Don Heck

Donald L. "Don" Heck[1] (January 2, 1929 – February 23, 1995)[2][3] was an American comics artist best known for co-creating the Marvel Comics character Iron Man, and for his long run penciling the Marvel superhero-team series The Avengers during the 1960s Silver Age of comic books.

Don Heck
Don Heck circa 1960s
Don Heck in the 1960s
BornJanuary 2, 1929
Queens, New York, U.S.
DiedFebruary 23, 1995 (aged 66)
Centereach, New York, U.S.
NationalityAmerican
Area(s)Penciller
Notable works
The Avengers
Iron Man
Signature
Don Heck signature

Biography

Early life and career

Weird-Terror-no1
One of Heck's earliest known comics credits: Weird Terror #1 (Sept. 1952): Cover, plus the story "Hitler's Head".

Heck was born in the Jamaica neighborhood of Queens, New York City, New York, the son of Bertha and John Heck.[4] Heck learned art through correspondence courses as well as at Woodrow Wilson Vocational High School in Jamaica and at a community college in Brooklyn.[5] He continued with an impromptu art education in December 1949[6] when at the recommendation of a college friend he landed a job at Harvey Comics, repurposing newspaper comic strip Photostats into comic-book form — including the work of Heck's idol, famed cartoonist Milton Caniff.[5]

Heck remained at Harvey, where one co-worker in the production department was future comics artist Pete Morisi,[5] for two-and-a-half years until a Harvey employee, Allen Hardy, broke off "to start his own line, Media Comics [sic; actually Comic Media], in 1952," Heck recalled in 1993. "He called me up and asked me to join."[7] Heck's first known comics work appeared in two Comic Media titles both cover-dated September 1952: the war comic War Fury #1, for which he penciled and inked the cover and the eight-page story "The Unconquered", by an unknown writer; and the cover and the six-page story "Hitler's Head", also by an unknown writer, in the horror comic Weird Terror #1.[8] Heck's work continued to appear in those titles and in the horror anthology Horrific, for which he designed the logo;[9] the adventure-drama anthology Danger; and the Western anthology Death Valley and other titles through the company's demise in late 1954.[8]

Heck also did freelance assignments for Quality Comics, Hillman Comics, and Toby Press.[5] For publisher U.S. Pictorial in 1955, he drew the one-shot Captain Gallant of the Foreign Legion, a TV tie-in comic based on the 1955-57 syndicated, live-action kids' show of that name.[10]

Atlas Comics

Through his old Harvey Comics colleague Pete Morisi, Heck in 1954 met Marvel Comics architect Stan Lee, editor-in-chief and art director of Marvel's 1950 predecessor, Atlas Comics. As Heck recalled,

Pete Morisi, who worked at Media at the same time [I did], had been to Stan Lee's office, and he had brought his [art portfolio]. One of my stories was in there. and Stan kept going back to my story, saying, 'This is the way you should have done it.' Pete said. 'Look, if you want Don Heck to come up here, he's looking for work, too. I'll tell him you're interested.' Stan said, 'Well, if he happened to walk up here, I might have a story for him.' So I went up there on a Wednesday afternoon. Stan never saw anybody on Wednesdays, and he never saw anybody in the afternoon. But he came out. He looked at the first two pages and said, 'Aw, hell, I know what your stuff looks like. Come on in. I got a story for you.'[7]

Heck became an Atlas staff artist on September 1, 1954;[11] his first known work for the company was the five-page horror story "Werewolf Beware" in Mystery Tales #25 (Jan. 1955),[8] though Heck in 1993 recalled, "The first job I did was about a whale breaking a ship apart. Then I did [the submarine-crew feature] 'Torpedo Taylor' for Navy Combat,"[7] drawing that five- or six-page feature in issues #1–14 and 16 (June 1955–Aug. 1957, Feb. 1958) and, oddly, doing one page of a five-page story finished by Joe Maneely in issue #19 (Aug. 1958).[8] Until Atlas' 1957 business retrenchment — when it let go of most of its staff and freelancers and Heck spent a year drawing model airplane views for Berkeley Models[12] — Heck contributed dozens of war comics stories and Westerns plus a smattering of jungle and science-fiction/fantasy tales.

