David Edward Kelley (born April 4, 1956) is an American television writer and producer, known as the creator of Picket Fences, Chicago Hope, The Practice, Ally McBeal, Boston Public, Boston Legal, Harry's Law, Big Little Lies, and Mr. Mercedes, as well as several films. Kelley is one of very few screenwriters to have created shows aired on all four top commercial U.S. television networks (ABC, CBS, Fox, and NBC).
David E. Kelley
Kelley and Michelle Pfeiffer at the 47th Primetime Emmy Awards in 1994
David Edward Kelley
April 4, 1956
Waterville, Maine, U.S.
|Education||Princeton University (BA)|
Boston University (JD)
|Occupation||Television producer, writer, attorney|
Michelle Pfeiffer (m. 1993)
Kelley was born in Waterville, Maine, raised in Belmont, Massachusetts, and attended the Belmont Hill School. He is the son of Boston University Terriers and New England Whalers hockey coach Jack Kelley, and played the game himself. Kelley was a stick boy for the Whalers during his father's time as coach, and the captain of the hockey team at Princeton University, from which he graduated in 1979 with a bachelor's degree in political science.
Demonstrating early on a creative and quirky bent, in his junior year at Princeton, Kelley submitted a paper for a political science class about John F. Kennedy's plot to kill Fidel Castro, written as a poem. For his senior thesis, he turned the Bill of Rights into a play. "I made each amendment into a character", he said. "The First Amendment is a loudmouth guy who won't shut up. The Second Amendment guy, all he wanted to talk about was his gun collection. Then the 10th Amendment, the one where they say leave the rest for the states to decide, he was a guy with no self-esteem." Also while at Princeton, he was a member of the Princeton Triangle Club.
He received his Juris Doctor (J.D.) from Boston University School of Law, where he wrote for the Legal Follies, a sketch comedy group composed of Boston University law students which still holds annual performances. He began working for a Boston law firm, mostly dealing with real estate and minor criminal cases.
In 1986, Steven Bochco was searching for writers with a law background for his new NBC legal series, L.A. Law. His agent sent him Kelley's movie script for From the Hip. Enthusiastic, Bochco made him a writer and story editor for the show. During this first year, Kelley kept his law office in Boston as a hedge. However, his involvement in the show only expanded. In the second year, he became executive story editor and co-producer. Finally, in 1989, Bochco stepped away from the series making Kelley the executive producer. While executive producer, Kelley received two Emmys for Outstanding Writing in a Dramatic Series and the show received the award for Outstanding Drama Series for both years. For the first five seasons that he was involved with the show, he wrote or co-wrote two out of three episodes. Kelley left after the fifth season in 1991 and ratings began to fall. As Newsday's TV critic wrote, "The difference between good and bad L.A. Law ... was David Kelley." Midway through the sixth season, both Bochco and Kelley were brought in as creative consultants after the show received bad press about its decline in quality.
In 1992, after co-creating Doogie Howser, M.D. with his mentor Steven Bochco, Kelley formed his own production company, David E Kelley Productions, making a three-series deal with CBS. Its first creation, Picket Fences, airing in 1992 and influenced by Twin Peaks and Northern Exposure, focused on the police department in the fictional quirky town of Rome, Wisconsin. Kelley wrote most of the episodes for the first three years. The show was critically acclaimed but never found a sizable audience. Picket Fences went on for four years, receiving a total of 14 Emmy awards including consecutive Emmys for Outstanding Drama Series for its first and second seasons.
In 1995, the fourth and final season, Kelley wrote only two episodes. "We had almost 10 writers try to come in and take over for this one man", said Picket Fences actress Holly Marie Combs. "The quality was not nearly what it was."
Under pressure from CBS to develop a second series even though he didn't feel ready to produce two shows simultaneously, Kelley launched the medical drama Chicago Hope, starring Mandy Patinkin and Adam Arkin, which premiered in 1994. Airing at the same time as the season's other new medical drama, NBC's ER, the ultimate ratings leader, Chicago Hope plotted "upscale medicine in a high-tech world run by high-priced doctors". During its six-year run, it won seven Emmys and generally high critical praise, but only middling ratings.
Originally intending to write only the first several episodes in order to return full-time to Picket Fences, Kelley eventually wrote most of the material for both shows, a total of roughly 40 scripts. Expressing a desire to focus more on his production company and upcoming projects, Kelley ceased day-to-day involvement with both series in 1995, allowing others to write and produce. Towards the end of the fifth season in 1999, facing cancellation, Kelley fired most of the cast members added since he had left the show, brought back Mandy Patinkin and began writing episodes again.
In 1995, Kelley entered into a five-year deal with 20th Century Fox Television to produce shows for both the ABC and FOX television networks, each agreeing to take two series. If one network passed on a project, the other got first refusal. Kelley retained full creative control. Ally McBeal on FOX and The Practice on ABC were the first two projects to come from this deal.
