Derek Taylor

Derek Taylor (7 May 1932 – 8 September 1997)[1] was an English journalist, writer, publicist and record producer. He is best known for his role as press officer to the Beatles,[2] and was one of several associates to earn the moniker "the Fifth Beatle". Taylor was known for his forward-thinking and extravagant promotional campaigns, exemplified in taglines such as "The Beatles Are Coming" and "Brian Wilson Is a Genius".[3] Before returning to London in 1968 to head the publicity for the Beatles' Apple Corps organisation, he worked as the publicist for California-based bands such as the Byrds, the Beach Boys and the Mamas and the Papas. He was equally dedicated to the 1967 Summer of Love ethos and helped stage that year's Monterey Pop Festival.[1]

Taylor started his career as a local journalist on the Wirral, now part of Merseyside, aged 17 working for the Hoylake and West Kirby Advertiser followed by the Liverpool Daily Post and Echo.[1] He then became a North England-based writer for national British newspapers that included the News Chronicle, the Sunday Dispatch and the Sunday Express. He also served as a regular columnist and theatre critic for the Daily Express from 1952.[1] During the 1970s, Taylor worked for Warner Bros. Records and then HandMade Films. The term "pocket symphony" is generally attributed to Taylor for his description of the Beach Boys' 1966 single "Good Vibrations".

A trusted confidant of the Beatles, Taylor remained particularly close to George Harrison long after the band's break-up and maintained a friendship with John Lennon until the latter's death in 1980. In addition to working as editor on Harrison's 1980 autobiography, I, Me, Mine, Taylor authored books such as As Time Goes By, The Making of Raiders of The Lost Ark, Fifty Years Adrift (In An Open Necked Shirt) and It Was Twenty Years Ago Today. Having returned to Apple in the early 1990s, Taylor died of cancer in September 1997 while working on the Beatles Anthology book.

Derek Taylor
Taylor in 1970
Taylor in 1970
Born7 May 1932
Wirral, England
Died8 September 1997 (aged 65)
Sudbury, Suffolk, England
OccupationWriter, publicist
NationalityBritish
Notable worksA Cellarful of Noise (co-author)
I, Me, Mine (editor)

Work with the Beatles

Taylor was a national journalist working for the Daily Express when he was assigned to write a review of a Beatles concert on 30 May 1963.[2] He had been expected by his editors to write a piece critical of what at that time was considered by the national press as an inconsequential teen fad. However, he was enchanted by the group and instead sang their praises. Shortly afterwards, he was invited to meet the Beatles and soon became a trusted journalist in their circle, especially as he was a fellow Liverpudlian.[4]

As the band gained national attention in Britain, Taylor's editors conceived of running a column ostensibly written by a Beatle to boost circulation, to be ghostwritten by Taylor. George Harrison was the Beatle eventually decided upon. Although Taylor was initially only given the right to approve or disapprove of the content, Harrison's dissection of the first draft turned the column into an ongoing collaboration between the two, with Harrison providing the stories and Taylor providing the polish.

In early 1964, Beatles manager Brian Epstein hired Taylor away from his newspaper job, putting him in charge of Beatles press releases, and acting as media liaison for himself and the group. He subsequently became Epstein's personal assistant for a short period.[2] Taylor assisted Epstein in the writing of his autobiography, A Cellarful of Noise. Taylor conducted interviews with Epstein for the book and then shaped the transcriptions of the audio recordings into a narrative, retaining most of Epstein's basic words.

Taylor served as press officer for the Beatles' first concert tour of the US in the summer of 1964. After a falling out with Epstein,[2] he resigned from his position at the end of the tour, in September. Brian Epstein demanded that Taylor continue working for a three-month notice period, however. After this, he went to work for the Daily Mirror.[5]

As a publicist in California

In 1965, Taylor left the UK and moved with his growing family to California. There he started his own public relations company,[6] providing publicity for groups such as the Byrds, the Beach Boys and Paul Revere and the Raiders,[4] as well as the Mamas & the Papas.[7] According to music critic Richie Unterberger, through his time working in Hollywood, Taylor "became, probably, the most famous rock publicist of the mid-'60s".[4]