TalesOfSuspense1
Tales of Suspense #1 (Jan. 1959). Cover art by Heck.

Atlas began revamping in late 1958 with the arrival of artist Jack Kirby, a comics legend whose career was also in need of revamping, and who threw himself into the anthological science fiction, supernatural mystery, and giant-monster stories of what would become known as "pre-superhero Marvel." Heck returned alongside other soon-to-be-famous names of Marvel Comics' 1960s emergence as a pop culture phenomenon,[13] making his first splash with the cover of Tales of Suspense #1 (Jan. 1959), one of the very few Atlas/Marvel covers of that time not drawn by Kirby. In the years immediately preceding the arrival of the Fantastic Four, Spider-Man, and the other popular heroes of Marvel's ascendancy, Heck gave atmospheric rendering to numerous science fiction / fantasy stories in that comic as well as in sister publications Strange Tales, Tales to Astonish, Strange Worlds, World of Fantasy, and Journey into Mystery. Heck also contributed to such Atlas/Marvel romance comics as Love Romances and My Own Romance.[8]

Comics artist Jerry Ordway, describing this era of Heck's work, called the artist "truly under-appreciated ... His Atlas work (pre-Marvel) was terrific, with a clean sharp style, and an ink line that wouldn't quit."[5]

Silver Age

During the period fans and historians call the Silver Age of Comic Books, Iron Man premiered in Tales of Suspense #39 (March 1963) as a collaboration among editor and story-plotter Lee, scriptwriter Larry Lieber, story-artist Heck, and Kirby, who provided the cover pencils and designed the first Iron Man armor.[14] Kirby "designed the costume," Heck recalled, "because he was doing the cover. The covers were always done first. But I created the look of the characters, like Tony Stark and his secretary Pepper Potts."[15] Comics historian and former Kirby assistant Mark Evanier, investigating claims of Kirby's involvement in the creation of both Iron Man and Daredevil, interviewed Kirby and Heck on the subject, years before their deaths, and concluded that Kirby

...definitely did not do full breakdowns as has been erroneously reported about ... the first 'Iron Man'. [In the early 1970s], Jack claimed to have laid out those stories, and I repeated his claim in print — though not before checking with Heck, who said, in effect, 'Oh, yeah. I remember that. Jack did the layouts'. We all later realized he was mistaken. ... Both also believed that Jack had contributed to the plots of those debut appearances — recollections that do not match those of Stan Lee. (Larry Lieber did the script for the first Iron Man story from a plot that Stan gave him.) Also, in both cases, Jack had already drawn the covers of those issues and done some amount of design work. He came up with the initial look of Iron Man's armor ...[16]

Heck himself recalled in 1985 that while some sources claimed then "that Jack Kirby did breakdowns,"

...that's not true. I did it all. They just didn't bother to call me up and find out when they wrote up the credits. It doesn't really matter. Jack Kirby created the costume, and he did the cover for the issue. In fact the second costume, the red and yellow one, was designed by Steve Ditko. I found it easier than drawing that bulky old thing. The earlier design, the robot-looking one, was more Kirbyish.[9]

TalesOfSuspense53splash
Heck original art for splash page, Tales of Suspense #53 (Jan. 1964).

Heck was the artist co-creator of several new characters in the "Iron Man" feature. The Mandarin debuted in Tales of Suspense #50 (Feb. 1964) and would become one of Iron Man's major enemies.[17] Hawkeye, Marvel's archer supreme, first appeared in Tales of Suspense #57 (Sept. 1964),[18] following the introduction of femme fatale Communist spy and future superheroine and S.H.I.E.L.D. agent the Black Widow in #52 (April 1964).[19] He drew the feature "Iron Man" through issue #46 (Oct. 1963), after which Spider-Man artist Steve Ditko introduced the familiar red-and-gold Iron Man armor and drew three issues. Heck returned with #50 and continued through #72 (Dec. 1965).