Premiering as a midseason replacement for the 1996-1997 season, The Practice was Kelley's chance to write another courtroom drama but one focusing on the less glamorous realities of a small law firm. The Practice would be the first of four successful series by Kelley that were set in Boston, proximal to his hometown of Belmont, Massachusetts. Receiving critical applause (along with two Emmys for Outstanding Drama Series) but low ratings in its starting seasons, it eventually became a popular top 10 program. The New York Times described the show as "the profoundly realistic, unending battle between soul-searching and ambition". Full-time writers on the first season of The Practice included David Shore, later the creator of House, Stephen Gaghan, a future Oscar winner for Traffic, Michael R. Perry, the creator of the 2011-12 series The River, and Ed Redlich, co-creator of the 2011-12 series Unforgettable. Later the writing staff would grow to 10, most with law degrees. By the fifth season, he would usually only edit the final script and was generally not on the set during filming.
In 2003, due to sagging ratings, ABC cut Kelley's budget in half for the eighth and final season. He responded by firing most of the cast and hiring James Spader for the role of Alan Shore, whom The New York Times described as "a lecherous, twisted antitrust lawyer with a breezy disregard for ethics." The final episodes of The Practice were focused on introducing the new characters from his next show, Boston Legal.
When Ally McBeal premiered in 1997 on FOX, Kelley was also shepherding his other two shows, Chicago Hope and The Practice, although he was not actively participating in Chicago Hope at the time. The title character Ally is a young, attractive, impulsive, Harvard-educated lawyer described by a New York Times journalist as "stylish, sexy, smart, opinionated, and an emotional wreck." In contrast to The Practice and its idealistic lawyers, the law firm in Ally McBeal was founded only to make money.
The New York Times felt that the show uniquely emphasised "character and caricature". The show lasted five seasons, seven Emmys (one for Outstanding Comedy Series for its second season), mostly positive reviews and a barrage of criticism for its portrayal of women, with many journalists saying that the character Ally was a giant step backwards.
Parallel to The Practice, Kelley penned all the scripts for the first season, then brought in other writers in subsequent years although he continued to write many episodes himself.
When the program Ally McBeal first ran, many women lauded its portrayal of the lead character. Sharon Waxman, writing for The Washington Post, commented that Kelley had a keen insight into the human nature of both men and women. She quoted Dyan Cannon: "This man understands the way a woman thinks, ... the complex ways we've found to hide our fears." A New York Times writer used the character as an example of a strong television woman's role, another saw herself, at times, in the character's portrayal of self-absorption and reflection, her crafted neuroses, her vulnerabilities.
Later, however, much press coverage was spent on the controversial nature of women in Ally McBeal. Time magazine featured a cover story about the decline of feminism with a picture of Ally (among a pantheon of feminist heroines) on the cover. In the article, Ginia Bellafante used the McBeal character as a modern exemplar proving that "[M]uch of feminism has devolved into the silly." In response, author Erica Jong felt that the Time journalist diminished her argument by using only pop-cultural references and ignoring the majority of real-world women who have made significant progress.
Writing in Salon.com, Joyce Millman disputed that Ally McBeal should even be described as a "women's show"—that its representations of women were, in fact, a male fantasy. She felt that Kelley treated his female characters "sadistically" in general, beginning all the way back to L.A. Law, saving only The Practice for positive remarks.
Kelley's Ally McBeal was hugely successful in attracting the 18-to-34-year-old women audience demographic. The New York Times columnist, Maureen Dowd, quoted two young, professional women saying they liked shows with female characters like themselves, single, even obsessed. Dowd quoted the executive producer of Law & Order, Dick Wolf, "I think there is a wish-fulfillment factor when you put an attractive woman in a situation where she is doing real, adult stuff."
In 2000, 20th Century Fox Television extended its arrangement with Kelley. The deal, which ran for six years, reportedly made Kelley the highest-paid producer in TV history—up to $40 million a year—in return for a first-look at his projects.
Premiering on FOX in 2000, Boston Public, which follows the lives of teachers and administrators at a Boston high school, joined The Practice and Ally McBeal for the season, meaning Kelley was responsible for writing or overseeing 67 episodes.
The program was initially considered a modest hit but received less than glowing reviews. The previous season, Kelley stumbled with both the short-lived Snoops, his first attempt at delegating most of the responsibilities to others, and with Ally, the experiment with 30-minute shortened episodes of Ally McBeal. The TV critic from the Fort Worth Star-Telegram opined that these failures and the weaknesses he saw in Boston Public were a sign that Kelley had lost the Midas touch. The show lasted four seasons, garnering one minor Emmy.
