Chinese folk religion (Chinese popular religion or traditional Chinese religion) or Han folk religion is the religious tradition of the Han Chinese, including veneration of forces of nature and ancestors, exorcism of harmful forces, and a belief in the rational order of nature which can be influenced by human beings and their rulers as well as spirits and gods. Worship is devoted to a multiplicity of gods and immortals (神 shén), who can be deities of phenomena, of human behaviour, or progenitors of lineages. Stories regarding some of these gods are collected into the body of Chinese mythology. By the 11th century (Song period), these practices had been blended with Buddhist ideas of karma (one's own doing) and rebirth, and Taoist teachings about hierarchies of gods, to form the popular religious system which has lasted in many ways until the present day.
Chinese religions have a variety of sources, local forms, founder backgrounds, and ritual and philosophical traditions. Despite this diversity, there is a common core that can be summarised as four theological, cosmological, and moral concepts: Tian (天), Heaven, the transcendent source of moral meaning; qi (氣), the breath or energy that animates the universe; jingzu (敬祖), the veneration of ancestors; and bao ying (報應), moral reciprocity; together with two traditional concepts of fate and meaning: ming yun (命運), the personal destiny or burgeoning; and yuan fen (緣分), "fateful coincidence", good and bad chances and potential relationships.
Yin and yang (陰陽) is the polarity that describes the order of the universe, held in balance by the interaction of principles of growth (shen) and principles of waning (gui), with yang ("act") usually preferred over yin ("receptiveness") in common religion. Ling (靈), "numen" or "sacred", is the "medium" of the two states and the inchoate order of creation.
Both the present day government of China and the imperial dynasties of the Ming and Qing tolerated village popular religious cults if they bolstered social stability but suppressed or persecuted those that they feared would undermine it. After the fall of the empire in 1911, governments and elites opposed or attempted to eradicate folk religion in order to promote "modern" values, and many condemned "feudal superstition". These conceptions of folk religion began to change in Taiwan in the late 20th century and in mainland China in the 21st. Many scholars now view folk religion in a positive light. In recent times Chinese folk religions are experiencing a revival in both mainland China and Taiwan. Some forms have received official understanding or recognition as a preservation of traditional Chinese culture, such as Mazuism and the Sanyi teaching in Fujian, Huangdi worship, and other forms of local worship, for example the Longwang, Pangu or Caishen worship.
Chinese "popular religion" or "folk religion" or "folk belief" have long been used to indicate the local and communal religious life and complexities of Han local indigenous cults of China in English-language academic literature, though the Chinese language historically has not had a concept or overarching name for this. In Chinese academic literature and common usage "folk religion" (民間宗教 mínjiān zōngjiào) refers to specific organised folk religious sects. "Folk beliefs" (民間信仰 mínjiān xìnyǎng) is a technical term with little usage outside the academia, in which it entered into usage at first among Taiwanese scholars from Japanese language during Japan's occupation (1895–1945), and later between the 1990s and the early 21st century among mainland Chinese scholars.
With the rise of the study of traditional cults and the creation of a government agency to give legal status to this religion, intellectuals and philosophers in China have proposed the adoption of a formal name in order to solve the terminological problems of confusion with folk religious sects and conceptualise a definite field for research and administration. The terms that have been proposed include "Chinese native religion" or "Chinese indigenous religion" (民俗宗教 mínsú zōngjiào), "Chinese ethnic religion" (民族宗教 mínzú zōngjiào), or also simply "Chinese religion" (中華教 Zhōnghuájiào) viewed as comparable to the usage of the term "Hinduism" for Indian religion, and "Shenxianism" (神仙教 Shénxiānjiào, "religion of deities and immortals"), partly inspired by the term "Shenism" (神教 Shénjiào) that was used in the 1950s by the anthropologist Allan J. A. Elliott. The Qing dynasty scholars Yao Wendong and Chen Jialin used the term shenjiao not referring to Shinto as a definite religious system, but to local shin beliefs in Japan. Other definitions that have been used are "folk cults" (民間崇拜 mínjiān chóngbài),"spontaneous religion" (自發宗教 zìfā zōngjiào), "lived (or living) religion" (生活宗教 shēnghuó zōngjiào), "local religion" (地方宗教 dìfāng zōngjiào), and "diffused religion" (分散性宗教 fēnsàn xìng zōngjiào).
"Shendao" (神道 Shéndào, the "Way of the Gods") is a term already used in the Yijing referring to the divine order of nature. Around the time of the spread of Buddhism in the Han period (206 BCE–220 CE), it was used to distinguish the indigenous religion from the imported religion. Ge Hong used it in his Baopuzi as a synonym for Taoism. The term was subsequently adopted in Japan in the 6th century as Shindo, later Shinto, with the same purpose of identification of the Japanese indigenous religion. In the 14th century, the Hongwu Emperor (Taizu of the Ming dynasty, 1328–1398) used the term "Shendao" clearly identifying the indigenous cults, which he strengthened and systematised.
"Chinese Universism", not in the sense of "universalism", that is a system of universal application, that is Tian in Chinese thought, is a coinage of Jan Jakob Maria de Groot that refers to the metaphysical perspective that lies behind the Chinese religious tradition. De Groot calls Chinese Universism "the ancient metaphysical view that serves as the basis of all classical Chinese thought. ... In Universism, the three components of integrated universe—understood epistemologically, "heaven, earth and man", and understood ontologically, "Taiji (the great beginning, the highest ultimate), yin and yang"—are formed".