Concurrent with drawing Iron Man, Heck succeeded Jack Kirby as penciler on the superhero team series The Avengers with issue #9 (Oct. 1964), the introduction of Wonder Man.[20] The Count Nefaria character was introduced by Lee and Heck four issues later.[21] Heck, who inked his own pencils for many years, transitioned to the "Marvel method" of doing comics — in which the penciler plotted and paced the details of a story based on a synopsis or plot outline from the writer, who would afterward add dialog — and was assigned the help of an inker for the first time. He successfully made this adjustment, and went on to make The Avengers, which he drew through issue #40 (May 1967), plus the 1967 annual, one of his signature series. He inked his own pencil work in issues #32–37.

During this run, Heck co-created characters including the supervillain and eventual hero the Swordsman, in #19 (Aug. 1965);[22] the supervillain Power Man, who years later became the hero Atlas, in #21 (Oct. 1965);[23] the cosmic entity the Collector in #28 (May 1966);[24] the supporting character Bill Foster, who much later became the superhero Black Goliath, in #32 (Sept. 1966); and the supervillain the Living Laser in #34 (Nov. 1966).[25] During the next comics era, the Bronze Age, he co-created another cosmic entity, Mantis, in issue #112 (May 1973).[26]

Elsewhere during the 1960s, Heck penciled The X-Men #38–42 (Nov. 1967–March 1968) and introduced the new X-Men Lorna Dane in issue #49 (Oct. 1968)[27] and Havok in #54 (March 1969).[28] Heck drew, over John Romita layouts, The Amazing Spider-Man #57–64 and 66 (Feb.–Sept and Nov. 1968). Heck would also draw issues of Captain Marvel and Iron Man, the World War II war comic Captain Savage and his Battlefield Raiders, horror stories in Chamber of Darkness and Tower of Shadows, and, once more, love stories, in the romance comics Our Love Story and 'My Love.[8]

From 1966 to 1971, Heck was an uncredited "ghost artist" on Lee Falk’s The Phantom daily newspaper comic strip,[2] and later on the Terry and the Pirates daily strip.

Move to DC

By 1970, however, Marvel work became less frequent, and Heck obtained assignments from rival DC Comics, beginning with a short story in the supernatural anthology House of Secrets #85 (May 1970). He did his first DC superhero work with The Flash #198 (June 1970), illustrating a backup story of the super-speedster, and eventually garnered additional work including romance comics, and the backup features "Batgirl" and "Jason Bard"[29] in Detective Comics, and "Rose and the Thorn" in Superman's Girl Friend, Lois Lane.[30] He began a short run on Wonder Woman with issue #204 (Feb. 1973), in which the character's powers and traditional costume were restored after several years,[31] and he also freelanced for the short-lived publisher Skywald Comics.[8]

Heck still occasionally worked at Marvel, penciling the odd issue of Daredevil, Sub-Mariner, Ghost Rider, The Avengers and others in the mid-1970s. He drew Giant-Size Avengers #4 which featured the wedding of the Vision and the Scarlet Witch.[32] Writer Tony Isabella and Heck launched the new superhero team book The Champions in October 1975.[33][34][35] But in 1977, he began working almost exclusively for DC. Heck explained in 1985, "I left Marvel for a change of pace. I kept getting all the new inkers. Everyone who walked in, I got them. A bad inker can kill artwork. I once got some pages back from inking and I just tore them up, that's how bad they were."[9]

With writer Gerry Conway, Heck co-created the DC cyborg hero Steel, the Indestructible Man in the premiere issue (March 1978) of the titular comic.[36] After that series' cancellation, Heck became regular artist on The Flash, and in 1982 reunited with Conway to draw the Justice League of America, including that year's crossover with the All-Star Squadron.[37] Heck then returned to Wonder Woman and drew the title until its cancellation in 1986.[8] Later that same year, he was one of the contributors to the DC Challenge limited series.[38]

