David Claerbout

David Claerbout (born 1969, Kortrijk, Belgium) is a Belgian artist. His work combines elements of still photography and the moving image.[1]

David Claerbout - IFFR 2017-1
David Claerbout, 2017

Early life and education

Claerbout studied at Nationaal Hoger Instituut voor Schone Kunsten, Antwerp from 1992-1995. He trained as a painter, but became more and more interested in time through investigations in the nature of photography, the still and the moving image (Bergson's duree echoed in Gilles Deleuze Cinema 1 and Cinema 2).


David Claerbout is "best known for large-scale moving and still imagery that deals with the passage of time".[2]

In early works such as Kindergarten Antonio Sant’Elia 1932 made in 1998 and the last in a series, he presents an old, black and white photograph as a large, mute projection.

In Vietnam, 1967, near Duc Pho (Reconstruction after Hiromishi Mine) (2001) time is suspended as an airplane caught by the camera moments before its crash, floats, the sunlight gently moving over a green and hilly landscape. In the book Visible Time, David Green writes: “What one actually experiences or indeed what one sees in this work, is not the conflation of photography and film but, a conjuncture of the two mediums in which neither ever loses its specificity. We are thus faced with a phenomenon in which two different mediums co-exist and seem to simultaneously occupy the same object. The projection screen here provides a point of intersection for both the photographic and filmic image.”[3]

With works such as Villa Corthout (2001) and Piano Player (2002), Claerbout’s work moves towards forms of narratives to describe ‘moments in time’ within the moving image, taking a more cinematic dimension.

In the Bordeaux Piece (2004) actors repeat a given dialogue and a set of given movements, deconstructing cinematic time. It centers on a conversation between a couple that is repeated over and over in different parts of a 1996 Bordeaux house designed by the architect Rem Koolhaas.[4] The piece is in fact a 14 hours film made out of 70 shorter films shot at 10 minutes intervals throughout the day. The narrative slowly collapses, giving way to the movement of the sun over the landscape, architecture and people, thus creating a different temporality. One protagonist is played by Josse De Pauw, who helped Claerbout write the script.[5]

In Sections of a Happy Moment (2007), Claerbout seems to ‘dissect’ a moment in the life of a Chinese family in the courtyard of a nondescript estate. A group of people are gathered around a ball suspended mid-air, all the faces turned towards it, smiling happily. Over the course of 25 minutes, this moment in time is analyzed from a multitude of different angles and perspectives, allowing the viewer an omnipresence that is paradoxical. The fragmentation of time in this piece, through freeze – frames of the same moment, creates 'visible duration'.[6]

In Sunrise (2009), Claerbout presents an 18-minute work in near-darkness, accentuating the dim tones by projecting the film on to a grey surface. For nearly the entire film a housemaid goes about her chores in the muted light of pre-dawn, finally departing the house and cycling through a dimly-lit landscape, accompanied by Sergei Rachmaninoff's Vocalise (1912).

Set on the coastline of Brittany, France, The Quiet Shore (2011) is a 36-minute black-and-white film capturing scenes that range from moments of minute detail to panoramic expanses of coastal landscape. The viewer experiences, frame by frame, a single moment from a multitude of different perspectives and viewpoints.[7]


Claerbout took part in the DAAD Berlin Artist Program in 2002–2003. In 2007 he showed five works at the Centre Pompidou in Paris; the exhibition later toured to the List Visual Arts Center in Cambridge, Massachusetts, to the Kunstmuseum St. Gallen in St. Gallen, Switzerland, to the Morris and Helen Belkin Art Gallery in Vancouver, to the De Pont Museum of Contemporary Art in Tilburg, Holland, and to the Metropolitan Museum of Photography in Tokyo.[1] Other solo exhibitions include ‘Diese Sonne strahlt immer’, Vienna Secession (2012); ‘David Claerbout: Architecture of Narrative’, San Francisco Museum of Modern Art (2011); ‘The Time That Remains’, WIELS Contemporary Art Centre, Brussels (2011); and ‘uncertain eye’, Pinakothek der Moderne, Munich (2010).