In addition to Snoops, Kelley continued to have a string of unsuccessful series: girls club in 2002, The Brotherhood of Poland, New Hampshire in 2003 and the reality show The Law Firm in 2005. All the while, he continued overseeing Boston Public and The Practice.
Boston Legal on ABC, premiering in 2004, gave continuity and success to the Kelley franchise. It was a spin-off of his long-running legal drama The Practice, and followed attorney Alan Shore (a character who became the star of The Practice in its final season, played by James Spader) to his new law firm, Crane, Poole & Schmidt. It also starred veteran television actors Candice Bergen and William Shatner. Critically popular with less than spectacular ratings (ranked 27th for the first season, 46th for the second), the show was an "Emmy darling" during its run, winning seven times and being nominated over 25 times. The show won the Peabody Award in 2005 for its signature political commentaries.
In 2007, Boston Legal began to see a rise of viewership as a result of its following ABC's popular Dancing with the Stars series, mostly ranking either first or second most-watched program of the evening in its ten o'clock time period, beating out CBS and NBC's shows.
The fifth and final season began in 2008 with Kelley writing most of the episodes. The season only aired thirteen episodes, making a series run of 101 episodes. The 2-hour series finale drew 11 million viewers. Still, the show drew over 15 million viewers much of its first season—and Kelley felt ABC's treatment of the show over the years ultimately killed it, saying to TV Guide that ABC always treated the show like its "bastard child." Boston Legal aired on four different nights (Sunday, Tuesday, Wednesday and Monday) in its five-season run, with the ratings slipping after each move. In the second-to-last episode of the series, Kelley blatantly wrote a show questioning the legitimacy of the Nielsen ratings and the network's treatment of the show by including a plot about a lawsuit against an unnamed television network.
In 2007, Kelley received the Justice in the Arts Award from Death Penalty Focus, an organization dedicated to the abolition of the death penalty. He previously received an award from this organization in 2000 for his work on the show The Practice.
The Wedding Bells premiered in fall 2007 and was canceled after seven episodes. Additionally, Kelley worked on an Americanized version of the BBC show Life on Mars for the 2007–2008 season on ABC and also worked on an adaptation of Joseph Wambaugh's Hollywood Station. He later handed off production to another creative crew.
In May 2008, Kelley signed a deal with Warner Bros. Television and later penned a spec script for another legal drama entitled Legally Mad in a comic vein. NBC ultimately rejected the series. NBC will pay a two million dollar penalty to Warner Bros. for Kelley's scripts. Kelley was the creator and executive producer of Harry's Law, which premiered on NBC on January 17, 2011. The series starred Kathy Bates in the titular role. The show was cancelled in 2012 even though it was the network's second most-watched drama, because its audience skewed too old; the more important 18-49 demographic viewership was very low.
A new medical series, Monday Mornings, co-created with Sanjay Gupta, premiered February 2013 on TNT, the cable television channel owned by Time Warner. Set in Portland, Oregon, the show stars Ving Rhames, Alfred Molina and Jamie Bamber. In May 2013, the show was canceled by TNT.
A new comedy series created by Kelley, The Crazy Ones, starring Robin Williams and Sarah Michelle Gellar, premiered on CBS on September 26, 2013. The show was cancelled after a season due to lukewarm reception.
Kelley writes his first drafts longhand using a heavy metal Bic ballpoint and yellow legal pad. He easily churns out scripts in two to four days, initially working without collaboration, finding it faster and easier than trying to explain what he wants to others.
Kelley has been criticised for not delegating. A Picket Fences writer described his time on the show as "the most boring period of my life—you'd write a scene... [and Kelley would] rewrite it completely. Or he just cut you out completely—you learned nothing. Having a writing staff was a needless expense for the network." Kelley gradually became more comfortable bringing in writers for ideas and taking over writing responsibilities. Kelley described this as a natural evolution:
There's a period at the beginning of a series [when] you're doing most of the writing and then you go through another period where you have the ideas and you're assigning those stories and ideas to other people and hopefully they execute them. Then if you're lucky you get a staff where they come into the room with their own ideas and specific takes on how to execute them and they do.
Kelley structures his episodes with multiple storylines. An episode may include a self-contained subplot plus other story arcs that either began in a previous episode or will continue subsequently—some will continue the entire season. The viewer is thereby rarely sure whether what appears as a simple incident will blossom into a major plot point.
Kelley seeds his plots with political and social "hot-button" issues. One method is by introducing provocative legal cases. Episodes have covered the gamut of contemporary issues from the culpability of tobacco companies and gun makers to assisted-suicide crusaders. Another way is by undergirding the character's social interrelationships with serious explorations such as feminism, sexuality and divorce. Instead of lessons, Kelley strives to "raise moral and ethical questions without easy answers." He avoids a didactic narrative by not losing sight of the audience's desire to be entertained. He states:
You've got to honor your relationship with your audience—that they sit down because they want to be entertained. And that doesn't mean you can't provoke them and antagonize them and challenge them in the course of the entertainment as long as you keep the entertainment part of the equation alive.
