Count Dracula

Count Dracula (/ˈdrækjʊlə, -jələ/) is the title character of Bram Stoker's 1897 gothic horror novel Dracula. He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. He is also depicted in the novel to be the origin of werewolf legends.[12] Some aspects of the character are believed to have been inspired by the 15th-century Wallachian Prince Vlad the Impaler, who was also known as Dracula. Other character aspects have been added or altered in subsequent popular fictional works. The character has subsequently appeared frequently in popular culture, from films to animated media to breakfast cereals.

Count Dracula
Dracula character
Bela Lugosi as Dracula, anonymous photograph from 1931, Universal Studios
Bela Lugosi as Count Dracula in the 1931 film Dracula
Created byBram Stoker
Portrayed bySee below
Information
AliasDracula
Count De Ville[1]
Mr. De Ville[2]
NicknameEvil Eye[3]
Ordog
Pokol
Stregoika
Vrolok
Vlkoslag[4]
D.[5]
Nosferatu
Drac
SpeciesVampire
Undead human
Dhampir
Werewolf[6][7]
GenderMale
TitleTransylvanian Noble[8]
Voivode of Wallachia[9]
Solomonari[10]
Vampire King[11]
SpousePossibly Brides of Dracula (unclear)
NationalitySzékely

Stoker's creation

Bram Stoker's novel takes the form of an epistolary tale, in which Count Dracula's characteristics, powers, abilities and weaknesses are narrated by multiple narrators, from different perspectives.[13]

Count Dracula is an undead, centuries-old vampire, and a Transylvanian nobleman who claims to be a Székely descended from Attila the Hun. He inhabits a decaying castle in the Carpathian Mountains near the Borgo Pass. Unlike the vampires of Eastern European folklore, which are portrayed as repulsive, corpse-like creatures, Dracula is handsome and charismatic, with a veneer of aristocratic charm. In his conversations with Jonathan Harker, he reveals himself as deeply proud of his boyar heritage and nostalgic for the past, which he admits have become only a memory of heroism, honour and valour in modern times.

Early life

Details of his early life are obscure, but it is mentioned "he was in life a most wonderful man. Soldier, statesman, and alchemist. Which latter was the highest development of the scientific knowledge of his time. He had a mighty brain, a learning beyond compare, and a heart that knew no fear and no remorse... there was no branch of knowledge of his time that he did not essay."[14] He studied the black arts at the academy of Scholomance in the Carpathian Mountains, overlooking the town of Sibiu (also known as Hermannstadt) and has a deep knowledge of alchemy and magic.[15] Taking up arms, as befitting his rank and status as a voivode, he led troops against the Turks across the Danube. According to his nemesis Abraham Van Helsing, "He must indeed have been that Voivode Dracula who won his name against the Turk, over the great river on the very frontier of Turkey-land. If it be so, then was he no common man: for in that time, and for centuries after, he was spoken of as the cleverest and the most cunning, as well as the bravest of the sons of the land beyond the forest."[16] Dead and buried in a great tomb in the chapel of his castle, Dracula returns from death as a vampire and lives for several centuries in his castle with three terrifyingly beautiful female vampires beside him.[17]

Narrative

Draculasguest
Cover of Dracula's Guest, a collection of short stories authored by Bram Stoker

Short story

In "Dracula's Guest", the narrative follows an unnamed Englishman traveller as he wanders around Munich before leaving for Transylvania. It is Walpurgis Night and the young Englishman foolishly leaves his hotel, in spite of the coachman's warnings, and wanders through a dense forest alone. Along the way, he feels that he is being watched by a tall and thin stranger (possibly Count Dracula).

The short story climaxes in an old graveyard, where the Englishman encounters a sleeping female vampire called Countess Dolingen in a marble tomb with a large iron stake driven into it. This malevolent and beautiful vampire awakens from her marble bier to conjure a snowstorm before being struck by lightning and returning to her eternal prison. However, the Englishman's troubles are not quite over, as he is dragged away by an unseen force and rendered unconscious. He awakens to find a "gigantic" wolf lying on his chest and licking at his throat; however, the wolf merely keeps him warm and protects him until help arrives. When the Englishman is finally taken back to his hotel, a telegram awaits him from his expectant host Dracula, with a warning about "dangers from snow and wolves and night".

Novel

As the Dracula novel begins in the late 19th century, Dracula acts on a long-contemplated plan for world domination, and infiltrates London to begin his reign of terror. He summons Jonathan Harker, a newly qualified English solicitor, to provide legal support for a real estate transaction overseen by Harker's employer. Dracula at first charms Harker with his cordiality and historical knowledge, and even rescues him from the clutches of the three female vampires in the castle. In truth, however, Dracula merely wishes to keep Harker alive long enough to complete the legal transaction and to learn as much as possible about England.

Dracula leaves his castle and boards a Russian ship, the Demeter, taking along with him 50 boxes of Transylvanian soil, which he needs in order to regain his strength and rest during daylight. During the voyage to Whitby, a coastal town in northern England, he sustains himself on the ship's crew members. Only one body is later found, that of the captain, who is found tied up to the ship's helm. The captain's log is recovered and tells of strange events that had taken place during the ship's journey. Dracula leaves the ship in the form of a dog.

Soon the Count is menacing Harker's fiancée, Wilhelmina "Mina" Murray, and her friend, Lucy Westenra. There is also a notable link between Dracula and Renfield, a patient in an insane asylum overseen by John Seward, who is compelled to consume insects, spiders, birds, and other creatures—in ascending order of size—in order to absorb their "life force". Renfield acts as a kind of sensor, reacting to Dracula's proximity and supplying clues accordingly. Dracula begins to visit Lucy's bed chamber on a nightly basis, draining her of blood while simultaneously infecting her with the curse of vampirism. Not knowing the cause for Lucy's deterioration, her three suitors - Seward, Arthur Holmwood and Quincey Morris - call upon Seward's mentor, the Dutch doctor Abraham Van Helsing. Van Helsing soon deduces her condition's supernatural origins, but does not speak out. Despite an attempt at keeping the vampire at bay with garlic, Dracula attacks Lucy's house one final time, killing her mother and transforming Lucy herself into one of the undead.

Harker escapes Dracula's castle and returns to England, barely alive and deeply traumatized. On Seward's suggestion, Mina seeks Van Helsing's assistance in assessing Harker's health. She reads his journal and passes it along to Van Helsing. This unfolds the first clue to the identity of Lucy's assailant, which later prompts Mina to collect all of the events of Dracula's appearance in news articles, saved letters, newspaper clippings and the journals of each member of the group. This assists the group in investigating Dracula's movements and later discovering that Renfield's behaviour is directly influenced by Dracula. They then discover that Dracula has purchased a residence just next door to Seward's. The group gathers intelligence to track the location of Dracula for the purpose of destroying him.