Contemporary Chinese scholars have identified what they find to be the essential features of the folk (or indigenous—ethnic) religion of China. According to Chen Xiaoyi 陳曉毅 local indigenous religion is the crucial factor for a harmonious "religious ecology" (宗教生態), that is the balance of forces in a given community. Professor Han Bingfang 韓秉芳 has called for a rectification of distorted names (正名). Distorted names are "superstitious activities" (迷信活動) or "feudal superstition" (封建迷信), that were derogatorily applied to the indigenous religion by leftist policies. Christian missionaries also used the label "feudal superstition" in order to undermine their religious competitor. Han calls for the acknowledgment of folk religion for what it really is, the "core and soul of popular culture" (俗文化的核心與靈魂).
According to Chen Jinguo 陳進國, folk religion is a core element of Chinese cultural and religious self-awareness (文化自覺, 信仰自覺). He has proposed a theoretical definition of Chinese indigenous religion in "three inseparable attributes" (三位一體), apparently inspired to Tang Junyi's thought:
Chinese religious practices are diverse, varying from province to province and even from one village to another, for religious behaviour is bound to local communities, kinship, and environments. In each setting, institution and ritual behaviour assumes highly organised forms. Temples and the gods in them acquire symbolic character and perform specific functions involved in the everyday life of the local community. Local religion preserves aspects of natural beliefs such as totemism, animism and shamanism.
Chinese folk religion pervades all aspects of social life. Many scholars, following the lead of sociologist C. K. Yang, see Chinese religion deeply embedded in family and civic life, rather than expressed in a separate organisational structure like a "church," as in the West.
Deity or temple associations and lineage associations, pilgrimage associations and formalised prayers, rituals and expressions of virtues, are the common forms of organisation of Chinese religion on the local level. Neither initiation rituals nor official membership into a church organisation separate from one person's native identity are mandatory in order to be involved in religious activities. Contrary to institutional religions, Chinese religion does not require "conversion" for participation.
The prime criterion for participation in Chinese folk religion is not "to believe" in an official doctrine or dogma, but "to belong" to the local unit of Chinese religion, that is the "association", the "village" or the "kinship", with their gods and rituals. Scholar Richard Madsen describes Chinese religion, adopting the definition of Tu Weiming, as characterised by "immanent transcendence" grounded in a devotion to "concrete humanity", focused on building moral community within concrete humanity.
Inextricably linked to the aforementioned question to find an appropriate "name" for Chinese religion, is the difficulty to define it or clearly outline its boundaries. Old sinology, especially Western, tried to distinguish "popular" and "élite" traditions (the latter being Confucianism and Taoism conceived as independent systems). Chinese sinology later adopted another dichotomy which continues in contemporary studies, distinguishing "folk beliefs" (minjian xinyang) and "folk religion" (minjian zongjiao), the latter referring to the doctrinal sects.
Many studies have pointed out that it is impossible to draw clear distinctions, and since the 1970s several sinologists swung to the idea of a unified "Chinese religion" that would define the Chinese national identity, similarly to Hinduism for India and Shinto for Japan. Other sinologists who have not espoused the idea of a unified "national religion" have studied Chinese religion as a system of meaning, or have brought further development in C. K. Yang's distinction between "institutional religion" and "diffused religion", the former functioning as a separate body from other social institutions, and the latter intimately part of secular social institutions.
By the Han dynasty, Chinese religion mostly consisted of people organising into shè 社 ("group", "body", local community altars) who worshipped their godly principle. In many cases the "lord of the she" was the god of the earth, and in others a deified virtuous person (xiān 仙, "immortal"). Some cults such as that of Liu Zhang, a king in what is today Shandong, date back to this period.
From the 3rd century on by the Northern Wei, accompanying the spread of Buddhism in China, strong influences from the Indian subcontinent penetrated the Chinese indigenous religion. A cult of Ganesha (象頭神 Xiàngtóushén, "Elephant-Head God") is attested in the year 531. Pollination from Indian religions included processions of carts with images of gods or floats borne on shoulders, with musicians and chanting.
The Chinese folk religion was subject to persecution in the 19th and 20th centuries. Many local temples were destroyed during the Taiping Rebellion and the Boxer Rebellion in the late 1800s. After the Xinhai Revolution of 1911 "most temples were turned to other uses or were destroyed, with a few changed into schools". During the Japanese invasion of China between 1937 and 1945 many temples were used as barracks by soldiers and destroyed in warfare.
In the past, popular cults were regulated by imperial government policies, promoting certain deities while suppressing other ones. In the 20th century, with the decline of the empire, increasing urbanisation and Western influence, the issue for the new intellectual class was no longer controlling unauthorised worship of unregistered gods, but became the delegitimisation of folk religion as a superstitious obstacle to modernisation.
In 1904 a government regulation of the late empire approved for schools to be built through the confiscation of temple property. Various "anti-superstition" campaigns followed. The Guomindang government of the early republic intensified the suppression of local religion with the 1928 "Standards for retaining or abolishing gods and shrines"; the policy abolished all cults of gods with the exception of human heroes such as Yu the Great, Guan Yu and Confucius.
These policies were the background of those that were implemented in communist China after 1949. The Cultural Revolution between 1966 and 1976 of the Maoist period was the last systematic effort to destroy the folk religion.
After 1978 Chinese folk religion started to rapidly revive in China, with millions of temples being rebuilt or built from scratch. Since the 1980s the central government moved to a policy of benign neglect or wu wei (無為) in regard to rural community life, and the local government's new regulatory relationship with local society is characterized by practical mutual dependence; these factors have given much space for popular religion to develop. In recent years, in some cases, local governments have taken an even positive and supportive attitude towards indigenous religion in the name of promoting cultural heritage.
