William Clark Gable (February 1, 1901 – November 16, 1960) was an American film actor and military officer, often referred to as "The King of Hollywood". He began his career appearing as an extra in silent films between 1924 and 1926, and progressed to supporting roles with a few films for Metro-Goldwyn-Mayer in 1930. The next year, he landed his first leading Hollywood role, and over the next three decades, he was a leading man in more than 60 motion pictures.
Gable won an Academy Award for Best Actor for It Happened One Night (1934), and was nominated for leading roles in Mutiny on the Bounty (1935) and for his best-known role as Rhett Butler in Gone with the Wind (1939). Gable also found success commercially and critically with films such as Red Dust (1932), Manhattan Melodrama (1934), San Francisco (1936), Saratoga (1937), Test Pilot (1938), Boom Town (1940), The Hucksters (1947), Homecoming (1948), and The Misfits (1961), which was his final screen appearance.
Gable appeared opposite some of the most popular actresses of the time. Joan Crawford was his favorite actress to work with, and he partnered with her in eight films. Myrna Loy worked with him seven times, and he was paired with Jean Harlow in six productions. He also starred with Lana Turner in four features, and with Norma Shearer and Ava Gardner in three each. Gable's final film, The Misfits (1961), united him with Marilyn Monroe (also in her last completed screen appearance[a]).
Gable is considered one of the most consistent box-office performers in history, appearing on Quigley Publishing's annual Top Ten Money Making Stars Poll 16 times. He was named the seventh-greatest male star of classic American cinema by the American Film Institute.
Clark Gable in 1940
William Clark Gable
February 1, 1901
Cadiz, Ohio, U.S.
|Died||November 16, 1960 (aged 59)|
|Resting place||Forest Lawn Memorial Park, Glendale|
|Other names||The King of Hollywood|
|Children||2, including Judy Lewis|
|Relatives||Clark James Gable (grandson)|
|Allegiance||United States of America|
|Service/||United States Army Air Forces|
|Unit||351st Bomb Group|
|Battles/wars||World War II|
William Clark Gable was born in Cadiz, Ohio, to William Henry "Will" Gable (1870–1948), an oil-well driller, and his wife, Adeline (née Hershelman). His father was a Protestant and his mother a Roman Catholic. Gable was named William after his father, but even in childhood, he was almost always called Clark or sometimes Billy. He was mistakenly listed as a female on his birth certificate. Among Gable's ancestors were Pennsylvania Dutch (German), Belgians, Rhinelanders, and Bavarians.
When Gable was six months old, he was baptized at a Roman Catholic church in Dennison, Ohio. His mother died when he was ten months old, possibly from a brain tumor, although the official cause of death was given as an epileptic fit. William Gable refused to raise his son Catholic, which provoked criticism from the Hershelman family. The dispute was resolved when Will Gable agreed to allow his son to spend time with his maternal uncle, Charles Hershelman, and his wife on their farm in Vernon Township, Pennsylvania.
In April 1903, Gable's father married Jennie Dunlap (1874–1919), whose family came from the small neighboring town of Hopedale. The marriage produced no children. Gable was a tall, shy child with a loud voice. His stepmother raised him to be well-dressed and well-groomed. Jennie played the piano and gave her stepson lessons at home. Later he took up brass instruments. At 13, he was the only boy in the men's town band. He was very mechanically inclined and loved to strip down and repair cars with his father. Although his father insisted on Gable doing "manly" things, like hunting and hard physical work, Gable loved language. Among trusted company, he would recite Shakespeare, particularly the sonnets.
Will Gable agreed to buy a 72-volume set of The World's Greatest Literature to improve his son's education, but claimed he never saw his son use it. In 1917, when Gable was in high school, his father had financial difficulties. Will decided to settle his debts and try his hand at farming, and the family moved to Ravenna, Ohio, near Akron. Despite his father's insistence that he work the farm, Gable soon left to work in Akron for the Firestone Tire and Rubber Company.
At 17, Clark Gable was inspired to be an actor after seeing the play The Bird of Paradise, but he was not able to make a real start until he turned 21 and inherited some money.
By then, his stepmother had died, and his father moved to Tulsa, Oklahoma to go back to the oil business. Gable toured in stock companies, as well as working the oil fields and as a horse manager. He found work with several second-class theater companies, thus making his way across the Midwest to Seaside, Oregon, working as a logger, and to Portland, Oregon, where he worked as a necktie salesman in the Meier & Frank department store. In Portland, he met Laura Hope Crews, a stage and film actress, who encouraged him to return to the stage with another theater company. Twenty years later, Crews played Aunt Pittypat alongside Gable's Rhett Butler in Gone With the Wind (1939).
Gable's acting coach, Josephine Dillon — a theater manager in Portland – was 17 years older than he. She paid to have his teeth repaired and his hair styled. She guided him in building up his chronically undernourished body, and taught him better body control and posture. She spent considerable time training his naturally high-pitched voice, which he slowly managed to lower, to gain better resonance and tone. As his speech habits improved, his facial expressions became more natural and convincing. After a long period of training, Dillon considered him ready to attempt a film career.