Schreck
Max Schreck as Count Orlok, the first confirmed cinematic representation of Dracula (in Nosferatu, 1922)

After the undead Lucy attacks several children, Van Helsing, Seward, Holmwood and Morris enter her crypt and destroy her to save her soul. Later, Harker joins them and the party work to discover Dracula's intentions. Harker aids the party in tracking down the locations of the boxes to the various residences of Dracula and discovers that Dracula purchased multiple real estate properties 'over the counter' throughout the North, South, East and West sides of London[18] under the alias 'Count De Ville'.[19] Dracula's main plan was to move each of his 50 boxes of earth to his various properties in order to arrange multiple lairs throughout and around the perimeter of London.[18]

The party pries open each of the graves, places wafers of Sacramental bread within each of them, and seals them shut. This deprives the Count of his ability to seek safety in those boxes.[20] Dracula gains entry into Seward's residence by coercing an invitation out of Renfield. As he attempts to enter the room in which Harker and Mina are staying, Renfield tries to stop him; Dracula then mortally wounds him. With his dying breath, Renfield tells Seward and Van Helsing that Dracula is after Mina. Van Helsing and Seward discover Dracula biting Mina then forcing her to drink his blood. The group repel Dracula using crucifixes and sacramental bread, forcing Dracula to flee by turning into a dark vapor. The party continue to hunt Dracula to search for his remaining lairs.[21] Although Dracula's 'baptism' of Mina grants him a telepathic link to her, it backfires when Van Helsing hypnotizes Mina and uses her supernatural link with Dracula to track him as he flees back to Transylvania.

The heroes follow Dracula back to Transylvania, and in a climactic battle with Dracula's gypsy bodyguards, finally destroy him. Despite the popular image of Dracula having a stake driven through his heart to kill him, Mina's narrative describes his decapitation by Harker's kukri while Morris simultaneously pierced his heart with a Bowie knife (Mina Harker's Journal, 6 November, Dracula Chapter 27). His body then turns into dust, but not before Mina sees an expression of peace on his face.

Characteristics

Although early in the novel Dracula dons a mask of cordiality, he often flies into fits of rage when his plans are frustrated. When the three vampire women who live in his castle attempt to seduce Jonathan Harker, Dracula physically assaults one and ferociously berates them for their insubordination. He then relents and talks to them more kindly, telling them that he does indeed love each of them.

He has an appreciation for ancient architecture, and when purchasing a home he prefers them to be aged, saying "A new home would kill me", and that to make a new home habitable to him would take a century.[22]

Dracula is very proud of his warrior heritage, proclaiming his pride to Harker on how the Székely people are infused with the blood of heroes. He also expresses an interest in the history of the British Empire, speaking admiringly of its people. He has a somewhat primal and predatory worldview; he pities ordinary humans for their revulsion to their darker impulses. He is not without human emotions, however; he often says that he too can love.[23]

Though usually portrayed as having a strong Eastern European accent, the original novel only specifies that his spoken English is excellent, though strangely toned.

His appearance varies in age. He is described early in the novel as thin, with a long white mustache, pointed ears and sharp teeth.[24] It is also noted later in the novel (Chapter 11 subsection "The Escaped Wolf") by a zookeeper who sees him that he has a hooked nose and a pointed beard with a streak of white in it. He is dressed all in black and has hair on his palms. Jonathan Harker described him as an old man, "cruel looking" and giving an effect of "extraordinary pallor".[24] When angered, the Count showed his true bestial nature, his blue eyes flaming red.

I saw... Count Dracula... with red light of triumph in his eyes, and with a smile that Judas in hell might be proud of.

— Jonathan Harker's journal, Dracula, Chapter 4

As the novel progresses, Dracula is described as taking on a more and more youthful appearance. After Harker strikes him with a shovel, he is left with a scar on his forehead which he bears throughout the course of the novel.

Dracula also possesses great wealth, and has Gypsies in his homeland who are loyal to him as servants and protectors.

Powers and weaknesses

Count Dracula is portrayed in the novel using many different supernatural abilities, and is believed to have gained his abilities through dealings with the Devil. Chapter 18 of the novel describes many of the abilities, limitations and weaknesses of vampires and Dracula in particular. Dracula has superhuman strength which, according to Van Helsing, is equivalent to that of 20 strong men. He does not cast a shadow or have a reflection from mirrors. He is immune to conventional means of attack; a sailor tries to stab him in the back with a knife, but the blade goes through his body as though it is air.[25] Why Harker's and Morris' physical attacks are able to harm him in other parts of the book is never explained although it is noteworthy that the failed stabbing by the sailor occurred at night and the successful attacks were during daylight hours. The Count can defy gravity to a certain extent and possesses superhuman agility, able to climb vertical surfaces upside down in a reptilian manner. He can travel onto "unhallowed" ground such as the graves of suicides and those of his victims. He has powerful hypnotic, telepathic and illusionary abilities. He also has the ability to "within limitations" vanish and reappear elsewhere at will. If he knows the path, he can come out from anything or into anything regardless of how close it is bound even if it is fused with fire.[26]

He has amassed cunning and wisdom throughout centuries, and he is unable to die by the mere passing of time alone.[26]

He can command animals such as rats, owls, bats, moths, foxes and wolves. However, his control over these animals is limited, as seen when the party first enters his house in London. Although Dracula is able to summon thousands of rats to swarm and attack the group, Holmwood summons his trio of terriers to do battle with the rats. The dogs prove very efficient rat killers, suggesting they are Manchester terriers trained for that purpose. Terrified by the dogs' onslaught, the rats flee and any control which Dracula had over them is gone.[27]

Dracula can also manipulate the weather and, within his range, is able to direct the elements, such as storms, fog and mist.[26]

Shapeshifting

Dracula can shapeshift at will, able to grow and become small, his featured forms in the novel being that of a bat, a wolf, a large dog and a fog or mist. When the moonlight is shining, he can travel as elemental dust within its rays. He is able to pass through tiny cracks or crevices while retaining his human form or in the form of a vapour; described by Van Helsing as the ability to slip through a hairbreadth space of a tomb door or coffin. This is also an ability used by his victim Lucy as a vampire. When the party breaks into her tomb, they dismantle the secured coffin to find it completely empty; her corpse being no longer located within.[28]

Vampirism

One of Dracula's most mysterious powers is the ability to turn others into vampires by biting them. According to Van Helsing:

When they become such, there comes with the change the curse of immortality; they cannot die, but must go on age after age adding new victims and multiplying the evils of the world. For all that die from the preying of the Un-dead become themselves Un-dead, and prey on their kind. And so the circle goes on ever widening, like as the ripples from a stone thrown in the water. Friend Arthur, if you had met that kiss which you know of before poor Lucy die, or again, last night when you open your arms to her, you would in time, when you had died, have become nosferatu, as they call it in Eastern Europe, and would for all time make more of those Un-Deads that so have filled us with horror.