Among Taylor's strategies, he touted the Byrds as a new breed of American band with parallels to the Beatles.[8] He also encouraged nascent rock journalists to perceive Beach Boys founder Brian Wilson as a musical genius.[9][10] Using his connections in Britain, Taylor ensured that the Beach Boys' 1966 album Pet Sounds received a level of acclaim from UK music critics and Wilson's peers, including John Lennon and Paul McCartney, that had not been forthcoming in the United States.[11]

In June 1967, Taylor helped organise the Monterey Pop Festival, serving as the event's publicist and spokesman.[1] For a few weeks in the autumn of 1967, Taylor hosted a Sunday-evening freeform radio program on Pasadena station KRLA. Having contributed to the station's magazine, KRLA Beat, since 1965,[7] he became editor in 1967, helping to guide the magazine's focus towards US countercultural issues and psychedelia.[12]

George Harrison's song "Blue Jay Way" was written during Harrison's 1967 visit to California, on a foggy night waiting for Taylor and his wife Joan to arrive at his rented home in the Hollywood Hills. During the same visit, Taylor accompanied Harrison on his trip to the Haight-Ashbury district of San Francisco.[5]

Taylor was a catalyst in Harry Nilsson's musical career;[13] hearing Nilsson's song "1941" on a car radio, he bought a case (twenty-five copies) of his album Pandemonium Shadow Show, sending copies to various music-industry. Among the recipients were all four Beatles, who became enamoured of Nilsson's talent and invited him to London. Nilsson subsequently became a collaborator and good friend of both Lennon and Ringo Starr. In 1973, Taylor produced Nilsson's album A Little Touch of Schmilsson in the Night.

The Beatles' Apple Corps

In April 1968, at Harrison's request, Taylor returned to England to work for the Beatles again, as the press officer for their newly created Apple Corps.[14] Taylor oversaw the public launch of the company's record label, Apple Records, in August 1968,[15] marked by the release of the Beatles' single "Hey Jude".[16] As part of the campaign, "Hey Jude" and three other Apple singles were compiled in a gift box and despatched to Queen Elizabeth II, the Queen Mother and the British prime minister.[17] During this period, Taylor frequently clashed with Paul McCartney, about whom he later wrote: "I don't think I ever hated anyone as much as I hated Paul in the summer of 1968."[15] That same year, Taylor provided uncredited contributions to the lyrics of two songs issued on the band's double album, The Beatles: "Happiness Is a Warm Gun" and "Savoy Truffle".[18]

Between 1968 and 1970, Taylor had a major role in the company's activities, leading the publicity campaigns for the band's projects and for those of the other artists signed to Apple Records.[19] Among these, he helped stage Lennon and Yoko Ono's 1969 campaign for world peace. He is named in the lyrics of Lennon's song "Give Peace a Chance", along with Tommy Smothers, Timothy Leary and Norman Mailer, who like Taylor were all present at the recording of the song. In March 1970, Taylor commissioned the young photographer Les Smithers to photograph Badfinger, a rock band signed to Apple Records. That portrait has now been acquired by the National Portrait Gallery.

Taylor's time as Apple press officer became as notable for its extravagance as much as the creativity of his campaigns and press releases.[20][21] With the appointment of Allen Klein as Apple's business manager in early 1969 – leading to a period that Taylor later described as "miserable" – expenditure and staff numbers were cut back drastically.[22] While describing Taylor as a "lavish spender", author Nick Talveski notes that much of his job entailed denying the media access to the Beatles. Talveski adds: "To his eternal credit, Taylor nevertheless became one of the most popular professionals in the [music] industry, one of very few men to perfect the art of saying 'no' graciously."[2] In her 2009 memoir, former Apple employee Chris O'Dell says that Taylor "stood for everything that was good and honest and funny and bright about Apple".[23]

Taylor left the company in late 1970, having outlasted most of the other senior employees there, thanks to the affection and high regard in which he was held by Lennon, Harrison and Starr.[24] In April that year, Taylor had confirmed The Beatles' break-up using deliberately vague terms, partly to mask his sadness:

Spring is here and Leeds play Chelsea tomorrow and Ringo and John and George and Paul are alive and well and full of hope. The world is still spinning and so are we and so are you. When the spinning stops – that'll be the time to worry. Not before …[25]

After the Beatles

Taylor went to work for the newly launched UK record company WEA (later Warner Music Group),[21] the British umbrella company that distributed and marketed several labels owned in the US by Kinney National Company. These record labels included Warner Bros., Reprise, Elektra and Atlantic.[4] Taylor served as Director of Special Projects, working with artists such as the Rolling Stones, Yes, America, Neil Young, Vivian Stanshall, Carly Simon and Alice Cooper. He also presided over a revival of British jazz singer George Melly, producing two albums for him. He was instrumental in signing seminal Liverpool Art School rock band Deaf School, featuring future record producer Clive Langer. He was instrumental in the Rhead Brothers signing to WEA and received a dedication on both their 1977 album Dedicate and the re-issued Black Shaheen (2017).

