Drama (film and television)

In film and television, drama is a genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone.[1] Drama of this kind is usually qualified with additional terms that specify its particular subgenre, such as "police crime drama", "political drama", "legal drama", "historical period drama", "domestic drama", or "comedy-drama". These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods.

All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent (mimesis) characters. In this broader sense, drama is a mode distinct from novels, short stories, and narrative poetry or songs.[2] In the modern era before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy. It is this narrower sense that the film and television industries, along with film studies, adopted. "Radio drama" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.[3]

Types of drama in film and television

Crime drama, Police prodecural, and legal drama
character development based on themes involving criminals, law enforcement and the legal system.
Historical drama
films that focus on dramatic events in history.
Horror drama
a film that focuses on imperiled characters dealing with realistic emotional struggles, often involving dysfunctional family relations, in a horror setting. The film's horror elements often serve as a backdrop to an unraveling dramatic plot.
Docudrama
the difference between a docudrama and a documentary is that in a documentary it uses real people to describe history or current events; in a docudrama it uses professionally trained actors to play the roles in the current event, that is "dramatized" a bit. Not to be confused with docufiction.
Comedy-drama
a film in which there is an equal, or nearly equal, balance of humour and serious content.
Melodrama
a sub-type of drama films that uses plots that appeal to the heightened emotions of the audience. Melodramatic plots often deal with "crises of human emotion, failed romance or friendship, strained familial situations, tragedy, illness, neuroses, or emotional and physical hardship". Film critics sometimes use the term "pejoratively to connote an unrealistic, pathos-filled, camp tale of romance or domestic situations with stereotypical characters (often including a central female character) that would directly appeal to feminine audiences".[4] Also called "women's movies", "weepies", tearjerkers, or "chick flicks". If they are targeted to a male audience, then they are called "guy cry" films. Often considered "soap-opera" drama.
Military drama
focuses on the interpersonal and situational crises of characters in the military
Romantic drama
a sub-type of dramatic film which dwells on the elements of romantic love.
Teen drama
focuses on teenage characters, especially where a secondary school setting plays a role

See also

References

  1. ^ "Drama". Merriam-Webster, Incorporated. 2015. a play, movie, television show, that is about a serious subject and is not meant to make the audience laugh
  2. ^ Elam (1980, 98).
  3. ^ Banham (1998, 894–900).
  4. ^ Melodrama Films

Sources

  • Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: Cambridge University Press. ISBN 0-521-43437-8.
  • Cook, Pam, and Mieke Bernink, eds. 1999. The Cinema Book. 2nd ed. London: British Film Institute. ISBN 0-851-70726-2.
  • Elam, Keir. 1980. The Semiotics of Theatre and Drama. New Accents ser. London and New York: Methuen. ISBN 0-416-72060-9.
  • Hayward, Susan. 1996. Key Concepts in Cinema Studies. Key Concepts ser. London: Routledge. ISBN 0-415-10719-9.
  • Neale, Steve. 2000. Genre and Hollywood. London: Routledge. ISBN 0-415-02606-7.
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Two times she won prizes for screenplays (in the competitions) in Sarajevo, so she went there and directed two films.

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