Instead of taking clear stands on issues, Kelley creates scenarios meant to challenge audience preconceptions. For example, an episode of Ally McBeal dealt with a female employee who sued for sexual harassment because she noticed that other prettier women were being promoted. There was deliberately no clear point of view.
Kelley uses humor and the surreal and mixes tragedy with farce. He describes his strategy as follows:
Often we try to seduce the audience at the beginning that this is going to be fun, a romp or a ride, and then once the ride has begun, to reveal some serious subject matter for them to think about.
In Ally McBeal, Kelley utilized two techniques: a voiceover providing an interior monologue for the title character, and Walter Mitty fantasy sequences (ala Dream On as critics have noted) giving a humorous and often deeply honest (but sometimes ironic) explanation of the character's inner thoughts.
Kelley frequently crossed the cast of different shows. One crossover program event (which crossed networks also) involved characters from Kelley's Ally McBeal on the Fox network appearing on his ABC show, The Practice, and, in turn, The Practice characters appeared on Ally McBeal. This was done in spite of the two shows' different tones (one a comedy, the other a drama). This crossover was partially credited for raising ratings for The Practice, which it sustained after those episodes.
Kelley repeated this maneuver with his Boston Public, Ally McBeal, and Boston Legal shows. Thereafter, many other crossovers occurred including shows not created by Kelley.
Kelley's most elaborate crossover was only partially successful. He sought to crossover an episode of his Picket Fences with Chris Carter's The X-Files. Both shows aired Friday nights, but on different networks. The intent was to begin the story on one show, then hope viewers would switch channels to watch the conclusion on another network. CBS balked, and both scripts were rewritten, with The X-Files' Fox Mulder no longer set to appear on Picket Fences. Yet, both episodes deal with Wisconsin and cows, with Fences referencing an FBI investigation in a neighboring town. CBS blurred the connection further by postponing the Fences episode by one week.
Kelley often uses regular actors from older shows in newer shows. For example, Anthony Heald and René Auberjonois both played judges on The Practice, and both went on to be regular cast members in later shows (Heald on Boston Public as a vice-principal and Auberjonois on Boston Legal as a partner at a law firm). Both Kathy Baker and Justin Shenkarow (Picket Fences) have been used in Boston Public. Kathy Baker as Meredith "The Hook Lady" Peters and Justin Shenkarow as the student Warren Dickson. In addition many actors who either had the main roles or major roles in Kelley's previous shows would make at least one guest appearance in Boston Legal.
The Practice was considered more accurate in its portrayal of the law than L.A. Law or Ally McBeal. The importance of legal strategy, sometimes at the expense of the truth, rang true. One attorney said, "[I]t's really about the tactics and the mistakes that opposing counsel makes." Judges were represented as complex, less-than-perfect human beings, sometimes with emotional problems. Plots demonstrated how a defendant's personality would impact the adjudication of a case. Stuart Levine of Variety magazine said, "[The Practice] isn't afraid to paint the firm's clients as the dregs of society." Kelley said,
One of the most fundamental questions people have about defense attorneys is, 'How can you do that? How can you go to bat every day for a person whom you may not know is guilty but you have a pretty good idea that he's not so innocent?
Other aspects of the legal profession in Kelley's shows have been criticized as unrealistic. Attorneys have complained that:
Samuel G. Freedman, a professor of journalism at Columbia University, writing in The New York Times, praises Kelley's series Boston Public as an attempt to both reflect and change public opinion about public education, particularly the urban, overcrowded, underfinanced variety. He liked the realism of the setting, the mixed ethnicity of the faculty and (ofttimes antipathetic) student body and the bureaucratic struggles. He criticized Kelley, though, for pandering to stereotypes of teachers and students and for failing to show successful teaching strategies.
In The New York Times, Arthur Caplan, professor of bioethics at the University of Pennsylvania, felt that medical dramas such as Kelley's Chicago Hope do a good job of addressing bioethical issues such as who should receive a liver transplant or when should a patient be allowed to die. However, there is a lack of discussion concerning the primary money issue: "How do people pay for this?" The show has been criticized for presenting a one-sided view of managed care, portraying HMOs as dramatically evil while glossing over the complexities. Doctors are too often shown as selfless patient advocates ready to battle whatever the financial cost.
Kelley has incorporated religious subject matter from the beginning, including issues involving Protestantism, Judaism, Scientology and Catholicism among others. With the widespread media coverage of child sexual abuse cases in the Roman Catholic Church during the mid-to-late 1990s, Kelley began to introduce this controversy into his scripts. For instance, the character Bobby Donnell on The Practice, a Catholic, became personally estranged from the Church over the issue of sexually abusive priests. While the conservative Catholic League did not object to this episode, they frequently complained of anti-Catholic bias in Kelley's shows because of his references to this subject.