Independently of his work for WEA, Taylor co-produced Nilsson's A Little Touch of Schmilsson in the Night in 1973.[4] He had previously provided liner notes for Nilsson's Aerial Ballet album. (A story written by Taylor's daughter Vanessa was printed on the back cover of Nilsson's album Harry.)

Return to America

In the mid-1970s Taylor served as a Vice-President of Marketing for Warner Bros. Records, where he was instrumental in the acquisition of the Rutles project, and supervised the worldwide marketing campaign for the album release and television special. A spoof on the Beatles' career and legacy, the Rutles' All You Need Is Cash special featured Harrison playing a reporter interviewing a Derek Taylor-like character, named Eric Manchester and played by Michael Palin.[26] Taylor left Warner's in 1978.[5] As well as staying close to Harrison throughout the 1970s, Taylor maintained a correspondence with Lennon during the latter's years of retirement between 1975 and 1980. Taylor did not enjoy his second period in California, however, and returned to England after a couple of years.

Back in England

In the early 1980s he worked as a co-author on books with Michelle Phillips and Steven Spielberg. He also worked with George Harrison's film company, Handmade Films.[27]

In January 1988, while accepting the Beatles' induction into the Rock and Roll Hall of Fame, Harrison named Taylor and Neil Aspinall as the two people worthy of the much-used title "the Fifth Beatle".[28] In the early 1990s Taylor was asked to rejoin Apple to be in charge of marketing of the multiple projects planned for that decade. The projects included the CD release of the non-Beatle Apple catalogue and major Beatles releases such as Live at the BBC and compilation albums associated with The Beatles Anthology.[21]

Work as an author

In 1973 he wrote a very informal memoir, As Time Goes By, published by Sphere Books and reprinted by its Abacus imprint the following year. (It was re-issued in 2018.)

Over 1978–79, Taylor collaborated again with Harrison, helping him to complete his autobiography, I, Me, Mine, published in 1980 by Genesis Publications. The following year, Taylor's on-set account of the production of Raiders of the Lost Ark was published as The Making of Raiders of The Lost Ark by Ballantine Books. He subsequently wrote his own autobiography, Fifty Years Adrift, published in December 1983 by Genesis, for which Harrison provided a glowing introduction to the signed, limited-edition volume. Only 2000 copies were printed, and the book quickly became a collectors' item after Harrison joined Taylor in promoting the publication.

In 1987, Taylor's It Was Twenty Years Ago Today (published by Bantam Press in the UK, and Fireside for Simon & Schuster in the US)[29] celebrated the twentieth anniversary of the release of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. It provides a detailed documentary of the people and events that shaped the album and the wider events of the Summer of Love counterculture.[30] The book includes archive interviews and photographs as well as extensive transcripts from a Granada TV documentary, which was also titled It Was Twenty Years Ago Today and for which Taylor served as consultant.[29]

As Time Goes By: Living in the Sixties (Rock and Roll Remembrances Series No 3) (Popular Culture Ink) was published in June 1990 in the US, while in the UK Bois Books published What You Cannot Finish and Take A Sad Song in 1995, coinciding with the release of the Beatles Anthology (Taylor was extensively interviewed for the TV program). Posthumous volumes include Beatles (Ebury Press 1999). In addition, an audio CD, Here There and Everywhere: Derek Taylor Interviews The Beatles, was released on the Thunderbolt label in 2001.

Death

Derek Taylor died of cancer on 8 September 1997. At the time of his death he was still working for Apple, helping to compile the Beatles Anthology book.[19] His funeral took place in Sudbury, Sussex attended by family and friends such as Harrison, Aspinall, Palin, Neil Innes and Jools Holland.[31]

Personal life

Taylor was married to Joan Taylor (née Doughty) from 1958 until his death. The couple had six children: Timothy, Dominic, Gerard, Abigail, Vanessa and Annabel.[32] Joan Taylor appeared in his stead in the documentary George Harrison: Living in the Material World.