— Dr. Seward's journal, Dracula, Chapter 16

The vampire bite itself does not cause death. It is the method vampires use to drain blood of the victim and to increase their influence over them. This is described by Van Helsing:

The Nosferatu do not die like the bees when they sting once. He is only stronger, and being stronger, have yet more power to work evil.

— Mina Harker's journal, Dracula, Chapter 18

Victims who are bitten by a vampire and do not die, are hypnotically influenced by them:

Those children whose blood she suck are not yet so much worse; but if she live on, Un-Dead, more and more lose their blood and by her power over them they come to her.

— Mina Harker's journal, Dracula, Chapter 18

Van Helsing later describes the aftermath of a bitten victim when the vampire has been killed:

But if she die in truth, then all cease; the tiny wounds of the throats disappear, and they go back to their plays unknowing of whatever has been.

— Mina Harker's journal, Dracula, Chapter 18

As Dracula slowly drains Lucy's blood, she dies from acute blood loss and later transforms into a vampire, despite the efforts of Seward and Van Helsing to provide her with blood transfusions.[29]

He is aided by powers of necromancy and divination of the dead, that all who die by his hand may reanimate and do his bidding.[26]

Bloodletting

Dracula requires no other sustenance but fresh human blood, which has the effect of rejuvenating him and allowing him to grow younger. His power is drawn from the blood of others, and he cannot survive without it.[26][30] Although drinking blood can rejuvenate his youth and strength, it does not give him the ability to regenerate; months after being struck on the head by a shovel, he still bears a scar from the impact.[31]

Dracula's preferred victims are women.[32] Harker states that he believes Dracula has a state of fasting as well as a state of feeding.[33] Dracula does state to Mina, however, that exerting his abilities causes a desire to feed.[34]

Vampire's Baptism of Blood

Count Dracula is depicted as the "King Vampire", and can control other vampires. To punish Mina and the party for their efforts against him, Dracula bites her on at least three occasions. He also forces her to drink his blood; this act curses her with the effects of vampirism and gives him a telepathic link to her thoughts.[35] However, hypnotism was only able to be done before dawn.[36] Van Helsing refers to the act of drinking blood by both the vampire and the victim "the Vampire's Baptism of Blood".[37]

you, their best beloved one, are now to me, flesh of my flesh, blood of my blood, kin of my kin, my bountiful wine-press for a while, and shall be later on my companion and my helper. You shall be avenged in turn, for not one of them but shall minister to your needs. But as yet you are to be punished for what you have done. You have aided in thwarting me. Now you shall come to my call. When my brain says ‘Come!’ to you, you shall cross land or sea to do my bidding.[38]

The effects changes Mina' physically and mentally over time. A few moments after Dracula attacks her, Van Helsing takes a wafer of sacramental bread and places it on her forehead to bless her; when the bread touches her skin, it burns her and leaves a scar on her forehead. Her teeth start growing longer but do not grow sharper. She begins to lose her appetite, feeling repulsed by normal food,[39] begins to sleep more and more during the day; cannot wake unless at sunset and stops writing in her diary. When Van Helsing later crumbles the same bread in a circle around her, she is unable to cross or leave the circle, discovering a new form of protection.[40]

Dracula's death can release the curse on any living victim of eventual transformation into vampire. However, Van Helsing reveals that were he to successfully escape, his continued existence would ensure that even if he did not victimize Mina further, she would transform into a vampire upon her eventual natural death.

Limitations of his powers

Dracula is much less powerful in daylight and is only able to shift his form at dawn, noon, and dusk (he can shift his form freely at night or if he is at his grave). The sun is not fatal to him, as sunlight does not burn and destroy him upon contact, though most of his abilities cease.

The sun that rose on our sorrow this morning guards us in its course. Until it sets to-night, that monster must retain whatever form he now has. He is confined within the limitations of his earthly envelope. He cannot melt into thin air nor disappear through cracks or chinks or crannies. If he go through a doorway, he must open the door like a mortal.

— Jonathan Harker's journal, Dracula, Chapter 22

His power ceases, as does that all of all evil things, at the coming of the day. Only at certain times can he have limited freedom. If he be not at the place whither he is bound, he can only change himself at noon or exact sunrise or sunset.

— Mina Harker's journal, Dracula, Chapter 18

He is also limited in his ability to travel, as he can only cross running water at low or high tide. Due to this, he is unable to fly across a river in the form of a bat or mist or even by himself board a boat or step off a boat onto a dock unless he is physically carried over with assistance. He is also unable to enter a place unless invited to do so by someone of the household, even a visitor; once invited, he can enter and leave the premises at will.[26]

Weaknesses

Thirst

Dracula has a bloodlust which he is seemingly unable to control. At the sight of blood he becomes enveloped in a demonic fury which is fueled by the need to feed. Other adaptations call this uncontrollable state 'the thirst'.

Religious symbolism

There are items which afflict him to the point he has no power and can even calm him from his insatiable appetite for blood. He is repulsed by garlic, as well as sacred items and symbols such as crucifixes, and sacramental bread.

at the instant I saw that the cut had bled a little, and the blood was trickling over my chin. I laid down the razor, turning as I did so half round to look for some sticking plaster. When the Count saw my face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat. I drew away and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe that it was ever there.

— Jonathan Harker's journal, Dracula, Chapter 2

Placing the branch of a wild rose upon the top of his coffin will render him unable to escape it; a sacred bullet fired into the coffin could kill him so that he remain true-dead.[26]

Mountain Ash is also described as a form of protection from a vampire although the effects are unknown.[41] This was believed to be used as protection against evil spirits and witches during the Victorian era.