Instead of signaling the demise of traditional religion, China's economic development has brought a spiritual renewal. As its images and practices integrate the codes of Chinese culture, Chinese folk religion provides the Chinese people a means to face the challenges of modernisation.
Chinese religion draws from a vast heritage of sacred books, which according to the general worldview treat cosmology, history and mythology, mysticism and philosophy, as aspects of the same thing. Historically, the revolutionary shift toward a preference for textual transmission and text-based knowledge over long-standing oral traditions first becomes detectable in the 1st century CE. The spoken word, however, never lost its power. Rather than writing replacing the power of the spoken word, both existed side by side. Scriptures had to be recited and heard in order to be efficacious, and the limitations of written texts were acknowledged particularly in Taoism and folk religion.
There are the classic books (經 jīng, "warp") such as the Confucian canon including the "Four Books and Five Classics" (四書五經 Sìshū wǔjīng) and the "Classic of Filial Piety" (孝經 Xiàojīng), then there are the Mozi (Mohism), the Huainanzi, the Shizi and the Xunzi. The "Interactions Between Heaven and Mankind" (天人感應 Tiānrén Gǎnyìng) is a set of Confucianised doctrines compiled in the Han dynasty by Dong Zhongshu, discussing politics in accordance with a personal Tian of whom mankind is viewed as the incarnation.
Taoism has a separate body of philosophical, theological and ritual literature, including the fundamental Daodejing (道德經 "Book of the Way and its Virtue"), the Daozang (Taoist Canon), the Liezi and the Zhuangzi, and a great number of other texts either included or not within the Taoist Canon. Vernacular literature and the folk religious sects have produced a great body of popular mythological and theological literature, the baojuan (寶卷 "precious scrolls").
Recent discovery of ancient books, such as the "Guodian texts" in the 1990s and the Huangdi sijing (黃帝四經 "Four Books of the Yellow Emperor") in the 1970s, has given rise to new interpretations of Chinese religion and new directions in its post-Maoist renewal. Many of these books overcome the dichotomy between Confucian and Taoist traditions. The Guodian texts include, among others, the Taiyi Shengshui (太一生水 "The Great One Gives Birth to Water"). Another book attributed to the Yellow Emperor is the Huangdi yinfujing (黃帝陰符經 "Yellow Emperor's Book of the Hidden Symbol").
Classical books of mythology include the "Classic of Mountains and Seas" (山海經 Shānhǎijīng), the "Record of Heretofore Lost Works" (拾遺記 Shíyíjì), "The Peach Blossom Spring" (桃花源記 Táohuāyuánjì), the "Investiture of the Gods" (封神演義 Fēngshén yǎnyì), and the "Journey to the West" (西遊記 Xīyóujì) among others.
Fan and Chen summarise four spiritual, cosmological, and moral concepts: Tian (天), Heaven, the source of moral meaning; qi (氣), the breath or substance of which all things are made; the practice of jingzu (敬祖), the veneration of ancestors; bao ying (報應), moral reciprocity.
Confucians, Taoists, and other schools of thought share basic concepts of Tian. Tian is both the physical heavens, the home of the sun, moon, and stars, and also the home of the gods and ancestors. Tian by extension is source of moral meaning, as seen in the political principal, Mandate of Heaven, which holds that Tian, responding to human virtue, grants the imperial family the right to rule and withdraws it when the dynasty declines in virtue. This creativity or virtue (de), in humans is the potentiality to transcend the given conditions and act wisely and morally. Tian is therefore both transcendent and immanent.
Tian is defined in many ways, with many names, the most widely known being Tàidì 太帝 (the "Great Deity") and Shàngdì 上帝 (the "Primordial Deity").[note 2] The concept of Shangdi is especially rooted in the tradition of the Shang dynasty, which gave prominence to the worship of ancestral gods and cultural heroes. The "Primordial Deity" or "Primordial Emperor" was considered to be embodied in the human realm as the lineage of imperial power. Di (帝) is a term meaning "deity" or "emperor" (Latin: imperator, verb im-perare; "making from within"), used either as a name of the primordial god or as a title of natural gods, describing a principle that exerts a fatherly dominance over what it produces. With the Zhou dynasty, that preferred a religion focused on gods of nature, Tian became a more abstract and impersonal idea of God. A popular representation is the Jade Deity (玉帝 Yùdì) or Jade Emperor (玉皇 Yùhuáng)[note 3] originally formulated by Taoists. According to classical theology he manifests in five primary forms (五方上帝 Wǔfāng Shàngdì, "Five Forms of the Highest Deity").
The qi 气 is the breath or substance of which all things are made, including inanimate matter, the living beings, thought and gods. It is the continuum energy—matter. Stephen F. Teiser (1996) translates it as "stuff" of "psychophysical stuff". Neo-Confucian thinkers such as Zhu Xi developed the idea of li 理, the "reason", "order" of Heaven, that is to say the pattern through which the qi develops, that is the polarity of yin and yang. In Taoism the Tao 道 ("Way") denotes in one concept both the impersonal absolute Tian and its order of manifestation (li).
|Yīnyáng 陰陽 motifs|
|① Yin and yang naturally formed in a log in Germany, and ② in a cosmological diagram as 地 Dì (a mountain growing to Heaven and a square as its order) and Tiān as the Big Dipper.[note 4]|
Yin 陰 and yang 陽, whose root meanings respectively are "shady" and "sunny", or "dark" and "light", are modes of manifestation of the qi, not material things in themselves. Yin is the qi in its dense, dark, sinking, wet, condensing mode; yang denotes the light, and the bright, rising, dry, expanding modality. Described as Taiji (the "Great Pole"), they represent the polarity and complementarity that enlivens the cosmos. They can also be conceived as "disorder" and "order", "activity" or "passivity", with act (yang) usually preferred over receptiveness (yin).