Besides his first film, From the Hip, which received poor reviews, Kelley wrote and produced three other films. 1996's To Gillian on Her 37th Birthday, a romance, co-starring his wife, Michelle Pfeiffer, received tepid critical and box office reception. In 1999, came two films: Lake Placid, a combination of suspense, horror and comedy, and Mystery, Alaska, about a fictional small-town ice hockey team that plays a game against the New York Rangers of the National Hockey League. Neither movie did well with either the critics or the audience.
Although he is sometimes assumed to be a Catholic because his programs address Catholic issues, Kelley was raised a Protestant.
In January 1993, actress Michelle Pfeiffer was set up on a blind date with Kelley. He took her to the movies to see Bram Stoker's Dracula the following week, and they began dating seriously. Pfeiffer had entered into private adoption proceedings before she met Kelley. In March 1993, she adopted a newborn daughter Claudia Rose. They married on November 13, 1993, and christened Claudia the same day. In August 1994, Pfeiffer gave birth to a son, John Henry.
|1987||From the Hip||Writer, story|
|1996||To Gillian on Her 37th Birthday||Screenplay, producer|
|1999||Mystery, Alaska||Co-writer, producer|
|Lake Placid||Writer, producer|
|1986–1987||L.A. Law||NBC||Writer, story editor, executive story editor, supervising producer, co-producer, executive producer, creative consultant||ended 1994|
|1989–1990||Doogie Howser, M.D.||ABC||Co-creator (with Steven Bochco), writer, creative consultant||ended 1993|
|1992–1993||Picket Fences||CBS||Creator, writer, executive producer||ended 1996|
|1994–1995||Chicago Hope||CBS||Creator, writer, executive producer, executive consultant||ended 2000|
|1996–1997||The Practice||ABC||Creator, writer, executive producer||ended 2004|
|1997–1998||Ally McBeal||Fox||Creator, writer, executive producer||ended 2002|
|1999–2000||Snoops||ABC||Creator, writer, executive producer, actor (uncredited)||canceled after 10 episodes|
|Ally||Fox||Creator, writer, executive producer||canceled after 10 episodes|
|2000–2004||Boston Public||Fox||Creator, writer, executive producer, executive consultant||ended 2004|
|2002–2003||Girls Club||Fox||Creator, writer, executive producer||canceled after 2 episodes|
|2003–2004||The Brotherhood of Poland, New Hampshire||CBS||Creator, writer, executive producer||canceled after 5 episodes|
|2004–2005||Boston Legal||ABC||Creator, writer, executive producer||ended 2008|
|2005–2006||The Law Firm||NBC, Bravo||Creator, writer, executive producer||canceled after 2 episodes|
|2006–2007||The Wedding Bells||Fox||Creator, writer, executive producer||canceled after 7 episodes|
|2009–2010||Legally Mad||NBC||Creator, writer, executive producer||not picked up|
|2010–2011||Harry's Law||NBC||Creator, writer, executive producer||picked up as a 2010-11 midseason replacement, cancelled in 2012|
|2011–2012||Wonder Woman||NBC||Creator, writer, executive producer||not picked up|
|2012–2013||Monday Mornings||TNT||Co-creator, writer, executive producer||canceled after one season|
|2013–2014||The Crazy Ones||CBS||Creator, writer, executive producer||canceled after one season|
|2016–||Goliath||Amazon Video||Co-creator, writer, executive producer||renewed for a third season|
|2016–||Big Little Lies||HBO||Creator, writer, executive producer||renewed for a second season|
|2017–||Mr. Mercedes||Audience||Creator, writer, executive producer||renewed for a third season|
|1988||L.A. Law||Outstanding Drama Series||Nominated||Shared with Steven Bochco, Terry Louise Fisher, Phillip M. Goldfarb, Scott Goldstein, Gregory Hoblit, Rick Wallace|
|L.A. Law||Outstanding Writing for a Drama Series||Nominated||Shared with Terry Louise Fisher|
|1989||L.A. Law||Outstanding Drama Series||Awarded||Shared with Steven Bochco, William M. Finkelstein, Michele Gallery, Phillip M. Goldfarb, Scott Goldstein, Judith Parker, Rick Wallace, Alice West|
|L.A. Law||Outstanding Writing for a Drama Series||Nominated|
|1990||L.A. Law||Outstanding Drama Series||Awarded||Shared with Robert M. Breech, William M. Finkelstein, Elodie Keene, Michael M. Robin, Rick Wallace, Alice West|
|L.A. Law||Outstanding Writing for a Drama Series||Awarded||For the episode "Bang...Zoom...Zap"|