Death-sleep

The state of rest to which vampires are prone during the day is described in the novel as a deathlike sleep in which the vampire sleeps open-eyed, is unable to awaken or move, and also may be unaware of any presence of individuals who may be trespassing. Dracula is portrayed as being active in daylight at least once in order to pursue a victim. Dracula also purchases many properties throughout London 'over the counter' which shows that he does have the ability to have some type of presence in daylight.

on a pile of newly dug earth, lay the Count! He was either dead or asleep. I could not say which, for eyes were open and stony, but without the glassiness of death, and the cheeks had the warmth of life through all their pallor. The lips were as red as ever. But there was no sign of movement, no pulse, no breath, no beating of the heart. I bent over him, and tried to find any sign of life, but in vain... I thought he might have the keys on him, but when I went to search I saw the dead eyes, and in them dead though they were, such a look of hate, though unconscious of me or my presence, that I fled from the place, and leaving the Count’s room by the window.[42]

He requires Transylvanian soil to be nearby to him in a foreign land or to be entombed within his coffin within Transylvania in order to successfully rest; otherwise, he will be unable to recover his strength. This has forced him to transport many boxes of Transylvanian earth to each of his residences in London. It should be noted however that he is most powerful when he is within his Earth-Home, Coffin-Home, Hell-Home, or any place unhallowed.[26][43]

Further, if Dracula or any vampire has had their fill in blood upon feeding, they will be caused to rest in this dead state even longer than usual.[44]

Other abilities

While universally feared by the local people of Transylvania and even beyond, Dracula commands the loyalty of Gypsies and a band of Slovaks who transport his boxes on their way to London and to serve as an armed convoy bringing his coffin back to his castle. The Slovaks and Gypsies appear to know his true nature, for they laugh at Harker when he tries to communicate his plight, and betray Harker's attempt to send a letter through them by giving it to the Count.

Dracula seems to be able to hold influence over people with mental disorders, such as Renfield, who is never bitten but who worships Dracula, referring to him over the course of the novel as "Master" and "Lord". Dracula also afflicts Lucy with chronic sleepwalking, putting her into a trance-like state that allows them not only to submit to his will but also seek him and satisfy his need to feed.

Dracula's powers and weaknesses vary greatly in the many adaptations. Previous and subsequent vampires from different legends have had similar vampire characteristics.

Character development subsequent to the novel

Dracula 1958 c
Christopher Lee starred as Dracula in numerous British horror films produced by Hammer Films. Shown here is the 1958 film Dracula. It was Lee who fixed the image of the fanged vampire in popular culture.[45][46]

Dracula is one of the most famous characters in popular culture. He has been portrayed by more actors in more visual media adaptations of the novel than any other horror character.[47] Actors who have played him include Max Schreck, Bela Lugosi, John Carradine, Lon Chaney Jr., Christopher Lee, Francis Lederer, Denholm Elliott, Jack Palance, Louis Jourdan, Frank Langella, Klaus Kinski, Gary Oldman, Leslie Nielsen, George Hamilton, David Niven, Charles Macaulay, Keith-Lee Castle, Gerard Butler, Duncan Regehr, Richard Roxburgh, Marc Warren, Rutger Hauer, Stephen Billington, Thomas Kretschmann, Dominic Purcell and Luke Evans. In 2003, Count Dracula, as portrayed by Lugosi in the 1931 film, was named as the 33rd greatest movie villain by the AFI.[48]

The character is closely associated with the western cultural archetype of the vampire, and remains a popular Halloween costume.

  • Count Dracula appears in Mad Monster Party? voiced by Allen Swift. This version is shown to be wearing a monocle. Count Dracula is among the monsters that Baron Boris von Frankenstein invites to the Isle of Evil in order to show off the secret of total destruction and announce his retirement from the Worldwide Organization of Monsters.
  • In Sesame Street, there is a character called Count von Count who was based on Bela Lugosi's interpretation of Count Dracula and Jack Davis' design for Dracula from Mad Monster Party?.
  • Count Dracula appears in Mad Mad Mad Monsters (a "prequel of sorts" to Mad Monster Party?) voiced again by Allen Swift. He and his son are invited by Baron Henry von Frankenstein to attend the wedding of Frankenstein's Monster and its mate at the Transylvania Astoria Hotel.
  • Dracula is the primary antagonist of the Castlevania video game series and the main protagonist of the Lords of Shadow reboot series.
  • Dracula appears as the lead character of Dracula the Un-dead, a novel by Stoker's great-grand nephew Dacre presented as a sequel to the original.
  • Count Dracula is the main character of the Hotel Transylvania franchise, voiced by Adam Sandler.
  • Dracula, going by an inversion of his name, "Alucard," serves as the main character of the anime and manga series Hellsing and Hellsing Ultimate where he serves Integra Hellsing, Abraham's great-granddaughter, as an anti-vampire warrior devoted to the British Crown.

Modern and postmodern analyses of the character

Vlad Tepes 002
Portrait of Vlad III Dracula (c. 1560), reputedly a copy of an original made during his lifetime

Already in 1958, Cecil Kirtly proposed that Count Dracula shared his personal past with the historical Transylvanian-born Voivode Vlad III Dracula of Wallachia, also known as Vlad the Impaler or Vlad Țepeș. Following the publication of In Search of Dracula by Radu Florescu and Raymond McNally in 1972, this supposed connection attracted much popular attention. This work argued that Bram Stoker based his Dracula on Vlad the Impaler.[49]

Historically, the name "Dracula" is the given name of Vlad Țepeș' family, a name derived from a secret fraternal order of knights called the Order of the Dragon, founded by Sigismund of Luxembourg (king of Hungary and Bohemia, and Holy Roman Emperor) to uphold Christianity and defend the Empire against the Ottoman Turks. Vlad II Dracul, father of Vlad III, was admitted to the order around 1431 because of his bravery in fighting the Turks and was dubbed Dracul (dragon or devil) thus his son became Dracula (son of the dragon). From 1431 onward, Vlad II wore the emblem of the order and later, as ruler of Wallachia, his coinage bore the dragon symbol.[50]

Stoker came across the name Dracula in his reading on Romanian history, and chose this to replace the name (Count Wampyr) that he had originally intended to use for his villain. However, some Dracula scholars, led by Elizabeth Miller, have questioned the depth of this connection as early as 1998. They argue that Stoker in fact knew little of the historic Vlad III, Vlad the Impaler, and that he used only the name "Dracula" and some miscellaneous scraps of Romanian history.[51] Also, there are no comments about Vlad III in the author's working notes.[52][53]

While having a conversation with Jonathan Harker in Chapter 3, Dracula refers to his own background, and these speeches show elements which Stoker directly copied from Wilkinson's book. Stoker mentions the Voivode of the Dracula race who fought against the Turks after the defeat in the Battle of Kosovo, and was later betrayed by his brother, historical facts which unequivocally point to Vlad III, described as "Voïvode Dracula" by Wilkinson:

Who was it but one of my own race who as Voivode crossed the Danube and beat the Turk on his own ground? This was a Dracula indeed! Woe was it that his own unworthy brother, when he had fallen, sold his people to the Turk and brought the shame of slavery on them! Was it not this Dracula, indeed, who inspired that other of his race who in a later age again and again brought his forces over the great river into Turkey-land; who, when he was beaten back, came again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph! (Chapter 3, pp. 19)

The Count's intended identity is later commented by Professor Van Helsing, referring to a letter from his friend Arminius:

He must, indeed, have been that Voivode Dracula who won his name against the Turk, over the great river on the very frontier of Turkey-land. (Chapter 18, pp. 145)

This indeed encourages the reader to identify the Count with the Voivode Dracula first mentioned by him in Chapter 3, the one betrayed by his brother: Vlad III Dracula, betrayed by his brother Radu the Handsome, who had chosen the side of the Turks. But as noted by the Dutch author Hans Corneel de Roos, in Chapter 25, Van Helsing and Mina drop this rudimentary connection to Vlad III and instead describe the Count's personal past as that of "that other of his race" who lived "in a later age". By smoothly exchanging Vlad III for a nameless double, Stoker avoided that his main character could be unambiguously linked to a historical person traceable in any history book.

