Dave Marsh

Dave Marsh (born March 1, 1950) is an American music critic, author, editor and radio talk show host. He was an early editor of Creem magazine, has written for various publications such as Newsday, The Village Voice, and Rolling Stone, and has published numerous books about music and musicians, mostly focused on rock music. He is also a committee member of the Rock and Roll Hall of Fame.

Early life

Marsh was born in Pontiac, Michigan. Moving to Waterford, Michigan in 1964. He graduated from Waterford Kettering High School in Waterford, Michigan in 1968. He then briefly attended Wayne State University in Detroit.[1]


He began his career as a rock critic and editor at Creem magazine, which he helped start.[1] At Creem, he was mentored by close friend and colleague Lester Bangs. Marsh is credited with coining the term punk rock in a 1971 article he wrote about Question Mark & the Mysterians.[2] While supportive of punk music in general, he said in a 2001 interview that "I don't know that it was any more important than disco," and believes rap is more significant than punk in the history of rock music.[3]

He has written extensively about his favorite artists, including Marvin Gaye, whose song "I Heard It Through the Grapevine" he chose as the number one single of all-time in his book The Heart of Rock and Soul: the 1001 Greatest Singles Ever Made, and Sly Stone, whom he called "one of the greatest musical adventurers rock has ever known."[4]

Along with Rolling Stone magazine publisher Jann Wenner, Marsh has been involved in organizing and maintaining the Rock and Roll Hall of Fame in Cleveland, Ohio. Marsh has at times courted controversy with his style of maintaining selections.

Marsh has published four books about singer/musician Bruce Springsteen. Some of these became bestsellers, including Born to Run and Glory Days.[5]

Marsh has edited and contributed to Rock and Roll Confidential, a newsletter about rock music and social issues.[1] The newsletter has since been renamed Rock and Rap Confidential. Marsh contributed to the 1994 book Mid-Life Confidential, a book about and by the Rock Bottom Remainders, a rock band composed of American authors. He has also worked for Newsday and The Real Paper.[1]

Marsh's most recent book, 360 Sound: The Columbia Records Story — Legends and Legacy, was released in October 2012. In the same format as Heart of Rock and Soul, this book covers the 264 greatest songs from Columbia Records beginning with the 1890 performance of John Philip Sousa's "Washington Post March" and working its way chronologically up to Adele's "Rolling in the Deep" (2011). To promote the music of Columbia Records, Legends and Legacy is available as a free eBook on iTunes."[6]

Derision of musicians

Marsh has been characterised as a "grumpy rock and roll journalist" due to his acerbic comments on popular musicians whom he dislikes.[7] In 1976, he wrote that Led Zeppelin had an "insurmountable flaw" in drummer John Bonham (who has topped multiple all-time greatest drummers lists), whom he saw as "something like clinically incompetent" and responsible for marring every Zeppelin album to date.[8]

Marsh wrote in 1978: "Queen isn't here just to entertain. This group has come to make it clear exactly who is superior and who is inferior. Its anthem, 'We Will Rock You', is a marching order: you will not rock us, we will rock you. Indeed, Queen may be the first truly fascist rock band...[I] wonder why anyone would indulge these creeps and their polluting ideas."[9] Marsh had previously described Queen frontman Freddie Mercury – who is regarded as one of the best rock singers of all time[10] – as possessing a "passable pop voice".[11]

Marsh described Bob Seger's 1980 album Against the Wind as "absolutely cowardly".[12] He was more supportive of Seger's earlier work.[13]:454[14]

In the 1983 Rolling Stone Record Guide, Marsh called Journey "a dead end for San Francisco area rock", and their music "calculated". He awarded every single Journey album released up to that point – seven studio albums, a compilation album and a live album – the minimum possible score of 1/5 stars.[13]:266 When asked about Marsh's unrelenting derision of Journey on a recent television program on which other critics had defended the band, lead singer, Steve Perry, called Marsh "an unusual little man who all too often thinks that his subjective opinions translate to inarguable fact".[15]

Also in the 1983 Rolling Stone Record Guide, Marsh described Air Supply as "The most calculated and soulless pseudo-group of its kind, which is saying something".[13]:6

