Dennis Christopher George Potter (17 May 1935 – 7 June 1994) was an English television dramatist, screenwriter and journalist. He is best known for his BBC TV serials Pennies from Heaven (1978), The Singing Detective (1986), and the television plays Blue Remembered Hills (1979) and Brimstone and Treacle (1976). His television dramas mixed fantasy and reality, the personal and the social, and often used themes and images from popular culture. Potter is widely regarded as one of the most influential and innovative dramatists to have worked in British television.
Born in Gloucestershire and graduating from Oxford University, Potter initially worked in journalism. After standing for parliament as a Labour candidate at the 1964 general election, his health was affected by the onset of psoriatic arthropathy which necessitated Potter changing careers and led to him becoming a television dramatist. His new career began with contributions to the BBC's Wednesday Play anthology series in 1965, and he continued to work in the medium for the rest of his life. He also wrote screenplay adaptations for the Hollywood studios. He died of pancreatic cancer in 1994.
Cover of The Life and Work of Dennis Potter
|Born||Dennis Christopher George Potter|
17 May 1935
Berry Hill, Gloucestershire, England
|Died||7 June 1994 (aged 59)|
Ross-on-Wye, Herefordshire, England
|Occupation||Television playwright, director, novelist, author, screenwriter, journalist|
|Notable works||Pennies from Heaven (1978)|
Blue Remembered Hills (1979)
The Singing Detective (1986)
|Spouse||Margaret Morgan (m. 1959–1994)|
Dennis Potter was born in Berry Hill, Forest of Dean, Gloucestershire. His father, Walter Edward Potter (26 April 1906 - November 1975), was a coal miner in this rural mining area between Gloucester and Wales; his mother was Margaret Constance (née Wale; 25 August 1910 - August 2001). Potter had a sister named June.
In 1946, Potter passed the eleven-plus and attended Bell's Grammar School at Coleford. Most of his secondary education however, was in London, and it was in a street near Hammersmith Broadway that the ten-year-old Potter was sexually abused by his uncle, an experience he would later allude to many times in his writing. During his speech at the 1993 James MacTaggart Memorial Lecture, Potter referred to this event when explaining his decision to switch from newspaper journalism to screenwriting: "Different words had to be found, with different functions. But why? Why, why, why; the same desperately repeated question I asked myself without any sort of an answer, or any ability to tell my mother or my father, when at the age of ten, between V.E. Day and V.J. Day, I was trapped by an adult's sexual appetite and abused out of innocence." His family returned to the Forest of Dean in 1952, having first left it in 1945, but Potter remained in London. From the sixth form of St Clement Danes School, a grammar school in Hammersmith, (since demolished), he won a State Scholarship to the University of Oxford. Between 1953 and 1955, Potter did his National Service and learnt Russian at the Joint Services School for Linguists.
On 10 January 1959 he married, at the Christ Church parish church in Berry Hill, Margaret Amy Morgan (14 August 1933 - 29 May 1994), a local girl he met at a dance. They lived a "surprisingly quiet private life" at Ross-on-Wye, Herefordshire, and had a son, Robert and two daughters, Jane and Sarah, who was to achieve prominence in the 1980s as an international cricketer.
Potter's first non-fiction work, The Glittering Coffin, was published by the Gollancz Press in 1960. The book was a rumination on the changing face of England in the prosperity following the end of the war years. It was followed by The Changing Forest: Life in the Forest of Dean Today (1962), which was based on the "Between Two Rivers" documentary. This book is a study of class and social mobility that demonstrates an early fascination with the effects of the mass media on British cultural life.
He soon returned to television. Daily Herald journalist David Nathan persuaded Potter to collaborate with him on sketches for That Was the Week That Was. Their first piece was used in the edition of 5 January 1963.
Potter stood as the Labour Party candidate for Hertfordshire East, a safe Conservative Party seat, in the 1964 general election against the incumbent Derek Walker-Smith. By the end of the unsuccessful campaign, he claimed that he was so disillusioned with party politics he did not even vote for himself. Potter now embarked on work as a television playwright. He had begun to suffer in 1962 from a condition known as psoriatic arthropathy causing arthritis to develop in his joints as well as affecting his skin with psoriasis. It also made futile any attempt to follow a conventional career path.