Later career

In the late 1980s and early 1990s, Heck returned to Marvel, where his work included features for the superhero anthologies Marvel Comics Presents and Marvel Fanfare. The artist even returned to two signature characters: He inked Hawkeye stories in Solo Avengers #17-20 and the subsequent Avengers Spotlight #21–22 (April–Sept. 1989) — both penciling and inking a second Hawkeye story in that last issue — and he drew Iron Man, inking penciler Mark Bright's eight-page "The Other Way Our" in Marvel Comics Presents #51 (June 1990), and both penciling and inking the one-page featurette "Tony Stark, The Invincible Iron Man" in Iron Man Annual #12 (Sept. 1991) and a pinup in Marvel Super-Heroes vol. 2 #13 (April 1993).

Heck also did a smattering of work for such independent comics as Topps Comics' NightGlider,[39] Hero Comics' Mr. Fixit, Vortex's NASCAR Adventures, and Millennium Publications' H. P. Lovecraft's Cthulhu: The Whisperer in Darkness. His final DC work was penciling and inking over Joe Quesada's layouts for Spelljammer #11 (July 1991), and his last known comics work was the 10-page "The Theft of Thor's Hammer", by writer Bill Mantlo, in Marvel Super-Heroes vol. 2 #15 (Oct. 1993).[8]

Marvel one-time editor-in-chief Roy Thomas said of the artist,

Don was unlucky enough, I think, to be a non-superhero artist who, starting in the sixties, had to find his niche in a world dominated by superheroes. Fortunately, as he proved first with Iron Man and then with the Avengers, Don could rise to the occasion because he had real talent and a good grounding in the fundamentals. He amalgamated into his own style certain aspects of Jack Kirby's style, and carved out a place for himself as one of a handful of artists who were of real importance during the very early days of Marvel".[5]

Heck died of lung cancer in 1995.[5] He was living in Suffolk County, New York, on Long Island, at the time of his death.[40]