In 2013, American singer and Fleetwood Mac vocalist Stevie Nicks revealed that she had had a brief affair with Taylor in the late 1970s, and that she wrote the song "Beautiful Child", included in the album Tusk, about him.[33]

References

  1. ^ a b c d e Welch, Chris (10 September 1997). "Obituary: Derek Taylor". The Independent. Retrieved 8 November 2016.
  2. ^ a b c d e Talevski 1999, p. 415.
  3. ^ Priore 2005, p. 63.
  4. ^ a b c d e Unterberger, Richie. "Derek Taylor". AllMusic. Retrieved 10 March 2016.
  5. ^ a b c "Derek Taylor".
  6. ^ Kozinn, Allan (9 September 1997). "Derek Taylor, Beatles' Spokesman, Dies at 65". The New York Times. Retrieved 10 March 2016.
  7. ^ a b "Derek Taylor". Rock's Backpages. Retrieved 10 March 2016.
  8. ^ Taylor, Derek (23 June 1965). "Derek Taylor Reports: The Byrds Fly High And It's Time To Crow". KRLA Beat. p. 3. Available at Rock's Backpages (subscription required).
  9. ^ Gaines 1995, pp. 152, 169.
  10. ^ Hoskins, Barney (1 September 1995). "'Brian Wilson is a Genius': The Birth of a Cult". The Independent. Available at Rock's Backpages (subscription required).
  11. ^ Granata 2003, pp. 190–91, 201–02.
  12. ^ "KRLA Beat History: L.A.'s rock journalism starts here". krlabeat.sakionline.net. Retrieved 10 March 2016.
  13. ^ Fennessey, Sean (2 August 2013). "Deconstructing Harry". Grantland. Retrieved 10 March 2016.
  14. ^ Black 2003, p. 89.
  15. ^ a b Doggett 2011, p. 49.
  16. ^ Black 2003, p. 90.
  17. ^ Schaffner 1978, p. 111.
  18. ^ Miles 2001, pp. 317, 320.
  19. ^ a b Talevski 1999, pp. 415–16.
  20. ^ Doggett 2011, pp. 35, 81–82.
  21. ^ a b c Talevski 1999, p. 416.
  22. ^ Doggett 2011, pp. 81–82.
  23. ^ O'Dell & Ketcham 2009, p. 163.
  24. ^ Doggett 2011, p. 139.
  25. ^ Doggett 2011, pp. 128–29.
  26. ^ Rodriguez, Robert (2010). Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980. Milwaukee, WI: Backbeat Books. p. 308. ISBN 978-1-4165-9093-4.
  27. ^ Harrison, Olivia (2011). George Harrison: Living in the Material World. New York, NY: Abrams. p. 330. ISBN 978-1-4197-0220-4.
  28. ^ O'Dell & Ketcham 2009, p. 122.
  29. ^ a b Jensen, Gregory (15 May 1987). "TV show analyses the Beatles era". UPI. Retrieved 22 March 2018.
  30. ^ Duffy, Thom (1 June 1987). "Everybody's Getting On 'Sgt. Pepper' Bandwagon". Orlando Sentinel. Retrieved 22 March 2018.
  31. ^ Keith Badman, The Beatles Diary Volume 2: After the Break-Up 1970–2001, Omnibus Press (London, 2001; ISBN 0-7119-8307-0), p. 575.
  32. ^ "Obit". Ibiblio.org. Retrieved 26 January 2018.
  33. ^ "'It affected me very much': Stevie Nicks on the Beatles connection in Fleetwood Mac's 'Beautiful Child' – Stevie Nicks". Stevie-nicks.info. Retrieved 26 January 2018.

