true if it changes for any reason; true love should be constant, through any difficulties. In the seventh line, the poet makes a nautical reference, alluding to love being much like the north star is to sailors. Love also should not fade with time; instead, true love is, as is the polar star, "ever-fixèd" and lasts forever.
"The movement of 116, like its tone, is careful, controlled, laborious…it defines and redefines its subject in each quatrain, and this subject becomes increasingly vulnerable". It starts out as motionless and distant, remote, independent—then moves to be "less remote, more tangible and earthbound", and the final couplet brings a sense of "coming back down to earth". Ideal love is deteriorating throughout the sonnet and continues to do so through the couplet.The Monster and the Ape
The Monster and the Ape was the 26th serial released by Columbia Pictures and was released in 1945.