A dome (from Latin: domus) is an architectural element that resembles the hollow upper half of a sphere. The precise definition has been a matter of controversy. There are also a wide variety of forms and specialized terms to describe them. A dome can rest upon a rotunda or drum, and can be supported by columns or piers that transition to the dome through squinches or pendentives. A lantern may cover an oculus and may itself have another dome.
Domes have a long architectural lineage that extends back into prehistory and they have been constructed from mud, snow, stone, wood, brick, concrete, metal, glass, and plastic over the centuries. The symbolism associated with domes includes mortuary, celestial, and governmental traditions that have likewise developed over time.
Domes have been found from early Mesopotamia, which may explain the form's spread. They are found in Persian, Hellenistic, Roman, and Chinese architecture in the Ancient world, as well as among a number of contemporary indigenous building traditions. Dome structures were popular in Byzantine and medieval Islamic architecture, and there are numerous examples from Western Europe in the Middle Ages. The Renaissance architectural style spread from Italy in the Early modern period. Advancements in mathematics, materials, and production techniques since that time resulted in new dome types. The domes of the modern world can be found over religious buildings, legislative chambers, sports stadiums, and a variety of functional structures.
The English word "dome" ultimately derives from the Latin domus ("house") from ancient Greek δόμος (dómos), which, up through the Renaissance, labeled a revered house, such as a Domus Dei, or "House of God", regardless of the shape of its roof. This is reflected in the uses of the Italian word duomo, the German/Icelandic/Danish word dom ("cathedral"), and the English word dome as late as 1656, when it meant a "Town-House, Guild-Hall, State-House, and Meeting-House in a city." The French word dosme came to acquire the meaning of a cupola vault, specifically, by 1660. This French definition gradually became the standard usage of the English dome in the eighteenth century as many of the most impressive Houses of God were built with monumental domes, and in response to the scientific need for more technical terms.
A dome is a rounded vault made of either curved segments or a shell of revolution, meaning an arch rotated around its central vertical axis. The terminology used has been a source of controversy, with inconsistency between scholars and even within individual texts, but the term "dome" may be considered a "blanket-word to describe an hemispherical or similar spanning element." A half-dome or semi-dome is a semi-circular shape often used, especially in apses.
Sometimes called "false" domes, corbel domes achieve their shape by extending each horizontal layer of stones inward slightly farther than the lower one until they meet at the top. A "false" dome may also refer to a wooden dome. "True" domes are said to be those whose structure is in a state of compression, with constituent elements of wedge-shaped voussoirs, the joints of which align with a central point. The validity of this is unclear, as domes built underground with corbelled stone layers are also in compression from the surrounding earth. The Italian use of the term finto, meaning "false", can be traced back to the 17th century in the use of vaulting made of reed mats and gypsum mortar.
As with arches, the "springing" of a dome is the level from which the dome rises. The top of a dome is the "crown". The inner side of a dome is called the "intrados" and the outer side is called the "extrados". The "haunch" is the part of an arch that lies roughly halfway between the base and the top.
Drums, also called tholobates, are cylindrical or polygonal walls with or without windows that support a dome. A tambour or lantern is the equivalent structure over a dome's oculus, supporting a cupola.
A masonry dome produces thrusts down and outward. They are thought of in terms of two kinds of forces at right angles from one another. Meridional forces (like the meridians, or lines of longitude, on a globe) are compressive only, and increase towards the base, while hoop forces (like the lines of latitude on a globe) are in compression at the top and tension at the base, with the transition in a hemispherical dome occurring at an angle of 51.8 degrees from the top. The thrusts generated by a dome are directly proportional to the weight of its materials. Grounded hemispherical domes generate significant horizontal thrusts at their haunches.
Unlike voussoir arches, which require support for each element until the keystone is in place, domes are stable during construction as each level is made a complete and self-supporting ring. The upper portion of a masonry dome is always in compression and is supported laterally, so it does not collapse except as a whole unit and a range of deviations from the ideal in this shallow upper cap are equally stable. Because voussoir domes have lateral support, they can be made much thinner than corresponding arches of the same span. For example, a hemispherical dome can be 2.5 times thinner than a semicircular arch, and a dome with the profile of an equilateral arch can be thinner still.
The optimal shape for a masonry dome of equal thickness provides for perfect compression, with none of the tension or bending forces against which masonry is weak. For a particular material, the optimal dome geometry is called the funicular surface, the comparable shape in three dimensions to a catenary curve for a two-dimensional arch. The pointed profiles of many Gothic domes more closely approximate this optimal shape than do hemispheres, which were favored by Roman and Byzantine architects due to the circle being considered the most perfect of forms. Adding a weight to the top of the pointed dome, such as the heavy cupola at the top of Florence Cathedral, changes the optimal shape to perfectly match the actual pointed shape of the dome.
The outward thrusts in the lower portion of a hemispherical masonry dome can be counteracted with the use of chains incorporated around the circumference or with external buttressing, although cracking along the meridians is natural. For small or tall domes with less horizontal thrust, the thickness of the supporting arches or walls can be enough to resist deformation, which is why drums tend to be much thicker than the domes they support.
When the base of the dome does not match the plan of the supporting walls beneath it (for example, a dome's circular base over a square bay), techniques are employed to bridge the two. One technique is to use corbelling, progressively projecting horizontal layers from the top of the supporting wall to the base of the dome, such as the corbelled triangles often used in Seljuk and Ottoman architecture. The simplest technique is to use diagonal lintels across the corners of the walls to create an octagonal base. Another is to use arches to span the corners, which can support more weight. A variety of these techniques use what are called "squinches". A squinch can be a single arch or a set of multiple projecting nested arches placed diagonally over an internal corner. Squinches can take a variety of other forms, as well, including trumpet arches and niche heads, or half-domes.
The invention of pendentives superseded the squinch technique. Pendentives are triangular sections of a sphere, like concave spandrels between arches, and transition from the corners of a square bay to the circular base of a dome. The curvature of the pendentives is that of a sphere with a diameter equal to the diagonal of the square bay. The precise definition of "pendentive" has been a source of contention among academics, including whether or not corbelling is permitted under the definition and whether or not the lower portions of a sail vault should be considered pendentives.
Domes with pendentives can be divided into two kinds: simple and compound. In the case of the simple dome, the pendentives are part of the same sphere as the dome itself; however, such domes are rare. In the case of the more common compound dome, the pendentives are part of the surface of a larger sphere below that of the dome itself and form a circular base for either the dome or a drum section.
Because domes are concave from below, they can reflect sound and create echoes. A dome may have a "whispering gallery" at its base that at certain places transmits distinct sound to other distant places in the gallery. The half-domes over the apses of Byzantine churches helped to project the chants of the clergy. Although this can complement music, it may make speech less intelligible, leading Francesco Giorgi in 1535 to recommend vaulted ceilings for the choir areas of a church, but a flat ceiling filled with as many coffers as possible for where preaching would occur.
Cavities in the form of jars built into the inner surface of a dome may serve to compensate for this interference by diffusing sound in all directions, eliminating echoes while creating a "divine effect in the atmosphere of worship." This technique was written about by Vitruvius in his Ten Books on Architecture, which describes bronze and earthenware resonators. The material, shape, contents, and placement of these cavity resonators determine the effect they have: reinforcing certain frequencies or absorbing them.
The earliest domes in the Middle East were built with mud-brick and, eventually, with baked brick and stone. Domes of wood allowed for wide spans due to the relatively light and flexible nature of the material and were the normal method for domed churches by the 7th century, although most domes were built with the other less flexible materials. Wooden domes were protected from the weather by roofing, such as copper or lead sheeting. Domes of cut stone were more expensive and never as large, and timber was used for large spans where brick was unavailable.
Roman concrete used an aggregate of stone with a powerful mortar. The aggregate transitioned over the centuries to pieces of fired clay, then to Roman bricks. By the sixth century, bricks with large amounts of mortar were the principle vaulting materials. Pozzolana appears to have only been used in central Italy. Brick domes were the favored choice for large-space monumental coverings until the Industrial Age, due to their convenience and dependability. Ties and chains of iron or wood could be used to resist stresses.
The new building materials of the 19th century and a better understanding of the forces within structures from the 20th century has opened up new possibilities. Iron and steel beams, steel cables, and pre-stressed concrete have eliminated the need for external buttressing and enabled far thinner domes. Whereas earlier masonry domes may have had a radius to thickness ratio of 50, the ratio for modern domes can be in excess of 800. The lighter weight of these domes has not only permitted far greater spans, but also allowed for the creation of large movable domes over modern sports stadiums.