In 1989, Marsh referred to the Grateful Dead as the "worst band in creation".[16][7]

Regarding a possible Rock and Roll Hall of Fame induction for Kiss, Marsh said: "Kiss is not a great band. Kiss was never a great band. Kiss never will be a great band, and I have done my share to keep them off the ballot."[17] Kiss were ultimately inducted in 2014; in the lead-up, Marsh said: "I was done with them before I ever turned the first album over to the second side... all that mediocrity was harmless enough until the boastful bassist decided to turn it into a propaganda machine for the only two things he's ever loved: Gene Simmons and money." Lead singer Paul Stanley described Marsh as "pompous", and pointed to his derision of Led Zeppelin and Queen as evidence that he had "no clue" about music.[18]

Talk shows

Dave Marsh hosts three Sirius XM Radio shows, one called Live from E Street Nation, airing on E Street Radio and the second Kick Out the Jams, airing Sundays on eclectic-rock channel The Spectrum. The title references the MC5 album Kick Out the Jams.

Marsh's third Sirius program, the political talk show Live From the Land of Hopes and Dreams, airs Sunday afternoons on Sirius Left, channel 146 and America Left, channel 167 on XM Satellite Radio.

Charitable causes

Marsh is a co-founder and trustee of the Kristen Ann Carr Fund,[19] created in memory of his step-daughter who died in 1993 from sarcoma, a form of cancer. The fund is dedicated to supporting research in the treatment and cure of sarcoma, as well as improving the lives of young adult cancer patients and their families.

Marsh is also a member of the National Advisory Board of PROTECT: The National Association to Protect Children.


  • Born to Run: The Bruce Springsteen Story, (Doubleday) 1979
  • The Book of Rock Lists, (Dell) 1980
  • Elvis, (Times Books) 1982
  • Rocktopicon: Unlikely questions and their surprising answers, (Contemporary) 1982
  • Before I Get Old: The Story of the Who, (St. Martin's Press) 1983
  • Fortunate Son (Random House) 1983. A collection of his journalism and criticism.
  • The First Rock and Roll Confidential Report: Inside the Real World of Rock and Roll, 1984. Compilation.
  • Sun City: The Making of the Record ,(Penguin) 1985
  • Trapped: Michael Jackson and the Crossover Dream, (Bantam) 1986
  • The Rolling Stone Record Guide: Reviews and Ratings of Almost 10,000 Currently Available Rock, Pop, Soul, Country, Blues, Jazz, and Gospel Albums (first and second editions 1979, 1983)
  • Glory Days: Bruce Springsteen in the 1980s, 1987. A sequel to Born to Run.
  • The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. Da Capo Press. 1999. ISBN 978-0306809019. OCLC 40200194.
  • Heaven Is Under Our Feet: A Book for Walden Woods, co-editor with Don Henley, (Longmeadow Press, 1991)
  • 50 Ways to Fight Censorship: And Important Facts to Know About the Censors (Thunder's Mouth Press), 1991
  • Louie Louie: The History and Mythology of the World's Most Famous Rock'n'Roll song; Including the Full Details of Its Torture and Persecution at the Hands of the Kingsmen, J. Edgar Hoover's F.B.I., and a Cast of Millions; and Introducing, for the First Time Anywhere, the Actual Dirty Lyrics, (Hyperion), 1992.
  • Merry Christmas Baby: Holiday Music from Bing to Sting, (Little Brown) 1992.
  • Pastures of Plenty: A Self-Portrait with Harold Leventhal and featuring the writings of Woody Guthrie (Perennial) 1992
  • The New Book of Rock Lists with James Bernard, (Fireside) 1994
  • Mid-Life Confidential: The Rock Bottom Remainders Tour America with Three Chords and an Attitude (Viking) 1994
  • Sam and Dave (For the Record series), (Harper Perennial) 1998
  • Sly and the Family Stone: An Oral History (For the Record series), (Quill) 1998
  • George Clinton & P-Funkadelic (For the Record series), (Harper Perennial) 1998
  • Bruce Springsteen: Two Hearts : The Definitive Biography, 1972-2003, (Routledge) 2003. Combines earlier two works about Bruce and adds a new chapter.
  • Forever Young: Photographs of Bob Dylan with Douglas R. Gilbert (Da Capo Press) 2005
  • Bruce Springsteen on Tour : 1968-2005 (Bloomsbury USA) 2006
  • The Beatles' Second Album (Rodale Books) 2007
  • 360 Sound: The Columbia Records Story - Legends and Legacy (Chronicle Books) 2012