References

  1. ^ Donald L. Heck at the Social Security Death Index. Retrieved on September 23, 2012. Archived from the original on September 23, 2012.
  2. ^ a b "Don Heck". Lambiek Comiclopedia. December 5, 2008. Archived from the original on May 18, 2012.
  3. ^ Miller, John Jackson (June 10, 2005). "Comics Industry Birthdays". Comics Buyer's Guide. Iola, Wisconsin. Archived from the original on October 30, 2010. Retrieved December 12, 2010. In print issue #1650 (February 2009), p. 107
  4. ^ Coates, John (2014). "Formative Years". Don Heck: A Work Of Art. Raleigh, North Carolina: TwoMorrows Publishing. p. 9. ISBN 978-1605490588.
  5. ^ a b c d e f g Evanier, Mark (March 24, 1995). "Don Heck". (Obituary) P.O.V. Online. Archived from the original on November 24, 2002.
  6. ^ Heck in Murray, Will (September 1993). "Iron Man: Almost 44 Years Later, Don Heck Is Still Drawing Comics, Part One". Comics Scene (37). Starlog Group Inc. pp. 54–55.
  7. ^ a b c Heck, Comics Scene #37, p. 55
  8. ^ a b c d e f g h i Don Heck at the Grand Comics Database
  9. ^ a b c Heck, quoted in Peel, John (March–April 1985). "A Signing Session with Don Heck". Comics Feature (34). p. 18. I started on Horrific and Danger.... I did the covers, and they also let me do the lettering on Horrific — like the logo.
  10. ^ Captain Gallant of the Foreign Legion at the Grand Comics Database
  11. ^ Heck, Comics Scene #37, p. 58: Sidebar, "Artistic Conversations"
  12. ^ Murray, Comics Scene #37, p. 55
  13. ^ Brevoort, Tom; Gilbert, Laura, ed. (2008). "1950s". Marvel Chronicle A Year by Year History. London, United Kingdom: Dorling Kindersley. p. 72. ISBN 978-0756641238. Editor Stan Lee had assembled a small but steady pool of creative talent to produce the company's output, in addition to himself. This group of artists included Jack Kirby, Steve Ditko, Don Heck, Larry Lieber, Paul Reinman, Stan Goldberg, Al Hartley, and Dick Ayers.CS1 maint: Extra text: authors list (link)
  14. ^ DeFalco, Tom "1960s" in Gilbert (2008), p. 91
  15. ^ Daniels, Les (1991). Marvel: Five Fabulous Decades of the World's Greatest Comics. New York City: Harry N. Abrams. p. 99. ISBN 0-8109-3821-9.
  16. ^ Evanier, Mark (n.d.). "The Jack FAQ". P.O.V. Online. Archived from the original on December 28, 2009.
  17. ^ DeFalco "1960s" in Gilbert (2008), p. 99: "Following the tradition of Sax Rohmer's Fu Manchu and Atlas' own Yellow Claw, the Mandarin first appeared in Tales of Suspense #50 in a story written by Stan Lee and illustrated by Don Heck."
  18. ^ DeFalco "1960s" in Gilbert (2008), p. 101: "A case of mistaken identity led the police to assume {Hawkeye] was part of [a criminal] gang. The Black Widow saved him from capture but also tricked him into fighting Iron Man"
  19. ^ DeFalco "1960s" in Gilbert (2008), p. 100: "The Black Widow was a Russian spy assigned to capture American industrialist Tony Stark...Her story was plotted by Stan Lee, written by...Don Rico, and drawn by Don Heck."
  20. ^ DeFalco "1960s" in Gilbert (2008), p. 102
  21. ^ DeFalco "1960s" in Gilbert (2008), p. 106: "Europe's wealthiest nobleman, Count Nefaria, had a terrible secret: he was also the most powerful crimelord on Earth. Created by Stan Lee and Don Heck, Nefaria secretly ran the worldwide criminal organization called the Maggia."
  22. ^ DeFalco "1960s" in Gilbert (2008), p. 109: "Created by Stan Lee and artist Don Heck, the Swordsman tried to join Earth's mightiest heroes, but after being refused, he began working for the criminal mastermind, the Mandarin."
  23. ^ DeFalco "1960s" in Gilbert (2008), p. 110: "[Stan Lee] and Don Heck brought back the machine responsible for creating Wonder Man to produce a brand new super-villain in The Avengers #21."
  24. ^ DeFalco "1960s" in Gilbert (2008), p. 116
  25. ^ DeFalco "1960s" in Gilbert (2008), p. 119
  26. ^ Sanderson, Peter "1970s" in Gilbert (2008), p. 159: "Writer Steve Englehart and artist Don Heck introduced Mantis, a mistress of the martial arts."
  27. ^ DeFalco "1960s" in Gilbert (2008), p. 132: "Lorna Dane's green hair marked her as a mutant...in The X-Men #49, an issue written by Arnold Drake and illustrated by Don Heck and Werner Roth."
  28. ^ DeFalco "1960s" in Gilbert (2008), p. 135: "Alex [Summers] was the younger brother of the X-Man Scott 'Cyclops' Summers. He appeared in The X-Men #54, by writer Arnold Drake and artist Don Heck."
  29. ^ Wells, John (May 2013). "The Master Crime-File of Jason Bard". Back Issue!. Raleigh, North Carolina: TwoMorrows Publishing (64): 39–43.
  30. ^ Cassell, Dewey (May 2013). "A Rose By Any Other Name...Would Be Thorn". Back Issue!. Raleigh, North Carolina: TwoMorrows Publishing (64): 28–32.
  31. ^ McAvennie, Michael; Dolan, Hannah, ed. (2010). "1970s". DC Comics Year By Year A Visual Chronicle. London, United Kingdom: Dorling Kindersley. p. 154. ISBN 978-0-7566-6742-9. After nearly five years of Diana Prince's non-powered super-heroics, writer-editor Robert Kanigher and artist Don Heck restored Wonder Woman's. . .well, wonder.CS1 maint: Extra text: authors list (link)
  32. ^ Sanderson "1970s" in Gilbert (2008), p. 169: "Writer Steve Englehart and veteran Avengers artist Don Heck presented the grand finale of the long-running 'Celestial Madonna' saga ... Immortus presided over the double wedding of Mantis to the resurrected Swordsman, and the android Vision to the Scarlet Witch."
  33. ^ Sanderson "1970s" in Gilbert (2008), p. 171: "Created by writer Tony Isabella and artist Don Heck, the Champions consisted of Angel, Iceman, Hercules, the Black Widow, and Ghost Rider."
  34. ^ Markstein, Don (2009). "The Champions". Don Markstein's Toonopedia. Archived from the original on April 14, 2012. Retrieved January 20, 2013.
  35. ^ Walker, Karen (July 2013). "'We'll Keep on Fighting 'Til the End': The Story of the Champions". Back Issue!. Raleigh, North Carolina: TwoMorrows Publishing (65): 17–23.
  36. ^ McAvennie "1970s" in Dolan, p. 177
  37. ^ Thomas, Roy (2000). "The Justice League-Justice Society Team-Ups". The All-Star Companion. Raleigh, North Carolina: TwoMorrows Publishing. pp. 191–192. ISBN 1-893905-05-5. Justice League of America #207–209 (Oct.–Dec. 1982) and All-Star Squadron #14–15 (Oct.–Nov. 1982)
  38. ^ Greenberger, Robert (August 2017). "It Sounded Like a Good Idea at the Time: A Look at the DC Challenge!". Back Issue!. Raleigh, North Carolina: TwoMorrows Publishing (98): 41.
  39. ^ Sources disagree on its spelling, sometimes even within the same source: The cover of the single issue itself appears to spell it "NightGlider". The cover of Victory #1 likewise spells it as one word, though in an all-caps typeface. The Grand Comics Database entry spells it as both "Nightglider" and "Night Glider". The "archived pulldown title-search menu". Archived from the original on March 3, 2009. Retrieved 2012-09-09.CS1 maint: BOT: original-url status unknown (link) at the Jack Kirby Museum site spells it "Night Glider"
  40. ^ "Donald L. Heck". United States Social Security Death Index. Retrieved February 2, 2018 – via FamilySearch.org.