According to E. Baldwin Smith, from the late Stone Age the dome-shaped tomb was used as a reproduction of the ancestral, god-given shelter made permanent as a venerated home of the dead. The instinctive desire to do this resulted in widespread domical mortuary traditions across the ancient world, from the stupas of India to the tholos tombs of Iberia. By Hellenistic and Roman times, the domical tholos had become the customary cemetery symbol.
Domes and tent-canopies were also associated with the heavens in Ancient Persia and the Hellenistic-Roman world. A dome over a square base reflected the geometric symbolism of those shapes. The circle represented perfection, eternity, and the heavens. The square represented the earth. An octagon was intermediate between the two. The distinct symbolism of the heavenly or cosmic tent stemming from the royal audience tents of Achaemenid and Indian rulers was adopted by Roman rulers in imitation of Alexander the Great, becoming the imperial baldachin. This probably began with Nero, whose "Golden House" also made the dome an essential feature of palace architecture.
The dual sepulchral and heavenly symbolism was adopted by early Christians in both the use of domes in architecture and in the ciborium, a domical canopy like the baldachin used as a ritual covering for relics or the church altar. The celestial symbolism of the dome, however, was the preeminent one by the Christian era. In the early centuries of Islam, domes were closely associated with royalty. A dome built in front of the mihrab of a mosque, for example, was at least initially meant to emphasize the place of a prince during royal ceremonies. Over time such domes became primarily focal points for decoration or the direction of prayer. The use of domes in mausoleums can likewise reflect royal patronage or be seen as representing the honor and prestige that domes symbolized, rather than having any specific funerary meaning. The wide variety of dome forms in medieval Islam reflected dynastic, religious, and social differences as much as practical building considerations.
Also called a corbelled dome, or false dome, these are different from a 'true dome' in that they consist of purely horizontal layers. As the layers get higher, each is slightly cantilevered, or corbeled, toward the center until meeting at the top. A monumental example is the Mycenaean Treasury of Atreus from the late Bronze Age.
A single or double layer space frame in the form of a dome, a braced dome is a generic term that includes ribbed, Schwedler, three-way grid, lamella or Kiewitt, lattice, and geodesic domes. The different terms reflect different arrangements in the surface members. Braced domes often have a very low weight and are usually used to cover spans of up to 150 meters. Often prefabricated, their component members can either lie on the dome's surface of revolution, or be straight lengths with the connecting points or nodes lying upon the surface of revolution. Single-layer structures are called frame or skeleton types and double-layer structures are truss types, which are used for large spans. When the covering also forms part of the structural system, it is called a stressed skin type. The formed surface type consists of sheets joined together at bent edges to form the structure.
Called domical vaults (a term sometimes also applied to sail vaults), polygonal domes, coved domes, gored domes, segmental domes (a term sometimes also used for saucer domes), paneled vaults, or pavilion vaults, these are domes that maintain a polygonal shape in their horizontal cross section. The earliest known examples date to the first century BC, such as the Tabularium of Rome from 78 BC. Others include the Baths of Antoninus in Carthage (145–160) and the Palatine Chapel at Aachen (13th – 14th century). The most famous example is the Renaissance octagonal dome of Filippo Brunelleschi over the Florence Cathedral. Thomas Jefferson, the third president of the United States, installed an octagonal dome above the West front of his plantation house, Monticello.
Also called domes on pendentives or pendentive domes (a term also applied to sail vaults), compound domes have pendentives that support a smaller diameter dome immediately above them, as in the Hagia Sophia, or a drum and dome, as in many Renaissance and post-Renaissance domes, with both forms resulting in greater height.
One of the earliest types of ribbed vault, the first known examples are found in the Great Mosque of Córdoba in the 10th century. Rather than meeting in the center of the dome, the ribs characteristically intersect one another off-center, forming an empty polygonal space in the center. Geometry is a key element of the designs, with the octagon being perhaps the most popular shape used. Whether the arches are structural or purely decorative remains a matter of debate. The type may have an eastern origin, although the issue is also unsettled. Examples are found in Spain, North Africa, Armenia, Iran, France, and Italy.
The ellipsoidal dome is a surface formed by the rotation around a vertical axis of a semi-ellipse. Like other "rotational domes" formed by the rotation of a curve around a vertical axis, ellipsoidal domes have circular bases and horizontal sections and are a type of "circular dome" for that reason.
Geodesic domes are the upper portion of geodesic spheres. They are composed of a framework of triangles in a polyhedron pattern. The structures are named for geodesics and are based upon geometric shapes such as icosahedrons, octahedrons or tetrahedrons. Such domes can be created using a limited number of simple elements and joints and efficiently resolve a dome's internal forces. Their efficiency is said to increase with size. Although not first invented by Buckminster Fuller, they are associated with him because he designed many geodesic domes and patented them in the United States.
The hemispherical dome is a surface formed by the rotation around a vertical axis of a semicircle. Like other "rotational domes" formed by the rotation of a curve around a vertical axis, hemispherical domes have circular bases and horizontal sections and are a type of "circular dome" for that reason. They experience vertical compression along their meridians, but horizontally experience compression only in the portion above 51.8 degrees from the top. Below this point, hemispherical domes experience tension horizontally, and usually require buttressing to counteract it. According to E. Baldwin Smith, it was a shape likely known to the Assyrians, defined by Greek theoretical mathematicians, and standardized by Roman builders.
Bulbous domes bulge out beyond their base diameters, offering a profile greater than a hemisphere. An onion dome is a greater than hemispherical dome with a pointed top in an ogee profile. They are found in the Near East, Middle East, Persia, and India and may not have had a single point of origin. Their appearance in northern Russian architecture predates the Tatar occupation of Russia and so is not easily explained as the result of that influence. They became popular in the second half of the 15th century in the Low Countries of Northern Europe, possibly inspired by the finials of minarets in Egypt and Syria, and developed in the 16th and 17th centuries in the Netherlands before spreading to Germany, becoming a popular element of the baroque architecture of Central Europe. German bulbous domes were also influenced by Russian and Eastern European domes. The examples found in various European architectural styles are typically wooden. Examples include Kazan Church in Kolomenskoye and the Brighton Pavilion by John Nash. In Islamic architecture, they are typically made of masonry, rather than timber, with the thick and heavy bulging portion serving to buttress against the tendency of masonry domes to spread at their bases. The Taj Mahal is a famous example.
An oval dome is a dome of oval shape in plan, profile, or both. The term comes from the Latin ovum, meaning "egg". The earliest oval domes were used by convenience in corbelled stone huts as rounded but geometrically undefined coverings, and the first examples in Asia Minor date to around 4000 B.C. The geometry was eventually defined using combinations of circular arcs, transitioning at points of tangency. If the Romans created oval domes, it was only in exceptional circumstances. The Roman foundations of the oval plan Church of St. Gereon in Cologne point to a possible example. Domes in the Middle Ages also tended to be circular, though the church of Santo Tomás de las Ollas in Spain has an oval dome over its oval plan. Other examples of medieval oval domes can be found covering rectangular bays in churches. Oval plan churches became a type in the Renaissance and popular in the Baroque style. The dome built for the basilica of Vicoforte by Francesco Gallo was one of the largest and most complex ever made. Although the ellipse was known, in practice, domes of this shape were created by combining segments of circles. Popular in the 16th and 17th centuries, oval and elliptical plan domes can vary their dimensions in three axes or two axes.  A sub-type with the long axis having a semicircular section is called a Murcia dome, as in the Chapel of the Junterones at Murcia Cathedral. When the short axis has a semicircular section, it is called a Melon dome.
A paraboloid dome is a surface formed by the rotation around a vertical axis of a sector of a parabola. Like other "rotational domes" formed by the rotation of a curve around a vertical axis, paraboloid domes have circular bases and horizontal sections and are a type of "circular dome" for that reason. Because of their shape, paraboloid domes experience only compression, both radially and horizontally.
Also called sail vaults, handkerchief vaults, domical vaults (a term sometimes also applied to cloister vaults), pendentive domes (a term that has also been applied to compound domes), Bohemian vaults, or Byzantine domes, this type can be thought of as pendentives that, rather than merely touching each other to form a circular base for a drum or compound dome, smoothly continue their curvature to form the dome itself. The dome gives the impression of a square sail pinned down at each corner and billowing upward. These can also be thought of as saucer domes upon pendentives. Sail domes are based upon the shape of a hemisphere and are not to be confused with elliptic parabolic vaults, which appear similar but have different characteristics.
Also called segmental domes (a term sometimes also used for cloister vaults), or calottes, these have profiles of less than half a circle. Because they reduce the portion of the dome in tension, these domes are strong but have increased radial thrust. Many of the largest existing domes are of this shape.