The concept 神 "shén" (cognate of 申 shēn, "extending, expanding") is translated as "gods" or "spirits". There are shén of nature; gods who were once people, such as the warrior Guan Gong; household gods, such as the Stove God; as well as ancestral gods (zu or zuxian). In the domain of humanity the shen is the "psyche", or the power or agency within humans. They are intimately involved in the life of this world. As spirits of stars, mountains and streams, shen exert a direct influence on things, making phenomena appear and things grow or extend themselves. An early Chinese dictionary, the Shuowen jiezi by Xu Shen, explains that they "are the spirits of Heaven" and they "draw out the ten thousand things". As forces of growth the gods are regarded as yang, opposed to a yin class of entities called 鬼 "guǐ" (cognate of 歸 guī, "return, contraction"), chaotic beings. A disciple of Zhu Xi noted that "between Heaven and Earth there is no thing that does not consist of yin and yang, and there is no place where yin and yang are not found. Therefore there is no place where gods and spirits do not exist". The dragon is a symbol of yang, the principle of generation.
In Taoist and Confucian thought, the supreme God and its order and the multiplicity of shen are identified as one and the same. In the Yizhuan, a commentary to the Yijing, it is written that "one yin and one yang are called the Tao ... the unfathomable change of yin and yang is called shen". In other texts, with a tradition going back to the Han period, the gods and spirits are explained to be names of yin and yang, forces of contraction and forces of growth.
While in popular thought they have conscience and personality, Neo-Confucian scholars tended to rationalise them. Zhu Xi wrote that they act according to the li. Zhang Zai wrote that they are "the inherent potential (liang neng) of the two ways of qi". Cheng Yi said that they are "traces of the creative process". Chen Chun wrote that shen and gui are expansions and contractions, going and coming, of yin and yang—qi.
Like all things in matter, also humans have a soul that is a dialectic of hun and po (魂魄), respectively the yang spirit or mind, and the yin animal soul that is the body. Hun (mind) is the shen (that gives a form to the qi) of humans, and it develops through the po, stretching and moving intelligently in order to grasp things. The po is the "feminine" soul which controls the physiological and psychological activities of man, while the hun, the god attached to the vital breath, is the "masculine" soul that is totally independent of corporeal substance. The hun is virile, independent and perpetual, and as such it never allows itself to be limited in matter.[note 6] Otherwise said, the po is the "earthly" (di) soul that goes downward, while the hun is the "heavenly" (tian) soul that moves upward.
To extend life to its full potential the human shen must be cultivated, resulting in ever clearer, more luminous states of being. It can transform in the pure intelligent breath of deities. In man there's no distinction between rationality and intuition, thinking and feeling: the human being is xin (心), mind-heart. With death, while the po returns to the earth and disappears, the hun is thought to be pure awareness or qi, and is the shen to whom ancestral sacrifices are dedicated.
The shen of men who are properly cultivated and honoured after their death are upheld ancestors and progenitors (zuxian 祖先 or simply zu 祖). When ancestries aren't properly cultivated the world falls into disruption, and they become gui. Ancestral worship is intertwined with totemism, as the earliest ancestors of an ethnic lineage are often represented as animals or associated to them.
Ancestors are means of connection with the Tian, the primordial god which does not have form. As ancestors have form, they shape the destiny of humans. Ancestors who have had a significant impact in shaping the destiny of large groups of people, creators of genetic lineages or spiritual traditions, and historical leaders who have invented crafts and institutions for the wealth of the Chinese nation (culture heroes), are exalted among the highest divine manifestations or immortal beings (xian 仙).
In fact, in the Chinese tradition there is no distinction between gods (shen) and immortal beings (xian), transcendental principles and their bodily manifestations. Gods can incarnate with a human form and human beings can reach higher spiritual states by the right way of action, that is to say by emulating the order of Heaven. Humans are considered one of the three aspects of a trinity (三才 Sāncái, "Three Powers"), the three foundations of all being; specifically, men are the medium between Heaven that engenders order and forms and Earth which receives and nourishes them. Men are endowed with the role of completing creation.[note 7]
The Chinese traditional concept of bao ying ("reciprocity", "retribution" or "judgement"), is inscribed in the cosmological view of an ordered world, in which all manifestations of being have an allotted span (shu) and destiny, and are rewarded according to the moral-cosmic quality of their actions. It determines fate, as written in Zhou texts: "on the doer of good, heaven sends down all blessings, and on the doer of evil, he sends down all calamities" (《書經•湯誥》).
The cosmic significance of bao ying is better understood by exploring other two traditional concepts of fate and meaning:
Ming yun and yuan fen are linked, because what appears on the surface to be chance (either positive or negative), is part of the deeper rhythm that shapes personal life based on how destiny is directed. Recognising this connection has the result of making a person responsible for his or her actions: doing good for others spiritually improves oneself and contributes to the harmony between men and environmental gods and thus to the wealth of a human community.
These three themes of the Chinese tradition—moral reciprocity, personal destiny, fateful coincidence—are completed by a fourth notion:
As part of the trinity of being (the Three Powers), humans are not totally submissive to spiritual force. While under the sway of spiritual forces, humans can actively engage with them, striving to change their own fate to prove the worth of their earthly life. In the Chinese traditional view of human destiny, the dichotomy between "fatalism" and "optimism" is overcome; human beings can shape their personal destiny to grasp their real worth in the transformation of the universe, seeing their place in the alliance with the gods and with Heaven to surpass the constraints of the physical body and mind.