Similarly, the novelist did not want to disclose the precise site of the Count's residence, Castle Dracula. As confirmed by Stoker's own handwritten research notes, the novelist had a specific location for the Castle in mind while writing the narrative: an empty mountain top in the Transylvanian Kelemen Alps near the former border with Moldavia.[54] Efforts to promote the Poenari Castle (ca. 200 km away from the novel's place of action near the Borgo Pass) as the "real Castle Dracula" have no basis in Stoker’s writing; Stoker did not know this building. Regarding the Bran Castle near Brașov, Stoker possibly saw an illustration of Castle Bran (Törzburg) in Charles Boner's book on Transylvania.[55] Although Stoker may have been inspired by its romantic appearance, neither Boner, nor Mazuchelli nor Crosse (who also mention Terzburg or Törzburg) associate it with Vlad III; for the site of his fictitious Castle Dracula, Stoker preferred an empty mountain top.

Furthermore, Stoker's detailed notes reveal that the novelist was very well aware of the ethnic and geo-political differences between the "Roumanians" or "Wallachs"/"Wallachians", descendants of the Dacians, and the Székelys or Szeklers, allies of the Magyars or Hungarians, whose interests were opposed to that of the Wallachians. In the novel's original typewritten manuscript, the Count speaks of throwing off the "Austrian yoke", which corresponds to the Szekler political point of view. This expression is crossed out, however, and replaced by "Hungarian yoke" (as appearing in the printed version), which matches the historical perspective of the Wallachians. This has been interpreted by some to mean that Stoker opted for the Wallachian, not the Szekler interpretation, thus lending more consistency to the Romanian identity of his Count: although not identical with Vlad III, the Vampire is portrayed as one of the "Dracula race".[56]

Screen portrayals

Year Title Actor playing Dracula Notes
1921 Dracula's Death Erik Vanko
1922 Nosferatu Max Schreck Renamed Count Orlok for legal reasons
1931 Dracula Bela Lugosi
Dracula Carlos Villar Spanish version using Lugosi's sets and a different cast and crew.
1943 Son of Dracula Lon Chaney, Jr.
1944 House of Frankenstein John Carradine
1945 House of Dracula
1948 Abbott and Costello Meet Frankenstein Bela Lugosi
1953 Drakula İstanbul'da Atıf Kaptan
1958 Dracula Christopher Lee
The Return of Dracula Francis Lederer
1966 Dracula: Prince of Darkness Christopher Lee
Billy the Kid vs Dracula John Carradine
1968 Dracula Has Risen from the Grave Christopher Lee
Dracula Denholm Elliott Episode of UK TV series Mystery and Imagination
1969 The Magic Christian Christopher Lee
1970 Count Dracula
Taste the Blood of Dracula
One More Time
Scars of Dracula
1971 Cuadecuc, vampir
1972 Blacula Charles Macaulay
Dracula A.D. 1972 Christopher Lee
Count Dracula's Great Love Paul Naschy
1973 The Satanic Rites of Dracula Christopher Lee
1974 Dan Curtis' Dracula Jack Palance Television film
Blood for Dracula Udo Kier
Legend of the 7 Golden Vampires John Forbes-Robertson
Vampira David Niven Released in US as Old Dracula
1976 Dracula and Son Christopher Lee
1977 Count Dracula Louis Jourdan
1979 Nosferatu the Vampyre Klaus Kinski Remake of Nosferatu (1922) with the novel's character names restored.
Cliffhangers Michael Nouri Episode: "The Curse of Dracula"
Love at First Bite George Hamilton
Nocturna John Carradine
Dracula Frank Langella
1987 The Monster Squad Duncan Regehr
1988 Waxwork Miles O'Keeffe
1992 Bram Stoker's Dracula Gary Oldman
1995 Dracula: Dead and Loving It Leslie Nielsen
2000 Dracula 2000 Gerard Butler
Buffy the Vampire Slayer Rudolf Martin Episode: "Buffy vs. Dracula"
2001 Dracula, the Musical Tom Hewitt
2004 Van Helsing Richard Roxburgh
Blade: Trinity Dominic Purcell
Dracula 3000 Langley Kirkwood
2005 The Batman vs. Dracula Peter Stormare Animated film
2006 Dracula Marc Warren Television film
2006-2014 Young Dracula Keith-Lee Castle TV series
2008 Supernatural Todd Stashwick Episode: "Monster Movie"
2012 Dracula 3D Thomas Kretschmann
Hotel Transylvania Adam Sandler Animated film
2013 Dracula Jonathan Rhys Meyers TV series
2014 Dracula Untold Luke Evans
2015 Hotel Transylvania 2 Adam Sandler Animated film
2016 Penny Dreadful Christian Camargo TV series
Welcome To Monster High Michael Sorich Animated film
2017 Monster High: Electrified Michael Sorich Animated film
2017–Present Castlevania Graham McTavish Animated TV series
Monster High: The Adventures of the Ghoul Squad Michael Sorich Animated TV series
2017 Monster Family Jason Isaacs Animated film
2018 Hotel Transylvania 3: Summer Vacation Adam Sandler Animated film