Selected solo exhibitions

  • 2002 Kunstverein Hannover, Hanover
  • 2004 Kunstbau im Lehnbachhaus, Munich
  • 2005 Akademie der Künste, 'Background Time – Gezeiten', Berlin
  • 2005 VanAbbemuseum, Eindhoven
  • 2007 Centre Georges Pompidou, 'David Claerbout', Paris
  • 2008 MIT LIST Visual Arts Center, Cambridge MA
  • 2008 Kunstmuseum St. Gallen, 'After the Quiet', St. Gallen/Switzerland
  • 2008 Belkin Galleries at The University of British Columbia, Vancouver
  • 2008 National Museum of Contemporary Art, Athens
  • 2009 De Pont Museum of Contemporary Art, 'The Shape of Time', Tilburg
  • 2010 Pinakothek der Moderne, Munich, Germany
  • 2011 Wiels, 'Le temps qui reste', Brussels
  • 2011 SF MOMA, San Francisco
  • 2012 MART Museo di arte moderna e contemporanea di Trento e Rovereto
  • 2012 Parasol Unit, ‘the time that remains’, London, England
  • 2012 Secession, ‘Diese Sonne strahlt immer’, Vienna, Austria
  • 2013 Kunsthalle Mainz, Germany
  • 2014 Nederlands Fotomuseum, Rotterdam
  • 2015 MAMCO, Geneva
  • 2016 Städel Museum, Frankfurt, Germany
  • 2017 KINDL, Berlin, Germany
  • 2017 Schaulager, Basel, Switzerland


Selected Monographs/ Exhibition Catalogues

  • 2015

McMonagle, Christine/Sean Kelly Gallery (eds.), 'David Claerbout. Drawings and studies. With an essay by Christian Viveros-Fauné', Hatje Cantz Verlag/Sean Kelly Gallery, 2015 Davila, Thierry, 'Shadow Pieces. David Claerbout', mamco: Geneva, 2015 (exh.cat.) Vergne, Jean-Charles, 'David Claerbout', Clermont-Ferrand: FRAC Auvergne, 2015 (exh.cat.)

  • 2012

Ardalan, Ziba, Hoelzl, Ingrid, Snauwaert, Dirk, 'David Claerbout. the time that remains', Ludion, 2012 Pacher, Jeanette/Secession (ed.), 'Diese Sonne strahlt immer', Vienna: Secession, Vereinigung bildender KünstlerInnen, 2012 (exh.cat.)

  • 2008

Van Assche, Christine (ed.), 'The Shape of Time', Zürich: JRP Ringier/Centre Pompidou/MIT List Center of Visual Arts/De Pont Foundation/Kunstmuseum St. Gallen/Morris and Helen Belkin Art Gallery, 2008 (exh.cat.)

National Museum of Contemporary Art (ed.), 'David Claerbout', Athens, 2008 (exh.cat.)

  • 2004

Gaensheimer, Susanne, Meschede, Friedrich et al. (ed.), 'David Claerbout', Köln: Verlag der Buchhandlung Walther König, 2004 (exh.cat.)

Green, David, Lowry, Joanna, 'Visible Time: The work of David Claerbout', Herbert Read Gallery, Brighton: Photoworks, 2004 (exh.cat.)

  • 2003

CGAC Centro Galego de Arte Contemporánea (ed.), 'David Claerbout' [texts by Stephan Berg, Rachel Kushner], Santiago de Compostela, 2003 (exh.cat.)

  • 2002

Kunstverein Hannover (ed.), 'David Claerbout', Brussels: A Prior, 2002 (exh.cat.)


Claerbout has been awarded the Prize of the Günther-Peill-Stiftung (2010).