Further reading

  • Heck, Don (1967). "Bombastic Bullpen Biography Dept".
  • Coates, John (September 2014). Don Heck: A Work of Art. Raleigh, North Carolina: TwoMorrows Publishing. ISBN 978-1-60549-058-8.

External links

Preceded by
n/a
"Iron Man" feature
in Tales of Suspense artist

1963–1965
Succeeded by
Gene Colan
Preceded by
Jack Kirby
The Avengers penciller
1964–1967
Succeeded by
John Buscema
Preceded by
Alex Saviuk
The Flash penciller
1979–1981
Succeeded by
Carmine Infantino
Preceded by
George Pérez
Justice League of America penciller
1982–1983
Succeeded by
Chuck Patton
Preceded by
Gene Colan
Wonder Woman penciller
1983–1986
Succeeded by
n/a
Baron Blitzkrieg

Baron Blitzkrieg is a fictional supervillain in the DC Comics universe, originally residing on Earth-Two. He first appeared in World's Finest Comics #246 (August–September 1977). His first several appearances marked an antagonistic relationship with Wonder Woman and he later faced both the Amazon and Superman towards the end of World War II.A version of the character named Baron Reiter appears in the fourth season of the television series Arrow played by Jimmy Akingbola.

Blackwing

Blackwing is the name of two fictional supervillains and one hero appearing in American comic books published by Marvel Comics.

A 1940s version of Joseph Manfredi appears in Agent Carter portrayed by Ken Marino.