Masonry saucer domes, because they exist entirely in compression, can be built much thinner than other dome shapes without becoming unstable. The trade-off between the proportionately increased horizontal thrust at their abutments and their decreased weight and quantity of materials may make them more economical, but they are more vulnerable to damage from movement in their supports.
Also called gadrooned, fluted, organ-piped, pumpkin, melon, ribbed, parachute, scalloped, or lobed domes, these are a type of dome divided at the base into curved segments, which follow the curve of the elevation. "Fluted" may refer specifically to this pattern as an external feature, such as was common in Mamluk Egypt. The "ribs" of a dome are the radial lines of masonry that extend from the crown down to the springing. The central dome of the Hagia Sophia uses the ribbed method, which accommodates a ring of windows between the ribs at the base of the dome. The central dome of St. Peter's Basilica also uses this method.
Cultures from pre-history to modern times constructed domed dwellings using local materials. Although it is not known when the first dome was created, sporadic examples of early domed structures have been discovered. The earliest discovered may be four small dwellings made of Mammoth tusks and bones. The first was found by a farmer in Mezhirich, Ukraine, in 1965 while he was digging in his cellar and archaeologists unearthed three more. They date from 19,280 – 11,700 BC.
In modern times, the creation of relatively simple dome-like structures has been documented among various indigenous peoples around the world. The wigwam was made by Native Americans using arched branches or poles covered with grass or hides. The Efé people of central Africa construct similar structures, using leaves as shingles. Another example is the igloo, a shelter built from blocks of compact snow and used by the Inuit people, among others. The Himba people of Namibia construct "desert igloos" of wattle and daub for use as temporary shelters at seasonal cattle camps, and as permanent homes by the poor. Extraordinarily thin domes of sun-baked clay 20 feet in diameter, 30 feet high, and nearly parabolic in curve, are known from Cameroon.
The historical development from structures like these to more sophisticated domes is not well documented. That the dome was known to early Mesopotamia may explain the existence of domes in both China and the West in the first millennium BC. Another explanation, however, is that the use of the dome shape in construction did not have a single point of origin and was common in virtually all cultures long before domes were constructed with enduring materials.
Corbelled stone domes have been found from the Neolithic period in the ancient Near East, and in the Middle East to Western Europe from antiquity.  The kings of Achaemenid Persia held audiences and festivals in domical tents derived from the nomadic traditions of central Asia. Simple domical mausoleums existed in the Hellenistic period. The remains of a large domed circular hall in the Parthian capital city of Nyssa has been dated to perhaps the first century AD, showing "...the existence of a monumental domical tradition in Central Asia that had hitherto been unknown and which seems to have preceded Roman Imperial monuments or at least to have grown independently from them." It likely had a wooden dome.
Persian architecture likely inherited an architectural tradition of dome-building dating back to the earliest Mesopotamian domes. Due to the scarcity of wood in many areas of the Iranian plateau, domes were an important part of vernacular architecture throughout Persian history. The Persian invention of the squinch, a series of concentric arches forming a half-cone over the corner of a room, enabled the transition from the walls of a square chamber to an octagonal base for a dome in a way reliable enough for large constructions and domes moved to the forefront of Persian architecture as a result. Pre-Islamic domes in Persia are commonly semi-elliptical, with pointed domes and those with conical outer shells being the majority of the domes in the Islamic periods.
The area of north-eastern Iran was, along with Egypt, one of two areas notable for early developments in Islamic domed mausoleums, which appear in the tenth century. The Samanid Mausoleum in Transoxiana dates to no later than 943 and is the first to have squinches create a regular octagon as a base for the dome, which then became the standard practice. Cylindrical or polygonal plan tower tombs with conical roofs over domes also exist beginning in the 11th century.
The Seljuq Turks built tower tombs, called "Turkish Triangles", as well as cube mausoleums covered with a variety of dome forms. Seljuk domes included conical, semi-circular, and pointed shapes in one or two shells. Shallow semi-circular domes are mainly found from the Seljuk era. The double-shell domes were either discontinuous or continuous. The domed enclosure of the Jameh Mosque of Isfahan, built in 1086-7 by Nizam al-Mulk, was the largest masonry dome in the Islamic world at that time, had eight ribs, and introduced a new form of corner squinch with two quarter domes supporting a short barrel vault. In 1088 Tāj-al-Molk, a rival of Nizam al-Mulk, built another dome at the opposite end of the same mosque with interlacing ribs forming five-pointed stars and pentagons. This is considered the landmark Seljuk dome, and may have inspired subsequent patterning and the domes of the Il-Khanate period. The use of tile and of plain or painted plaster to decorate dome interiors, rather than brick, increased under the Seljuks.
Beginning in the Ilkhanate, Persian domes achieved their final configuration of structural supports, zone of transition, drum, and shells, and subsequent evolution was restricted to variations in form and shell geometry. Characteristic of these domes are the use of high drums and several types of discontinuous double-shells, and the development of triple-shells and internal stiffeners occurred at this time. The construction of tomb towers decreased. The 7.5 meter wide double dome of Soltan Bakht Agha Mausoleum (1351–1352) is the earliest known example in which the two shells of the dome have significantly different profiles, which spread rapidly throughout the region. The development of taller drums also continued into the Timurid period. The large, bulbous, fluted domes on tall drums that are characteristic of 15th century Timurid architecture were the culmination of the Central Asian and Iranian tradition of tall domes with glazed tile coverings in blue and other colors.
The domes of the Safavid dynasty (1501–1732) are characterized by a distinctive bulbous profile and are considered the last generation of Persian domes. They are generally thinner than earlier domes and are decorated with a variety of colored glazed tiles and complex vegetal patterns, and they were influential on those of other Islamic styles, such as the Mughal architecture of India. An exaggerated style of onion dome on a short drum, as can be seen at the Shah Cheragh (1852–1853), first appeared in the Qajar period. Domes have remained important in modern mausoleums, and domed cisterns and icehouses remain common sights in the countryside.
Very little has survived of ancient Chinese architecture, due to the extensive use of timber as a building material. Brick and stone vaults used in tomb construction have survived, and the corbeled dome was used, rarely, in tombs and temples. The earliest true domes found in Chinese tombs were shallow cloister vaults, called simian jieding, derived from the Han use of barrel vaulting. Unlike the cloister vaults of western Europe, the corners are rounded off as they rise.
A model of a tomb found with a shallow true dome from the late Han Dynasty (206 BC – 220 AD) can be seen at the Guangzhou Museum (Canton). Another, the Lei Cheng Uk Han Tomb, found in Hong Kong in 1955, has a design common among Eastern Han Dynasty (25 AD – 220 AD) tombs in South China: a barrel vaulted entrance leading to a domed front hall with barrel vaulted chambers branching from it in a cross shape. It is the only such tomb that has been found in Hong Kong and is exhibited as part of the Hong Kong Museum of History.
During the Three Kingdoms period (220–280), the "cross-joint dome" (siyuxuanjinshi) was developed under the Wu and Western Jin dynasties south of the Yangtze River, with arcs building out from the corners of a square room until they met and joined at the center. These domes were stronger, had a steeped angle, and could cover larger areas than the relatively shallow cloister vaults. Over time, they were made taller and wider. There were also corbel vaults, called diese, although these are the weakest type. Some tombs of the Song Dynasty (960–1279) have beehive domes.
Roman domes are found in baths, villas, palaces, and tombs. Oculi are common features. They are customarily hemispherical in shape and partially or totally concealed on the exterior. To buttress the horizontal thrusts of a large hemispherical masonry dome, the supporting walls were built up beyond the base to at least the haunches of the dome, and the dome was then also sometimes covered with a conical or polygonal roof.
Domes reached monumental size in the Roman Imperial period. Roman baths played a leading role in the development of domed construction in general, and monumental domes in particular. Modest domes in baths dating from the 2nd and 1st centuries BC are seen in Pompeii, in the cold rooms of the Terme Stabiane and the Terme del Foro. However, the extensive use of domes did not occur before the 1st century AD. The growth of domed construction increases under Emperor Nero and the Flavians in the 1st century AD, and during the 2nd century. Centrally-planned halls become increasingly important parts of palace and palace villa layouts beginning in the 1st century, serving as state banqueting halls, audience rooms, or throne rooms. The Pantheon, a temple in Rome completed by Emperor Hadrian as part of the Baths of Agrippa, is the most famous, best preserved, and largest Roman dome. Segmented domes, made of radially concave wedges or of alternating concave and flat wedges, appear under Hadrian in the 2nd century and most preserved examples of this style date from this period.