In 1924, with Dillon's financing, they went to Hollywood, where she became Gable's manager and first wife. He changed his stage name from W. C. Gable to Clark Gable. He found work as an extra in such silent films as Erich von Stroheim's The Merry Widow (1925), The Plastic Age (1925), which starred Clara Bow, Forbidden Paradise (1924), starring Pola Negri, plus a series of two-reel comedies called The Pacemakers. He appeared as an extra in Fox's The Johnstown Flood (1926). Seventeen-year-old Carole Lombard, later his third wife, appeared as an extra in that film as well, although they were not in the same scene. He also appeared as a bit player in a series of shorts.
However, he was not offered any major film roles, so he returned to the stage. He became lifelong friends with Lionel Barrymore, who, despite initially bawling Gable out for what he deemed amateurish acting, urged him to pursue a career on stage. During the 1927–28 theater season, he acted with the Laskin Brothers Stock Company in Houston, Texas, where he played many roles, gained considerable experience, and became a local matinee idol. He then moved to New York City, and Dillon sought work for him on Broadway. He received good reviews in Machinal (1928); "He's young, vigorous, and brutally masculine", wrote the critic at The Morning Telegraph.
In 1930, after his impressive appearance as the seething and desperate character Killer Mears in the Los Angeles stage production of The Last Mile, Gable was offered a contract with Metro-Goldwyn-Mayer. His first role in a sound picture was as the unshaven villain in a low-budget William Boyd Western called The Painted Desert (1931). He received a lot of fan mail as a result of his powerful voice and appearance; the studio took notice.
In 1930, Gable and Josephine Dillon were divorced. A few days later, he married Texas socialite Maria Franklin Prentiss Lucas Langham, nicknamed "Rhea". After moving to California, they were married again in 1931, possibly due to differences in state legal requirements. "His ears are too big and he looks like an ape", said executive Darryl F. Zanuck, then at Warner Bros., about Gable after testing him for the lead in the studio's gangster drama Little Caesar (1931).
The same year, in Night Nurse, Gable played a villainous chauffeur who was gradually starving two adorable little girls to death, then knocked Barbara Stanwyck's character unconscious with his fist, a supporting role originally slated for James Cagney until the release of The Public Enemy abruptly made Cagney a leading man. After several failed screen tests for Barrymore and Zanuck, Gable was signed in 1930 by MGM's Irving Thalberg. He became a client of well-connected agent Minna Wallis, sister of producer Hal Wallis and a very close friend of Norma Shearer.
Gable's arrival in Hollywood occurred fortuitously. MGM was looking to expand its stable of male stars and he fit the bill. He first worked mainly in supporting roles, often as the villain. He made two pictures in 1931 with Wallace Beery, a supporting role in The Secret Six, then with his part increasing in size to almost match Beery's in the naval aviation film Hell Divers. MGM's publicity manager Howard Strickling developed Gable's studio image, playing up his he-man experiences and his lumberjack-in-evening-clothes persona.
To bolster his increasing popularity, MGM frequently paired him with well-established female stars. Joan Crawford asked for him as her co-star in Dance, Fools, Dance (1931). He built his fame and public visibility in such movies as A Free Soul (1931), in which he played a gangster who shoved the character played by Norma Shearer; Gable never played a supporting role again. The Hollywood Reporter wrote "A star in the making has been made, one that, to our reckoning, will outdraw every other star... Never have we seen audiences work themselves into such enthusiasm as when Clark Gable walks on the screen."
He followed that with Susan Lenox (Her Fall and Rise) (1931) with Greta Garbo, and Possessed (1931), in which Crawford (then married to Douglas Fairbanks Jr.) and he steamed up the screen. Adela Rogers St. Johns later dubbed Gable and Crawford's real-life relationship as "the affair that nearly burned Hollywood down". Louis B. Mayer threatened to terminate both their contracts, and for a while, they kept apart. Gable shifted his attentions to Marion Davies. However, Gable and Garbo disliked each other. She thought he was a wooden actor, while he considered her a snob.
Gable was considered for the role of Tarzan in Tarzan the Ape Man, but lost out to Johnny Weissmuller's more imposing physique and superior swimming prowess. However, Gable's unshaven love-making with braless Jean Harlow in Red Dust (1932) soon made him MGM's most important male star.
After the hit Hold Your Man (1933), MGM recognized the goldmine of the Gable-Harlow pairing, putting them in two more films, China Seas (1935; with Gable and Harlow billed above Wallace Beery) and Wife vs. Secretary (1936) with Myrna Loy and James Stewart. An enormously popular combination, on-screen and off-screen, Gable and Harlow made six films together, the most notable being Red Dust (1932) and Saratoga (1937). Harlow died during production of Saratoga. Ninety percent completed, the remaining scenes were filmed with long shots or the use of doubles like Mary Dees; Gable said that he felt as if he were "in the arms of a ghost".
MGM did not have a project ready for Gable and was paying him $2,000 per week, under his contract, to do nothing. Studio head Louis B. Mayer lent him to Columbia for $2,500 per week, making a $500 per week profit. Gable was not the first choice to play the lead role of Peter Warne in It Happened One Night (1934). Robert Montgomery was originally offered the role, but he declined, feeling the script was poor.