Cobra (Marvel Comics)

Cobra is the name of a number of different fictional characters appearing in American comic books published by Marvel Comics. The most well known "Cobra" is Klaus Voorhees, now known as "King Cobra". He first appeared in Journey into Mystery #98 (Nov 1963) created by writer Stan Lee and artist Don Heck. His nephew, Piet Voorhees, took over the name "Cobra" and first appeared in White Tiger #1 (Jan 2007) in a story written by Tamora Pierce and drawn by Timothy Liebe. Marvel has also used the moniker "Cobra" for two World War II Nazi villains and also a mercenary enemy of Moon Knight.

Klaus Voorhees was a laboratory assistant, working with a professor trying to find a cure for various poisonous snake bites. A combination of a bite from a radioactive snake and the experimental anti-venom granted him super powers, which led to him becoming the supervillain known as Cobra. Cobra and Mister Hyde formed a criminal team for years, fighting various heroes such as Thor and Daredevil. He later became a member of the Serpent Squad and later on a member of Sidewinder's Serpent Society. During a takeover attempt by Viper Cobra actually opposed her rule and sided with Captain America to depose Viper and foiling her plans. Cobra later took the name "King Cobra" as he took leadership of the Serpent Society. When Serpent Society became Serpent Solutions under the leadership of the Viper (Jordan Stryke, a different Viper) King Cobra became a member of the group.

Piet Voorhees, nephew of Klaus Voorhees, was injected with the same chemicals that gave Klaus his powers and he became the new Cobra and worked as a mercenary. On one mission he encountered the White Tiger who defeated him. Cobra later joined the Serpent Squad, organized by Sin and would also work for Hydra as mercenary.

The original Cobra has appeared outside of Marvel Comics, most notably in "The Mighty Thor" portion of The Marvel Super Heroes as well as in episodes of The Avengers: Earth's Mightiest Heroes and Disk Wars: The Avengers.

Count Nefaria

Count Luchino Nefaria is a fictional character, a supervillain appearing in American comic books published by Marvel Comics.

Firebrand (Marvel Comics)

Firebrand is the codename of different fictional supervillains appearing in American comic books published by Marvel Comics. Three of them were normal humans inside powered armor and relied on fire-based weapons; one was a mutated human.

Force (comics)

Force (born Clayton "Clay" Wilson, legally changed to Carl Walker) is a fictional character appearing in American comic books published by Marvel Comics. The character first appears in Prince Namor, the Savage Sub-Mariner #67 (November 1972), and was created by writer Steve Gerber and artist Don Heck.

Ho Yinsen

Professor Ho Yinsen is a fictional character appearing in American comic books published by Marvel Comics. The character is usually depicted as a supporting character of the superhero Iron Man (Tony Stark), and plays a key role in Iron Man's origin story as a mentor and co-builder of his first armor.

Actor Shaun Toub portrayed the character in the 2008 superhero film Iron Man and the 2013 film Iron Man 3.

Living Laser

The Living Laser (Arthur Parks) is a fictional character, a supervillain appearing in American comic books published by Marvel Comics. Created by Stan Lee and Don Heck, the character made his first appearance in The Avengers #34 (November 1966). He would become a recurring enemy of Iron Man and plays a key role in the end of the "Iron Man: The Inevitable" mini series.

Arthur Parks started out as a scientist that invented small, wrist mounted lasers and used them for criminal pursuits. At one point he was a member of the Lethal Legion and at another point he was poised to take over the world due to his possession of the Serpent Crown, but is foiled by the Avengers. At one point it appeared that the Living Laser exploded in space, but in reality his body was transformed into photon form, making him an actual living laser.

Nubia (comics)

Nubia (also sometimes Nu'Bia) is a fictional character appearing in DC Comics publications and related media, commonly as an ally of the superhero Wonder Woman. Created by Robert Kanigher and Don Heck and debuting in Wonder Woman (vol. 1) #204, (January 1973), Nubia was introduced as Wonder Woman's lost twin sister. After DC Comics rebooted its continuity in 1985 (a publication event known as the Crisis on Infinite Earths), Wonder Woman and her supporting characters were re-imagined. Though originally absent from this revised mythos, the character (rechristened Nu'Bia) would be reintroduced in 1999 by Doselle Young and Brian Denham in Wonder Woman Annual (vol. 2) #8. This version, an Amazon champion, was not presented as Wonder Woman's sister.