Sources

  • Black, Johnny (2003). "A Slice of History". Mojo: The Beatles' Final Years Special Edition. London: Emap. pp. 86–92.
  • Doggett, Peter (2011). You Never Give Me Your Money: The Beatles After the Breakup. New York, NY: It Books. ISBN 978-0-06-177418-8.
  • Gaines, Steven (1995). Heroes and Villains: The True Story of the Beach Boys. New York, NY: Da Capo Press. ISBN 0-306-80647-9.
  • Granata, Charles L. (2003). Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds. Chicago, IL: A Cappella Books. ISBN 1-55652-507-9.
  • Miles, Barry (2001). The Beatles Diary Volume 1: The Beatles Years. London: Omnibus Press. ISBN 0-7119-8308-9.
  • O'Dell, Chris; with Ketcham, Katherine (2009). Miss O'Dell: My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, Eric Clapton, and the Women They Loved. New York, NY: Touchstone. ISBN 978-1-4165-9093-4.
  • Priore, Domenic (2005). Smile: The Story of Brian Wilson's Lost Masterpiece. London: Sanctuary. ISBN 1860746276.
  • Schaffner, Nicholas (1978). The Beatles Forever. New York, NY: McGraw-Hill. ISBN 0-07-055087-5.
  • Talevski, Nick (1999). The Encyclopedia of Rock Obituaries. London: Omnibus Press. ISBN 0-7119-7548-5.

External links

A Cellarful of Noise

A Cellarful of Noise is the title of Brian Epstein's 1964 autobiography. His assistant, Derek Taylor, was the ghostwriter of the book, which describes the early days of The Beatles, whom Epstein managed.Epstein asked John Lennon what he thought the book should be called, and Lennon suggested "Queer Jew". Lennon was later quoted as saying that the book should have been titled, "A Cellarful of Boys" in reference to Epstein's homosexuality.In the 1978 film All You Need is Cash, a book by Leggy Mountbatten—the manager of the Rutles and a parody of Epstein—is titled A Cellarful of Goys.The phrase is also in the lyrics of Petula Clark's 1965 hit "I Know a Place". Harry Shearer "dramatically reproduced" quotations from this book for the Pop Chronicles music documentary.

A Little Touch of Schmilsson in the Night

A Little Touch of Schmilsson in the Night is an album of classic 20th-century standards sung by American singer Harry Nilsson. The album was arranged by Frank Sinatra's arranger Gordon Jenkins, and produced by Derek Taylor. In 1988, it was reissued as A Touch More Schmilsson in the Night, containing an intro and outro (studio chatter) and six additional songs from the recording sessions.

This album is notable in being a standards album produced a decade before such works started to become popular again. Although Nilsson's album met with only modest chart success, it is often regarded as the finest example of his virtuosic singing. The title is an allusion to Shakespeare's Henry V, Act 4, in which the Chorus refers to Henry's nocturnal visit to his troops as "a little touch of Harry in the night".

Andrew Taylor (footballer, born 1986)

Andrew Derek Taylor (born 1 August 1986) is an English professional footballer who plays for Bolton Wanderers. He has previously played for Cardiff City, Middlesbrough, Bradford City, Watford and Wigan Athletic.

Brian Wilson is a genius

"Brian Wilson is a genius" is a tagline referencing the Beach Boys' leader Brian Wilson. It was created by the Beatles' former press officer Derek Taylor in 1966, who was then employed as the Beach Boys' publicist, although there are earlier documented expressions of the statement. Taylor frequently called Wilson "genius" as part of a campaign he initiated to rebrand the group and legitimize Wilson as a serious artist on par with the Beatles and Bob Dylan. The hype generated by Wilson's accolades ultimately bore a number of unintended consequences for the band's reputation and internal dynamic, and has been credited as a contributing factor to Wilson's professional and psychological decline.

Taylor's promotion coincided with the releases of the Pet Sounds album (May 1966), the "Good Vibrations" single (October 1966), and the Smile album (an unfinished project that was abandoned in mid 1967). During this period, Wilson experimented with psychedelics and sought the approval of what was known as the "hip intelligentsia" of the 1960s counterculture. To this end, Taylor wrote columns for various American and British publications, where he compared Wilson to classical figures such as Bach, Beethoven, and Mozart. By the end of 1966, an NME reader's poll placed Wilson as the fourth-ranked "World Music Personality"—about 1,000 votes ahead of Bob Dylan and 500 behind John Lennon.

Wilson commented that the "genius" branding led him to become "a victim of the recording industry". The campaign succeeded at a wider recognition of his talents, but he felt more pressure to live up to the public's high expectations, while relationships with his band and family became strained. He turned to drugs to expand his creativity, which bandmate Mike Love said became his undoing. His ensuing legend originated the trope of the "reclusive genius" among studio-oriented musical artists and later inspired comparisons between other musicians such as Pink Floyd's Syd Barrett and My Bloody Valentine's Kevin Shields.