See also


  1. ^ a b c d "Dave Marsh". RocksBackPages.com. Retrieved April 3, 2016.
  2. ^ "History of music; Punk". Lyrics Vault. Archived from the original on September 24, 2013. Retrieved September 24, 2013.
  3. ^ Woods, Scott (March 12, 2013). "From the Archives: Dave Marsh (2001)". RockCritics.com. Retrieved September 24, 2013.
  4. ^ "Stone, Sly (Contemporary Musicians)". eNotes.com. Retrieved September 24, 2013.
  5. ^ Watrous, Peter (July 5, 1987). "Growin' Up and Rockin' Out". The New York Times. Retrieved September 24, 2013.
  6. ^ Menta, Richard. "Napster, Dave Marsh, and 125 Years of Columbia Records". MP3Newswire.net.
  7. ^ a b Suttle, Tim. "New Book Rips U2′s Bono as a Lap-dog for Neo-liberals". Patheos. May 9, 2013. Retrieved October 14, 2013.
  8. ^ Marsh, Dave (April 23, 1976). "Led Zeppelin: Presence". Progress Bulletin. Newspapers.com. Retrieved October 24, 2016.
  9. ^ Marsh, Dave (February 8, 1979). "Jazz". Rolling Stone (284). Retrieved September 24, 2013.
  10. ^ "Why Freddie Mercury's Voice Was So Great, As Explained By Science". NPR. April 25, 2016. Retrieved October 24, 2016.
  11. ^ Marsh, Dave (February 24, 1977). "A Day at the Races". Rolling Stone. 115 (223): 47. Bibcode:2008S&T...115c..47K. Retrieved September 24, 2013.
  12. ^ Marsh, Dave (May 15, 1980). "Against the Wind". Rolling Stone (317). Archived from the original on April 21, 2009. Retrieved September 24, 2013.
  13. ^ a b c Marsh, Dave; Swenson, John, eds. (October 1983). The New Rolling Stone Record Guide. New York: Random House/Rolling Stone Press. ISBN 978-0-394-72107-1.
  14. ^ Marsh, Dave (June 15, 1978). "Bob Seger: Not a Stranger Anymore". Rolling Stone.
  15. ^ Steve Perry interview. 96.5 KOIT. June 2, 1986.
  16. ^ Weiner, Robert G. (1999), Perspectives on the Grateful Dead: Critical Writings, Greenwood Publishing Group, ISBN 9780313305696
  17. ^ "Legendary Rockers Kiss Strong as Ever After 35 Years". ABC News. October 18, 2009. Retrieved December 26, 2018.
  18. ^ Lifton, Dave (March 15, 2014). "'Mediocre' Kiss Trade Barbs with 'Ugly Little Troll' Rock Critic". Ultimate Classic Rock. Retrieved October 24, 2016.
  19. ^ The Kristen Ann Carr Fund

External links

Dave Durden

Dave Durden is an American swimming coach. Durden has been the men's swimming head coach at University of California, Berkeley since 2007. In 2018, USA Swimming selected Durden as the Head Coach for the 2020 US Olympic Men's Swimming Team. In 2016, Durden was selected as a men's assistant coach for the US Olympic Swimming Team. He was also named Coach of the Meet at the 2016 US Olympic Swimming Trials. In 2015, Durden served as head coach of the US Swimming team at the World Championships in Kazan, Russia.He previously worked as an assistant coach Dave Salo's Novaquatics and an assistant coach to Dave Marsh at Auburn University.