Potter's career as a television playwright began with The Confidence Course (The Wednesday Play, 1965) which Potter had begun as a novel. An exposé of the Dale Carnegie Institute, it drew threats of litigation from that organisation. Although Potter effectively disowned the play, excluding it from his Who's Who entry, it used non-naturalistic dramatic devices (in this case breaking the fourth wall) which would become hallmarks of Potter's subsequent work. The Confidence Course script was liked by Wednesday Play script editor Roger Smith who then commissioned Potter to write what became the second Nigel Barton play for the new anthology series. Alice (also 1965), his next transmitted play, chronicled the relationship between Charles Lutwidge Dodgson, better known by his nom de plume, Lewis Carroll, and his muse Alice Liddell. The play drew complaints from the descendants of Dodgson, and of Macmillan, the publisher, who objected to the way the relationship was depicted. George Baker played Dodgson.
Potter's most highly regarded works from this period were the semi-autobiographical plays Stand Up, Nigel Barton! and Vote, Vote, Vote for Nigel Barton, which featured Keith Barron. The former recounts the experience of a miner's son going to Oxford University where he finds himself torn between two worlds, culminating in Barton's participation in a television documentary. This mirrored Potter's participation in Does Class Matter (1958), a television documentary made while Potter was an Oxford undergraduate. The second play features the same character standing as a Labour candidate—his disillusionment with the compromises of electoral politics is based on Potter's own experience. Both plays received praise from critics' circles but aroused considerable tension at the BBC for their potentially incendiary critique of party politics. In his James MacTaggart Memorial Lecture in 1993, Potter recalled how he was asked by "several respected men at the corporation why I wanted to shit on the Queen."
Potter contributed Moonlight on the Highway to ITV's Saturday Night Theatre series which was broadcast on 12 April 1969. The play centred around a young man (Ian Holm) who attempts to blot out memories of the sexual abuse he had suffered as child in his obsession with the music of Al Bowlly. As well as being an intensely personal play for Potter, it was his first foray in the use of popular music to heighten the dramatic tension in his work. Four days later Potter's Son of Man, in which the dramatist gives an alternative view of Christ's last days, went out as a Wednesday Play on BBC1 with Irish actor Colin Blakely as Jesus. It led to Potter being accused of blasphemy, and the first of his many clashes with morality campaigner Mary Whitehouse.
Casanova, Potter's first television serial, was broadcast on BBC2 in 1971. Inspired by Willard R. Trask's 1966 translation of Casanova's memoirs (Histoire de ma vie), Potter recast the Venetian libertine as a man haunted by his dependency on women. The serial was told using a non-linear narrative structure and, as the critic Graham Fuller noted in Potter on Potter, "as chamber-piece and identity quest, Casanova strongly anticipates [later works such as] The Singing Detective." It did, however, prove controversial for its frank depiction of nudity and was criticised for its sexual content. Controversy also dogged another play, Brimstone and Treacle (Play for Today, 1976), the original version of which was unscreened by the BBC for over a decade owing to the depiction of the rape of a disabled woman by a man who is implied to be the devil incarnate. It was eventually broadcast on BBC1 in 1987, although a 1982 film version had been made, with Sting in the leading role (see below) and a stage production had opened at the Crucible Theatre, Sheffield.
Potter continued to win high praise with Pennies from Heaven (1978), a drama serial featuring Bob Hoskins as a sheet music salesman (Hoskins' first performance to receive wide attention). It demonstrated the dramatic possibilities of actors miming to old recordings of popular songs. Blue Remembered Hills, directed by Brian Gibson and first shown by the BBC on 30 January 1979, uses the dramatic device of adult actors playing children, including Helen Mirren, Janine Duvitski, Michael Elphick, Colin Jeavons, Colin Welland, John Bird, and Robin Ellis. Potter had used this device before, for example in Stand Up, Nigel Barton.
A lucrative deal with LWT, and semi-independence, followed an aborted project to adapt Anthony Powell's A Dance to the Music of Time for the BBC. A series of six single plays by Potter for ITV, with a further three written by Jim Allen, was planned. Budget overspends meant only three of the Potter plays were produced: the BAFTA-winning Blade on the Feather, Rain on the Roof and Cream in My Coffee, which won Grand Prize at the Prix Italia.