|L.A. Law||Outstanding Writing for a Drama Series||Nominated||For the episode "Blood Sweat & Fears". Shared with co-writer William M. Finklestein|
|1991||L.A. Law||Outstanding Drama Series||Awarded||Shared with Rick Wallace, Patricia Green, John Hill, Robert Breech, James C. Hart, Elodie Keene, Alan Brennert, Alice West|
|L.A. Law||Outstanding Writing for a Drama Series||Awarded||For the episode "On The Toad Again"|
|L.A. Law||Outstanding Writing for a Drama Series||Nominated||For the episode "Mutinies On The Banzai". Shared with co-writers Alan Brennert and Patricia Green.|
|1993||Picket Fences||Outstanding Drama Series||Awarded||Shared with Robert Breech, Mark B. Perry, Jonathan Pontell, Michael Pressman, Alice West|
|1994||Picket Fences||Outstanding Drama Series||Awarded||Shared with Robert Breech, Ann Donahue, Geoffrey Neigher, Jack Philbrick, Jonathan Pontell, Michael Pressman, Alice West|
|1995||Chicago Hope||Outstanding Drama Series||Nominated||Shared with Michael Braverman, Dennis Cooper, Rob Corn, Michael Dinner, James C. Hart, John Heath, Michael Pressman, John Tinker|
|1996||Chicago Hope||Outstanding Drama Series||Nominated||Shared with Kevin Arkadie, Rob Corn, Bill D'Elia, Michael Dinner, Patricia Green, James C. Hart, John Heath, John Tinker|
|1998||The Practice||Outstanding Drama Series||Awarded||Shared with Bob Breech, Jeffrey Kramer, Christina Musrey, Jonathan Pontell, Ed Redlich, Gary M. Strangis, Pamela Wisne|
|Ally McBeal||Outstanding Comedy Series||Nominated||Shared with Jeffrey Kramer, Mike Listo, Jonathan Pontell, Steve Robin, Pamela Wisne|
|Ally McBeal||Outstanding Writing for a Comedy Series||Nominated||For the episode "Theme of Life"|
|The Practice||Outstanding Writing for a Drama Series||Nominated||For the episode "Betrayal"|
|1999||The Practice||Outstanding Drama Series||Awarded||Shared with Bob Breech, Jeffrey Kramer, Christina Musrey, Gary M. Strangis, Pamela Wisne|
|Ally McBeal||Outstanding Comedy Series||Awarded||Shared with Peter Burrell, Jeffrey Kramer, Mike Listo, Jonathan Pontell, Steve Robin, Pamela Wisne|
|Ally McBeal||Outstanding Writing for a Comedy Series||Nominated||For the episode "Sideshow"|
|2000||The Practice||Outstanding Drama Series||Nominated||Shared with Bob Breech, Jeffrey Kramer, Christina Musrey, Gary M. Strangis, Pamela Wisne|
|2007||Boston Legal||Outstanding Drama Series||Nominated|
|2008||Boston Legal||Outstanding Drama Series||Nominated|
|2017||Big Little Lies||Outstanding Writing for a Limited Series, Movie, or Dramatic Special||Nominated|
|Big Little Lies||Outstanding Limited Series||Awarded|
Among the actors and actresses who have won Emmys for playing roles in Kelley's series are Peter MacNicol, Tracey Ullman, Sharon Stone, William Shatner, James Spader, Alfre Woodard, Charles S. Dutton, Michael Emerson, James Whitmore, Beah Richards, Edward Herrmann, Michael Badalucco, Holland Taylor, John Larroquette, Camryn Manheim, Christine Lahti, Héctor Elizondo, Mandy Patinkin, Kathy Baker, Ray Walston, Paul Winfield, Richard Kiley, Fyvush Finkel, Leigh Taylor-Young, Tom Skerritt, Richard Dysart, Jimmy Smits, Larry Drake, Nicole Kidman, Alexander Skarsgård and Laura Dern.
|1998||The Practice||ABC and David E. Kelley Productions|
|Ally McBeal||Fox and David E. Kelley Productions|
|2002||Boston Public||David E. Kelley Productions in association with 20th Century Fox Television|
|2005||Boston Legal||David E. Kelley Productions in association with 20th Century Fox Television|
Ally McBeal is an American legal comedy-drama television series, originally aired on Fox from September 8, 1997, to May 20, 2002. Created by David E. Kelley, the series stars Calista Flockhart in the title role as a lawyer working in the fictional Boston law firm Cage and Fish, with other lawyers whose lives and loves were eccentric, humorous, and dramatic. The series received critical acclaim in its early seasons, winning the Golden Globe Award for Best Television Series – Musical or Comedy in 1997 and 1998, and also winning the Emmy Award for Outstanding Comedy Series in 1999.Big Little Lies (TV series)
Big Little Lies is an American drama television series, based on the novel of the same name by Liane Moriarty, that premiered on February 19, 2017, on HBO. Created and written by David E. Kelley, the series' seven-episode first season was directed by Jean-Marc Vallée.