See also

References

  1. ^ Stoker, Bram. Drracula (PDF). Chapter 20, Johnathon Harker's Journal, LETTER, MITCHELL, SONS & CANDY TO LORD GODALMING, October 1st. p. 391. The purchaser is a foreign nobleman, Count de Ville
  2. ^ Stoker, Bram. Dracula (PDF). Chapter 6, Johnathon Harker's Journal. p. 500. He had received a letter from Mr. de Ville of London
  3. ^ Stoker, Bram. Dracula (PDF). pp. 10, 14, 499, 517.
  4. ^ Stoker, Bram. Dracula (PDF). Chapter 2, Johnathon Harker's Journal. p. 9. ‘Ordog’—Satan, ‘Pokol’—hell, ‘stregoica’—witch, ‘vrolok’ and ‘vlkoslak’—both mean the same thing, one being Slovak and the other Servian for something that is either werewolf or vampire.
  5. ^ Stoker, Bram. Dracula (PDF). Ch 23, Dr Seward's Diary. p. 436. ‘Look out for D. He has just now, 12:45, come from Carfax hurriedly and hastened towards the South.
  6. ^ Stoker, Bram. Dracula (PDF). pp. 9, 42.
  7. ^ Stoker, Bram. Dracula's Guest (PDF). p. 11. A wolf--and yet not a wolf!" another put in shudderingly. "No use trying for him without the sacred bullet.
  8. ^ Stoker, Bram. Dracula (PDF). Chapter 2, Johnathon Harker's Journal. p. 35. We Transylvanian nobles love not to think that our bones may lie amongst the common dead.
  9. ^ Stoker, Bram. Dracula (PDF). pp. 43, 344.
  10. ^ Stoker, Bram. Dracula (PDF). Chapter 18, Dr. Seward's Diary. p. 344.
  11. ^ Stoker, Bram. Dracula (PDF). Ch 27, DR. VAN HELSING’S MEMORANDUM, 5 November. p. 531. DRACULA This then was the Undead home of the King Vampire, to whom so many more were due.
  12. ^ Stoker, Bram. Dracula (PDF). Ch 3, Johnathon Harker's Journal. p. 42. ‘We Szekelys have a right to be proud, for in our veins flows the blood of many brave races who fought as the lion fights, for lordship. Here, in the whirlpool of European races, the Ugric tribe bore down from Iceland the fighting spirit which Thor and Wodin gave them, which their Berserkers displayed to such fell intent on the seaboards of Europe, aye, and of Asia and Africa too, till the peoples thought that the werewolves themselves had come.
  13. ^ Carol N. Senf "Dracula: The Unseen Face in the Mirror" in the Norton Critical Edition of Dracula (1997) by Bram Stoker, edited by Nina Auerbach and David J. Skal: 421-31
  14. ^ Stoker, Bram. Dracula (PDF). Chapter 23. p. 434.
  15. ^ Dracula Chapter 18 and Chapter 23
  16. ^ Mina Harker's Journal, 30 September, Dracula, Chapter 18
  17. ^ Dracula Chapter 27
  18. ^ a b Stoker, Bram. Dracula (PDF). Chapter 20, Johnathon Harker's Journal. pp. 373, 374.
  19. ^ Stoker, Bram. Dracula (PDF). Chapter 20, Johnathon Harker's Journal, Letter, Mitchell, Sons, and Candy to Lord Godalming. p. 329.
  20. ^ Stoker, Bram. Dracula (PDF). Chapter 18, Dr. Seward's Diary. p. 346.
  21. ^ Stoker, Bram. Dracula (PDF). Chapter 21, Dr. Seward's Diary. p. 404,405,406.
  22. ^ Stoker, Bram. Dracula (PDF). Chapter 2, Johnathon Harker's Journal. p. 35.
  23. ^ Stoker, Bram. Dracula (PDF). Ch 3, Johnathon Harker's Journal. p. 57. ‘Yes, I too can love. You yourselves can tell it from the past. Is it not so?
  24. ^ a b Dracula, Chapter 2
  25. ^ Stoker, Bram. Dracula. Chapter 7, Log of the Demeter, 3 August. p. 102. ISBN 978-0-00-742008-7.
  26. ^ a b c d e f g h Dracula, Chapter 18
  27. ^ Stoker, Bram. Dracula. p. 303. ISBN 978-0-00-742008-7.
  28. ^ Stoker, Bram. Dracula (PDF). Chapter 15, Dr. Stweard's Diary. pp. 281, 282. Taking the edge of the loose flange, he bent it back towards the foot of the coffin, and holding up the candle into the aperture, motioned to me to look. I drew near and looked. The coffin was empty. It was certainly a surprise to me, and gave me a considerable shock
  29. ^ Stoker, Bram. Dracula. Chapter 10, Dr. Seward's Diary. p. 174.
  30. ^ Stoker, Bram. Dracula (PDF). Ch 18, Dr. Seward's Diary. p. 341. on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty.
  31. ^ Stoker, Bram. Dracula (PDF). Ch 21, Johnathon Harker's Journal. pp. 411–412. I knew him at once from the description of the others. ...I knew, too, the red scar on his forehead where Jonathan had struck him.
  32. ^ Stoker, Bram. Dracula (PDF). Ch 15, Westminster Gazette. pp. 252–254.
  33. ^ Stoker, Bram. Dracula (PDF). Ch 19, Johnathon Harker's Journal. p. 358. and when I had seen him he was either in the fasting stage of his existence in his rooms or, when he was bloated with fresh blood,
  34. ^ Stoker, Bram. Dracula (PDF). Ch 21, Dr. Seward's Diary, 3 October. p. 412. First, a little refreshment to reward my exertions.
  35. ^ Stoker, Bram. Dracula (PDF). Chapter 23, Dr. Stweard's Diary. p. 448.
  36. ^ Stoker, Bram. Dracula (PDF). Ch 20, Johnathon Harker's Journal. p. 376. hypnotize before dawn
  37. ^ Stoker, Bram. Dracula (PDF). pp. 462, 492, 523.
  38. ^ Stoker, Bram. Dracula (PDF). Chapter 21, Dr. Seward's Diary. p. 413.
  39. ^ Stoker, Bram. Dracula (PDF). Ch. 27, Mina Harker's Journal, 6 November. p. 533. But I could not eat, to even try to do so was repulsive to me, and much as I would have liked to please him, I could not bring myself to the attempt.
  40. ^ Stoker, Bram. Dracula (PDF). Chapter 27, Memorandum by Abraham Van Helsing, 4 November. pp. 519–527.
  41. ^ Dracula, Chapter 3, second page
  42. ^ Stoker, Bram. Dracula (PDF). Chapter 4, Johnathon Harker's ournal. pp. 70, 71.
  43. ^ Stoker, Bram. Dracula (PDF). Chapter 18, Doctor Seward's Diary. p. 343. Thus, whereas he can do as he will within his limit, when he have his earth-home, his coffin-home, his hell-home, the place unhallowed, as we saw when he went to the grave of the suicide at Whitby, still at other time he can only change when the time come.
  44. ^ Stoker, Bram. Dracula (PDF). Chapter 22, Johnathon Harker's Journal, October 23. p. 424. The Count may come to Piccadilly earlier than we think.’ ‘Not so!’ said Van Helsing, holding up his hand. ‘But why?’ I asked. ‘Do you forget,’ he said, with actually a smile, ‘that last night he banqueted heavily, and will sleep late?
  45. ^ J Gordon Melton (2010). "The Vampire Book: The Encyclopedia of the Undead". p. 247. Visible Ink Press
  46. ^ "Fangs for the memories: The A-Z of vampires" (October 31, 2009). The Independent.
  47. ^ Guinness World Records Experience
  48. ^ "AFI's 100 Greatest Heroes & Villains". AFI. 19 October 2017.
  49. ^ Dearden, Lizzie (20 May 2014). "Radu Florescu dead: Legacy of the Romanian 'Dracula professor' remembered". The Independent. Retrieved 14 September 2017.
  50. ^ Vlad III Encyclopædia Britannica
  51. ^ Berni, Simone (2016). "The Romanian Edition (1990)". Dracula by Bram Stoker The Mystery of The Early Editions. Translated by Bigliardi, Stefano. United States: Lulu Press. p. 67. ISBN 978-1-326-62179-7.
  52. ^ Cain, Jimmie E. (2006). "Notes — Chapter Four". Bram Stoker and Russophobia: Evidence of the British Fear of Russia in Dracula and The Lady of the Shroud. Jefferson, N.C.: McFarland & Co. p. 182. ISBN 0-7864-2407-9.
  53. ^ Miller, Elizabeth (2005). "The Voivode and the Count". A Dracula Handbook. Philadelphia, PA: Xlibris. pp. 112–113. ISBN 1-4134-8095-0.
  54. ^ Hans Corneel de Roos, The Dracula Maps, in: The Ultimate Dracula, Moonlake Editions, Munich, 2012.
  55. ^ Charles Boner, Transylvania: Its Products and Its People. London: Longmans, 1865. Referred to by Marius Crişan, The Models for Castle Dracula in Stoker’s Sources on Transylvania, Journal of Dracula Studies Nr 10 (2008)
  56. ^ Hans Corneel de Roos, Stoker's Vampire Trap: Vlad the Impaler and his Nameless Double, Linkoeping University Electronic Press, Linköping Electronic Articles in Computer and Information Science, ISSN 1401-9841, Vol. 15 (2012): no. 2. 2012, p. 7.