In 1978, Herbert Ross was shooting Nijinsky at Shepperton Studios and invited Potter to write the screenplay for his next project Unexpected Valleys. But after watching Pennies from Heaven on television one evening, Ross contacted Potter about the prospect of adapting that series for the cinema. The film version of Pennies from Heaven was launched at MGM as an 'anti-musical' with Steve Martin and Bernadette Peters in the lead roles. According to Potter, the studio demanded continual rewrites of the script and made significant cuts to the film after initial test screenings. The film was released in 1981 to mixed critical reaction and was a box-office failure. Potter, however, was nominated for the Best Adapted Screenplay Oscar that year.
Having already adapted Brimstone and Treacle for the stage after the television production was banned by the BBC, Potter set about writing a film version. Directed by Richard Loncraine, who also directed Potter's Blade on the Feather at LWT, with Denholm Elliott reprising his role of Mr. Bates from the original television production, while Sting and Joan Plowright, replaced Michael Kitchen and Patricia Lawrence in the roles of Martin Taylor and Mrs Bates respectively. Although a British film made by Potter's own production company (Pennies Productions), the casting of Sting piqued the interest of American investors. As a result, references to Mr Bates' membership of the National Front and a scene discussing racial segregation were omitted—as were many of the non-naturalistic flourishes present in the television production—although the film was much more graphic in its depiction of sexual abuse and rape. The film was not a success at the box office.
Potter's career in the early 1980s was spent as a screenwriter for the cinema. He returned to the BBC for a co-production with 20th Century Fox, writing the scripts for a widely praised but seldom-seen miniseries of F. Scott Fitzgerald's Tender Is the Night (1985) with Mary Steenburgen as Nicole Diver.
The Singing Detective (1986), featuring Michael Gambon, used the dramatist's own problems with the skin disease psoriasis, for Potter an often debilitating condition leading to hospital admission, as a means to merge the lead character's imagination with his perception of reality.
Following Christabel (1988), Potter's adaptation of the memoirs of Christabel Bielenberg, his next TV serial, Blackeyes (1989) was a major disappointment in his career. A drama about a fashion model, it was reviewed as self-indulgent by some critics, and accused of contributing to the misogyny Potter claimed he intended to expose. The critical backlash against Potter following Blackeyes led to him being nicknamed 'Dirty Den' (after Den Watts, the EastEnders character) by the British tabloid press, and resulted in a period of reclusion from television. The serial was adapted into a novel (see below),
In 1990, referring to a scene in The Singing Detective, Mary Whitehouse claimed on BBC Radio that Potter had been influenced by witnessing his mother engaging in adulterous sex. Potter's mother won substantial damages from the BBC and The Listener. Potter had at least at some times actually been an admirer of Mrs Whitehouse: the journalist Stanley Reynolds found in 1973 that he "loves the idea of Mrs Whitehouse. He sees her as standing up for all the people with ducks on their walls who have been laughed at and treated like rubbish by the sophisticated metropolitan minority". In 1979 in an interview for The South Bank Show, he rejected "the chorus of abuse" suffered by Whitehouse because she accepted the "central moral importance of – to use the grandest word – art".
Potter wrote the screenplay for Dreamchild (1985), a film which shared themes with his earlier Alice (1965) television script. In her last film role, Coral Browne portrayed the elderly Alice Hargreaves who recalls in flashbacks her childhood when she was the inspiration for Lewis Carroll's Alice in Wonderland. Potter adapted his television play Schmoedipus (1975) for the cinema. The ensuing film, Track 29 (1988), directed by Nicolas Roeg, was Potter's last filmed American project. However, Potter did provide uncredited script work on James and the Giant Peach (released 1995)—his chief contribution providing dialogue for the sardonic caterpillar. Potter makes a sly reference to this in Karaoke when the character Daniel Feeld (Albert Finney) is invited to provide dialogue for an "arthritic goat" in a children's film.
Potter's reputation within the American film industry following the box office disappointments of Pennies from Heaven and Gorky Park ultimately led to difficulty receiving backing for his projects. Potter is known to have written adaptations of The Phantom of the Opera, The Mystery of Edwin Drood, The White Hotel and his earlier television play Double Dare (1976): all reached the preproduction stage before work was suspended. More fortunate was Mesmer (1993), a biographical film of the 19th century pseudo-scientist Franz Anton Mesmer. Potter's film, Secret Friends (1991), from his novel, Ticket to Ride, starring Alan Bates. Secret Friends premiered in New York at the Museum of Modern Art as the gala closing of the Museum of Television & Radio’s week-long Potter retrospective.