Big Little Lies stars Nicole Kidman, Reese Witherspoon and Shailene Woodley and tells the story of three emotionally troubled women in Monterey, California, who become embroiled in a murder investigation. Alexander Skarsgård, Laura Dern, Jeffrey Nordling, Adam Scott, Zoë Kravitz, and James Tupper feature in supporting roles. Critically acclaimed, the series garnered several accolades. It received 16 Emmy Award nominations and won eight, including Outstanding Limited Series and acting awards for Kidman, Skarsgård, and Dern. The trio also won Golden Globe Awards in addition to a Golden Globe Award for Best Miniseries or Television Film win for the series. Kidman and Skarsgård also received Screen Actors Guild Awards for their performances.
Despite originally being billed as a miniseries, HBO renewed the series for a second season. Production on the second season began in March 2018 and is set to premiere in June 2019. All seven episodes were written by Kelley and directed by Andrea Arnold.Boston Legal
Boston Legal is an American legal comedy-drama television series created by David E. Kelley and produced in association with 20th Century Fox Television for ABC. The series aired from October 3, 2004 to December 8, 2008. The series starred James Spader, William Shatner, and Candice Bergen.Boston Public
Boston Public is an American drama television series created by David E. Kelley and broadcast on Fox. Set in Boston, the series centers on Winslow High School, a fictional public high school in the Boston Public Schools district. It features a large ensemble cast and focuses on the work and private lives of the various teachers, students, and administrators at the school. It aired from October 2000 to January 2004. Its slogan was "Every day is a fight. For respect. For dignity. For sanity."Chicago Hope
Chicago Hope is an American medical drama television series, created by David E. Kelley. It ran on CBS from September 18, 1994 to May 4, 2000. The series is set in a fictional private charity hospital in Chicago, Illinois.Dennis Smith (director)
Dennis L. Smith is an American television cinematographer, director and former camera operator.
Dennis began his career as a news photojournalists for ABC winning United Press InternatIonal and Associated Press "Best Newsfilm of the Year" awards for his Documentaries. He also contributed to winning two George Foster Peabody's from the University of Georgia.
In 1992, he began a 12-year-relationship with David E. Kelley, working with him on Picket Fences and The Practice.
As a camera operator he worked on such films as Stir Crazy (1980), Revenge of the Nerds (1984), License to Drive (1988) and Home Aloneand Home Alone 2 Lost in New York (1990) and Purple Rain.He continued his career as a cinematographer/director of photography on the David E. Kelley series Picket Fences (in which he made is directorial debut) and The Practice.
Some of Smith's other directing credits include episodes of: Boston Legal, JAG, Numb3rs, The Vampire Diaries, Fringe, NCIS and NCIS: Los Angeles.Doogie Howser, M.D.
Doogie Howser, M.D. is an American medical comedy-drama television series that ran for four seasons on ABC from September 19, 1989, to March 24, 1993, totaling 97 episodes. Created by Steven Bochco and David E. Kelley, the show stars Neil Patrick Harris in the title role as a teenage physician who balances the challenge of practicing medicine with the everyday problems of teenage life.Girls Club (TV series)
Girls Club (sometimes styled in all-lowercase girls club) is an American television series created by David E. Kelley that was shown on Fox in the United States in October 2002. It is often compared to Ally McBeal, another series created by Kelley, which ended in May 2002.Harry's Law
Harry's Law is an American legal comedy-drama television series created by David E. Kelley, which ran for two seasons on NBC from January 17, 2011, to May 27, 2012. On May 11, 2012, NBC cancelled the series after two seasons.Mr. Mercedes (TV series)
Mr. Mercedes is an American crime drama television series based on the Bill Hodges novel trilogy by Stephen King, which consists of Mr. Mercedes, Finders Keepers, and End of Watch. The series premiered on Audience on August 9, 2017. It was developed by David E. Kelley and stars Brendan Gleeson and Harry Treadaway. In November 2018, it was announced that Audience had renewed the series for a ten-episode third season.Picket Fences
Picket Fences is an American television drama about the residents of the town of Rome, Wisconsin, created and produced by David E. Kelley. The show initially ran from September 18, 1992, to June 26, 1996, on the CBS television network in the United States. It sometimes struggled to maintain a stable prime-time audience and had fluctuating ratings, due in part to its Friday night time slot. In its first season on the air it placed 80th in the prime-time Nielsen ratings and in its second season it moved to 66th. The show's exteriors were shot in the L.A. suburb of Monrovia, California, with many of the townspeople appearing in the background of episodes.Primetime Emmy Award for Outstanding Writing for a Drama Series
The Primetime Emmy Award for Outstanding Writing for a Drama Series is an award presented annually by the Academy of Television Arts & Sciences (ATAS). It was first awarded at the 7th Primetime Emmy Awards ceremony, held in 1955 and it is given in honor of a writer or writers who produced an outstanding story or screenplay for an episode of a television drama series during the primetime network season. Undergoing several name changes, the award received its current title at the 48th Primetime Emmy Awards in 1996.