In the 3rd century, Imperial mausoleums began to be built as domed rotundas, rather than as tumulus structures or other types, following similar monuments by private citizens. The technique of building lightweight domes with interlocking hollow ceramic tubes further developed in North Africa and Italy in the late third and early fourth centuries. In the 4th century, Roman domes proliferated due to changes in the way domes were constructed, including advances in centering techniques and the use of brick ribbing. The material of choice in construction gradually transitioned during the 4th and 5th centuries from stone or concrete to lighter brick in thin shells. Baptisteries began to be built in the manner of domed mausoleums during the 4th century in Italy. The octagonal Lateran baptistery or the baptistery of the Holy Sepulchre may have been the first, and the style spread during the 5th century. By the 5th century, structures with small-scale domed cross plans existed across the Christian world.
With the end of the Western Roman Empire, domes became a signature feature of the church architecture of the surviving Eastern Roman — or "Byzantine" — Empire. 6th-century church building by the Emperor Justinian used the domed cross unit on a monumental scale, and his architects made the domed brick-vaulted central plan standard throughout the Roman east. This divergence with the Roman west from the second third of the 6th century may be considered the beginning of a "Byzantine" architecture. Justinian's Hagia Sophia was an original and innovative design with no known precedents in the way it covers a basilica plan with dome and semi-domes. Periodic earthquakes in the region have caused three partial collapses of the dome and necessitated repairs.
"Cross-domed units", a more secure structural system created by bracing a dome on all four sides with broad arches, became a standard element on a smaller scale in later Byzantine church architecture. The Cross-in-square plan, with a single dome at the crossing or five domes in a quincunx pattern, became widely popular in the Middle Byzantine period (c. 843–1204). It is the most common church plan from the tenth century until the fall of Constantinople in 1453. Resting domes on circular or polygonal drums pierced with windows eventually became the standard style, with regional characteristics.
In the Byzantine period, domes were normally hemispherical and had, with occasional exceptions, windowed drums. All of the surviving examples in Constantinople are ribbed or pumpkin domes, with the divisions corresponding to the number of windows. Roofing for domes ranged from simple ceramic tile to more expensive, more durable, and more form-fitting lead sheeting. Metal clamps between stone cornice blocks, metal tie rods, and metal chains were also used to stabilize domed construction. The technique of using double shells for domes, although revived in the Renaissance, originated in Byzantine practice.
The Syria and Palestine area has a long tradition of domical architecture, including wooden domes in shapes described as "conoid", or similar to pine cones. When the Arab Muslim forces conquered the region, they employed local craftsmen for their buildings and, by the end of the 7th century, the dome had begun to become an architectural symbol of Islam. In addition to religious shrines, such as the Dome of the Rock, domes were used over the audience and throne halls of Umayyad palaces, and as part of porches, pavilions, fountains, towers and the calderia of baths. Blending the architectural features of both Byzantine and Persian architecture, the domes used both pendentives and squinches and were made in a variety of shapes and materials. Although architecture in the region would decline following the movement of the capital to Iraq under the Abbasids in 750, mosques built after a revival in the late 11th century usually followed the Umayyad model. Early versions of bulbous domes can be seen in mosaic illustrations in Syria dating to the Umayyad period. They were used to cover large buildings in Syria after the eleventh century.
Italian church architecture from the late sixth century to the end of the eighth century was influenced less by the trends of Constantinople than by a variety of Byzantine provincial plans. With the crowning of Charlemagne as a new Roman Emperor, Byzantine influences were largely replaced in a revival of earlier Western building traditions. Occasional exceptions include examples of early quincunx churches at Milan and near Cassino. Another is the Palatine Chapel. Its domed octagon design was influenced by Byzantine models. It was the largest dome north of the Alps at that time. Venice, Southern Italy and Sicily served as outposts of Middle Byzantine architectural influence in Italy.
The Great Mosque of Córdoba contains the first known examples of the crossed-arch dome type. The use of corner squinches to support domes was widespread in Islamic architecture by the 10th and 11th centuries. After the ninth century, mosques in North Africa often have a small decorative dome over the mihrab. Additional domes are sometimes used at the corners of the mihrab wall, at the entrance bay, or on the square tower minarets. Egypt, along with north-eastern Iran, was one of two areas notable for early developments in Islamic mausoleums, beginning in the 10th century. Fatimid mausoleums were mostly simple square buildings covered by a dome. Domes were smooth or ribbed and had a characteristic Fatimid "keel" shape profile.
Domes in Romanesque architecture are generally found within crossing towers at the intersection of a church's nave and transept, which conceal the domes externally. They are typically octagonal in plan and use corner squinches to translate a square bay into a suitable octagonal base. They appear "in connection with basilicas almost throughout Europe" between 1050 and 1100. The Crusades, beginning in 1095, also appear to have influenced domed architecture in Western Europe, particularly in the areas around the Mediterranean Sea. The Knights Templar, headquartered at the site, built a series of centrally planned churches throughout Europe modeled on the Church of the Holy Sepulchre, with the Dome of the Rock also an influence. In southwest France, there are over 250 domed Romanesque churches in the Périgord region alone. The use of pendentives to support domes in the Aquitaine region, rather than the squinches more typical of western medieval architecture, strongly implies a Byzantine influence. Gothic domes are uncommon due to the use of rib vaults over naves, and with church crossings usually focused instead by a tall steeple, but there are examples of small octagonal crossing domes in cathedrals as the style developed from the Romanesque.
Star-shaped domes found at the Moorish palace of the Alhambra in Granada, Spain, the Hall of the Abencerrajes (c. 1333–91) and the Hall of the two Sisters (c. 1333–54), are extraordinarily developed examples of muqarnas domes. In the first half of the fourteenth century, stone blocks replaced bricks as the primary building material in the dome construction of Mamluk Egypt and, over the course of 250 years, around 400 domes were built in Cairo to cover the tombs of Mamluk sultans and emirs. Dome profiles were varied, with "keel-shaped", bulbous, ogee, stilted domes, and others being used. On the drum, angles were chamfered, or sometimes stepped, externally and triple windows were used in a tri-lobed arrangement on the faces. Bulbous cupolas on minarets were used in Egypt beginning around 1330, spreading to Syria in the following century. In the fifteenth century, pilgrimages to and flourishing trade relations with the Near East exposed the Low Countries of northwest Europe to the use of bulbous domes in the architecture of the Orient and such domes apparently became associated with the city of Jerusalem. Multi-story spires with truncated bulbous cupolas supporting smaller cupolas or crowns became popular in the sixteenth century.
The multidomed church is a typical form of Russian church architecture that distinguishes Russia from other Orthodox nations and Christian denominations. Indeed, the earliest Russian churches, built just after the Christianization of Kievan Rus', were multi-domed, which has led some historians to speculate about how Russian pre-Christian pagan temples might have looked. Examples of these early churches are the 13-domed wooden Saint Sophia Cathedral in Novgorod (989) and the 25-domed stone Desyatinnaya Church in Kiev (989–996). The number of domes typically has a symbolical meaning in Russian architecture, for example 13 domes symbolize Christ with 12 Apostles, while 25 domes means the same with an additional 12 Prophets of the Old Testament. The multiple domes of Russian churches were often comparatively smaller than Byzantine domes.
The earliest stone churches in Russia featured Byzantine style domes, however by the Early Modern era the onion dome had become the predominant form in traditional Russian architecture. The onion dome is a dome whose shape resembles an onion, after which they are named. Such domes are often larger in diameter than the drums they sit on, and their height usually exceeds their width. The whole bulbous structure tapers smoothly to a point. Though the earliest preserved Russian domes of such type date from the 16th century, illustrations from older chronicles indicate they have existed since the late 13th century. Like tented roofs—which were combined with, and sometimes replaced domes in Russian architecture since the 16th century—onion domes initially were used only in wooden churches. Builders introduced them into stone architecture much later, and continued to make their carcasses of either of wood or metal on top of masonry drums.
Russian domes are often gilded or brightly painted. A dangerous technique of chemical gilding using mercury had been applied on some occasions until the mid-19th century, most notably in the giant dome of Saint Isaac's Cathedral. The more modern and safe method of gold electroplating was applied for the first time in gilding the domes of the Cathedral of Christ the Saviour in Moscow, the tallest Eastern Orthodox church in the world.