Derek Taylor (cricketer)

Derek John Somerset Taylor (born 12 November 1942 at Amersham, Buckinghamshire) is a former English cricketer who played for Somerset, Surrey and Griqualand West as a wicket-keeper batsman.

Taylor holds the record for the most dismissals in a List A cricket match, tied with Steve Palframan and Jamie Pipe, having taken eight catches in a 1982 game against British Universities.Taylor's twin brother Mike Taylor played for Nottinghamshire and Hampshire.

Derek Taylor (disambiguation)

Derek Taylor was a British journalist and press officer for The Beatles.

Derek Taylor may also refer to:

Derek Taylor (cricketer) (born 1942), former English cricketer

Derek Taylor (EastEnders)

Derek Hugh Taylor (born 1951), Chief Minister of the Turks and Caicos Islands, 1995–2003

Fifth Beatle

The fifth Beatle is an informal title that various commentators in the press and entertainment industry have applied to people who were at one point a member of the Beatles, or who had a strong association with the "Fab Four" (John Lennon, Paul McCartney, George Harrison, and Ringo Starr) during the group's existence. The "fifth Beatle" claims first appeared in the press immediately upon the band's rise to global fame in 1963–64. The members have offered their own beliefs of the "fifth Beatle":

Lennon was critical of individuals who claimed credit for the Beatles' success, including the individual Beatles themselves, saying in his 1970 interview with Jann Wenner, "I'm not the Beatles. I'm me. Paul isn't the Beatles. Brian Epstein wasn't the Beatles, neither is Dick James. The Beatles are the Beatles." Lennon was also disparaging of their music producer George Martin's importance.

McCartney said on two separate occasions that "if anyone [were] the fifth Beatle", it was manager Brian Epstein (in a 1997 BBC interview) and producer George Martin (in a 2016 memorial post).

Harrison stated at the Beatles' 1988 induction into the Rock and Roll Hall of Fame that there were only two "fifth Beatles": Derek Taylor and Neil Aspinall (referring to the Beatles' public relations manager and road manager-turned-business-executive, respectively).The term is not used to indicate the chronology of band members joining the group. Pete Best joined Lennon, McCartney, Stuart Sutcliffe and Harrison on the eve of their Hamburg sojourn, the five using the monikers "The Silver Beetles" and "The Silver Beatles" (they experimented with "The Beat Brothers" and ultimately "The Beatles" while in Hamburg with Best).

Genesis Publications

Genesis Publications Limited is a British publishing company founded in 1974 by Brian Roylance, a former student of the London College of Printing. His aim was to create a company in the traditions of the private press, true to the arts of printing and book binding. Headed today by his son and daughter, Nick Roylance and Catherine Roylance (also a former student of the London College of Printing), Genesis Publications produces signed, limited edition books that are created in close collaboration with authors and artists.

First known for specialising in historical volumes, Genesis is now known as an art house publisher in the fields of modern music and culture. The company's first title to depart from historical reproductions was former Beatle George Harrison's autobiography, I, Me, Mine, published in 1980. The 2017 Extended Edition of the latter title, compiled by Harrison's widow Olivia, was the 100th book published by Genesis.

I, Me, Mine

I, Me, Mine is an autobiographic work by the English rock musician and former Beatle George Harrison. It was published in 1980 as a hand-bound, limited edition book by Genesis Publications, with a mixture of printed text and multi-colour facsimiles of Harrison's handwritten song lyrics. It was limited to 2000 signed copies, with a foreword and narration by Derek Taylor. The Genesis limited edition sold out soon after publication, and it was subsequently published in hardback and paperback in black ink by W H Allen in London and by Simon & Schuster in New York.