Dave Marsh (game developer)

David R. Marsh (born November 5, 1964) is an American video game designer known for his work supporting the intellectual properties that used to belong to ICOM Simulations, and creating the MacVenture game Shadowgate. As of 2012, he recently founded a new game development company called Zojoi, LLC with plans to release new, remastered and revised versions of games created by him and Karl Roelofs when they were at ICOM Simulations.

Dave Marsh (musician)

Dave Marsh is a Canadian musician, best known for being drummer of Halifax power pop group The Super Friendz in the 1990s, of Joel Plaskett Emergency in the 2000s, and as a solo artist.

David Marsh

David Marsh may refer to:

Dave Marsh (born 1950), American music critic

Dave Marsh (game developer) (born 1964), American video game designer

Dave Marsh (musician), Canadian musician

David Marsh (cyclist), who represented Great Britain at the 1920 Summer Olympics

David Marsh (financial specialist), British financial specialist, business consultant and writer

David Marsh (golfer), former amateur golfer; former chairman of Everton Football Club

David Marsh (political scientist) (born 1946), British political scientist

David Marsh (swimming coach), men's and women's swimming and diving coach at Auburn University

David Marsh (cyclist)

David Marsh (28 December 1894 – 1960) was a British cyclist. He competed at the 1920 and the 1924 Summer Olympics. He won a gold medal in the men's amateur road race at the 1922 UCI Road World Championships, after he finished 12th in 1921.

Downbound Train

"Downbound Train" is a song that appears on the 1984 Bruce Springsteen album Born in the U.S.A. The song is a lament to a lost spouse, and takes on a melancholy tone. Author Christopher Sandford described the song as beginning "like a Keith Richards' riff" that ultimately moves to "one of those great country busted-heart lines, 'Now I work down at the car wash/where all it ever does is rain.'"The song was recorded in March or April 1982 at the Power Station in one of the first sessions for the Born in the U.S.A. album. Like several other Born in the U.S.A. songs, including "Working on the Highway" and the title track, a solo acoustic version of "Downbound Train" was originally recorded on the demo that eventually became the Nebraska album.Though it was not one of the seven singles released from the album, the song nevertheless gained some album-oriented rock radio airplay and was featured fairly regularly on the Born in the U.S.A. Tour. It has been performed sporadically in tours since. Overall, the song has been played in concert about 130 times through 2008. Author Robert Kirkpatrick contended that "Downbound Train" "might be the best song on the album", and Debby Bull called it "the saddest song [Springsteen]'s ever written." But Springsteen biographer Dave Marsh, writing in Glory Days, did not agree, calling "Downbound Train" "the weakest song [Springsteen]'s released since the second album, ... incredibly sloppy ... The protagonist's three jobs in five verses are only symptomatic of its problems." Other observers analysed it in retrospect as a harbinger, with naturalistic imagery lacing the song throughout in an approach that Springsteen would return to heavily in his Dylan-"Series of Dreams"-influenced early 1990s.

Happy Jack (song)

"Happy Jack" is a song by the British rock band the Who. It was released as a single in December 1966 in the United Kingdom, peaking at No. 3 in the charts. It peaked at No. 1 in Canada. It was also their first top 40 hit in the United States, where it was released in March 1967 and peaked at No. 24. It was included on the American version of their second album, Happy Jack, originally titled A Quick One in the UK.

The song features Roger Daltrey on lead vocals with John Entwistle singing the first verse, making it one of the few songs composed by Pete Townshend to feature Entwistle on lead vocals. Author Mike Segretto describes Daltrey's vocal as "imitating Burl Ives". At the tail end of "Happy Jack", Townshend can be heard shouting "I saw you!", and it is said that he was noticing drummer Keith Moon trying to join in surreptitiously to add his voice to the recording, something the rest of the band disliked. Rolling Stone critic Dave Marsh calls this line "the hippest thing" about the song.According to some sources, Townshend reported the song is about a man who slept on the beach near where Townshend vacationed as a child. Children on the beach would laugh at the man and once buried him in the sand. However, the man never seemed to mind and only smiled in response. According to Marsh, "the lyric is basically a fairy tale, not surprisingly, given the links to Pete's childhood".Greg Littmann interprets the song as a possible reaction to alienation, as Jack allows "the cruelty of other people [to] slide off his back".Despite its chart success, Who biographer Greg Atkins describes the song as being the band's weakest single to that point. Daltrey reportedly thought the song sounded like a "German oompah song". But Chris Charlesworth praised the "high harmonies, quirky subject matter" and "fat bass and drums that suspend belief". Charlesworth particularly praised Moon's drumming for carrying not just the beat, but also the melody itself, in what he calls "startlingly original fashion". Marsh states that although the song contained little that the band had not done before, it did "what the band did well", giving the "soaring harmonies, enormously fat bass notes, thunderous drumming" and the guitar riffs as examples.

