Clifford Donald Simak (/ˈsɪmək/; August 3, 1904 – April 25, 1988) was an American science fiction writer. He won three Hugo Awards and one Nebula Award. The Science Fiction Writers of America made him its third SFWA Grand Master, and the Horror Writers Association made him one of three inaugural winners of the Bram Stoker Award for Lifetime Achievement.
Clifford D. Simak
|Born||Clifford Donald Simak|
August 3, 1904
|Died||April 25, 1988 (aged 83)|
Minneapolis, Minnesota, USA
|Occupation||Journalist, popular writer|
|Genre||Science fiction, fantasy|
Simak was born in Millville, Wisconsin in 1904, son of John Lewis and Margaret (Wiseman) Simak. Simak attended the University of Wisconsin–Madison and then taught in the public schools until 1929. He later worked at various newspapers in the Midwest. He began a lifelong association with the Minneapolis Star and Tribune (in Minneapolis, Minnesota) in 1939, which continued until his retirement in 1976. He became Minneapolis Star's news editor in 1949 and coordinator of Minneapolis Tribune's Science Reading Series in 1961.
He married Agnes Kuchenberg on April 13, 1929, and they had two children, Richard "Dick" Scott (1947–2012) and Shelley Ellen. In a blurb in Time and Again he wrote, "I have been happily married to the same woman for thirty three years and have two children. My favorite recreation is fishing (the lazy way, lying in a boat and letting them come to me). Hobbies: Chess, stamp collecting, growing roses." He dedicated the book to his wife Kay, "without whom I'd never have written a line". He was well liked by many of his science fiction-writing friends, especially Isaac Asimov.
Simak became interested in science fiction after reading the works of H. G. Wells as a child. His first contribution to the literature was "The World of the Red Sun", published by Hugo Gernsback in the December 1931 issue of Wonder Stories with one opening illustration by Frank R. Paul. Within a year he placed three more stories in Gernsback's pulp magazines and one in Astounding Stories, then edited by Harry Bates. But his only science fiction publication between 1932 and 1938 was "The Creator" (Marvel Tales #4, March–April 1935), a story with religious implications, which was then rare in the genre.
Once John W. Campbell, at the helm of Astounding from October 1937, began redefining the field, Simak returned and was a regular contributor to Astounding Science Fiction (as it was renamed in 1938) throughout the Golden Age of Science Fiction (1938–1950). At first, as in the 1939 serial novel Cosmic Engineers, he wrote in the tradition of the earlier "super science" subgenre that E. E. "Doc" Smith perfected, but he soon developed his own style, which is usually described as gentle and pastoral. During this period, Simak also published a number of war and western stories in pulp magazines. His best-known book may be City, a fix-up novel based on short stories with a common theme of mankind's eventual exodus from Earth.
Simak continued to produce award-nominated novels throughout the 1950s and 1960s. Aided by a friend, he continued writing and publishing science fiction and, later, fantasy, into his 80s. He believed that science fiction not rooted in scientific fact was responsible for the failure of the genre to be taken seriously, and stated his aim was to make the genre a part of what he called "realistic fiction."
Simak's stories often repeat a few basic ideas and themes. First and foremost is a setting in rural Wisconsin. A crusty individualistic backwoodsman character literally comes with the territory, the best example being Hiram Taine, the protagonist of The Big Front Yard. Hiram's dog "Towser" (sometimes "Bowser") is another Simak trademark being common to many of Simak's works. But the rural setting is not always as idyllic as here; and in Ring Around the Sun it is largely dominated by intolerance and isolationism.
An idea often found in Simak's stories is that there is no past time for a time traveler to go to. Instead, our world moves along in a stream of time, and to move to a different place in time is to move to another world altogether. Thus in City our Earth is overrun by ants, but the intelligent dogs and the remaining humans escape to other worlds in the time stream. In Ring Around the Sun the persecuted paranormals escape to other Earths which, if they could all be seen at once, would be at different stages of their orbit around the sun, hence the title. In Time is the Simplest Thing a paranormal escapes a mob by moving back in time, only to find that the past is a place where there are no living things and inanimate objects are barely substantial.