Bibliography

  • Clive Leatherdale (1985) Dracula: the Novel and the Legend. Desert Island Books.
  • Bram Stoker (1897) Dracula. Norton Critical Edition (1997) edited by Nina Auerbach and David J. Skal.
  • Senf, Carol. Dracula: Between Tradition and Modernism (Twayne, 1998).
  • Senf, Carol A. Bram Stoker. University of Wales Press, 2010.

External links

Abraham Van Helsing

Professor Abraham Van Helsing is a fictional character from the 1897 gothic horror novel Dracula. Van Helsing is an aged polymath Dutch doctor with a wide range of interests and accomplishments, partly attested by the string of letters that follows his name: "MD, D.Ph., D.Litt., etc, etc," indicating a wealth of experience, education and expertise. The character is best known throughout many adaptations of the story as a vampire hunter and the archenemy of Count Dracula.

Blood of Dracula's Castle

Blood of Dracula's Castle is a 1967 horror cult B-movie directed by Al Adamson, featuring John Carradine, and released by exploitation film specialists Crown International Pictures. Although his name was played up in the lurid ad campaign, John Carradine only played George the butler in this film, and not Count Dracula.

Count Dracula's Great Love

Count Dracula's Great Love (originally El gran amor del conde Drácula) is a 1974 Spanish film directed by Javier Aguirre.

The film is also known as Cemetery Girls (American reissue title), Dracula's Great Love (American promotional title), Dracula's Virgin Lovers (UK and Canadian theatrical title) and The Great Love of Count Dracula (international English title). Contrary to some sources, this film was never released under the title Vampire Playgirls.

Count Dracula (1970 film)

Count Dracula (German: Nachts, wenn Dracula erwacht, lit. Nights, When Dracula Awakes), released in Italy as Il conte Dracula, in Spain as El Conde Drácula and in France as Les Nuits de Dracula, is a 1969 Spanish-Italian-German-British horror film (released in 1970), directed by Jesús Franco and starring Christopher Lee, Herbert Lom and Klaus Kinski. It was based on the novel Dracula by Bram Stoker.

Although Count Dracula stars Christopher Lee in the title role, it is not a Hammer production like his other Dracula films, being produced instead by Harry Alan Towers. Klaus Kinski, who would play Dracula himself nine years later in Nosferatu the Vampyre, is also featured in the film as Renfield. Count Dracula was advertised as the most faithful adaptation of Bram Stoker's novel. Among other details, it was the first film version of the novel in which Dracula begins as an old man and becomes younger as he feeds upon fresh blood.

Count Dracula (1977 film)

Count Dracula is a British television adaptation of the novel Dracula by Bram Stoker. Produced by the BBC (in the then standard video/film hybrid format), it first aired on BBC 2 on 22 December 1977. It is among the more faithful of the many adaptations of the original book. Directed by Philip Saville, it stars Louis Jourdan as Count Dracula and Frank Finlay as Professor Van Helsing.

Cuadecuc, vampir

Vampir-Cuadecuc is a 1970 experimental feature film by Spanish filmmaker Pere Portabella.The entire film is photographed on high contrast black & white film stock, which gives it the appearance of a degraded film print, evoking early Expressionist horror films such as F. W. Murnau's Nosferatu or Carl Theodor Dreyer's Vampyr. It was shot on the set of Jesus Franco's Count Dracula, starring Christopher Lee and Herbert Lom. The sound track is by frequent Portabella collaborator Carles Santos, and the only spoken dialogue in the film appears only in the last scene, which features Lee reading from Bram Stoker's original novel.

Lee would appear in another Portabella film the same year--Umbracle.

The word "cuadecuc" is the Catalan word for "worm's tail." The term also refers to the unexposed footage at the end of a roll of film.

Jonathan Rosenbaum, a critic for the Chicago Reader, listed this film as the fourth best in 2006.The film tells an abbreviated version of the Dracula story using behind-the-scenes footage from Count Dracula. Thus, we see crew members and lights in dramatic scenes; often, these scenes are preceded by sequences where we see the set and actors being prepared. For example, before Dracula is shown rising from his coffin, Christopher Lee is seen getting made up and climbing into the coffin as a crew member covers him in fake spiderwebs. This gives the film a humorous tone: scenes meant to shock in Jesus Franco's original film are intercut with the actors making faces between takes and fooling around with the crew.

Dracula

Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. It introduced the character of Count Dracula, and established many conventions of subsequent vampire fantasy. The novel tells the story of Dracula's attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and a woman led by Professor Abraham Van Helsing.

Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel, and invasion literature. The novel has spawned numerous theatrical, film, and television interpretations.

Dracula (1924 play)

Dracula is a stage play written by Hamilton Deane in 1924, then revised by John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker's novel Dracula. After touring in England, the original version of the play appeared at London's Little Theatre in July 1927, where it was seen by the American producer Horace Liveright. Liveright asked Balderston to revise the play for a Broadway production that opened at the Fulton Theatre in October 1927. This production starred Bela Lugosi in his first major English-speaking role.