Johnny 99 (song)

"Johnny 99" is a song written and recorded by rock musician Bruce Springsteen, which first appeared on Springsteen's 1982 solo album Nebraska.

Just Like Tom Thumb's Blues

"Just Like Tom Thumb's Blues" is a song written and performed by Bob Dylan. It was originally recorded on August 2, 1965, and released on the album Highway 61 Revisited. The song was later released on the compilation album Bob Dylan's Greatest Hits Vol. II and as two separate live versions recorded at concerts in 1966: the first of which appeared on the B-side of Dylan's "I Want You" single, with the second being released on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. The song has been covered by many artists, including Gordon Lightfoot, Nina Simone, Barry McGuire, Judy Collins, Frankie Miller, Linda Ronstadt, the Grateful Dead, Neil Young, The Black Crowes, Townes Van Zandt, and Bryan Ferry. Lightfoot's version was recorded only weeks after Dylan's original had been released and reached #3 on the national RPM singles chart. In addition, the song was sampled by the Beastie Boys for their song "Finger Lickin' Good."

"Just Like Tom Thumb's Blues" has six verses but no chorus. The song's lyrics describe a nightmare vision of the narrator's experience in Juarez, Mexico, in which he encounters sickness, despair, prostitutes, saints, shady women, corrupt authorities, alcohol and drugs, before finally deciding to return to New York City. The lyrics incorporate literary references to Malcolm Lowry's Under the Volcano, Edgar Allan Poe's "The Murders in the Rue Morgue" and Jack Kerouac's Desolation Angels, while the song's title references Arthur Rimbaud's "My Bohemian Life (Fantasy)". William Ruhlmann of the AllMusic website has described the song as a comic tour de force and music journalist Toby Creswell included it on his list of the 1001 greatest songs of all time. Music critic Dave Marsh ranked the live version of "Just Like Tom Thumb's Blues" from Liverpool that was released as the B-side of "I Want You" as the number 243 greatest single of all time.

Perfect Sound Forever (magazine)

Perfect Sound Forever (est. 1995) is one of the longest-running online-only music magazines. Along with Michael Goldberg's Addicted to Noise (est. 1994), it is one of the very first publications to post recurring, feature-length music journalism online.

PSF's origins trace back to New York freelance writer Jason Gross, who began a now-defunct website called Furious Green Thoughts (from the noted Noam Chomsky quote). The site was first hosted by the pre-Earthlink ISP Pipeline, and included articles covering politics, music and fiction. In 1995, Furious Green Thoughts was splintered into three sections, with the main title covering political (usually far-left) stories, "Assorted Realities" covering fiction and "Perfect Sound Forever" covering music. Laboring as a staff of one, Gross eventually folded Furious Green Thoughts and Assorted Realities, simplifying the zine's name to Perfect Sound Forever by the mid-1990s. PSF also moved from monthly to bi-monthly publication, with approximately 14 articles in each issue.

Apart from occasional review columns, the 'zine concentrates on in-depth op-ed pieces, think pieces and interviews, usually of obscure, often reclusive artists. Its design is a dark background with white lettering, which some readers have complained is difficult to wade through. However, a 2004 redesign prompted many calls for reversion to the original code.