The project marked a departure for Genesis Publications, which had previously focused on facsimile editions of historical nautical journals, including The Log of H.M.S. Bounty 1787–1789. Brian Roylance, who founded the company in 1974, said of Harrison's memoir: "I saw the song lyrics as important documents – as important as all the other things I was publishing." Genesis subsequently became a leading publisher of rock music-related illustrated books, including further titles by Harrison and Taylor, as well as books about the Beatles, the Rolling Stones, David Bowie and Pink Floyd, among others.I, Me, Mine was released a few months before John Lennon's murder in December 1980. Lennon had taken offence at Harrison's book, telling interviewer David Sheff: "I was hurt by it ... By glaring omission in the book, my influence on his life is absolutely zilch and nil ... I'm not in the book." Harrison, in fact, does mention Lennon several times (although not as a musical influence, which was the point of Lennon's displeasure). In December 1987, Harrison was asked about Lennon's comments by Selina Scott on the television show West 57th Street. He told her: "[Lennon] was annoyed 'cause I didn't say that he'd written one line of this song 'Taxman'. But I also didn't say how I wrote two lines of 'Come Together' or three lines of 'Eleanor Rigby', you know? I wasn't getting into any of that. I think, in the balance, I would have had more things to be niggled with him about than he would have had with me."I, Me, Mine was re-published with a new foreword by Harrison's widow, Olivia, in 2002. A third version of the book, now containing "59 additional handwritten lyrics and unpublished photographs not found in the original printing", was released in February 2017 to mark what would have been Harrison's 74th birthday.

It Was Twenty Years Ago Today (film)

It Was Twenty Years Ago Today (also known as Sgt. Pepper: It Was Twenty Years Ago Today) is a 1987 British-made television documentary film about the 1967 Summer of Love. It first aired on 1 June 1987, twenty years after the official release date of the Beatles' Sgt. Pepper's Lonely Hearts Club Band album. The documentary takes the Beatles album as the central factor behind the events and scenes that led to the full emergence of the 1960s counterculture in 1967. It was directed by John Sheppard for Granada Television. In addition to archive footage, it features interviews with key figures from the period, including Derek Taylor, who also served as consultant on the production, George Harrison, Paul McCartney, Allen Ginsberg, Abbie Hoffman and Timothy Leary. The documentary was accompanied by the book It Was Twenty Years Ago Today, written by Taylor. After its initial broadcast on the ITV network in the UK, the documentary was shown by PBS in the US on 11 November.

John Taylor, Baron Taylor of Holbeach

John Derek Taylor, Baron Taylor of Holbeach,

(born 12 November 1943) is a British Conservative politician and current Government Chief Whip in the House of Lords.

KRLA Beat

KRLA Beat was an American rock music magazine that operated between 1964 and 1968. It began in October 1964 as a free newsletter distributed by the Southern Californian radio station KRLA, before being reworked as a more reportage-focused title in February 1965. The music journalism archive Rock's Backpages describes KRLA Beat as "the first American newspaper dedicated to coverage of the top-forty rock-and-roll music scene".

Lennon Remembers

Lennon Remembers is a book by Rolling Stone magazine co-founder and editor Jann Wenner that was published in 1971. It consists of a lengthy interview that Wenner carried out with former Beatle John Lennon in December 1970 and which was originally serialised in Rolling Stone in its issues dated 21 January and 4 February 1971. The interview was intended to promote Lennon's primal therapy-inspired album John Lennon/Plastic Ono Band and reflects the singer's emotions and mindset after undergoing an intense course of the therapy under Arthur Janov. It also serves as a rebuttal to Paul McCartney's public announcement of the Beatles' break-up, in April 1970.

Accompanied by his wife, Yoko Ono, Lennon aired his grievances to Wenner about the Beatles' career and the compromises the band made during their years of international fame. He makes cutting remarks about his former bandmates, particularly McCartney, as well as associates and friends such as George Martin, Mick Jagger and Derek Taylor, and about the group's business adversaries. Lennon portrays himself as a genius who has suffered for his art. He also states his disillusion with the philosophies and beliefs that guided the Beatles and their audience during the 1960s, and commits to a more politically radical agenda for the new decade.

Although Wenner's decision to re-publish the interview was done without Lennon's consent, the book helped create an enduring image of Lennon as the working-class artist dedicated to truth and lack of artifice. While some commentators question its reliability, the interview became a highly influential piece of rock journalism. It also helped establish Rolling Stone as a commercially successful magazine.

List of EastEnders characters (1987)

The following is a list of characters that first appeared in the BBC soap opera EastEnders in 1987, by order of first appearance.