In Chinese religion the concept of ling (靈) is the equivalent of holy and numen. Shen in the meaning of "spiritual" is a synonym. The Yijing states that "spiritual means not measured by yin and yang". Ling is the state of the "medium" of the bivalency (yin-yang), and thus it is identical with the inchoate order of creation. Things inspiring awe or wonder because they can't be fathomed as either yin or yang, because they cross or disrupt the polarity and therefore can't be conceptualised, are regarded as numinous. Entities possessing unusual spiritual characteristics, such as albino members of a species, beings that are part-animal part-human, or people who die in unusual ways such as suicide or on battlefields, are considered numinous.
The notion of xian ling (顯靈), variously translated as "divine efficacy, virtue" or simply the "numen", is important for the relationship between men and gods. It describes the manifestation, activity, of the power of a god (靈氣 ling qi, "divine energy" or "effervescence"), the evidence of the holy.
The term xian ling may be interpreted as the god revealing his presence in a particular area and temple, through events that are perceived as extraordinary, miraculous. Divine power usually manifests in the presence of a wide public. The "value" of human deities (xian) is judged according to his or her efficacy. The perceived effectiveness of a deity to protect or bless also determines how much he or she should be worshipped, how big a temple should be built in his or her honour, and what position in the broader pantheon he or she would attain.
Zavidovskaya (2012) has studied how the incentive of temple restorations since the 1980s in northern China was triggered by numerous alleged instances of gods becoming "active" and "returning", reclaiming their temples and place in society. She mentions the example of a Chenghuang Temple in Yulin, Shaanxi, that was turned into a granary during the Cultural Revolution; it was restored to its original function in the 1980s after seeds stored within were always found to have rotted. This phenomenon, which locals attributed to the god Chenghuang, was taken a sign to empty his residence of grain and allow him back in. The ling qi, divine energy, is believed to accumulate in certain places, temples, making them holy. Temples with a longer history are considered holier than newly built ones, which still need to be filled by divine energy.
Another example Zavidovskaya cites is the cult of the god Zhenwu in Congluo Yu, Shanxi; the god's temples were in ruins and the cult inactive until the mid 1990s, when a man with terminal cancer, in his last hope prayed (bai 拜) to Zhenwu. The man began to miraculously recover each passing day, and after a year he was completely healed. As thanksgiving, he organised an opera performance in the god’s honour. A temporary altar with a statue of Zhenwu and a stage for the performance were set up in an open space at the foot of a mountain. During the course of the opera, large white snakes appeared, passive and unafraid of the people, seemingly watching the opera; the snakes were considered by locals to be incarnations of Zhenwu, come to watch the opera held in his honour.
Within temples, it is common to see banners bearing the phrase "if the heart is sincere, the god will reveal his power" (心誠神靈 xin cheng shen ling). The relationship between men and gods is an exchange of favour. This implies the belief that gods respond to the entreaties of the believer if his or her religious fervour is sincere (cheng xin 誠心). If a person believes in the god's power with all his heart and expresses piety, the gods are confident in his faith and reveal their efficacious power. At the same time, for faith to strengthen in the devotee’s heart, the deity has to prove his or her efficacy. In exchange for divine favours, a faithful honours the deity with vows (huan yuan 還願 or xu yuan 許願), through individual worship, reverence and respect (jing shen 敬神).
The most common display of divine power is the cure of diseases after a believer piously requests aid. Another manifestation is granting a request of children. The deity may also manifest through mediumship, entering the body of a shaman-medium and speaking through them. There have been cases of people curing illnesses "on behalf of a god" (ti shen zhi bing 替神治病). Gods may also speak to people when they are asleep (tuomeng 託夢).
Chinese religion in its communal expression involves the worship of gods that are the generative power and tutelary spirit (genius loci) of a locality or a certain aspect of nature (for example water gods, river gods, fire gods, mountain gods), or of gods that are common ancestors of a village, a larger identity, or the Chinese nation (Shennong, Huangdi, Pangu).
The social structure of this religion is the shénshè 神社 (literally "society of a god"), synonymous with shehui 社會, in which shè 社 originally meant the altar of a community's earth god, while 會 huì means "association", "assembly", "church" or "gathering". This type of religious trusts can be dedicated to a god which is bound to a single village or temple or to a god which has a wider following, in multiple villages, provinces or even a national importance. Mao Zedong distinguished "god associations", "village communities" and "temple associations" in his analysis of religious trusts. In his words: "every kind and type of god [shen] can have an association [hui]", for example the Zhaogong Association, the Guanyin Association, the Guangong Association, the Dashen Association, the Bogong Association, the Wenchang Association, and the like. Within the category of hui Mao also distinguished the sacrifice associations (jiàohuì 醮會) which make sacrifices in honour of gods.
These societies organise gatherings and festivals (miaohui 廟會) participated by members of the whole village or larger community on the occasions of what are believed to be the birthdays of the gods or other events, or to seek protection from droughts, epidemics, and other disasters. Such festivals invoke the power of the gods for practical goals to "summon blessings and drive away harm". Special devotional currents within this framework can be identified by specific names such as Mazuism (媽祖教 Māzǔjiào), Wang Ye worship, or the cult of the Silkworm Mother.