List of Selected Works

  • Boom (1996)

Single Channel Video Installation, Colour, Silent, 18’44”

  • Ruurlo, Bocurloscheweg 1910 (1997)

Single Channel Video Installation, Black and White, Silent, 10’

  • Kindergarten Antonio Sant’Elia, 1932 (1998)

Single Channel Video Installation, Black and White, Silent, 10’

  • Untitled (Carl and Julia) (2000)

Interactive Video Installation, Black and White, Silent

  • Venice Light Boxes (2000)

4 Light boxes, Cibachrome, Black and White

  • Vietnam, 1967, near Duc Pho (Reconstruction after Hiroshimi Mine) (2001)

Video Installation, Colour, Silent, 3’30”

  • Villa Corthout (2001)

5 - Channel Video Installation, Black and White, Mono Sound, 25’

  • The Stack (2002)

Video Installation, Colour, Silent, 36’

  • Piano Player (2002)

Single Channel Video Installation, Colour, Dolby Surround Sound, 7’

  • Rocking Chair (2003)

Double Screen Interactive Video Installation, Black and White, Silent

  • Bordeaux Piece (2004)

Single Channel Video Installation, Colour, Dual Mono Sound, 13:43’

  • Shadow Piece (2005)

Single Channel Video Installation, Black and White, Stereo Sound, 30’19”

  • Sections of a Happy Moment (2007)

Single Channel Video Installation, Black and White, Stereo Sound (Random Muzac), 25’57”


  1. ^ a b David Claerbout: 3 octobre 2007 - 7 janvier 2008. Paris: Centre Pompidou. Archived 24 October 2007.
  2. ^ "David Claerbout joins Sean Kelly". artinfo.
  3. ^ David Green & Joanna Lowry (eds) Visible Time: The work of David Claerbout, Brighton: Photoworks, 2004
  4. ^ Benjamin Genocchio (April 6, 2008), In the Spirit of Modernist Ideals The New York Times.
  5. ^ Adrian Searle (April 6, 2008), Adrian Searle encounters ... a teacup falling 70 times in a 14-hour film The Guardian.
  6. ^ Raymond Bellour in Van Assche, Christine (ed.) The Shape of Time, Zürich: JRP Ringier/Centre Pompidou/MIT List Center of Visual Arts/De Pont Foundation/Kunstmuseum St. Gallen/Morris and Helen Belkin Art Gallery, 2008 (exh.cat.)
  7. ^ Some Artists' Artists, June 26 - August 22, 2014 Marian Goodman, New York.

External links

Arter (art center)

Arter is a non-profit art space and an affiliate of the Vehbi Koç Foundation (VKV).

Arter was opened in 2010 with the aim of providing a sustainable infrastructure for producing and exhibiting contemporary art. At its building on Istiklal Street, Arter presented 35 solo and group exhibitions between 2010–2018 with accompanying publications, talks, performances and workshops; and provided support for the production of 183 artworks in the framework of its exhibitions.

Arter has recently moved to its new home in Dolapdere, scheduled to open to the public in September 2019.


The Bonnefanten Museum is a museum of fine art in Maastricht, Netherlands.

Brighton Photo Biennial

Brighton Photo Biennial is a month-long festival of photography in Brighton, England, produced by Photoworks that began in 2003 with an edition curated by Jeremy Millar. The festival announced its merger with Photoworks in 2006 following a successful Arts Council England National Portfolio funding application that secured the future of the newly merged organisation for three years. The first edition of the Biennial produced under new leadership was BPB12 Agents of Change: Photography and the Politics of Space produced and curated by Photoworks.

The festival, often held in October, plays host to curated exhibitions across the city of Brighton and Hove in gallery and public spaces. Previous editions have been curated by Gilane Tawadros (2006), Julian Stallabrass (2008), Martin Parr (2010) and Photoworks (2012).

There is also the Brighton Photo Fringe (BPF), which runs in parallel to the main Biennial, providing a complimentary series of exhibitions and talks.