The last film Potter actively worked on was Midnight Movie (1994), an adaptation of Rosalind Ashe's novel Moths. The film starred Louise Germaine and Brian Dennehy (who had appeared respectively in Lipstick on Your Collar and Gorky Park) and was directed by Renny Rye. Unable to secure financing from the Arts Council, Potter invested £500,000 in the production; BBC Films provided the rest of the capital. The film was not given a cinema release owing to a lack of interest from distributors and remained unseen until after Potter's death. It was finally broadcast on BBC2 in December 1994 in the Screen Two series, two months after a remake of his lost 1967 play Message for Posterity was transmitted.
A film version of The Singing Detective, based on Potter's own adapted screenplay, was released in 2003 by Icon Productions. Robert Downey, Jr. played the lead alongside Robin Wright Penn and Mel Gibson. Gibson also acted as producer. His screenplay of The White Hotel, adapted as a radio play, was broadcast in September 2018.
In 1993 Potter was given a half-hour slot in prime time by Channel 4 in their Opinions strand produced by Open Media. Potter's chosen topic was what he perceived to be a contamination of news media and its effect on declining standards in British television "particularly journalists who criticised his Channel 4 series Lipstick on Your Collar", Kelvin MacKenzie "the sharp little oaf who edits the Sun" and Garry Bushell "that sub-literate homophobic, sniggering rictus of a lout". Craig Brown described the programme in the (Rupert Murdoch owned) Sunday Times:
The last serial broadcast during Potter's lifetime was the romantic comedy Lipstick on Your Collar (1993). Set during the Suez Crisis of 1956 like the much earlier Lay Down Your Arms (1970), elements of which it recycled, this six-parter did not become a popular success and in it Potter returned to use of lip-synched musical numbers in the manner of Pennies from Heaven. It did help to launch the career of actor Ewan McGregor.
On 14 February 1994, Potter learned that he had terminal pancreatic cancer which had metastasised to his liver. It was thought that this was a side effect of the medication he was taking to control his psoriasis.
On 15 March 1994, three months before his death, Potter gave an interview to Melvyn Bragg, later broadcast on 5 April 1994 by Channel 4 (he had broken most of his ties with the BBC as a result of his disenchantment with Directors-General Michael Checkland and especially John Birt, whom he had referred to as a "croak-voiced Dalek"). Using a morphine and champagne cocktail as pain relief, and chain smoking, he revealed that he had named his cancer "Rupert", after Rupert Murdoch, who he said represented so much of what he found despicable about the mass media in Britain. He described his work and his determination to continue writing until his death. Telling Bragg that he had two works he intended to finish ("My only regret is if I die four pages too soon"), he proposed that these works, Cold Lazarus and Karaoke, should be made with the rival BBC and Channel 4 working in collaboration, a suggestion which was accepted.
These two related stories, eventually broadcast in 1996, one set in the present and the other in the far future, both feature Albert Finney as the same principal character. Both series were released on DVD on 6 September 2010.
Months before Potter was diagnosed with pancreatic cancer his wife, Margaret Morgan Potter, was diagnosed with breast cancer. Despite his own deteriorating condition and punishing work schedule, Potter continued to care for Margaret Amy Potter until she died on 29 May 1994. He died nine days later, in Ross-on-Wye, Herefordshire, England, aged 59.
Hide and Seek (1973) was a meta-fictional novel exploring the relationship between reader and author and contains a central protagonist, 'Daniel Miller', who is convinced he is the plaything of an omniscient author. This concept forms the core of Potter's next two novels, and portions of Hide and Seek would reappear in several of his television plays, especially Follow the Yellow Brick Road (1972) and The Singing Detective.
Ticket to Ride (1986) was written between drafts of The Singing Detective and concerns a herbithologist who is unable to make love to his wife unless he imagines her as a prostitute. This was followed in 1987 by Blackeyes: a study of a model whose abusive uncle, a writer, has stolen details of his niece's experiences in the glamour industry as the basis for his latest potboiler.
To tie-in with the release of the MGM production of Pennies from Heaven in 1981, Potter wrote a novelisation of the screenplay. Potter turned down the option of writing a novelisation for the film version of Brimstone and Treacle, allowing his daughter Sarah to write it instead.