Filming began in a tense atmosphere, but both Gable and director Frank Capra enjoyed making the movie. It Happened One Night became the first movie to sweep all five of the major Academy Awards, with Gable winning for Best Actor. To Capra, Gable's character in the film most closely resembled his real personality:
It Happened One Night is the real Gable. He was never able to play that kind of character except in that one film. They had him playing these big, huff-and-puff he-man lovers, but he was not that kind of guy. He was a down-to-earth guy, he loved everything, he got down with the common people. He didn't want to play those big lover parts; he just wanted to play Clark Gable, the way he was in It Happened One Night, and it's too bad they didn't let him keep up with that.
While filming The Call of the Wild in early 1935, Gable impregnated the film's lead actress, Loretta Young. Their daughter, Judy Lewis, was born in November 1935, but her parentage was kept hidden from the public.
Gable made three pictures with Spencer Tracy, which boosted Tracy's career and permanently cemented them in the public mind as a team. San Francisco (1936) featured Tracy in an only 17-minute, but Oscar-nominated, role in which he played a priest who knocks Gable, by then the studio's foremost leading man, down in a boxing ring. Their next film together was Test Pilot with Myrna Loy, in which Gable plays a dashing test pilot and Tracy is his admiring sidekick, another box office bonanza for the studio. For their final film, Boom Town, Tracy moves up a rung with a larger part than earlier, almost achieving parity with billing directly under Gable and above Claudette Colbert and Hedy Lamarr. The picture, a lavish epic about two oil wildcatters who become partners then rivals, was 1940's most financially successful release for Metro-Goldwyn-Mayer.
Despite his reluctance to play the role, Gable is best known for his performance in Gone with the Wind (1939), for which he gained a Best Actor Oscar nomination. Carole Lombard may have been the first to suggest that he play Rhett Butler (and she play Scarlett) when she bought him a copy of the bestseller, which he refused to read.
Butler's last line in Gone with the Wind, "Frankly, my dear, I don't give a damn", is one of the most famous lines in movie history. Gable was an almost immediate favorite for the role of Rhett with both the public and producer David O. Selznick. Since Selznick had no male stars under long-term contract, though, he needed to go through the process of negotiating to borrow an actor from another studio. Gary Cooper was Selznick's first choice. When Cooper turned down the role of Butler, he was quoted as saying, "Gone With the Wind is going to be the biggest flop in Hollywood history. I’m glad it'll be Clark Gable who's falling flat on his nose, not me." By then, Selznick had become determined to hire Gable, and set about finding a way to borrow him from MGM. Gable was wary of potentially disappointing an audience that had decided that no one else could play the part. He later conceded, "I think I know now how a fly must react after being caught in a spider's web."
By all accounts, Gable got along well with his co-stars during filming. Gable was great friends with actress Hattie McDaniel, and he even slipped her a real alcoholic drink during the scene in which they were supposed to be celebrating the birth of Scarlett and Rhett's daughter. Clark Gable almost walked off the set of Gone With the Wind when he discovered the studio facilities were segregated and were designated "White" and "Colored". Gable got on the phone with the film's director, Victor Fleming, who called the prop master and told him, "If you don't get those signs down, you won’t get your Rhett Butler." The signs were taken down immediately. Gable tried to boycott the premiere of Gone with the Wind in Atlanta, Georgia, because the African American McDaniel was not permitted to attend. He reportedly only went after she pleaded with him to go. Gable remained friends with McDaniel, and he always attended her Hollywood parties, especially when she was raising funds during World War II.
Gable did not want to shed tears for the scene after Rhett inadvertently causes Scarlett to miscarry their second child. Olivia de Havilland made him cry, later commenting, "Oh, he would not do it. He would not! Victor (Fleming) tried everything with him. He tried to attack him on a professional level. We had done it without him weeping several times and then we had one last try. I said, 'You can do it, I know you can do it, and you will be wonderful ...' Well, by heaven, just before the cameras rolled, you could see the tears come up at his eyes and he played the scene unforgettably well. He put his whole heart into it."
Decades later, Gable said that whenever his career would start to fade, a re-release of Gone with the Wind would soon revive his popularity, and he continued as a top leading actor for the rest of his life.
Gable's marriage in 1939 to his third wife, actress Carole Lombard (1908–1942), was the happiest period of his personal life. They met while filming 1932's No Man of Her Own, when Lombard was still married to actor William Powell, but their romance did not take off until 1936. They became reacquainted at a party and soon were inseparable, cited in fan magazines and tabloids as an official couple. Gable thrived being around Lombard's youthful, charming, and frank personality, once stating, "You can trust that little screwball with your life or your hopes or your weaknesses, and she wouldn't even know how to think about letting you down." Lombard, for her part, seemed to gain personal stability and a contented home life that she had previously lacked. She taught herself how to hunt and fish and accompanied Gable on trips with his hunting companions.
Gable was still legally married, and he prolonged a lengthy and expensive divorce from his second wife Rhea Langham. His salary from Gone with the Wind enabled him to reach a divorce settlement with Langham, however, on March 7, 1939. On March 29, during a production break on Gone with the Wind, Gable and Lombard were married in Kingman, Arizona and spent their honeymoon in room 1201 in the Arizona Biltmore Hotel. They purchased a ranch previously owned by director Raoul Walsh in Encino, California, and made it their home. They raised chickens and horses, and had a menagerie of cats and dogs.