PSF's longest running column is Marc Phillips' "The Vinyl Anachronist" (which began in 1998). The site's most popular article remains "Bad Songs of the Seventies," which was written in 1995 and still generates hate-mail. A 1997 interview with Tuli Kupferberg was also cited in his obituary in the New York Times.Former Pitchfork editor Chris Ott briefly worked as co-editor, and put together a redesign of Perfect Sound Forever that ran in late 2004 and early 2005. Current editors include founder Jason Gross, Robin Cook (who is also a production editor at Kensington Books), Al Spicer (former editor at Time Out London) and Kurt Wildermuth (an editor at W. W. Norton & Company). Ken Cox, who also worked as a reverend and professor, was also an editor- he died in March 2010. Gross also contributes an annual report on the state of music criticism to RockCritics.com and PopMatters.PSF has also published work by several noted writers including Robert Christgau (who also edited the June 2008 issue), Jim DeRogatis, Vivien Goldman, Barney Hoskyns, Dave Marsh, Richard Meltzer, Simon Reynolds, David Toop and Richie Unterberger. There have also been articles, stories and literature from several musicians including Colin Newman (Wire), Peter Stampfel (The Holy Modal Rounders), Lydia Lunch, Chris Cutler, Alan Bishop (Sun City Girls), Holger Czukay (Can), DJ Spooky, Richard Hell, Moondog and Tuli Kupferberg (The Fugs).

The name Perfect Sound Forever originated in an early 1980s ad campaign about the first generation of CDs, promising the highest fidelity possible, and that the discs would outlive their owners. The same term was used as the title of a Pavement EP released in 1991.

Piss Factory

"Piss Factory" is a protopunk song written by Patti Smith and Richard Sohl, and released as a B-side on Smith's debut single "Hey Joe" in 1974. It was included on the Vertigo Records compilation album New Wave in 1977, Sire Records 1992 compilation album Just Say Yesterday, and later reissued on the rarities compilation Land (1975–2002).

In 1989, Dave Marsh placed the song on the list of The 1001 Greatest Singles Ever Made.The song originated as a poem written by Smith about the time she spent working in a baby buggy factory, expressing her assurance that she would not let the experience kill her ambitions.

Rock's Backpages

Rock's Backpages is an online archive of music journalism, sourced from freelance contributions to the music and mainstream press from the 1950s to the present day. The articles are full text and searchable, and all are reproduced with the permission of the copyright holders. The database was founded in 2000 by British music journalist Barney Hoskyns. As of November 2018 its database contains over 37,000 articles, including interviews, features and reviews, which covered popular music from blues and soul up to the present date. Rock's Backpages also features over 600 audio interviews with musicians from Jimi Hendrix and Johnny Cash to Kate Bush and Kurt Cobain.

The articles are sourced from magazines including Creem, Rolling Stone, New Musical Express, Melody Maker, Crawdaddy! and Mojo. The database contains contributions from over 700 journalists, primarily from the US and UK, including journalists such as Dave Marsh, Nick Kent, Charles Shaar Murray, Nick Tosches, Mick Farren, Vivien Goldman, Al Aronowitz and Ian MacDonald.

The library requires subscription and is popular with both consumers and institutional subscribers including academic institutions and media organisations.

Rockin' All Over the World

"Rockin' All Over the World" is a rock song written by John Fogerty, formerly of Creedence Clearwater Revival. It made its debut on Fogerty's second solo album (see John Fogerty) in 1975. It was also released as a single, spending six weeks in the US top 40, peaking at #27. Rolling Stone critic Dave Marsh considered the song a good choice for the album's lead single, although he claimed that it was "little more than the formulaic CCR sound with the title repeated over and over, like a chant." Status Quo recorded their own, heavier arrangement of Fogerty's song for their 1977 album Rockin' All Over the World.

Scotty Moore

Winfield Scott "Scotty" Moore III (December 27, 1931 – June 28, 2016) was an American guitarist and recording engineer. He is best known for his backing of Elvis Presley in the first part of his career, between 1954 and the beginning of Elvis's Hollywood years.