Although Potter only produced one play exclusively for theatrical performance (Sufficient Carbohydrate, 1983 – later filmed for television as Visitors in 1987), he adapted several of his television works for the stage. Vote, Vote, Vote for Nigel Barton, which featured material from its sister-play Stand Up, Nigel Barton, was premiered in 1966, while Only Make Believe (1973), which incorporated scenes from Angels Are So Few (1970), made the transition to the stage in 1974. Son of Man appeared in 1969 with Frank Finlay in the title role (Finlay would also play Casanova in Potter's 1971 serial) and was restaged by Northern Stage in 2006. Brimstone and Treacle was adapted for the stage in 1977 after the BBC refused to screen the original television version. The play text for Blue Remembered Hills was first published in the collection Waiting for the Boat (with Joe's Ark and Blade on the Feather) in 1984 and has since enjoyed several successful stage performances. Potter proposed to write an "intermedia" stage play for producers Geisler-Roberdeau based on William Hazlitt’s Liber Amoris, or The New Pygmalion, but he died before it could be commenced.
Potter's work is known for its use of non-naturalistic devices. These include the extensive use of flashback and nonlinear plot structure (Casanova; Late Call), direct to camera address (Vote, Vote, Vote for Nigel Barton) and works where "the child is father to the man", in which he used adult actors to play children (Stand Up, Nigel Barton; Blue Remembered Hills). The 'lip-sync' technique he developed for his "serials with songs" (Pennies from Heaven; The Singing Detective and Lipstick on Your Collar) is perhaps the best known of the Potter trademarks. They are frequently deployed in works where the line between fantasy and reality becomes blurred, often as a result of the influence of popular culture (Willie, the Wild West obsessive played by Hywel Bennett in Where the Buffalo Roam) or from a character's apparent awareness of their status as a pawn in the hands of an omniscient author (the actor Jack Black (Denholm Elliott) in Follow the Yellow Brick Road first broadcast in 1972).
Potter's pioneering method of using music in his work emerged when developing Pennies from Heaven (1978), one of his biggest successes. He asked actors to mime along to period songs. "Potter tried out the concept himself by lip-syncing to old songs while looking into a mirror. Potter himself once revealed that, working on harnessing songs in his plays, he was most productive 'at night, with old Al Bowlly records playing in the background'". Potter had previously experimented with Bowlly's voice in Moonlight on the Highway (1969).
Following in this spirit of non-naturalism, Potter's characters are frequently "doubled up"; either by using the same actor to play two different roles (Kika Markham as both the actress and the escort in Double Dare; Norman Rossington as Lorenzo the gaoler and the English traveller in Casanova) or two different actors whose characters' destinies and personalities appear interlinked (Bob Hoskins and Kenneth Colley as Arthur and the accordion man in Pennies from Heaven; Rufus (Christian Rodska) and Gina the bear in A Beast With Two Backs).
One major motif in Potter's writing is the concept of betrayal, and this takes many forms in his plays. Sometimes it is personal (Stand Up, Nigel Barton), political (Traitor; Cold Lazarus) and other times it is sexual (A Beast With Two Backs; Brimstone and Treacle). In Potter on Potter, published as part of Faber and Faber's series on auteurs, Potter told editor Graham Fuller that all forms of betrayal presented in literature are essentially religious and based on "the old, old story"; this is evoked in a number of works, from the use of popular songs in Pennies from Heaven to Potter's gnostic retelling of Jesus' final days in Son of Man.
The device of a disruptive outsider entering a claustrophobic environment is another recurring theme. In plays where this occurs, the outsider will commit some apparently liberating act of evil (rape in Brimstone and Treacle) or violence (murder in Shaggy Dog) that gives physical expression to the unsublimated desires of the characters in that setting. While these more malevolent visitors are often supernatural beings (Angels Are So Few), intelligence agents (Blade on the Feather) or even figments of their host's imagination (Schmoedipus), there are also—rare—instances of benign visitors whose presence resolves personal conflicts rather than exploits them (Joe's Ark; Where Adam Stood).
Although Potter won few awards, he is held in high regard by many within the television and film industry, and was an influence on such creators as Mark Frost, Steven Bochco, Andrew Davies, Alain Resnais, and Peter Bowker. However, Alan Bennett referred in his 1998 diaries to a television programme "that took Potter at his own self-evaluation (always high), when there was a good deal of indifferent stuff which was skated over".
BBC Four marked the tenth anniversary of Potter's death in December 2004 with a major series of documentaries about his life and work, accompanied by showings of Pennies from Heaven and The Singing Detective, as well as several of his single plays—many of which had not been shown since their initial broadcast.