On January 16, 1942, Lombard was a passenger on Transcontinental and Western Air Flight 3 with her mother and press agent Otto Winkler. She had just finished her 57th movie, To Be or Not to Be, and was on her way home from a successful war bond selling tour when the flight's DC-3 airliner crashed into Potosi Mountain near Las Vegas, Nevada, killing all 22 passengers aboard, including 15 servicemen en route to training in California. Gable flew to the crash site to claim the bodies of his wife, mother-in-law, and Winkler, who had been the best man at Gable and Lombard's wedding. Lombard was declared to be the first war-related American female casualty of World War II, and Gable received a personal note of condolence from President Roosevelt. The Civil Aeronautics Board investigation into the crash concluded that pilot error was its cause.
Gable returned to their Encino ranch and carried out her funeral wishes as she had requested in her will. A month later, he returned to the studio to work with Lana Turner in the movie Somewhere I'll Find You. Having lost 20 pounds since the tragedy, Gable evidently was emotionally and physically devastated by it, but Turner stated that Gable remained a professional for the duration of filming. He acted in 27 more films, and remarried twice more. "But he was never the same", said Esther Williams. "He had been devastated by Carole's death."
In 1942, following Lombard's death, Gable joined the U.S. Army Air Forces. Lombard had suggested that Gable enlist as part of the war effort, but MGM was reluctant to let him go, and he resisted the suggestion. Gable made a public statement after Lombard's death that prompted the Commanding General of the U.S. Army Air Forces Henry H. "Hap" Arnold to offer Gable a "special assignment" in aerial gunnery.
"Mr. Gable, it was learned from a source outside the war department, conferred with Lieutenant General H. H. Arnold, head of the air forces yesterday." the Star continued. "It was understood that Mr. Gable, if he is commissioned, will make movies for the air forces. Lieutenant Jimmy Stewart, another actor in uniform, has been doing this."
Gable had earlier expressed an interest in officer candidate school, but he enlisted on August 12, 1942, with the intention of becoming an enlisted aerial gunner on a bomber. MGM arranged for his studio friend, the cinematographer Andrew McIntyre, to enlist with him and accompany him through training.
However, shortly after his enlistment, he and McIntyre were sent to Miami Beach, Florida, where they entered USAAF OCS Class 42-E on August 17, 1942. Both completed training on October 28, 1942 and were commissioned as second lieutenants. His class of about 2,600 students (of which he ranked about 700th) selected Gable as its graduation speaker, at which General Arnold presented the cadets with their commissions. Arnold then informed Gable of his special assignment: to make a recruiting film in combat with the Eighth Air Force to recruit aerial gunners. Gable and McIntyre were immediately sent to Flexible Gunnery School at Tyndall Field, Florida, followed by a photography course at Fort George Wright, Washington State and promoted to first lieutenants upon its completion.
Gable reported to Biggs Army Airfield, Texas, on January 27, 1943, to train with and accompany the 351st Bomb Group to England as head of a six-man motion picture unit. In addition to McIntyre, he recruited the screenwriter John Lee Mahin, camera operators Sgts. Mario Toti and Robert Boles, and the sound man Lt. Howard Voss to complete his crew. Gable was promoted to captain while he was with the 351st Bomb Group at Pueblo Army Air Base, Colorado, a rank commensurate with his position as a unit commander. (Prior to this, he and McIntyre were both first lieutenants.)
Gable spent most of 1943 in England at RAF Polebrook with the 351st Bomb Group. Gable flew five combat missions, including one to Germany, as an observer-gunner in B-17 Flying Fortresses between May 4 and September 23, 1943, earning the Air Medal and the Distinguished Flying Cross for his efforts. During one of the missions, Gable's aircraft was damaged by flak and attacked by fighters, which knocked out one of the engines and shot up the stabilizer. In the raid on Germany, one crewman was killed and two others were wounded, and flak went through Gable's boot and narrowly missed his head. When word of this reached MGM, studio executives began to badger the Army Air Forces to reassign its most valuable screen actor to noncombat duty. In November 1943, Gable returned to the United States to edit his film, only to find that the personnel shortage of aerial gunners had already been rectified. He was allowed to complete the film anyway, joining the First Motion Picture Unit in Hollywood.
In May 1944, Gable was promoted to major. He hoped for another combat assignment, but when the invasion of Normandy came and went in June without any further orders, Gable was relieved from active duty as a major on June 12, 1944, at his request, since he was over-age for combat. His discharge papers were signed by Captain (later U.S. President) Ronald Reagan. Gable completed editing of the film Combat America in September 1944, giving the narration himself and making use of numerous interviews with enlisted gunners as focus of the film. Because his motion picture production schedule made it impossible for him to fulfill reserve officer duties, he resigned his commission on September 26, 1947, a week after the Air Force became an independent service branch.
Gable's military awards were the Distinguished Flying Cross, Air Medal, American Campaign Medal, European-African-Middle Eastern Campaign Medal, and World War II Victory Medal. He also qualified for and received aerial gunner wings.
He made good use of his wartime experiences in the movie Command Decision (1948), playing a World War II brigadier general who supervised bombing raids over Germany.
Immediately after his discharge from the service, Gable returned to his ranch and rested. He resumed a pre-war relationship with Virginia Grey, and dated other starlets. He introduced his golf caddie Robert Wagner to MGM casting. Gable's first movie after World War II was Adventure (1945), with his ill-matched co-star Greer Garson. It was a critical and commercial failure, despite the famous teaser tagline "Gable's back, and Garson's got him".