This type of religion is prevalent in north China, where lineage religion is absent, private, or historically present only within families of southern origin, and patrilineal ties are based on seniority, and villages are composed of people with different surnames. In this context, the deity societies or temple societies function as poles of the civil organism. Often deity societies incorporate entire villages; this is the reason why in north China can be found many villages which are named after deities and their temples, for example Léishénmiào village (雷神廟 "[Village of the] Temple of the Thunder God") or Mǎshénmiàocūn (馬神廟村 "Village of the Temple of the Horse God").
Another dimension of the Chinese folk religion is based on family or genealogical worship of deities and ancestors in family altars or private temples (simiao 私廟 or jiamiao 家廟), or ancestral shrines (citang 祠堂 or zongci 宗祠, or also zumiao 祖廟). Kinship associations or churches (zōngzú xiéhuì 宗族協會), congregating people with the same surname and belonging to the same kin, are the social expression of this religion: these lineage societies build temples where the deified ancestors of a certain group (for example the Chens or the Lins) are enshrined and worshiped. These temples serve as centres of aggregation for people belonging to the same lineage, and the lineage body may provide a context of identification and mutual assistance for individual persons.
The construction of large and elaborate ancestral temples traditionally represents a kin's wealth, influence and achievement. Scholar K. S. Yang has explored the ethno-political dynamism of this form of religion, through which people who become distinguished for their value and virtue are considered immortal and receive posthumous divine titles, and are believed to protect their descendants, inspiring a mythological lore for the collective memory of a family or kin.
If their temples and their deities enshrined acquire popularity they are considered worthy of the virtue of ling, "efficacy". Worship of ancestors (jingzu 敬祖) is observed nationally with large-scale rituals on Qingming Festival and other holidays.
This type of religion prevails in south China, where lineage bonds are stronger and the patrilineal hierarchy is not based upon seniority, and access to corporate resources held by a lineage is based upon the equality of all the lines of descent.
"The extent to which shamanism pervaded ancient Chinese society", says scholar Paul R. Goldin (2005), "is a matter of scholarly dispute, but there can be no doubt that many communities relied upon the unique talents of shamans for their quotidian spiritual needs". The Chinese usage distinguishes the Chinese wu tradition or "Wuism" as it was called by Jan Jakob Maria de Groot (巫教 wūjiào; properly shamanic, with control over the gods) from the tongji tradition (童乩; mediumship, without control of the godly movement), and from non-Han Chinese Altaic shamanisms (薩滿教 sàmǎnjiào) that are practised in northern provinces.
According to Andreea Chirita (2014), Confucianism itself, with its emphasis on hierarchy and ancestral rituals, derived from the shamanic discourse of the Shang dynasty. What Confucianism did was to marginalise the "dysfunctional" features of old shamanism. However, shamanic traditions continued uninterrupted within the folk religion and found precise and functional forms within Taoism.
In the Shang and Zhou dynasty, shamans had a role in the political hierarchy, and were represented institutionally by the Ministry of Rites (大宗拍). The emperor was considered the supreme shaman, intermediating between the three realms of heaven, earth and man. The mission of a shaman (巫 wu) is "to repair the dis-functionalities occurred in nature and generated after the sky had been separated from earth":
Since the 1980s the practice and study of shamanism has undergone a massive revival in Chinese religion as a means to repair the world to a harmonious whole after industrialisation. Shamanism is viewed by many scholars as the foundation for the emergence of civilisation, and the shaman as "teacher and spirit" of peoples. The Chinese Society for Shamanic Studies was founded in Jilin City in 1988.
Nuo folk religion is a system of the Chinese folk religion with distinct institutions and cosmology present especially in central-southern China. It arose as an exorcistic religious movement, and it is interethnic but also intimately connected to the Tujia people.
Confucianism and Taoism—which are formalised, ritual, doctrinal or philosophical traditions—can be considered both as embedded within the larger category of Chinese religion, or as separate religions. In fact, one can practise certain folk cults and espouse the tenets of Confucianism as a philosophical framework, Confucian theology instructing to uphold the moral order through the worship of gods and ancestors that is the way of connecting to the Tian and awakening to its harmony (li, "rite").
Folk temples and ancestral shrines on special occasions may choose Confucian liturgy (that is called 儒 rú, or sometimes 正統 zhèngtǒng, meaning "orthoprax" ritual style) led by Confucian "sages of rites" (禮生 lǐshēng) who in many cases are the elders of a local community. Confucian liturgies are alternated with Taoist liturgies and popular ritual styles.
There are many organised groups of the folk religion that adopt Confucian liturgy and identity, for example the Way of the Gods according to the Confucian Tradition or phoenix churches (Luanism), or the Confucian churches, schools and fellowships such as the Yīdān xuétáng (一耽學堂) of Beijing, the Mèngmǔtáng (孟母堂) of Shanghai, the Confucian Fellowship (儒教道壇 Rújiào Dàotán) in northern Fujian, and ancestral temples of the Kong (Confucius) lineage operating as well as Confucian-teaching churches. In November 2015 a national Holy Confucian Church was established with the contribution of many Confucian leaders.
Scholar and Taoist priest Kristofer Schipper defines Taoism as a "liturgical framework" for the development of local religion. Some currents of Taoism are deeply interwoven with the Chinese folk religion, especially the Zhengyi school, developing aspects of local cults within their doctrines; however Taoists always highlight the distinction between their traditions and those which aren't Taoist. Priests of Taoism are called daoshi (道士), literally meaning "masters of the Tao", otherwise commonly translated simply the "Taoists", as common followers and folk believers who are not part of Taoist orders are not identified as such.