Blackeyes is a multi-layered novel by British writer Dennis Potter, published in 1987 by Faber and Faber. It concerns the relationship between sexuality, exploitation, power and money. These are explored through the career of a desirable model known as "Blackeyes".
The novel was later adapted by Potter as a 1989 BBC television serial of the same name.Blue Remembered Hills
Blue Remembered Hills is a British television play by Dennis Potter, originally broadcast on 30 January 1979 as part of the BBC's Play for Today series.
The play concerns a group of seven-year-olds playing in the Forest of Dean one summer afternoon in 1943. It ends abruptly when the character Donald is burnt to death partly as a result of the other children's actions. Perhaps the most striking feature of the play is that, although the characters are children, they are played by adult actors. Potter first used this device in Stand Up, Nigel Barton (1965) and returned to it in Cold Lazarus (1996).
The dialogue is written in a Forest of Dean dialect, which Potter also uses extensively in other dramas incorporating a Forest of Dean setting, most notably A Beast with Two Backs (1968), Pennies from Heaven (1978) and The Singing Detective (1986).Brimstone and Treacle
Brimstone and Treacle is a 1976 BBC television play by Dennis Potter. Originally intended for broadcast as an episode of the Play for Today series, it remained untransmitted until 1987. The play, featuring Denholm Elliott, was made into a film version (released in 1982) co-starring Sting.
The play features a middle-aged middle-class couple living in a north London suburb whose life has been catastrophically affected by a hit-and-run accident which has left their beautiful undergraduate daughter totally dependent upon them, but their lives are dramatically changed by the arrival of a mysterious young stranger.British Academy Television Awards
The British Academy Television Awards, also known as the BAFTA TV Awards, are presented in an annual award show hosted by the British Academy of Film and Television Arts (BAFTA). They have been awarded annually since 1955.Casanova (1971 TV serial)
Casanova is a British television drama serial, written by television playwright Dennis Potter. Directed by Mark Cullingham and John Glenister, the serial was made by the BBC and screened on the BBC2 network in November and December 1971. It is loosely based on Italian adventurer Giacomo Casanova's Histoire de ma vie (Story of My Life; 1780–92). It was Dennis Potter's first television serial, having previously written single plays for the BBC's The Wednesday Play and Play for Today series. Frank Finlay starred in the title role and was nominated for the best actor award at the 1972 BAFTA ceremony.Christabel (TV series)
Christabel is a four-part British drama series first shown on BBC2 between 16 November and 7 December 1988.It is based on the memoirs of Christabel Bielenberg, an English woman married to a German lawyer during World War II. The screenplay was written by Dennis Potter, and was directed by Adrian Shergold. Each episode runs around 65 minutes. It stars Elizabeth Hurley in the lead role (in one of her earliest leading roles).
Part of the series was filmed at the disused Camperdown Works jute mill complex in Dundee, which doubled for 1940s Berlin.Cold Lazarus
Cold Lazarus is a four-part British television drama written by Dennis Potter with the knowledge that he was dying of cancer of the pancreas.It forms the second half of a pair with the television serial Karaoke. The two serials were filmed as a single production by the same team; both were directed by Renny Rye and feature Albert Finney as the writer Daniel Feeld. The plays were unique in being co-productions between the BBC and Channel 4, something Potter had expressly requested before his death. The show was first aired on Channel 4 in 1996 on Sunday evenings, with a repeat on BBC1 the following day.
Parts of Karaoke and Cold Lazarus were filmed in the Forest of Dean in Gloucestershire, which is where Dennis Potter was born and raised, and children from local schools including St. Briavels Parochial Primary School appeared in the film as extras in flashbacks.
As a result of the BBC and Channel 4 collaboration on these works, the copyright and further usage rights have remained unclear for years. However, both are available to watch online via the Channel 4 website, and Virgin Media's on demand service. Both Karaoke and Cold Lazarus were released on DVD from Acorn Media in September 2010.Dennis Potter bibliography
Dennis Potter (May 17, 1935 – June 7, 1994) was an English dramatist with a large canon of work.Joe's Ark
Joe's Ark is a videotaped television play written by Dennis Potter first transmitted as part of the Play for Today series on 14 February 1974 on BBC 1.Karaoke (TV series)
Karaoke is a British television drama written by Dennis Potter with the knowledge that he was dying from cancer of the pancreas.It forms the first half of a pair with the serial Cold Lazarus. The two plays were filmed as a single production by the same team; both were directed by Renny Rye. The series was said to be inspired by Potter's working relationship with Louise Germaine.Both plays were unique in being co-productions between the BBC and rival broadcaster Channel 4, something Potter had expressly requested before his death. The show was first aired on BBC1 in April 1996 on Sunday evenings, with a repeat on Channel 4 the following day.