Centre Georges Pompidou

Centre Georges Pompidou (French pronunciation: ​[sɑ̃tʁ ʒɔʁʒ pɔ̃pidu]), commonly shortened to Centre Pompidou and also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers and Renzo Piano, along with Gianfranco Franchini.

It houses the Bibliothèque publique d'information (Public Information Library), a vast public library; the Musée National d'Art Moderne, which is the largest museum for modern art in Europe; and IRCAM, a centre for music and acoustic research. Because of its location, the Centre is known locally as Beaubourg (IPA: [bobuʁ]). It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Estaing. As of 2006, the Centre Pompidou has had over 180 million visitors since 1977 and more than 5,209,678 visitors in 2013, including 3,746,899 for the museum.The sculpture Horizontal by Alexander Calder, a free-standing mobile that is 7.6 m (25 ft) tall, was placed in front of the Centre Pompidou in 2012.

Clare Strand

Clare Strand (born 1973) is a British conceptual photographer based in Brighton and Hove, England.Strand's photography has been published in the Gone Astray (2003) newspaper, and the books Clare Strand: Photoworks Monograph (2009), Skirts (2013) and Girl Plays with Snake (2016). She has had a number of solo exhibitions, her first major one being at Museum Folkwang, Germany, in 2009. She has also had work in a number of group exhibitions at notable institutions including a significant portion of a show at the Victoria and Albert Museum (V&A), London, in 2011. Her work is held in the collections of the Museum of Modern Art, New York; Centre Georges Pompidou, Paris; the New York Library; and the V&A.

Strand makes, as David Campany puts it, "black-and-white photographs that would be equally at home in an art gallery, the offices of a scientific institute, or the archive of a dark cult. ... They look like evidence, but of what we cannot know."She is one half of creative partnership MacDonaldStrand with her husband Gordon MacDonald.

Dia Art Foundation

Dia Art Foundation is a nonprofit organization that initiates, supports, presents, and preserves art projects. It was established in 1974 as the Lone Star Foundation, by Philippa de Menil, the daughter of Houston arts patron Dominique de Menil and an heiress to the Schlumberger oil exploration fortune; art dealer Heiner Friedrich, Philippa's husband; and Helen Winkler, a Houston art historian. Dia wanted to support projects "whose nature or scale would preclude other funding sources."The name "Dia", taken from the Greek word meaning "through," was chosen to suggest the institution's role in enabling artistic projects that might not otherwise be realized.

Dia holds a major collection of work by artists of the 1960s and 1970s, on view at Dia:Beacon that opened in the Hudson Valley in 2003. Dia also presents exhibitions and programs at Dia:Chelsea in New York City, located at 535, 541 and 545 West 22nd Street. In addition to its exhibition spaces at Dia:Beacon and Dia:Chelsea, Dia maintains and operates a constellation of commissions, long-term installations, and site-specific projects, notably focused on land art, nationally and internationally. Dia's permanent collection holdings include artworks by artists who came to prominence during the 1960s and 1970s, including Joseph Beuys, Dan Flavin, Donald Judd, Agnes Martin, and Andy Warhol. The art of this period represented a radical departure in artistic practice and is often large in scale; it is occasionally ephemeral or site-specific.

Currently, Dia commissions, supports, and presents site-specific installations and long-term exhibitions of work by these artists, as well as those of younger generations.

Friedrich Christian Flick Collection

The Friedrich Christian Flick Collection is a modern art collection founded by Friedrich Christian Flick, an art collector and heir to the fortune of the illustrious Flick industrial family. It is one of the world's leading modern art collections.

Jeff Wall

Jeffrey Wall, OC, RSA (born September 29, 1946) is a Canadian artist best known for his large-scale back-lit cibachrome photographs and art history writing. Wall has been a key figure in Vancouver's art scene since the early-1970s. Early in his career, he helped define the Vancouver School and he has published essays on the work of his colleagues and fellow Vancouverites Rodney Graham, Ken Lum, and Ian Wallace. His photographic tableaux often take Vancouver's mixture of natural beauty, urban decay and postmodern and industrial featurelessness as their backdrop.