Historically, Nubia is sometimes considered to be DC Comics' first black woman superhero character, though this distinction is also accorded to the Teen Titan Bumblebee, a more traditional "costumed crimefighter," who debuted in 1976.

Pepper Potts

Virginia "Pepper" Potts is a fictional supporting character appearing in books published by Marvel Comics, particularly those featuring Iron Man, in which she serves as a romantic love interest of Tony Stark. Created by writers Stan Lee and Robert Bernstein and designed by artist Don Heck, she first appeared in Tales of Suspense #45 (Sept. 1963). In 2007, she joined the Fifty State Initiative under the code name Hera. In 2009, she assumed the identity of Rescue after being given her own variation of a suit of Iron Man's armor by Tony Stark.The character was portrayed by Gwyneth Paltrow in the Marvel Cinematic Universe films Iron Man, Iron Man 2, The Avengers, Iron Man 3, Spider-Man: Homecoming, Avengers: Infinity War and Avengers: Endgame.

Ravonna

Ravonna Lexus Renslayer, also known as Terminatrix, is a fictional character appearing in American comic books published by Marvel Comics. She first appeared in Avengers #23 and was created by Stan Lee and Don Heck.

Red Barbarian

The Red Barbarian is a fictional Marvel Comics villain and the alter ego of Colonel Andre Rostov. First appearing in Tales of Suspense #42 (June, 1963), the Red Barbarian was created by Stan Lee, Robert Bernstein and Don Heck.

Scarecrow (Marvel Comics)

The Scarecrow (Ebenezer Laughton) is a fictional supervillain appearing in American comic books published by Marvel Comics.

Spymaster (comics)

Spymaster is a fictional supervillain appearing in American comic books published by Marvel Comics.

Swordsman (comics)

Swordsman (Jacques Duquesne) is a fictional character appearing in American comic books published by Marvel Comics. His first appearance was in The Avengers Vol.1 #19 (Aug. 1965) and was created by Stan Lee and Don Heck. Although he was first introduced as an enemy of Hawkeye and the Avengers, the character has since appeared as both a supervillain and a superhero.

Tales of Suspense

Tales of Suspense is the name of an American comic book anthology series and two one-shot comics published by Marvel Comics. The first, which ran from 1959 to 1968, began as a science-fiction anthology that served as a showcase for such artists as Jack Kirby, Steve Ditko, and Don Heck, then featured superheroes Captain America and Iron Man during the Silver Age of Comic Books before changing its title to Captain America with issue #100 (cover-dated April 1968). Its sister title was Tales to Astonish. Following the launch of Marvel Legacy in 2017, Tales of Suspense was once again resurrected at issue #100, featuring The Winter Soldier and Hawkeye in a story called "The Red Ledger".

Tezcatlipoca (DC Comics)

Tezcatlipoca is a name used by two fictional characters who appeared in DC Comics.

One is the deity from Aztec mythology that first appeared in Wonder Woman #314 and was created by Dan Mishkin and Don Heck.

The other is a werejaguar that first appeared in Green Arrow vol. 2 #102 and was created by Chuck Dixon and Rodolfo Damaggio.

Titanium Man

The Titanium Man ("Chelovek-Titan") is the name of two fictional supervillains appearing in American comic books published by Marvel Comics. The original Titanium Man first appeared in Tales of Suspense #68 in 1965 and was created by Stan Lee and Don Heck.

Wong-Chu

Wong-Chu is a fictional character, a terrorist appearing in American comic books published by Marvel Comics. He usually appears as an adversary of Iron Man and was the first figure that he faced and creates the moral dilemma prevalent throughout the Iron Man canon.

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