The rise of the Ottoman Empire and its spread in Asia Minor and the Balkans coincided with the decline of the Seljuk Turks and the Byzantine Empire. Early Ottoman buildings, for almost two centuries after 1300, were characterized by a blending of Ottoman culture and indigenous architecture, and the pendentive dome was used throughout the empire. The Byzantine dome form was adopted and further developed. Ottoman architecture made exclusive use of the semi-spherical dome for vaulting over even very small spaces, influenced by the earlier traditions of both Byzantine Anatolia and Central Asia. The smaller the structure, the simpler the plan, but mosques of medium size were also covered by single domes. The earliest Ottoman mosques were single oblong rooms with either simple tiled pitched roofs of wood or a wooden interior dome. Most of these wooden domes have been lost to fires and replaced by flat ceilings. The earliest masonry domes covered square single room mosques, the archetype of Ottoman architecture. Examples include the Mosque of Orhan Gazi in Gebze and Karagöz Bey Mosque in Mostar. This domed-square unit is the defining element of the three basic Ottoman mosque plans: the single unit mosque, multi-unit mosque, and eyvan (or "iwan") mosque.
The multi-unit mosque uses several domed-squares of similar size along the length of a mosque, or across its width, or both, with the central dome sometimes larger than the others. A style common in the Bursa period, and known as the "Bursa type", is like a duplication of the single-domed square, with one long space divided by an arch into two square bays that are each covered by a dome. A variation of this type has the room covered by one dome and one semi-dome, with additional side chambers. A multi-domed style derived from Seljuk architecture is that of the Ulu Camii, or Great Mosque, which consists of a number of domes of the same size supported by pillars.
The eyvan mosque type (the eyvan being derived from Seljuk architecture) uses domed-square units in a variety of sizes, heights, and details, with only the possible pair of side units being similar sizes.
Early experiments with large domes include the domed square mosques of Çine and Mudurnu under Bayezid I, and the later domed "zawiya-mosques" at Bursa. The Üç Şerefeli Mosque at Edirne developed the idea of the central dome being a larger version of the domed modules used throughout the rest of the structure to generate open space. This idea became important to the Ottoman style as it developed.
The Beyazidiye Mosque (1501–1506) in Istanbul begins the Classical period in Ottoman architecture, in which the great Imperial Mosques, with variations, resemble the former Byzantine basilica of Hagia Sophia in having a large central dome with semi-domes of the same span to the east and west. Hagia Sophia's central dome arrangement is faithfully reproduced in three Ottoman mosques in Istanbul: the Beyazidiye Mosque, the Kılıç Ali Pasha Mosque, and the Süleymaniye Mosque. Three other Imperial mosques in Istanbul also add semi-domes to the north and south, doing away with the basilica plan: Şehzade Camii, Sultan Ahmed I Camii, and Yeni Cami. The peak of this classical period, which lasted into the 17th century, came with the architecture of Mimar Sinan.  In addition to large Imperial mosques, he produced hundreds of other monuments, including medium-sized mosques such as the Mihrimah, Sokollu, and Rüstem Pasha Mosque and the tomb of Suleiman the Magnificent. Süleymaniye Mosque, built in Constantinople (modern Istanbul) from 1550 to 1557, has a main dome 53 meters high with a diameter of 26.5 meters. At the time it was built, the dome was the highest in the Ottoman Empire when measured from sea level, but lower from the floor of the building and smaller in diameter than that of the nearby Hagia Sophia.
Another Classical domed mosque type is, like the Byzantine church of Sergius and Bacchus, the domed polygon within a square. Octagons and hexagons were common, such as those of Üç Şerefeli Mosque (1437–1447) and Selimiye Mosque in Edirne. The Selimiye Mosque was the first structure built by the Ottomans that had a larger dome than that of the Hagia Sophia. The dome rises above a square bay. Corner semi-domes convert this into an octagon, which muqarnas transition to a circular base. The dome has an average internal diameter of about 31.5 meters, while that of Hagia Sophia averages 31.3 meters. Designed and built by architect Mimar Sinan between 1568 and 1574, when he finished it he was 86 years old, and he considered the mosque his masterpiece.
Filippo Brunelleschi's octagonal brick domical vault over Florence Cathedral was built between 1420 and 1436 and the lantern surmounting the dome was completed in 1467. The dome is 42 meters wide and made of two shells. The dome is not itself Renaissance in style, although the lantern is closer. A combination of dome, drum, pendentives, and barrel vaults developed as the characteristic structural forms of large Renaissance churches following a period of innovation in the later fifteenth century. Florence was the first Italian city to develop the new style, followed by Rome and then Venice. Brunelleschi's domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. His plan for the dome of the Pazzi Chapel in Florence's Basilica of Santa Croce (1430–52) illustrates the Renaissance enthusiasm for geometry and for the circle as geometry's supreme form. This emphasis on geometric essentials would be very influential.
De Re Aedificatoria, written by Leon Battista Alberti around 1452, recommends vaults with coffering for churches, as in the Pantheon, and the first design for a dome at St. Peter's Basilica in Rome is usually attributed to him, although the recorded architect is Bernardo Rossellino. This would culminate in Bramante's 1505–06 projects for a wholly new St. Peter's Basilica, marking the beginning of the displacement of the Gothic ribbed vault with the combination of dome and barrel vault, which proceeded throughout the sixteenth century. Bramante's initial design was for a Greek cross plan with a large central hemispherical dome and four smaller domes around it in a quincunx pattern. Work began in 1506 and continued under a succession of builders over the next 120 years. The dome was completed by Giacomo della Porta and Domenico Fontana. The publication of Sebastiano Serlio's treatise, one of the most popular architectural treatises ever published, was responsible for the spread of the oval in late Renaissance and Baroque architecture throughout Italy, Spain, France, and central Europe.
The Villa Capra, also known as "La Rotunda", was built by Andrea Palladio from 1565 to 1569 near Vicenza. Its highly symmetrical square plan centers on a circular room covered by a dome, and it proved highly influential on the Georgian architects of 18th century England, architects in Russia, and architects in America, Thomas Jefferson among them. Palladio's two domed churches in Venice are San Giorgio Maggiore (1565–1610) and Il Redentore (1577–92), the latter built in thanksgiving for the end of a bad outbreak of plague in the city. The spread of the Renaissance-style dome outside of Italy began with central Europe, although there was often a stylistic delay of a century or two.
Islamic rule over northern and central India brought with it the use of domes constructed with stone, brick and mortar, and iron dowels and cramps. Centering was made from timber and bamboo. The use of iron cramps to join together adjacent stones was known in pre-Islamic India, and was used at the base of domes for hoop reinforcement. The synthesis of styles created by this introduction of new forms to the Hindu tradition of trabeate construction created a distinctive architecture. Domes in pre-Mughal India have a standard squat circular shape with a lotus design and bulbous finial at the top, derived from Hindu architecture. Because the Hindu architectural tradition did not include arches, flat corbels were used to transition from the corners of the room to the dome, rather than squinches. In contrast to Persian and Ottoman domes, the domes of Indian tombs tend to be more bulbous.
The earliest examples include the half-domes of the late 13th century tomb of Balban and the small dome of the tomb of Khan Shahid, which were made of roughly cut material and would have needed covering surface finishes. Under the Lodi dynasty there was a large proliferation of tomb building, with octagonal plans reserved for royalty and square plans used for others of high rank, and the first double dome was introduced to India in this period. The first major Mughal building is the domed tomb of Humayun, built between 1562 and 1571 by a Persian architect. The central double dome covers an octagonal central chamber about 15 meters wide and is accompanied by small domed chattri made of brick and faced with stone. Chatris, the domed kiosks on pillars characteristic of Mughal roofs, were adopted from their Hindu use as cenotaphs. The fusion of Persian and Indian architecture can be seen in the dome shape of the Taj Mahal: the bulbous shape derives from Persian Timurid domes, and the finial with lotus leaf base is derived from Hindu temples. The Gol Gumbaz, or Round Dome, is one of the largest masonry domes in the world. It has an internal diameter of 41.15 meters and a height of 54.25 meters. The dome was the most technically advanced built in the Deccan. The last major Islamic tomb built in India was the tomb of Safdar Jang (1753–54). The central dome is reportedly triple-shelled, with two relatively flat inner brick domes and an outer bulbous marble dome, although it may actually be that the marble and second brick domes are joined everywhere but under the lotus leaf finial at the top.
In the early sixteenth century, the lantern of the Italian dome spread to Germany, gradually adopting the bulbous cupola from the Netherlands. Russian architecture strongly influenced the many bulbous domes of the wooden churches of Bohemia and Silesia and, in Bavaria, bulbous domes less resemble Dutch models than Russian ones. Domes like these gained in popularity in central and southern Germany and in Austria in the seventeenth and eighteenth centuries, particularly in the Baroque style, and influenced many bulbous cupolas in Poland and Eastern Europe in the Baroque period. However, many bulbous domes in eastern Europe were replaced over time in the larger cities during the second half of the eighteenth century in favor of hemispherical or stilted cupolas in the French or Italian styles.