After Joan Crawford's third divorce, she and Gable resumed their relationship and lived together for a brief time. Gable was acclaimed for his performance in The Hucksters (1947), a satire of post-war Madison Avenue corruption and immorality. A very public and brief romance with Paulette Goddard occurred after that. In 1949, Gable married Sylvia Ashley, a British model and actress previously married to Douglas Fairbanks. The relationship was profoundly unsuccessful; they divorced in 1952. Soon followed Never Let Me Go (1953), opposite Gene Tierney. Tierney was a favorite of Gable and he was very disappointed when she was replaced in Mogambo (because of her mental health problems) by Grace Kelly. Mogambo (1953), directed by John Ford, was a somewhat sanitized remake of Gable's earlier pre-Code film Red Dust, with Jean Harlow and Mary Astor, which had been an even greater success. Ava Gardner was well received in Harlow's leading lady role. Gable's on-location affair with Grace Kelly (1929–1982), who was young enough to be his daughter, gradually ended after filming was completed.
Gable became increasingly unhappy with what he considered mediocre roles offered him by MGM, while the studio regarded his salary as excessive. Studio head Louis B. Mayer was fired in 1951 amid slumping Hollywood production and revenue, due primarily to the rising popularity of television. Studio chiefs struggled to cut costs. Many MGM stars were fired or their contracts were not renewed, including Greer Garson and Judy Garland. In 1953, Gable refused to renew his contract and began to work independently. His first two films in this new situation were Soldier of Fortune and The Tall Men (both 1955), which were profitable, although only modest successes. In 1955, Gable married his fifth wife, Kay Spreckels (née Kathleen Williams), a thrice-married former fashion model and actress who had previously been married to sugar-refining heir Adolph B. Spreckels Jr. Gable became stepfather to her son Bunker Spreckels, who went on to live a notorious celebrity lifestyle in the late 1960s and early 1970s surfing scene, ultimately leading to his early death in 1977.
In 1955, Gable formed a production company with Jane Russell and her husband Bob Waterfield, and they produced The King and Four Queens (1956), Gable's only production. He found producing and acting to be too taxing on his health, and he was beginning to manifest a noticeable tremor, particularly in long takes. His next project was Band of Angels (1957), with relative newcomer Sidney Poitier and Yvonne De Carlo; it was not well received despite Gable's role's similarities to Rhett Butler. Newsweek said, "Here is a movie so bad that it must be seen to be disbelieved." Next, he paired with Doris Day in Teacher's Pet (1958), shot in black and white. The film was good enough to bring Gable more movie offers, including Run Silent, Run Deep (also 1958), with co-star and producer Burt Lancaster, which featured his first on-screen death since 1937, and which garnered good reviews. Gable started to receive television offers, but rejected them outright. At 57, Gable finally acknowledged, "Now it's time I acted my age". His next two films were light comedies for Paramount: But Not for Me (1959) with Carroll Baker and It Started in Naples (1960) with Sophia Loren. The last one, despite an icy critical reception, was a good box-office success and was nominated for an Academy award and two Golden Globes. Filmed mostly on location in Italy, it was Gable's last film released in color.
Gable's last film was The Misfits (1961), with a script by Arthur Miller and directed by John Huston. Co-starring with Gable were Marilyn Monroe, her last completed film; Montgomery Clift; Eli Wallach; and Thelma Ritter. Many critics regard Gable's performance to be his finest, and Gable, after seeing the rough cuts, agreed.
Portraitist Al Hirschfeld created a drawing, and then a lithograph, portraying the film's stars Clift, Monroe, and Gable with screenwriter Miller, in what is suggested as a typical "on-the-set" scene during the troubled production. Throughout his life, Gable was fond of the work of artist Reinhold Palenske, and they were close friends.
Gable was a conservative Republican, though he never publicly spoke about politics. His third wife, Carole Lombard, was an activist liberal Democrat, and she cajoled him into supporting Democratic President Franklin D. Roosevelt and the New Deal. In 1944, he became an early member of the conservative Motion Picture Alliance for the Preservation of American Ideals, a pro-McCarthy organization, alongside Ronald Reagan, John Wayne, Gary Cooper, and other conservative actors and filmmakers. In February 1952, he attended a televised rally in New York where he enthusiastically urged General Dwight D. Eisenhower to run for president. This was when Eisenhower was still being sought by both parties as their candidate. Despite having suffered a severe coronary thrombosis, Gable still managed to vote by mail in the 1960 presidential election for Richard Nixon.
On November 6, 1960, Gable was sent to Hollywood Presbyterian Medical Center in Los Angeles, California, where doctors found that he had suffered a heart attack. Newspaper reports the following day listed his condition as satisfactory. By the morning of November 16, he seemed to be improving. But he died that evening at age 59 from an arterial blood clot. Medical staff did not perform CPR for fear that the procedure would rupture Gable's heart, and a defibrillator was not available.
There was speculation that Gable's physically demanding role in The Misfits contributed to his sudden death soon after filming was completed. In an interview with Louella Parsons, published soon after Gable's death, Kay Gable said, "It wasn't the physical exertion that killed him. It was the horrible tension, the eternal waiting, waiting, waiting. He waited around forever, for everybody. He'd get so angry that he'd just go ahead and do anything to keep occupied." Monroe said that she and Kay had become close during the filming and would refer to Clark as "Our Man", while Arthur Miller, observing Gable on location, noted, "No hint of affront ever showed on his face".