In the revised story, Abraham Van Helsing investigates the mysterious illness of a young woman, Lucy Seward, with the help of her father and fiancé. He discovers she is the victim of Count Dracula, a powerful vampire who is feeding on her blood. The men follow one of Dracula's servants to the vampire's hiding place, where they kill him with a stake to the heart.

The revised version of the play went on a national tour of the United States and replaced the original version in London. It influenced many subsequent adaptations, including the popular 1931 film adaptation starring Lugosi. A 1977 Broadway revival featured art designs by Edward Gorey and starred Frank Langella. It won the Tony Award for Best Revival and led to another movie version, also starring Langella.

Dracula (Dell Comics)

Dracula is a superhero comic book series published by Dell Comics, based on the literary and movie character Count Dracula. The book was part of a line of three superhero comics based on the Universal Monsters characters; the other two were Frankenstein and Werewolf.

Dracula (disambiguation)

Dracula is an 1897 novel by Bram Stoker.

Dracula may also refer to:

Count Dracula, the title character in the novel

Vlad III the Impaler (1431–1476), Wallachian voivode (prince) who may have served as the basis for Count Dracula

Dracula Has Risen from the Grave

Dracula Has Risen from the Grave is a 1968 British horror film directed by Freddie Francis for Hammer Films. It stars Christopher Lee as Count Dracula, with support from Rupert Davies, Veronica Carlson, Barry Andrews, Barbara Ewing, Ewan Hooper and Michael Ripper.

This was the fourth entry in Hammer's Dracula series, and the third to feature Christopher Lee as the titular vampire.

Dracula in popular culture

The character of Count Dracula from the 1897 novel Dracula by Bram Stoker, has remained popular over the years, and many films have used the Count as a villain, while others have named him in their titles, such as Dracula's Daughter, The Brides of Dracula, and Dracula's Dog. Dracula has enjoyed enormous popularity since its publication and has spawned an extraordinary vampire subculture in the second half of the 20th century. More than 200 films have been made that feature Count Dracula, a number second only to Sherlock Holmes. At the center of this subculture is the legend of Transylvania, which has become almost synonymous with vampires.

Most adaptations do not include all the major characters from the novel. The Count is usually present, and Jonathan and Mina Harker, Dr. Seward, Professor Van Helsing, and Renfield usually appear as well. The characters of Mina Harker and Lucy Westenra are occasionally combined into a single female role. Jonathan Harker and Renfield are also sometimes reversed or combined. Quincey Morris and Arthur Holmwood are often omitted or, occasionally, combined into one character.

Draculas ring

Draculas ring (1978) is a Danish TV-miniseries produced by Danmarks Radio and shown only once, with daily episodes from October 15 to October 21, 1978.

The series consists of seven 15-minute episodes, written and directed by Flemming la Cour and Edmondt Jensen, with theme music by Willy Grevelund.

The plot concerns three young Danes spending a vacation in Malta, where they find a coffin sealed with the ring of Count Dracula. They take the ring back home to Denmark, but Dracula rises from his coffin and follows them to reclaim it.

Bent Børgesen starred as Dracula, and local celebrities Anniqa, Rolv Wesenlund and Jørgen de Mylius had cameo roles as vampire victims.

Apart from BBC's Count Dracula (1977), a TV-movie aired in two parts, Draculas ring was the first Dracula-based television series.

House of Dracula

House of Dracula is a 1945 American monster crossover horror film released by Universal Pictures. It was a direct sequel to House of Frankenstein, and continued the theme of combining Universal's three most popular monsters: Frankenstein's monster (Glenn Strange), Count Dracula (John Carradine), and the Wolf Man (Lon Chaney Jr.). The film, which was the seventh Universal film to feature Frankenstein's monster, as well as the fourth with Count Dracula and the Wolf Man, was a commercial success, but was one of the last Universal movies featuring Frankenstein's monster, vampires, and werewolves, with the exception of the comedy Abbott and Costello Meet Frankenstein (1948), in which all three appear.

Jack Lambert (American football)

John Harold Lambert (born July 8, 1952) is a former American football linebacker who played in the National Football League (NFL). Recognized by the Pro Football Hall of Fame in 1990 as "the premier linebacker of his era," Lambert was the starting middle linebacker for four Super Bowl-winning teams during an 11-year career with the Pittsburgh Steelers.

Jonathan Harker

Jonathan Harker is a fictional character and one of the main protagonists of Bram Stoker's 1897 Gothic horror novel Dracula. His journey to Transylvania and encounter with the vampire Count Dracula and his Brides at Castle Dracula constitutes the dramatic opening scenes in the novel and most of the film adaptations. Stoker appropriated the surname from his friend Joseph Cunningham Harker (1855-1920), a set designer at the Lyceum Theatre and father of actor William Gordon Harker (1885-1967) as well as great-grandfather of actress Polly Adams, whose actress-daughters Susannah Harker and Caroline Harker adopted the Harker surname for their stage names.

The Return of Dracula

The Return of Dracula (a.k.a. Curse of Dracula on US television and The Fantastic Disappearing Man in the UK) is a 1958 horror film starring Francis Lederer as Count Dracula. The female lead, Rachel Mayberry, was played by Norma Eberhardt. It was filmed in black and white (with a brief color sequence involving blood) and directed by Paul Landres. It was released in April, 1958 as a double feature with The Flame Barrier.

The Satanic Rites of Dracula

The Satanic Rites of Dracula is a 1973 horror film directed by Alan Gibson and produced by Hammer Film Productions. It is the eighth film in Hammer's Dracula series, and the seventh and final one to feature Christopher Lee as Dracula. The film was also the third to unite Peter Cushing as Van Helsing with Lee, following Dracula (1958) and Dracula A.D. 1972 (1972).

Van Helsing (film)

Van Helsing is a 2004 American period horror film written and directed by Stephen Sommers. It stars Hugh Jackman as vigilante monster hunter Van Helsing, and Kate Beckinsale as Anna Valerious. The film is an homage and tribute to the Universal Horror Monster films from the 1930s and '40s (also produced by Universal Studios which were in turn based on novels by Bram Stoker and Mary Shelley), of which Sommers is a fan.

The eponymous character was inspired by the Dutch vampire hunter Abraham Van Helsing from Irish author Bram Stoker's novel Dracula. Distributed by Universal Pictures, the film includes a number of monsters such as Count Dracula, Frankenstein's monster, Mr. Hyde and werewolves in a way similar to the multi-monster movies that Universal produced in the 1940s, such as Frankenstein Meets the Wolf Man, House of Frankenstein and House of Dracula.

Despite mostly negative reviews, the film grossed over $300 million worldwide.

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