The construction of domes in the sixteenth and seventeenth centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the times, which avoided practical details. This was adequate for domes up to medium size, with diameters in the range of 12 to 20 meters. Materials were considered homogeneous and rigid, with compression taken into account and elasticity ignored. The weight of materials and the size of the dome were the key references. Lateral tensions in a dome were counteracted with horizontal rings of iron, stone, or wood incorporated into the structure.
Over the course of the seventeenth and eighteenth centuries, developments in mathematics and the study of statics led to a more precise formalization of the ideas of the traditional constructive practices of arches and vaults, and there was a diffusion of studies on the most stable form for these structures: the catenary curve. Robert Hooke, who first articulated that a thin arch was comparable to an inverted hanging chain, may have advised Wren on how to achieve the crossing dome of St. Paul's Cathedral. Wren's structural system became the standard for large domes well into the 19th century. The ribs in Guarino Guarini's San Lorenzo and Il Sidone were shaped as catenary arches. The idea of a large oculus in a solid dome revealing a second dome originated with him. He also established the oval dome as a reconciliation of the longitudinal plan church favored by the liturgy of the Counter-Reformation and the centralized plan favored by idealists. Because of the imprecision of oval domes in the Rococo period, drums were problematic and the domes instead often rested directly on arches or pendentives.
In the eighteenth century, the study of dome structures changed radically, with domes being considered as a composition of smaller elements, each subject to mathematical and mechanical laws and easier to analyse individually, rather than being considered as whole units unto themselves. Although never very popular in domestic settings, domes were used in a number of 18th century homes built in the Neo-Classical style. In the United States, most public buildings in the late 18th century were only distinguishable from private residences because they featured cupolas.
The historicism of the 19th century led to many domes being re-translations of the great domes of the past, rather than further stylistic developments, especially in sacred architecture. New production techniques allowed for cast iron and wrought iron to be produced both in larger quantities and at relatively low prices during the Industrial Revolution. Russia, which had large supplies of iron, has some of the earliest examples of iron's architectural use. Excluding those that simply imitated multi-shell masonry, metal framed domes such as the elliptical dome of Royal Albert Hall in London (57 to 67 meters in diameter) and the circular dome of the Halle au Blé in Paris may represent the century's chief development of the simple domed form. Cast-iron domes were particularly popular in France.
The practice of building rotating domes for housing large telescopes was begun in the 19th century, with early examples using papier-mâché to minimize weight. Unique glass domes springing straight from ground level were used for hothouses and winter gardens. Elaborate covered shopping arcades included large glazed domes at their cross intersections. The large domes of the 19th century included exhibition buildings and functional structures such as gasometers and locomotive sheds. The "first fully triangulated framed dome" was built in Berlin in 1863 by Johann Wilhelm Schwedler and, by the start of the 20th century, similarly triangulated frame domes had become fairly common. Vladimir Shukhov was also an early pioneer of what would later be called gridshell structures and in 1897 he employed them in domed exhibit pavilions at the All-Russia Industrial and Art Exhibition.
Domes built with steel and concrete were able to achieve very large spans. In the late 19th and early 20th centuries, the Guastavino family, a father and son team who worked on the eastern seaboard of the United States, further developed the masonry dome, using tiles set flat against the surface of the curve and fast-setting Portland cement, which allowed mild steel bar to be used to counteract tension forces. The thin domical shell was further developed with the construction by Walther Bauersfeld of two planetarium domes in Jena, Germany in the early 1920s. They consisting of a triangulated frame of light steel bars and mesh covered by a thin layer of concrete. These are generally taken to be the first modern architectural thin shells. These are also considered the first geodesic domes. Geodesic domes have been used for radar enclosures, greenhouses, housing, and weather stations. Architectural shells had their heyday in the 1950s and 1960s, peaking in popularity shortly before the widespread adoption of computers and the finite element method of structural analysis.
The first permanent air supported membrane domes were the radar domes designed and built by Walter Bird after World War II. Their low cost eventually led to the development of permanent versions using teflon-coated fiberglass and by 1985 the majority of the domed stadiums around the world used this system. Tensegrity domes, patented by Buckminster Fuller in 1962, are membrane structures consisting of radial trusses made from steel cables under tension with vertical steel pipes spreading the cables into the truss form. They have been made circular, elliptical, and other shapes to cover stadiums from Korea to Florida. Tension membrane design has depended upon computers, and the increasing availability of powerful computers resulted in many developments being made in the last three decades of the 20th century. The higher expense of rigid large span domes made them relatively rare, although rigidly moving panels is the most popular system for sports stadiums with retractable roofing.
Carrier Dome is a 49,250-seat domed sports stadium located on the campus of Syracuse University in the University Hill neighborhood of Syracuse, New York. It is home to the Syracuse Orange football, basketball, and lacrosse teams. The Syracuse Orange men's basketball team drew the highest average home attendance in college basketball in 2015-16, with an average of 26,253. In 2006–07, the women's basketball team began playing home games in the Dome. New York high school football state championships as well as the annual New York State Field Band Conference championships are held in the stadium, as are occasional concerts.
The Carrier Dome is the largest domed stadium of any college campus, and the largest domed stadium in the Northeastern United States. It is also the largest on-campus basketball arena in the nation, with a listed capacity of 33,000. However, that number has been exceeded on many occasions with a record attendance of 35,446.Dome of the Rock
The Dome of the Rock (Arabic: قبة الصخرة Qubbat al-Sakhrah, Hebrew: כיפת הסלע Kippat ha-Sela) is an Islamic shrine located on the Temple Mount in the Old City of Jerusalem. It was initially completed in 691 CE at the order of Umayyad Caliph Abd al-Malik during the Second Fitna on the site of the Second Jewish Temple, destroyed during the Roman Siege of Jerusalem in 70 CE. The original dome collapsed in 1015 and was rebuilt in 1022–23. The Dome of the Rock is in its core one of the oldest extant works of Islamic architecture.Its architecture and mosaics were patterned after nearby Byzantine churches and palaces, although its outside appearance has been significantly changed in the Ottoman period and again in the modern period, notably with the addition of the gold-plated roof, in 1959–61 and again in 1993. The octagonal plan of the structure may have been influenced by the Byzantine Church of the Seat of Mary (also known as Kathisma in Greek and al-Qadismu in Arabic) built between 451 and 458 on the road between Jerusalem and Bethlehem.The Foundation Stone the temple was built over bears great significance in Judaism as the place where God created the world and the first human, Adam. It is also believed to be the site where Abraham attempted to sacrifice his son, and as the place where God's divine presence is manifested more than in any other place, towards which Jews turn during prayer. The site's great significance for Muslims derives from traditions connecting it to the creation of the world and the belief that the Prophet Muhammad's Night Journey to heaven started from the rock at the center of the structure.A UNESCO World Heritage Site, it has been called "Jerusalem's most recognizable landmark," along with two nearby Old City structures, the Western Wall, and the "Resurrection Rotunda" in the Church of the Holy Sepulchre.Florence Cathedral
Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore (Italian pronunciation: [katteˈdraːle di ˈsanta maˈriːa del ˈfjoːre]; in English "Cathedral of Saint Mary of the Flower"), is the cathedral of Florence, Italy (Italian: Duomo di Firenze). It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome designed by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.
The cathedral complex, in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. These three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major tourist attraction of Tuscany. The basilica is one of Italy's largest churches, and until the development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed.