Time travel also plays an important role in the ingeniously constructed Time and Again, which then ventures into metaphysics. A long-lost space traveler returns with a message which is SF-slanted yet religious in tone. Having crashed on a planet, he is then nurtured by ethereal duplicates—spirits? souls?—that seem to accompany every sentient being throughout life. His fuddled observations are seized upon by religious factions, and a schism then threatens to erupt into war on Earth.
Intelligence, loyalty and friendship, the existence of God and souls, the unexpected benefits and harm of invention, tools as extensions of humanity, and more questions are often explored by Simak's robots, whom he uses as "surrogate humans". His robots begin as likable mechanical persons, but morph in surprising ways. Having achieved intelligence, robots move onto common themes such as, "Why are we here?" and "Do robots have souls"? Examples are the faithful butler Jenkins in City, the religious robot Hezekiel in A Choice of Gods, the frontier robots in Special Deliverance and A Heritage of Stars, and the monk-like robots in Project Pope who seek Heaven.
Simak's robot-awareness theme goes farthest in All the Traps of Earth. A 600-year-old robot, a family retainer who earned the name Richard Daniel, is considered chattel to be reprogrammed and lose all its memories. The robot runs away, hitches onto a spaceship, and passes through hyperspace unprotected. Daniel gains the ability to see and fix problems in anything—a ship, a robot, a human—telekinetically. Yet he's still drifting and hunted as chattel. Finally he stumbles on a frontier planet and finds a purpose, helping the pioneers as a doctor, a servant, a colonist, and a friend. And here Daniel achieves an epiphany: human beings are more clever than they know. Human-created robots set loose can become agents with para-human abilities that directly or indirectly benefit humanity. Thus do robots, and Mankind, escape "all the traps of earth".
The religious theme is often present in Simak's work, but the protagonists who have searched for God in a traditional sense tend to find something more abstract and inhuman. Hezekiel in A Choice of Gods cannot accept this. Quote: "God must be, forever, a kindly old (human) gentleman with a long, white, flowing beard."
Simak's short stories and longer novellas range from the contemplative and thoughtfully idyllic to pure terror, although the punch line is often characteristically understated, as in Good Night Mr. James and Skirmish. There is also a group of humorous stories, of which "The Big Front Yard" is the most successful. And Way Station is in the midst of all of the science fiction paraphernalia a moving psychological study of a very lonely man who has to make peace with his past and finally manages to do so, but not without personal loss. The contemplative nature of the Simak character is a recurring trait both of theme and of the author's style.
Many of his aliens have a dry, otherworldly sense of humor, and others are unintentionally amusing, either in their speech or their appearance. So too are his robots full of personality, and even his dogs. By contrast, his "heroes" are ciphers. His protagonists are often boring men, never described and never reappearing. They solve crises by muddling through, and if they fall in love with "the girl" (also never described), it's incidental. One of Simak's editors objected to his stories because his heroes were "losers". Simak replied, "I like losers."
One finds other traditional SF themes in Simak's work. The importance of knowledge and compassion in "Immigrant" and "Kindergarten". Identity play, as in "Good Night. Mr James" (filmed as The Outer Limits: The Duplicate Man in 1964). Fictions come to life in "Shadow Show" and elsewhere, such as the novel Out of Their Minds. And there is the revolt of the machines in "Skirmish". And the rather horrifying meeting with an alien world in Beachhead, also known as "You'll Never Go Home Again". (Many of these are in Strangers in the Universe).
Finally, Simak throws in many science-fictional fillips that remain unexplained. Simak's characters encounter alien creatures and concepts they simply cannot understand, and never will. For example, in Special Deliverance, the humans are stalked by The Wailer, which turns out to be a huge wolf-like creature that bellows an infinitely sad howl. They never learn what the creature is, why it seems sad, or how it got there. Simak leaves mysteries hanging in his writing.