Gable was married five times. He married his first wife, Josephine Dillon, in 1924. In 1930, Gable and Dillon were divorced. He later married his second wife, Texas socialite Maria Franklin Prentiss Lucas Langham (nicknamed "Rhea"). The couple divorced on March 7, 1939. On March 29, 1939, during a production break on Gone with the Wind, Gable married his third wife, Carole Lombard. Lombard died in a plane crash on January 16, 1942. In 1949, Gable married Sylvia Ashley, a British model and actress previously married to Douglas Fairbanks; the couple divorced in 1952.
In 1955, Gable married his fifth wife, Kay Spreckels (née Kathleen Williams), a thrice-married former fashion model and actress who had previously been married to sugar-refining heir Adolph B. Spreckels Jr. On March 20, 1961, Kay Gable gave birth to Gable's only son, John Clark Gable, at the same hospital in which her husband had died four months earlier. Marilyn Monroe attended John Clark's baptism. John Clark had two children: Kayley Gable (born 1986) and Clark James Gable (born September 20, 1988). Kayley is an actress, while Clark James is currently host of the nationally syndicated reality show Cheaters.
During the filming of The Call of the Wild in early 1935, the film's lead actress, Loretta Young, became pregnant with Gable's child. Their daughter, Judy, was born on November 6, 1935 in Venice, California. Young's pregnancy was hidden in an elaborate scheme. Gable was in New York City when he received an unsigned telegram that said, "The baby was born, she is beautiful, and has blonde hair." Young and her mother both denied sending the telegram; Loretta believed that Carter Hermann (her sister Polly's husband, who was also Judy's godfather) had sent it. Nineteen months after the birth, Young claimed to have adopted Judy. Judy went by the name Judy Lewis after her mother married Tom Lewis when she was four years of age.
Lewis grew up resembling Gable very much, including having large ears that stuck out. According to Lewis, Gable visited her home when she was 15, asked about her life, and kissed her on the forehead upon leaving. He did not tell her that he was her biological father. Gable never publicly acknowledged the truth about his daughter, but most in Hollywood and some in the general public believed Gable was Lewis's father because of their strong resemblance and the timing of her birth. Five years after Gable's death, when confronted by Lewis, Loretta Young confirmed that she was Lewis's biological mother and that Gable was her father. Young died of ovarian cancer on August 12, 2000; her autobiography, published posthumously, confirmed that Gable was indeed Lewis's father. Judy Lewis died of cancer at age 76 on November 25, 2011. In 2015, Young's son, Christopher Lewis, and his wife, Linda Lewis, publicly disclosed that Young had told them in 1998 that she had conceived Judy Lewis when Clark Gable raped her.
In a photo essay of Hollywood film stars, Life magazine called Gable, "All man... and then some".
Doris Day summed up Gable's unique personality: "He was as masculine as any man I've ever known, and as much a little boy as a grown man could be – it was this combination that had such a devastating effect on women."
Longtime friend, eight-time co-star and on-again, off-again romance Joan Crawford concurred, stating on David Frost's TV show in 1970 that "he was a king wherever he went. He walked like one, he behaved like one, and he was the most masculine man that I have ever met in my life."
Robert Taylor said Gable "was a great, great guy, and certainly one of the great stars of all times, if not the greatest. I think that I sincerely doubt that there will ever be another like Clark Gable; he was one of a kind."
In his memoir Bring on the Empty Horses, David Niven states that Gable, a close friend, was extremely supportive after the sudden, accidental death of Niven's first wife, Primula (Primmie), in 1946. Primmie had supported Gable emotionally after Carole Lombard's death four years earlier: Niven recounts Gable kneeling at Primmie's feet and sobbing while she held and consoled him. Niven also states that Arthur Miller, the author of The Misfits, had described Gable as "the man who did not know how to hate".
Gable has been criticized for altering critical aspects of a script when he felt that the script would not fit in with his image. Screenwriter Larry Gelbart, as quoted by James Garner once stated that Gable, "... would not go down with the submarine [referring to Run Silent Run Deep (1958), where the movie ended differently from the book on which it was based], because Gable doesn't sink".
Eli Wallach, in his autobiography, also states that Wallach's most dramatic scene in The Misfits was cut from the movie after it had been filmed over several takes. This scene depicts Wallach's character (who secretly loves the character played by Marilyn Monroe) being emotionally crushed when he visits her, hoping to propose to her, and instead sees her with Gable's character. Both Gable and Monroe are offscreen, and Wallach's heartbreak is indicated by his dropping the rose bouquet he had brought for her. Gable ordered the scene removed because he felt that his character would never steal a woman from another man. Wallach, however, refrains from criticizing Gable, noting that he was professional and considerate in his behavior.
Gable is known to have appeared as an extra in 13 films between 1924 and 1930. He then appeared in a total of 67 theatrically released motion pictures, as himself in 17 "short subject" films, and he narrated and appeared in a World War II propaganda film entitled Combat America, produced by the United States Army Air Forces.
Warner Bros. cartoons sometimes caricatured Gable. Examples include Have You Got Any Castles? (in which his face appears seven times inside the novel The House of the Seven Gables), The Coo-Coo Nut Grove (in which his ears flap on their own), Hollywood Steps Out (in which he follows an enigmatic woman), and Cats Don't Dance in which he appears on a billboard promotion for Gone With The Wind.