The cathedral is the mother church of the Roman Catholic Archdiocese of Florence, whose archbishop is Giuseppe Betori.Geodesic dome
A geodesic dome is a hemispherical thin-shell structure (lattice-shell) based on a geodesic polyhedron. The triangular elements of the dome are structurally rigid and distribute the structural stress throughout the structure, making geodesic domes able to withstand very heavy loads for their size.Georgia Dome
The Georgia Dome was a domed stadium in the Southeastern United States. Located in Atlanta between downtown to the east and Vine City to the west, it was owned and operated by the State of Georgia as part of the Georgia World Congress Center Authority. Its successor, Mercedes-Benz Stadium, was built adjacent to the south and opened on August 26, 2017. The Georgia Dome was demolished on November 20, 2017.The Georgia Dome was the home stadium for the Atlanta Falcons of the National Football League (NFL) and the Georgia State University Panthers football team. It hosted two Super Bowls (XXVIII and XXXIV), 25 editions of the Peach Bowl (January 1993 through December 2016) and 23 SEC Championship Games (1994−2016). In addition, the Georgia Dome also hosted several soccer matches since 2009 with attendances over 50,000. In its 25-year lifespan, the Georgia Dome hosted over 1,400 events attended by over 37 million people. The Georgia Dome was the only stadium in the world to host the Olympics, Super Bowl and Final Four.At its debut in 1992, the Georgia Dome was the second-largest covered stadium in the world by capacity, behind the Pontiac Silverdome; it was also surpassed by AT&T Stadium in Arlington, Texas, and Millennium Stadium in Cardiff, Wales.Hagia Sophia
Hagia Sophia (; from the Greek Αγία Σοφία, pronounced [aˈʝia soˈfia], "Holy Wisdom"; Latin: Sancta Sophia or Sancta Sapientia; Turkish: Ayasofya) is the former Greek Orthodox Christian patriarchal cathedral, later an Ottoman imperial mosque and now a museum (Ayasofya Müzesi) in Istanbul, Turkey. Built in 537 AD at the beginning of the Middle Ages, it was famous in particular for its massive dome. It was the world's largest building and an engineering marvel of its time. It is considered the epitome of Byzantine architecture and is said to have "changed the history of architecture".The Hagia Sophia construction consists of mostly masonry. The structure is composed of brick and mortar joint that are 1.5 times the width of the bricks. The mortar joints are composed of a combination of sand and minute ceramic pieces displaced very evenly throughout the mortar joints. This combination of sand and ceramic pieces could be considered to be the equivalent of modern concrete at the time.From the date of its construction in 537 until 1453, it served as an Eastern Orthodox cathedral and the seat of the Ecumenical Patriarch of Constantinople, except between 1204 and 1261, when it was converted by the Fourth Crusaders to a Roman Catholic cathedral under the Latin Empire. The building was later converted into an Ottoman mosque from 29 May 1453 until 1931. It was then secularized and opened as a museum on 1 February 1935. It remained the world's largest cathedral for nearly a thousand years, until Seville Cathedral was completed in 1520.
The current building was originally constructed as a church between 532 and 537 on the orders of the Byzantine Emperor Justinian I and was the third Church of the Holy Wisdom to occupy the site, the prior one having been destroyed by rioters in the Nika Revolt. It was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles. The church was dedicated to the Wisdom of God, the Logos, the second person of the Trinity, its patronal feast taking place on 25 December, the commemoration of the birth of the incarnation of the Logos in Christ. Although sometimes referred to as Sancta Sophia (as though it were named after Sophia the Martyr), sophia being the phonetic spelling in Latin of the Greek word for wisdom, its full name in Greek is Ναός της Αγίας του Θεού Σοφίας, Naos tēs Hagias tou Theou Sophias, "Shrine of the Holy Wisdom of God". The church contained a large collection of relics and featured, among other things, a 15-metre (49 ft) silver iconostasis. The focal point of the Eastern Orthodox Church for nearly one thousand years, the building witnessed the excommunication of Patriarch Michael I Cerularius officially communicated by Humbert of Silva Candida, the papal envoy of Pope Leo IX in 1054, an act that is commonly considered the start of the East–West Schism.
In 1453, Constantinople was conquered by the Ottoman Empire under Mehmed the Conqueror, who ordered this main church of Orthodox Christianity converted into a mosque. Although some parts of the city of Constantinople were falling into disrepair, the cathedral was maintained with an amount of money set aside for this purpose. Nevertheless, the Christian cathedral made a strong impression on the new Ottoman rulers and they decided to convert it into a mosque. The bells, altar, iconostasis, and other relics were destroyed and the mosaics depicting Jesus, his Mother Mary, Christian saints, and angels were also destroyed or plastered over. Islamic features—such as the mihrab (a niche in the wall indicating the direction toward Mecca, for prayer), minbar (pulpit), and four minarets—were added. It remained a mosque until 1931 when it was closed to the public for four years. It was re-opened in 1935 as a museum by the Republic of Turkey. Hagia Sophia was, as of 2014, the second-most visited museum in Turkey, attracting almost 3.3 million visitors annually. According to data released by the Turkish Culture and Tourism Ministry, Hagia Sophia was Turkey's most visited tourist attraction in 2015.From its initial conversion until the construction of the nearby Sultan Ahmed Mosque (Blue Mosque of Istanbul) in 1616, it was the principal mosque of Istanbul. The Byzantine architecture of the Hagia Sophia served as inspiration for many other Ottoman mosques, such as the aforementioned mosque, the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Pasha Complex.January 4 Tokyo Dome Show
The January 4 Tokyo Dome Show is a professional wrestling event produced annually on January 4 in the Tokyo Dome by New Japan Pro-Wrestling (NJPW), a Japan-based professional wrestling promotion. NJPW has promoted events in the Tokyo Dome on January 4 since 1992. The January 4 Tokyo Dome Show has since became NJPW's premier annual event and the biggest event in Japanese wrestling, similar to what WrestleMania is for WWE and American professional wrestling.
The first two January 4 Tokyo Dome Shows were also the last two WCW/New Japan Supershows. Since 2007, when the event was renamed "Wrestle Kingdom in Tokyo Dome", the Dome shows have been broadcast on pay-per-view (PPV). As of 2017, all the Dome shows have featured championship matches, including several titles not owned by NJPW. On three occasions (1998, 2006 and 2013), no titles changed hands during the show. Some of the earlier January 4 show attendance numbers have been disputed. Officially, the 1993 Tokyo Dome show set the attendance record with 63,500 fans packing the Tokyo Dome, while according to Dave Meltzer, the 1998 show holds the record with an attendance of 55,000. Unofficially, the 2007 and 2011 Dome shows drew the lowest gates with only 18,000 in attendance. As of 2017, the January 4 shows have hosted 282 matches (not including dark or pre-show matches), 94 of which were title matches leading to 44 title changes in total. The 2005 Tokyo Dome show had a 16-match card, the largest of any of the shows, while 2001, 2002, 2007, 2013, and 2016 featured 9 matches, the lowest number of matches on a show.
It was announced on January 4, 2019, as part of that year's Dome Show that the next January 4 event will expand to two days in 2020. The show will be on January 4 and 5.Lava dome
In volcanology, a lava dome or volcanic dome is a roughly circular mound-shaped protrusion resulting from the slow extrusion of viscous lava from a volcano. Dome-building eruptions are common, particularly in convergent plate boundary settings. Around 6% of eruptions on earth are lava dome forming. The geochemistry of lava domes can vary from basalt (e.g. Semeru, 1946) to rhyolite (e.g. Chaiten, 2010) although the majority are of intermediate composition (such as Santiaguito, dacite-andesite, present day) The characteristic dome shape is attributed to high viscosity that prevents the lava from flowing very far. This high viscosity can be obtained in two ways: by high levels of silica in the magma, or by degassing of fluid magma. Since viscous basaltic and andesitic domes weather fast and easily break apart by further input of fluid lava, most of the preserved domes have high silica content and consist of rhyolite or dacite.
Existence of lava domes has been suggested for some domed structures on the Moon, Venus, and Mars, e.g. the Martian surface in the western part of Arcadia Planitia and within Terra Sirenum.Les Invalides
Les Invalides (French pronunciation: [lezɛ̃valid]), formally the Hôtel national des Invalides (The National Residence of the Invalids), or also as Hôtel des Invalides, is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine, as well as the Dôme des Invalides, a large church, the tallest in Paris at a height of 107 meters, with the tombs of some of France's war heroes, most notably Napoleon.Millennium Dome
The Millennium Dome, also referred to simply as The Dome, is the original name of a large dome-shaped building, originally used to house the Millennium Experience, a major exhibition celebrating the beginning of the third millennium. It is the ninth largest building in the world by usable volume. Located on the Greenwich Peninsula in South East London, England, the exhibition was open to the public from 1 January to 31 December 2000. The project and exhibition was highly political and in spite of excellent customer feedback it was deemed a failure by the press. All of the original exhibition elements were sold on or dismantled. The structure itself still exists, and it is now a key exterior feature of The O2. The Prime Meridian passes the western edge of the Dome and the nearest London Underground station is North Greenwich on the Jubilee line.Mount St. Helens
Mount St. Helens or Louwala-Clough (known as Lawetlat'la to the indigenous Cowlitz people, and Loowit to the Klickitat) is an active stratovolcano located in Skamania County, Washington, in the Pacific Northwest region of the United States. It is 50 miles (80 km) northeast of Portland, Oregon and 96 miles (154 km) south of Seattle, Washington. Mount St. Helens takes its English name from the British diplomat Lord St Helens, a friend of explorer George Vancouver who made a survey of the area in the late 18th century. The volcano is located in the Cascade Range and is part of the Cascade Volcanic Arc, a segment of the Pacific Ring of Fire that includes over 160 active volcanoes. This volcano is well known for its ash explosions and pyroclastic flows.