Simak himself sums up his life's work in the Foreword to his collection Skirmish. After explaining what themes he avoids—no large-scale alien invasions, no space wars, no empire sagas—he states, "Overall, I have written in a quiet manner; there is little violence in my work. My focus has been on people, not on events. More often than not I have struck a hopeful note... I have, on occasions, tried to speak out for decency and compassion, for understanding, not only in the human, but in the cosmic sense. I have tried at times to place humans in perspective against the vastness of universal time and space. I have been concerned where we, as a race, may be going, and what may be our purpose in the universal scheme—if we have a purpose. In general, I believe we do, and perhaps an important one."
From 1950 to 1986 Clifford Simak wrote over 30 novels plus four non-fiction works with Way Station winning the 1964 Hugo Award. Over 100 of his short stories were published from 1931 to 1981 in the science fiction, western, and war genres with "The Big Front Yard" winning the 1959 Hugo Award for Best Novelette and "Grotto of the Dancing Deer" winning the Hugo and Nebula Awards for Best Short Story in 1981. One more short story, "I Had No Head and My Eyes Were Floating Way Up in the Air", had been written in 1973 for publication in Harlan Ellison's never-published anthology The Last Dangerous Visions and was first published posthumously in 2015.
One of his short stories, "Good Night, Mr. James", was adapted as "The Duplicate Man" on The Outer Limits in 1964. Simak notes this is a "vicious story — so vicious that it is the only one of my stories adapted to television."
The Science Fiction Writers of America made Simak its third SFWA Grand Master in 1977, after Robert Heinlein and Jack Williamson. In 1987 the Horror Writers Association named him one of three inaugural winners of the Bram Stoker Award for Lifetime Achievement, with Fritz Leiber and Frank Belknap Long.
The 29th World Science Fiction Convention, also known as Noreascon I, was held September 2–6, 1971, at the Sheraton-Boston Hotel in Boston, Massachusetts, United States.
The chairman was Tony Lewis. The guests of honor were Clifford D. Simak (pro) and Harry Warner, Jr. (fan). The toastmaster was Robert Silverberg. Total attendance was approximately 1,600.
The convention is mentioned in the preface to The Ringworld Engineers for the MIT students who pointed out that the Ringworld would be unstable.39th World Science Fiction Convention
The 39th World Science Fiction Convention (Worldcon), also known as Denvention II, was held September 3–7, 1981, at the Denver Hilton Hotel in Denver, Colorado, United States.
The chairmen were Suzanne Carnival and Don C. Thompson. The guests of honor were Clifford D. Simak (pro), C. L. Moore (pro), and Rusty Hevelin (fan). Extra special guest was Robert Heinlein who had been the guest of honor at the 1941 Worldcon, the first to be held in Denver. The toastmaster was Ed Bryant. Total attendance was 3,792.All Flesh is Grass (novel)
All Flesh is Grass is a science fiction novel by American author Clifford D. Simak, published in 1965. The book follows a small town in Wisconsin that is closed off from the outside world by a mysterious barrier, placed by benign extraterrestrial beings.City (novel)
City is a 1952 science fiction fix-up novel by American writer Clifford D. Simak. The original version consists of eight linked short stories, all originally published between 1944 and 1951, along with brief "notes" on each of the stories. These notes were specially written for the book, and serve as a bridging story of their own. The book was reprinted as ACE #D-283 in 1958, cover illustration by Ed Valigursky.
Simak published a ninth City tale in 1973 called "Epilog". A 1980 edition of City includes this ninth tale; some (but not all) subsequent editions of the book also include "Epilog".Cosmic Engineers
Cosmic Engineers is a science fiction novel by American author Clifford D. Simak. It was published in 1950 by Gnome Press in an edition of 6,000 copies, of which 1,000 were bound in paperback for an armed forces edition. The novel was originally serialized in the magazine Astounding in 1939.Grotto of the Dancing Deer
"Grotto of the Dancing Deer" is one of Clifford D. Simak's later short stories. It won the 1980 Nebula Award for Best Short Story and the 1981 Hugo Award for Best Short Story and Locus Award for Best Short Story. It involves an archaeologist discovering an ancient painting and its painter, an immortal.Huddling Place
"Huddling Place" is a science fiction short story by American writer Clifford D. Simak, originally published in 1944 in Astounding Science Fiction. It is one of several linked stories collected in City.