Taoists of the Zhengyi school, who are called sǎnjū dàoshi (散居道士) or huǒjū dàoshi (火居道士), respectively meaning "scattered daoshi" and "daoshi living at home (hearth)", because they can get married and perform the profession of priests as a part-time occupation, may perform rituals of offering (jiao), thanks-giving, propitiation, exorcism and rites of passage for local communities' temples and private homes. Local gods of local cultures are often incorporated into their altars. The Zhengyi Taoists are trained by other priests of the same sect, and historically received formal ordination by the Celestial Master, although the 63rd Celestial Master Zhang Enpu fled to Taiwan in the 1940s during the Chinese Civil War.
Lineages of ritual masters (法師 fashi), also referred to as practitioners of "Faism", also called "Folk Taoism" or (in southeast China) "Red Taoism", operate within the Chinese folk religion but outside any institution of official Taoism. The ritual masters, who have the same role of the sanju daoshi within the fabric of society, aren't considered Taoist priests by the daoshi of Taoism who trace their lineage to the Celestial Masters and by Taoists officially registered with the state Taoist Church. Fashi are defined as of "kataphatic" (filling) character in opposition to professional Taoists who are "kenotic" (of emptying, or apophatic, character).
China has a long history of sect traditions characterised by a soteriological and eschatological character, often called "salvationist religions" (救度宗教 jiùdù zōngjiào), which emerged from the common religion but are neither ascribable to the lineage cult of ancestors and progenitors, nor to the communal deity religion of village temples, neighbourhood, corporation, or national temples.
The 20th-century expression of this religions has been studied under Prasenjit Duara's definition of "redemptive societies" (救世團體 jiùshì tuántǐ), while modern Chinese scholarship describes them as "folk religious sects" (民間宗教 mínjiān zōngjiào, 民間教門 mínjiān jiàomén or 民间教派 mínjiān jiàopài), abandoning the ancient derogatory definition of xiéjiào (邪教), "evil religion".
They are characterised by egalitarianism, a foundation through a charismatic figure and a direct divine revelation, a millenarian eschatology and voluntary path of salvation, an embodied experience of the numinous through healing and cultivation, and an expansive orientation through good deeds, evangelism and philanthropy. Their practices are focused on improving morality, body cultivation, and recitation of scriptures.
Many of the redemptive religions of the 20th and 21st century aspire to become the repository of the entirety of the Chinese tradition in the face of Western modernism and materialism. This group of religions includes Yiguandao and other sects belonging to the Xiantiandao (先天道 "Way of Former Heaven"), Jiugongdao (九宮道 "Way of the Nine Palaces"), various proliferations of the Luo teaching, the Zaili teaching, and the more recent De teaching, Weixinist, Xuanyuan and Tiandi teachings, the latter two focused respectively on the worship of Huangdi and the universal God. Also, the qigong schools are developments of the same religious context.
These movements were banned in the early Republican China and later Communist China. Many of them still remain illegal, underground or unrecognised in China, while others—specifically the De teaching, Tiandi teachings, Xuanyuan teaching, Weixinism and Yiguandao—have developed cooperation with mainland China's academic and non-governmental organisations. The Sanyi teaching is an organised folk religion founded in the 16th century, present in the Putian region (Xinghua) of Fujian where it is legally recognised. Some of these sects began to register as branches of the state Taoist Association since the 1990s.
Another category that has been sometimes confused with that of the sects of salvation by scholars, is that of the secret societies (會道門 huìdàomén, 祕密社會 mìmì shèhuì, or 祕密結社 mìmì jiéshè). They are religious communities of initiatory and secretive character, including rural militias such as the Red Spears (紅槍會) and the Big Knives (大刀會), and fraternal organisations such as the Green Gangs (青幫) and the Elders' Societies (哥老會). They became very popular in the early republican period, and often labeled as "heretical doctrines" (宗教異端 zōngjiào yìduān). Recent scholarship has created the label of "secret sects" (祕密教門 mìmì jiàomén) to distinguish the peasant "secret societies" with a positive dimension of the Yuan, Ming and Qing periods, from the negatively viewed "secret societies" of the early republic that became instruments of anti-revolutionary forces (the Guomindang or Japan).
A further distinctive type of sects of the folk religion, that are possibly the same as the positive "secret sects", are the martial sects. They combine two aspects: the wénchǎng (文場 "cultural field"), that is the doctrinal aspect characterised by elborate cosmologies, theologies, initiatory and ritual patterns, and that is usually kept secretive; and the wǔchǎng (武場 "martial field"), that is the body cultivation practice and that is usually the "public face" of the sect. They were outlawed by Ming imperial edicts that continued to be enforced until the fall of the Qing dynasty in the 20th century. An example of martial sect is Meihuaism (梅花教 Méihuājiào, "Plum Flowers"), that has become very popular throughout northern China. In Taiwan, virtually all of the "redemptive societies" operate freely since the late 1980s.
The Tiandi teachings is a religion that encompasses two branches, the Holy Church of the Heavenly Virtue (天德聖教 Tiāndé shèngjiào) and the Church of the Heavenly Deity (天帝教 Tiāndìjiào), both emerged from the techings of Xiao Changming and Li Yujie, disseminated in the early 20th century. The latter is actually an outgrowth of the former established in the 1980s.
The religions focus on the worship of Tiandi (天帝), the "Heavenly Deity" or "Heavenly Emperor", on health through the proper cultivation of qi, and teach a style of qigong named Tianren qigong. According to scholars, Tiandi teachings derive from the Taoist tradition of Huashan, where Li Yujie studied for eight years. The Church of the Heavenly Deity is very active both in Taiwan and mainland China, where it has high-level links.