The series stars Albert Finney, Richard E. Grant, Hywel Bennett, Roy Hudd and Julie Christie and features Saffron Burrows and Keeley Hawes in two early screen appearances.Mesmer (film)
Mesmer is a 1994 Austrian-Canadian-British-German biographical film directed by Roger Spottiswoode from a script by Dennis Potter. It stars Alan Rickman as Franz Anton Mesmer and depicts his radical new ways as a pioneering physician.Pennies from Heaven (1981 film)
Pennies from Heaven is a 1981 American musical romantic drama film, based on a 1978 BBC television drama. Dennis Potter adapted his own screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
The film stars Steve Martin, Bernadette Peters, Christopher Walken, and Jessica Harper. It was directed by Herbert Ross and choreographed by Danny Daniels. The film includes musical numbers consisting of actors lip-syncing and dancing to popular songs of the 1920s and 1930s, such as "Let's Misbehave", "Life Is Just a Bowl of Cherries", "Let's Face the Music and Dance" and the title song.
Potter was nominated for the 1981 Academy Award for Best Adapted Screenplay, but lost to On Golden Pond.Pennies from Heaven (TV series)
Pennies From Heaven is a 1978 BBC musical drama serial written by Dennis Potter. The title is taken from the song "Pennies from Heaven" written by Johnny Burke and Arthur Johnston. It was one of several Potter serials (another being The Singing Detective) to mix the reality of the drama with a dark fantasy content, and the earliest of his works where the characters burst into extended performances of popular songs.Secret Friends
Secret Friends is a 1991 British film written and directed by Dennis Potter and starring Alan Bates, Gina Bellman and Ian McNeice. It was based on Potter's novel Ticket to Ride. The screenplay concerns a man whose fantasy spirals out of control.Shaggy Dog (play)
Shaggy Dog, broadcast by ITV on 10 November 1968, is a black-and-white television play by Dennis Potter written for the London Weekend Television anthology series The Company of Five, specifically a group of five actors. The Company of Five ran for one series of six episodes.The Singing Detective
The Singing Detective is a BBC television serial drama, written by Dennis Potter, which stars Michael Gambon and was directed by Jon Amiel. The six episodes were "Skin", "Heat", "Lovely Days", "Clues", "Pitter Patter" and "Who Done It".
The serial was broadcast in the United Kingdom on BBC1 in 1986 on Sunday nights from 16 November to 21 December with later PBS and cable television showings in the United States. It won a Peabody Award in 1989. It ranks 20th on the British Film Institute's list of the 100 Greatest British Television Programmes, as voted by industry professionals in 2000. It was included in the 1992 Dennis Potter retrospective at the Museum of Television & Radio and became a permanent addition to the Museum's collections in New York and Los Angeles. There was co-production funding from the Australian Broadcasting Corporation. It was released on DVD in the US on 15 April 2003 and in the UK on 8 March 2004.The Singing Detective (film)
The Singing Detective is a 2003 American musical crime comedy film directed by Keith Gordon and loosely based on the BBC serial of the same name, a work by British writer Dennis Potter. It stars Robert Downey Jr. and features a supporting cast that includes Katie Holmes, Adrien Brody, Robin Wright Penn, Mel Gibson and Carla Gugino as well as a number of songs from the 1950s.Track 29
Track 29 is a 1988 film directed by Nicolas Roeg. It was produced by George Harrison's HandMade Films with Rick McCallum. The film was nominated for and won a few awards at regional film festivals. The writer, Dennis Potter, adapted his earlier television play, Schmoedipus (1974), changing the setting from London to the United States. It was filmed in Wilmington and Wrightsville Beach, North CarolinaTraitor (TV drama)
Traitor is a BBC television drama written by Dennis Potter and directed by Alan Bridges, which featured in the Play for Today series on 14 October 1971. It stars John Le Mesurier as Adrian Harris, a character loosely based on Kim Philby. Le Mesurier's performance won him the British Academy Television Award for Best Actor in 1972.
Works by Dennis Potter