Rock critic Dave Marsh credits Moore with the invention of power chording, on the 1957 Presley song "Jailhouse Rock", the intro of which Moore and drummer D.J. Fontana, according to the latter, "copped from a '40s swing version of 'The Anvil Chorus'." Moore was ranked 29th in Rolling Stone magazine's list of 100 Greatest Guitarists of All Time in 2011. He was inducted into the Rock and Roll Hall of Fame in 2000 and the Memphis Music Hall of Fame in 2015. The Rolling Stones' lead guitarist Keith Richards has said of Moore,When I heard "Heartbreak Hotel", I knew what I wanted to do in life. It was as plain as day. All I wanted to do in the world was to be able to play and sound like that. Everyone else wanted to be Elvis, I wanted to be Scotty.

St. Louis to Liverpool

St. Louis to Liverpool is the seventh studio album and tenth album overall by rock and roll artist Chuck Berry, released in 1964 on Chess Records, catalogue number 1488. It peaked at number 124 on the Billboard album chart, the first of Berry's studio albums to appear on the chart. Music critic Dave Marsh named it "one of the greatest rock & roll records ever made".

Stranger in Town (Del Shannon song)

"Stranger in Town" is a 1965 song by Del Shannon. Written by Shannon, it is the opening track on One Thousand Six-Hundred Sixty-One Seconds of Del Shannon. It was released as a single, a followup (both chronologically and thematically) to Shannon's top-ten hit "Keep Searchin' (We'll Follow the Sun)", but was not as successful, reaching No. 30 on the Billboard Hot 100 chart in the USA and No. 40 on the UK's Record Retailer chart. "Stranger in Town" was Shannon's last top 40 hit of the 1960s.

Dave Marsh, in his 1989 book The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made, ranked "Stranger in Town"' as the 327th best rock or soul single to that date, ahead of Shannon's bigger hits "Keep Searching" (371st in Marsh's book) and "Runaway" (534th).Howard DeWitt's biography of Shannon is titled "Stranger in Town" after the song.

The Rolling Stone Album Guide

The Rolling Stone Album Guide, previously known as The Rolling Stone Record Guide, is a book that contains professional music reviews written and edited by staff members from Rolling Stone magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net.

The Rolling Stones American Tour 1969

The Rolling Stones' 1969 Tour of the United States took place in November 1969. Rock critic Robert Christgau called it "history's first mythic rock and roll tour", while rock critic Dave Marsh would write that the tour was "part of rock and roll legend" and one of the "benchmarks of an era."

Wreck on the Highway (1938 song)

"Wreck on the Highway" is a classic bluegrass song most commonly associated with Roy Acuff.

"Wreck on the Highway" tells the story of an automobile accident, with implication of alcohol abuse ("whiskey and blood run together") and moral religious language ("Their soul has been called by the Master... But I didn't hear nobody pray... It'll be too late if tomorrow you'll fall by a crash by the way...And you can't hear nobody pray")."Wreck on the Highway" was written in 1937 by Dorsey Dixon after a serious accident near Rockingham, North Carolina and was first recorded (under the title "Didn't Hear Nobody Pray") in Charlotte, North Carolina in 1938.It was recorded in 1940 by the Chicago-based country duo Karl and Harty (Karl Davis and Harty Taylor). The best-known version was recorded by Roy Acuff And His Smoky Mountain Boys in Hollywood in 1942.Wilma Lee Cooper and her husband Stoney Cooper released a version as the B side of their 1961 single "Night After Night". George Jones and Gene Pitney recorded a version (under the name "George and Gene"), released as a single in 1965, Hank Locklin recorded the song for his 1962 album A Tribute to Roy Acuff, King of Country Music, and the Louvin Brothers also recorded the song.The Nitty Gritty Dirt Band included the song on their 1972 album Will the Circle be Unbroken; Roy Acuff took the lead vocal. Ricky Skaggs and The Whites recorded the song on their 2007 album Salt of the Earth, and Merle Haggard and Chester Smith released a duet of the song on their country-gospel album California Blend. And many other country artists have performed and recorded the song.

According to both Dave Marsh and Patrick Humphries, Bruce Springsteen's song "Wreck on the Highway" on his 1980 album The River was directly inspired by Dorsey Dixon's song. The two songs have the same title, same theme (the singer coming across a fatal highway crash), and same mood (gloomy, reflective), although the lyrics and melodies are altogether different.

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