The 2003 album Give Up by electronic music group The Postal Service includes a song titled "Clark Gable". The song's narrator says he wants a love like something in the movies, and includes the lyrics "I kissed you in a style Clark Gable would have admired, I thought it classic".
In the film Broadway Melody of 1938, Judy Garland (aged 15) sings "You Made Me Love You" while looking at a composite picture of Gable. The opening lines are: "Dear Mr Gable, I am writing this to you, and I hope that you will read it so you'll know, my heart beats like a hammer, and I stutter and I stammer, every time I see you at the picture show, I guess I'm just another fan of yours, and I thought I'd write and tell you so. You made me love you, I didn't want to do it, I didn't want to do it ..."
Bugs Bunny's nonchalant carrot-chewing standing position, as explained by Chuck Jones, Friz Freleng, and Bob Clampett, originated in a scene in the film It Happened One Night, in which Clark Gable's character leans against a fence, eating carrots rapidly and talking with his mouth full to Claudette Colbert's character. This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny's behaviour as satire.
Gable has been portrayed in films by James Brolin in Gable and Lombard (1976), Larry Pennell in Marilyn: The Untold Story (1980), Edward Winter in Moviola: The Scarlett O'Hara War (1980), Boyd Holister in Grace Kelly (1983), Gary Wayne in Malice in Wonderland (1985), Gene Daily in The Rocketeer (1991), Bobby Valentino in RKO 281 (1999), Bruce Hughes and Shayne Greenman in Blonde (2001), and Charles Unwin in Lucy (2003).
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After Office Hours is a 1935 film starring Clark Gable and Constance Bennett and directed by Robert Z. Leonard.
After Office Hours was the second and last time that Gable and Bennett appeared in a film together, previously he had played a supporting role, a milkman, four years earlier in The Easiest Way (1931).Cain and Mabel
Cain and Mabel is a 1936 romantic comedy film designed as a vehicle for Marion Davies in which she co-stars with Clark Gable. The story had been filmed before, in 1924, by William Randolph Hearst's production company, Cosmopolitan, as a silent called The Great White Way, starring Anita Stewart and Oscar Shaw. In this version, Robert Paige introduced the song "I'll Sing You a Thousand Love Songs", with music by Harry Warren and words by Al Dubin, who also wrote "Coney Island", "Here Comes Chiquita", and other songs.Call of the Wild (1935 film)
Call of the Wild is a 1935 American adventure film based on Jack London's novel of The Call of the Wild, directed by William A. Wellman, and stars Clark Gable, Loretta Young, and Jack Oakie. The film omits all but one of the book's story lines.Carole Lombard
Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable.
Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures.
Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role.
Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.Forsaking All Others
Forsaking All Others is a 1934 American romantic comedy-drama film directed by W.S. Van Dyke, and starring Joan Crawford, Clark Gable, and Robert Montgomery. The screenplay was written by Joseph L. Mankiewicz, which was based upon a 1933 play by Edward Barry Roberts and Frank Morgan Cavett starring Tallulah Bankhead.
In this "comedy of errors", three friends of long standing are involved in a love triangle lasting many years.
Forsaking All Others is the sixth of eight cinematic collaborations between Crawford and Gable.Gable and Lombard
Gable and Lombard is a 1976 American biographical film directed by Sidney J. Furie. The screenplay by Barry Sandler is based on the romance and consequent marriage of screen stars Clark Gable and Carole Lombard. The original music score was composed by Michel Legrand.Honky Tonk (1941 film)
Honky Tonk is a 1941 black-and-white western film directed by Jack Conway, produced by Pandro S. Berman, and starring Clark Gable and Lana Turner. The supporting cast features Claire Trevor, Frank Morgan, Marjorie Main, Albert Dekker and Chill Wills.Manhattan Melodrama
Manhattan Melodrama is a 1934 American pre-Code crime film, produced by MGM, directed by W. S. Van Dyke, and starring Clark Gable, William Powell, and Myrna Loy. The movie also provided one of the earliest roles for Mickey Rooney, who played Gable's character as a child. The film is based on a story by Arthur Caesar, who won the Academy Award for Best Original Story. It was also the first of Myrna Loy and William Powell's fourteen screen pairings.
Notorious criminal John Dillinger attended a showing of the film at Chicago's Biograph Theater on July 22, 1934. After leaving the theater, he was shot to death by federal agents. Myrna Loy was among those who expressed distaste at the studio's willingness to exploit this event for the financial benefit of the film. Scenes from Manhattan Melodrama, in addition to Dillinger's death, are depicted in the 2009 film Public Enemies.Mutiny on the Bounty (1935 film)
Mutiny on the Bounty is a 1935 American drama film directed by Frank Lloyd and starring Charles Laughton and Clark Gable, based on the Charles Nordhoff and James Norman Hall novel Mutiny on the Bounty.