"Huddling Place" was among the stories selected in 1970 by the Science Fiction Writers of America as one of the best science fiction short stories published before the creation of the Nebula Awards. As such, it was published in The Science Fiction Hall of Fame Volume One, 1929-1964.Project Pope
Project Pope is a science fiction novel by the American author Clifford Simak, published in 1981 by Ballantine Books. The novel is about a group of robots and humans living on a planet called the End of Nothing. Their mission is to search the universe and other dimensions to seek out true religion and knowledge. They add the information they gather to their Pope, a robotic supercomputer, in order to make an infallible authority of all knowledge and religion. The novel was nominated for both a Hugo Award for Best Novel and a Locus Award for Best SF novel in 1982.Ring Around the Sun (novel)
"Ring Around the Sun" is also a SF short story by Isaac Asimov.
Ring Around the Sun is a science fiction novel by American writer Clifford D. Simak. Its anti-urban and pro-agrarian sentiments are typical of much of Simak's work.Rule 18
"Rule 18" is a 1938 science fiction novelette by Clifford D. Simak credited as launching Simak's career and helping inspire the writing style of Isaac Asimov. It won a Retrospective Hugo Award for Best Novelette in 2014.Shakespeare's Planet
Shakespeare's Planet is a 1976 science-fiction novel by Clifford D. Simak.The Big Front Yard
"The Big Front Yard" is a science fiction short story by American writer Clifford D. Simak which won a 1959 Hugo Award for Best Novelette. It was also included in The Science Fiction Hall of Fame, Volume Two (1973) after being voted one of the best novellas up to 1965.The Creator (novelette)
"The Creator" is a science fiction novelette by American writer Clifford D. Simak. It was published in book form in 1946 by Crawford Publications in an edition of 500 copies. It had previously appeared in the September 1935 issue of the magazine Marvel Tales.The Goblin Reservation
The Goblin Reservation is a 1968 science fiction novel by American writer Clifford D. Simak, featuring an educated Neanderthal, a biomechanical sabertooth tiger, aliens that move about on wheels, a man who time-travels using an unreliable device implanted in his brain, a ghost, trolls, banshees, goblins, a dragon and even Shakespeare himself. The Goblin Reservation was a Hugo Award nominee in 1969 and was originally serialized in Galaxy Science Fiction magazine.The Visitors (novel)
The Visitors is a 1980 science fiction novel by American author Clifford D. Simak. It is based on a similar story of the same name, which was published in serial form in Analog magazine.The Werewolf Principle
The Werewolf Principle is a 1967 science fiction novel by American writer Clifford D. Simak. It was originally published by Putnam, with a paperback edition following from Berkley Books in 1968. A British hardcover was also released in 1967, with translations following into French, Italian, German, Portuguese, Dutch, and Lithuanian. Later American paperbacks were issued by DAW Books and by Carroll & Graf.The novel deals with an amnesiac space traveler who discovers he shares his body with a wolf-like alien and a cybernetic consciousness.Time and Again (Simak novel)
Time and Again (sometimes written as Time & Again) is a 1951 science fiction novel by American writer Clifford D. Simak. An alternate paperback title was First He Died; it was also serialized (with a different ending) as Time Quarry.The plot involved a long-lost spaceman returning to Earth from a distant planet where the "souls" of humans may live. His fuddled observations spark a religious schism and war, and "future folk insist [he] should be killed on sight as he will otherwise write a book that, because it tells a truth inconvenient to religious bigots, will cause the death of millions". Evolutionary transcendence is a theme, as it was for a number of other Simak novels. The novel is one of Simak's more popular works.Way Station (novel)
Way Station is a 1963 science fiction novel by American writer Clifford D. Simak, originally published as Here Gather the Stars in two parts in Galaxy Magazine in June and August 1963. Way Station won the 1964 Hugo Award for Best Novel.Why Call Them Back from Heaven?
Why Call them Back From Heaven? is a 1967 novel by Clifford D. Simak, which became the initial volume in the Ace Science Fiction Specials line.