Kunsthaus Bregenz

The Kunsthaus Bregenz (KUB) presents temporary exhibitions of international contemporary art in Bregenz, capital of the Austrian Federal State of Vorarlberg. Commissioned by the State of Vorarlberg and designed by the Swiss architect Peter Zumthor, it was built between 1990 and 1997.

List of longest films

This is a list of films whose running time exceeds 300 minutes (five hours).

Parasol Unit Foundation for Contemporary Art

The Parasol Unit Foundation for Contemporary Art is an educational charity and a not-for-profit contemporary art gallery based in London. Established in 2004, the foundation is housed in a converted warehouse over two floors in a building that was renovated to a design concept by the Italian architect, Claudio Silvestrin. The gallery comprises roughly 5,000 sq ft (460 m2) of exhibition space.

Parasol Unit was established by its director and curator, [Ziba Ardalan]. A graduate in the History of Art from Columbia University New York, Ardalan worked as Guest Curator at the Whitney Museum of American Art. She guest curated the exhibition 'Winslow Homer and the New England Coast' at the Whitney's Stamford, Ct. Branch (1984). Ardalan became the first Director/Curator of New York City's Swiss Institute in 1987, before moving to Zurich, Switzerland, and then relocating to UK and founding Parasol Unit. She has curated numerous exhibitions and has also lectured and written about art. Prior to her career in art, Ardalan obtained a Ph.D. in physical chemistry.


Photoworks is a development agency for photography, based in Brighton, England and founded in 1995. It commissions and publishes new photography and writing on photography; produces exhibitions, books, participation and learning projects and events including the Brighton Photo Biennial, the UK's largest photography festival. It organises the Jerwood/Photoworks Awards in collaboration with the Jerwood Charitable Foundation.

It has published photography books by Daniel Meadows, Mark Power, Stephen Gill, Rinko Kawauchi and Joachim Schmid, and published books written or edited by Val Williams.

Photoworks is located within the University of Brighton's Edward Street Campus and is a registered charity, funded by Arts Council England and one of Arts Council England's National Portfolio Organisations.

Sean Kelly Gallery

Sean Kelly Gallery, founded in 1991 in New York City by British-born Sean Kelly, represents established and mid-career artists, particularly with work based in installation and performance.Owner Sean Kelly began in the British museum world by curating shows by sculptors such as Richard Deacon and Anthony Gormley early in their career. He opened a place in SoHo, Manhattan, in 1995, with artists such as Marina Abramović, Joseph Kosuth, James Casebere and Robert Mapplethorpe.


WIELS is a contemporary art centre situated in Forest, in the Brussels Capital Region, Belgium in a building of the former Wielemans brewery.

Officially opened on May 25, 2007, WIELS has three exhibition platforms with a total exhibition space of 1,800 m2 (19,000 sq ft), an auditorium, studio workshops for artists-in-residence, and a café/foyer and bookshop in the monumental brewing hall. The institution has no collection, instead putting on temporary exhibitions by national and international artists.

Wiels has been described as "an international laboratory for the creation and the diffusion of contemporary art" and is the leading contemporary art institution in Belgium.It has nine artist-in-residency studios for which it receives hundreds of applications every year. and numerous programs of educational activities and community oriented programs.

For its tenth anniversary, WIELS organized in 2017 The Absent Museum, an ambitious exhibition project in which all departments were involved.

The name 'WIELS' comes from a pils formerly brewed by Wielemans.

Artists to have exhibited there include René Daniëls, Rita McBride, Yayoi Kusama, Mike Kelley, Luc Tuymans, David Claerbout, Anne-Mie van Kerckhoven, Walter Swennen,Francis Alÿs, Jef Geys, Anne Teresa De Keersmaeker, Daan Van Golden , Tauba Auerbach, Franz Erhard Walther, Mark Leckey, Thomas Bayrle and Edith Dekyndt.

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