The film was one of the biggest hits of its time. Although its historical accuracy has been questioned (inevitably, as it is based on a novel), film critics consider this adaptation to be the best cinematic work inspired by the mutiny.Strange Cargo (1940 film)
Strange Cargo is a 1940 American romantic drama film directed by Frank Borzage and starring Joan Crawford and Clark Gable in a story about a group of fugitive prisoners from a French penal colony. The adapted screenplay by Lawrence Hazard was based upon the 1936 novel, Not Too Narrow, Not Too Deep, by Richard Sale. The film was produced by Joseph L. Mankiewicz for Metro-Goldwyn-Mayer, it was the eighth and last film pairing of Crawford and Gable. The supporting cast includes Peter Lorre.Strange Interlude (film)
Strange Interlude is a 1932 American pre-Code drama film directed by Robert Z. Leonard and released by Metro-Goldwyn-Mayer. The film stars Norma Shearer and Clark Gable, and is based on the play Strange Interlude by Eugene O'Neill. It is greatly shortened from the play: the stage production lasts six hours and is sometimes performed over two evenings, while the film runs the usual two hours.Susan Lenox (Her Fall and Rise)
Susan Lenox (Her Fall and Rise) is a 1931 American pre-Code film directed and produced by Robert Z. Leonard and starring Greta Garbo and Clark Gable. The film was based on the novel by David Graham Phillips and made by Metro-Goldwyn-Mayer. It was the only film in which Greta Garbo was paired with Clark Gable. The notoriety of the novel alone was enough for British censors to ban it from release. With a few cuts, it was finally approved in the UK with a new title: The Rise of Helga.Teacher's Pet (1958 film)
Teacher's Pet is a 1958 American romantic comedy film directed by George Seaton and starring Clark Gable, Doris Day, Gig Young and Mamie Van Doren.The Autograph Hound
The Autograph Hound is a 1939 Donald Duck cartoon which features Donald Duck as an autograph hunter in Hollywood. Many celebrities from the 1930s are featured. This is the first cartoon where Donald Duck is featured in his blue sailor hat.The Coo-Coo Nut Grove
The Coo-Coo Nut Grove (released November 28, 1936) is a Warner Bros. Merrie Melodies short animated film, set in the famed Cocoanut Grove of the Ambassador Hotel in Los Angeles. The cartoon was directed by Friz Freleng, with animation by Robert McKimson and Sandy Walker and musical score by Carl Stalling.Master of ceremonies Ben Birdie (bandleader Ben Bernie) is accosted in the opening scene by Walter Windpipe (Walter Winchell). The short then proceeds to showcase a large number of Hollywood stars in the form of caricatures, including Katharine Hepburn (as a horse named Miss Heartburn), Jean Harlow, Bette Davis, Ned Sparks, Hugh Herbert, W. C. Fields, Clark Gable, Groucho and Harpo Marx, Johnny Weissmuller (in character as Tarzan) and Lupe Vélez, Mae West, Lionel and John Barrymore, Laurel and Hardy, Edward G. Robinson, Fred Astaire, and George Raft. Musical entertainments are provided by Dame Edna May Oliver as "The Lady in Red", the Dionne quintuplets (who were in reality only two years old at the time) and Helen Morgan, sitting on the piano, turning on the tears with a torch song causing most of the guests to cry (except Ben Birdie and a few of the guests) and flooding the Grove in the process. Whereas other cartoons have cariacatured celebrities as either humans or animals, oddly, this short does both - half are seen as human, half as animal versions of the stars.The King and Four Queens
The King and Four Queens is a 1956 DeLuxe Color American Western adventure comedy/mystery film starring Clark Gable and Eleanor Parker in CinemaScope. Directed by Raoul Walsh, the film is based on a story written by Margaret Fitts, who also wrote the screenplay along with Richard Alan Simmons.This film was the first (and last) project from Clark Gable's own production company, GABCO.The Secret Six
The Secret Six is a 1931 American pre-Code crime film starring Wallace Beery as "Slaughterhouse Scorpio", a character very loosely based on Al Capone, and featuring Lewis Stone, John Mack Brown, Jean Harlow, Clark Gable (in a much larger role than his billing indicates), Marjorie Rambeau and Ralph Bellamy. The film was written by Frances Marion and directed by George W. Hill for MGM.They Met in Bombay
They Met in Bombay is a 1941 American adventure drama film directed by Clarence Brown, and starring Clark Gable, Rosalind Russell, and Peter Lorre.You Made Me Love You (I Didn't Want to Do It)
"You Made Me Love You (I Didn't Want to Do It)" is a popular song. The music was written by James V. Monaco, the lyrics by Joseph McCarthy and the song was published in 1913. It was introduced by Al Jolson in the Broadway revue The Honeymoon Express (1913) and used in the 1973 revival of the musical Irene.
One of the earliest recordings of the song was by Al Jolson which was recorded on June 4, 1913. It was released on Columbia A-1374 and was a huge hit. Another successful recording in 1913 was by William J. Halley. Al Jolson recorded the song again on March 20, 1946 and it was released on Decca 23613. Jolson also performed the song on the soundtrack of the 1946 film The Jolson Story.
Roger Edens wrote additional lyrics to the song for Judy Garland. The new lyrics cast Garland in the role of a teenage fan of Clark Gable. Garland sang the song to Gable at a birthday party thrown for him by Metro-Goldwyn-Mayer. MGM executives were so charmed by her rendition that she and the song were added to the film Broadway Melody of 1938. Garland recorded the "Gable" version on September 24, 1937. It was released on Decca 1463. MGM released the song as a b-side in 1939, opposite Garland's recording of "Over the Rainbow" for The Wizard of Oz.