Mount St. Helens is most notorious for its major 1980 eruption, the deadliest and most economically destructive volcanic event in the history of the United States. Fifty-seven people were killed; 250 homes, 47 bridges, 15 miles (24 km) of railways, and 185 miles (298 km) of highway were destroyed. A massive debris avalanche triggered by an earthquake measuring 5.1 on the Richter scale caused an eruption that reduced the elevation of the mountain's summit from 9,677 ft (2,950 m) to 8,363 ft (2,549 m), leaving a 1 mile (1.6 km) wide horseshoe-shaped crater. The debris avalanche was up to 0.7 cubic miles (2.9 km3) in volume. The Mount St. Helens National Volcanic Monument was created to preserve the volcano and allow for the eruption's aftermath to be scientifically studied.
As with most other volcanoes in the Cascade Range, Mount St. Helens is a large eruptive cone consisting of lava rock interlayered with ash, pumice, and other deposits. The mountain includes layers of basalt and andesite through which several domes of dacite lava have erupted. The largest of the dacite domes formed the previous summit, and off its northern flank sat the smaller Goat Rocks dome. Both were destroyed in the 1980 eruption.Puy-de-Dôme
Puy-de-Dôme (French pronunciation: [pɥi də dom]; Auvergnat: lo Puèi de Doma or lo Puèi Domat) is a department in the centre of France named after the famous dormant volcano, the Puy de Dôme. Inhabitants were called Puydedomois until December 2005. With effect from Spring 2006, in response to a letter writing campaign, the name used for the inhabitants was changed by the Puy-de-Dôme General Council to Puydômois, and this is the name that has since then been used in all official documents and publications.RCA Dome
The RCA Dome (originally Hoosier Dome) was a domed stadium in Indianapolis. It was the home of the Indianapolis Colts NFL franchise for 24 seasons (1984–2007).
It was completed at a cost of $77.5 million, as part of the Indiana Convention Center, with the costs split between private and public money. The largest crowd to attend an event at the Dome was 62,167 for WrestleMania VIII in 1992. It was demolished in December 2008, as part of a project to expand the attached convention center.St Paul's Cathedral
St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the City after the Great Fire of London.The cathedral is one of the most famous and most recognisable sights of London. Its dome, framed by the spires of Wren's City churches, has dominated the skyline for over 300 years. At 365 feet (111 m) high, it was the tallest building in London from 1710 to 1967. The dome is among the highest in the world. St Paul's is the second-largest church building in area in the United Kingdom after Liverpool Cathedral.
Services held at St Paul's have included the funerals of Admiral Nelson, the Duke of Wellington, Sir Winston Churchill and Baroness Thatcher; jubilee celebrations for Queen Victoria; peace services marking the end of the First and Second World Wars; the wedding of Prince Charles and Lady Diana Spencer; the launch of the Festival of Britain; and the thanksgiving services for the Silver, Golden and Diamond Jubilees and the 80th and 90th birthdays of Queen Elizabeth II. St Paul's Cathedral is the central subject of much promotional material, as well as of images of the dome surrounded by the smoke and fire of the Blitz.The cathedral is a working church with hourly prayer and daily services. The tourist entry fee at the door is £18 for adults (March 2017, cheaper online), but no charge is made to worshippers.Teapot Dome scandal
The Teapot Dome scandal was a bribery scandal involving the administration of United States President Warren G. Harding from 1921 to 1923. Secretary of the Interior Albert Bacon Fall had leased Navy petroleum reserves at Teapot Dome in Wyoming, and two locations in California, to private oil companies at low rates without competitive bidding. The leases were the subject of a sensational investigation by Senator Thomas J. Walsh. Convicted of accepting bribes from the oil companies, Fall became the first presidential cabinet member to go to prison; no one was convicted of paying the bribes.
Before the Watergate scandal, Teapot Dome was regarded as the "greatest and most sensational scandal in the history of American politics". It damaged the reputation of the Harding administration, which was already severely diminished by its controversial handling of the Great Railroad Strike of 1922 and Harding's veto of the Bonus Bill in 1922.The Dome at America's Center
The Dome at America's Center, or The Dome, is a multi-purpose stadium used mostly for concerts and major conventions in St. Louis, Missouri, United States. Beginning in Spring 2020 the Dome will serve as the home stadium for St. Louis' (XFL) football team. The stadium, previously known as the Trans World Dome from 1995 to 2001, and then as the Edward Jones Dome from 2002 to 2016, was constructed largely to lure an NFL team back to St. Louis and to serve as a convention space.
The Dome received its initial main tenant with the arrival of the National Football League's Los Angeles Rams, who relocated to St. Louis for the 1995 NFL season. The Rams spent the next twenty-one seasons in the Dome, departing after the 2015 NFL season to return to Los Angeles the next season.
The Dome provides multiple stadium configurations that can seat up to 66,965 people. Seating levels include a private luxury suite level with 120 suites, a private club seat and luxury suite level with 6,400 club seats, a concourse level (lower bowl) and a terrace level (upper bowl). The Dome opened in 1995.
The Dome is part of the America's Center convention center. The convention portion has a much bigger footprint and adjoins to the west of the Dome, Cole Street to the north, Broadway to the east and Convention Plaza to the south. It is accessible off Interstate 70 eastbound at the Convention Center/Broadway/Busch Stadium exit, I-70 westbound from Illinois at the Martin Luther King Jr./Veterans Memorial Bridge, and Interstate 55 southbound at the Gateway Arch/Busch Stadium exit. The stadium is also serviced by the Convention Center MetroLink rail station.The O2 Arena
The O2 Arena is a multi-purpose indoor arena located in the centre of The O2 entertainment complex on the Greenwich Peninsula in south east London.
The arena was built under the former Millennium Dome, a large dome shaped building built to house an exhibition celebrating the turn of the third millennium; as the dome shaped structure still stands over the arena, The Dome remains a name in common usage for the venue. The arena, as well as the total O2 complex, is named after its primary sponsor, the telecommunications company O2.
The O2 Arena has the second highest seating capacity of any indoor venue in the United Kingdom, behind the Manchester Arena, but took the crown of the world's busiest music arena from New York City's Madison Square Garden in 2008. The closest underground station to the venue is the North Greenwich station on the Jubilee line.Tokyo Dome
Tokyo Dome (東京ドーム, Tōkyō Dōmu, TYO: 9681) is a stadium in Bunkyo, Tokyo, Japan. Construction on the stadium began on May 16, 1985, and it opened on March 17, 1988. It was built on the site of the Velodrome, adjacent to the predecessor ballpark, Kōrakuen Stadium. It has a maximum total capacity of 57,000 depending on configuration, with an all-seating configuration of 42,000.Tokyo Dome's original nickname was "The Big Egg", with some calling it the "Tokyo Big Egg". Its dome-shaped roof is an air-supported structure, a flexible membrane supported by slightly pressurizing the inside of the stadium.
It became the first Japanese venue with an American football attendance above 50,000.It is the home field of the Yomiuri Giants baseball team, and has also hosted music concerts, basketball, American football and association football games, as well as puroresu (pro-wrestling) matches, mixed martial arts events, kickboxing events, and monster truck races. It is also the location of the Japanese Baseball Hall of Fame which chronicles the history of baseball in Japan.
The Tokyo Dome was developed by Nikken Sekkei and Takenaka Corporation.Under the Dome (TV series)
Under the Dome is an American science-fiction mystery drama television series. It premiered on CBS on June 24, 2013, and concluded on September 10, 2015. The series was developed by Brian K. Vaughan and based on Stephen King's 2009 novel of the same name.
Under the Dome tells the story of the residents of the fictional small town of Chester's Mill, when a massive, transparent, indestructible dome suddenly cuts them off from the rest of the world. Military forces, the government, and the media positioned outside the barrier attempt to break it down, while the residents trapped inside must find their own ways to survive with diminishing resources and rising tensions. A small group of people inside the dome must also unravel complicated mysteries to figure out what the dome is, where it came from, and when (and if) it will go away.
Under the Dome was an instant success for the network; the premiere in June 2013 broke the record as the most-watched summer drama premiere on any television network since 1992. The show continued to enjoy high viewership ratings throughout its first season, but the second and third seasons of the series had significant declines in live viewership. Initially, Under the Dome had a positive critical reception, which changed into mixed reviews as the series progressed.Under the Dome came to a conclusion in September 2015. Over three seasons, 39 episodes were produced. Executive producer and showrunner Neal Baer stated in an interview after the finale aired: "I'm very happy with this ending. I feel very satisfied. We made it so there could be another [season]… but it wasn't necessary."