Since its inception, the award has been presented to 74 writers. Joel Fields and Joe Weisberg are the current recipients of the award for their work on the episode of FX's The Americans titled "START". Rod Serling holds the record for most wins for this category at six. The Sopranos also hold the record for most wins and nominations for this category at six and 21, respectively.Snoops (1999 TV series)
Snoops is an American comedy-drama television series that aired on ABC from September 26 to December 19, 1999. Created by David E. Kelley, the show came about during the height of Kelley's fame, with both The Practice and Ally McBeal sustaining large audiences. Although the series garnered good ratings initially by averaging 11.5 million viewers, tying NBC in the ratings, it soon faltered and was cancelled quickly. Only ten of the thirteen episodes produced aired in the United States, while the final three episodes aired overseas. The final episode, which was rewritten by Kelley after the cancellation announcement, served as a series finale.The Brotherhood of Poland, New Hampshire
The Brotherhood of Poland, New Hampshire is an American drama series created by David E. Kelley that aired on CBS in 2003. The show offers the typical quirkiness and eccentric humor that have become synonymous with David E. Kelley's shows. The Brotherhood of Poland, New Hampshire has been described as "Northern Exposure with middle-aged angst and populated with the sort of oddball supporting characters so typical of the Kelley oeuvre." The show was canceled after five episodes due to poor ratings.The Crazy Ones
The Crazy Ones is an American sitcom created by David E. Kelley, and stars Robin Williams and Sarah Michelle Gellar. The single-camera series aired for one season on CBS, from September 26, 2013, to April 17, 2014. It was part of the 2013–14 American television season as a Thursday night 9:00 pm Eastern / 8:00 pm Central entry. Bill D'Elia, Dean Lorey, and Jason Winer served as executive producers for 20th Century Fox Television. The episodes are loosely based on the life experiences of John R. Montgomery while he worked at Leo Burnett advertising in Chicago.
On October 18, 2013, CBS gave the show a full-season order. On February 27, 2014, the series switched timeslots with Two and a Half Men and started airing at 9:30 pm Eastern / 8:30 pm Central. CBS cancelled the series on May 10, 2014, marking Robin Williams' final television role nearly three months before his death on August 11, 2014.The Practice
The Practice is an American legal drama created by David E. Kelley centering on the partners and associates at a Boston law firm. Running for eight seasons on ABC from March 4, 1997, to May 16, 2004, the show won the Emmy in 1998 and 1999 for Best Drama Series, and spawned the spin-off series Boston Legal, which ran for five more seasons, from 2004 to 2008.
The Practice focused on the law firm of Robert Donnell and Associates (later known as Donnell, Young, Dole & Frutt; Donnell, Young & Frutt; and ultimately Young, Frutt & Berluti). Plots typically featured the firm's involvement in various high-profile criminal and civil cases that often mirror current events. Conflict between legal ethics and personal morality was a recurring theme with light comedy being occasionally present. Kelley claimed that he conceived the show as something of a rebuttal to L.A. Law (for which he wrote) and its romanticized treatment of the American legal system and legal proceedings.The Undoing (miniseries)
The Undoing is an upcoming American drama miniseries, based on the novel You Should Have Known by Jean Hanff Korelitz, that is set to premiere on HBO. The series stars Nicole Kidman who is also set to executive produce alongside David E. Kelley, Susanne Bier, Per Saari, and Bruna Papandrea. Kelley is also set to write and showrun the series and Bier is expected to direct.The Wedding Bells
The Wedding Bells is an American comedy-drama television series that aired on Fox from March 2 to April 13, 2007. The series was greenlighted after the network became interested in a series centered on wedding planners. The network approached David E. Kelley to create the show, and he essentially remade a rejected pilot he created for ABC in 2004 entitled DeMarco Affairs which starred Selma Blair, Lindsay Sloane, and Sabrina Lloyd as three sisters who inherit a wedding planner service. Though the show had a moderately strong premiere, it faded in the ratings and was cancelled after seven episodes had been produced and five episodes were aired.Wonder Woman (2011 TV pilot)
Wonder Woman is an unaired television pilot produced by Warner Bros. Television and DC Entertainment for NBC, based on the DC Comics character of the same name. David E. Kelley wrote the pilot, which was directed by Jeffrey Reiner. Adrianne Palicki starred as the main character.
The Wonder Woman pilot was expected to debut in 2011, but NBC opted not to buy the series.