Liverpool College of Art

Liverpool College of Art is located at 68 Hope Street, in Liverpool, England. It is a Grade II listed building. The original building, facing Mount Street, was designed by Thomas Cook and completed in 1883. The extension along Hope Street, designed by Willink and Thicknesse, opened in 1910. The building is currently owned by Liverpool John Moores University. The university's School of Art and Design moved out of the building to new premises at the Art and Design Academy in 2008. 68 Hope Street also currently houses the School of Humanities and Social Science.Amongst its former students are John Lennon, Cynthia Lennon, Maurice Cockrill, Ray Walker (artist), Stuart Sutcliffe, Margaret Chapman, Ruth Duckworth, and Bill Harry. In 1975, Clive Langer, Steve Allen, Tim Whittaker, Sam Davis, Steve Lindsey, John Wood and Roy Holt (a mix of Fine Art students and tutors at the college) founded seminal 'art rock' band Deaf School and went on to sign a record deal with Warner Bros Records US after being 'discovered' by former Beatles publicist and head of Warner Bros UK at the time Derek Taylor. Deaf School are acknowledged as catalysts of the post Beatles musical revival in the city.

Staff at the Liverpool College of Art in the late 1950s (at the time of John Lennon and Stuart Sutcliffe) Included Julia Carter Preston, Arthur Ballard, Charles Burton, Nicholas Horsfield, George Mayer-Marten, E.S.S. English, Alfred K. Wiffen, Austin Davies, Philip Hartas, W.L. Stevenson (Principal), and more.

In March 2012, the Liverpool Institute for Performing Arts (LIPA) announced that it had purchased the former Liverpool College of Art building for £3.7million to expand its teaching space.

Pocket symphony

A pocket symphony is a song with extended form. The term was popularized by English journalist Derek Taylor, who used it to describe the Beach Boys' 1966 single "Good Vibrations". (The description of a "pocket" symphony had appeared in print since as early as 1928.)

The Longest Cocktail Party

The Longest Cocktail Party: An Insider's Diary of the Beatles, Their Million-dollar Apple Empire and Its Wild Rise and Fall (ISBN 1-84195-602-3) is a rock history book by Richard DiLello, published in 1973 by Playboy Press, and reprinted in 1981 and 2005. The Longest Cocktail Party is one man's account of the history of the Beatles' company Apple Corps, the break-up of the Beatles, and the beginning of their solo careers. The title is a reference to the press office's habit of entertaining members of the media, and the company's potential business partners, with expensive drinks, luncheons and perks – which ultimately led to a financial and spiritual hangover, as did the unrealised potential of the company.

DiLello served as the "house hippie" (formally termed Client Liaison Officer; a sort of in-house youth consultant and gofer) at Apple's Savile Row headquarters, from 1968 until 1970, becoming one-on-one acquainted with each of the Beatles, many of their wives and girlfriends, and also the inner circle of agents, managers, and others who worked for and with Apple. These included business manager Allen Klein, attorneys Lee Eastman and John Eastman, road managers (and Apple directors) Mal Evans and Neil Aspinall, press agent and author Derek Taylor, members of Apple bands Badfinger and White Trash, the staff, and the countless visitors to the office.

DiLello covers events including the launching parties for Apple Records and artists like White Trash and Mary Hopkin, the ill-fated Apple Christmas party in 1968 (with two Hells Angels as guests), the Beatles' rooftop concert appearing in Let It Be, the lawsuits that began as the Beatles grew apart, and finally the closing of the Apple press office. His reports are described first-hand, always with a sense of humour, and a sense of hope.

In addition to shooting the cover portrait of Badfinger for their Straight Up album, DiLello also went on to write the script for the 1983 Sean Penn film Bad Boys. This seemed an obvious avenue for DiLello, as The Longest Cocktail Party nearly functions as a film script in itself.

The several appendices to the book include the full text of the self-penned "interview" issued by Paul McCartney with the pre-release copies of his first solo album (McCartney), that effectively announced the band's breakup in April 1970; a discography of Apple Records releases; a list of the Beatles' achievements as recording artists; and text of several British news articles about Apple.

On 7 May 2010, it was confirmed that the book is to be made into a feature film. It is currently in development by Liam Gallagher's In 1 Productions.In 2015, the book was re-released by Alfred Music. This officially authorized edition features a new foreword written by DiLello.

Urban Dreams

Urban Dreams, is an album by baritone saxophonist Pepper Adams which was recorded in 1981 and originally released on the Palo Alto label.

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