Weixinism (Chinese: 唯心聖教; pinyin: Wéixīn shèngjiào; literally: 'Holy Religion of the Only Heart' or simply 唯心教; Wéixīnjiào) is a religion primarily focused on the "orthodox lineages of Yijing and feng shui", the Hundred Schools of Thought, and worship of the "three great ancestors" (Huangdi, Yandi and Chiyou). The movement promotes the restoration of the authentic roots of the Chinese civilization and Chinese reunification.
The Weixinist Church, whose headquarters are in Taiwan, is also active in Mainland China in the key birthplaces of the Chinese culture. It has links with the government of Henan where it has established the "City of Eight Trigrams" templar complex on Yunmeng Mountain (of the Yan Mountains), and it has also built temples in Hebei.
Vincent Goossaert has recently (2011) published a review of scholarly works which study "north China folk religion" as a distinct phenomenon. In contrast to the folk religion of southern and southeastern provinces which is primarily focused on the lineages and their churches (zōngzú xiéhuì 宗族協會) focusing on ancestral gods, the folk religion of central-northern China (North China Plain) predominantly hinges on the communal worship of tutelary deities of creation and nature as identity symbols by villages populated by families of different surnames, structured into "communities of the god(s)" (shénshè 神社, or huì 會, "association"), which organise temple ceremonies (miaohui 廟會), involving processions and pilgrimages, and led by indigenous ritual masters (fashi) who are often hereditary and linked to secular authority.[note 10]
Northern and southern folk religions also have a different pantheon, of which the northern one is composed of more ancient gods of Chinese mythology. Furthermore, folk religious sects have historically been more successful in the central plains and in the northeastern provinces than in southern China, and central-northern folk religion shares characteristics of some of the sects, such as the heavy importance of mother goddess worship and shamanism, as well as their scriptural transmission.:92 Confucian churches as well have historically found much resonance among the population of the northeast; in the 1930s the Universal Church of the Way and its Virtue alone aggregated at least 25% of the population of the state of Manchuria and contemporary Shandong has been analysed as an area of rapid growth of folk Confucian groups.
Along the southeastern coast, ritual functions of the folk religion are reportedly dominated by Taoism, both in registered and unregistered forms (Zhengyi Taoism and unrecognised fashi orders), which since the 1990s has developed quickly in the area.
Goossaert talks of this distinction, although recognising it as an oversimplification, of a "Taoist south" and a "village-religion/Confucian centre-north",:47 with the northern context also characterised by important orders of "folk Taoist" ritual masters, one of which are the 陰陽生 yīnyángshēng ("sages of yin and yang"),:86 and sectarian traditions,:92 and also by a low influence of Buddhism and official Taoism.:90
The folk religion of northeast China has unique characteristics deriving from the interaction of Han religion with Tungus and Manchu shamanisms; these include chūmǎxiān (出馬仙 "riding for the immortals") shamanism, the worship of foxes and other zoomorphic deities, and the Fox Gods (狐神 Húshén)—Great Lord of the Three Foxes (胡三太爺 Húsān Tàiyé) and the Great Lady of the Three Foxes (胡三太奶 Húsān Tàinǎi)—at the head of pantheons. Otherwise, in the religious context of Inner Mongolia there has been a significant integration of Han Chinese into the traditional folk religion of the region.
In recent years there has also been an assimilation of deities from Tibetan folk religion, especially wealth gods. In Tibet, across broader western China, and in Inner Mongolia, there has been a growth of the cult of Gesar with the explicit support of the Chinese government, a cross-ethnic Han-Tibetan, Mongol and Manchu deity (the Han identify him as an aspect of the god of war analogically with Guandi) and culture hero whose mythology is embodied as a culturally important epic poem.
Chinese religion has both influenced, and in turn has been influenced by, indigenous religions of ethnic groups that the Han Chinese have encountered along their ethnogenetic history. Seiwert (1987) finds evidence of pre-Chinese religions in the folk religion of certain southeastern provinces such as Fujian and Taiwan, especially in the local wu and lineages of ordained ritual masters.:44
A process of sinicization, or more appropriately a "Taoisation", is also the more recent experience of the indigenous religions of some distinct ethnic minorities of China, especially southwestern people. Chinese Taoists gradually penetrate within the indigenous religions of such peoples, in some cases working side by side with indigenous priests, in other cases taking over the latter's function and integrating them by requiring their ordination as Taoists.:45 Usually, indigenous ritual practices remain unaffected and are adopted into Taoist liturgy, while indigenous gods are identified with Chinese gods.:47 Seiwert discusses this phenomenon of "merger into Chinese folk religion" not as a mere elimination of non-Chinese indigenous religions, but rather as a cultural re-orientation. Local priests of southwestern ethnic minorities often acquire prestige by identifying themselves as Taoists and adopting Taoist holy texts.:47
Mou (2012) writes that "Taoism has formed an indissoluble bond" with indigenous religions of southwestern ethnic minorities, especially the Tujia, Yi and Yao. Seiwert mentions the Miao of Hunan.:45 "Daogongism" is Taoism among the Zhuang, directed by the dàogōng (道公 "lords of the Tao") and it forms an established important aspect of the broader Zhuang folk religion.
On the other hand, it is also true that in more recent years there has been a general revival of indigenous lineages of ritual masters without identification of these as Taoists and support from the state Chinese Taoist Church. An example is the revival of lineages of bimo ("scripture sages") priests among the Yi peoples. Bimoism has a tradition of theological literature and though clergy ordination, and this is among the reasons why it is taken in high consideration by the Chinese government. Bamo Ayi (2001) attests that "since the early 1980s ... minority policy turned away from promoting assimilation of Han ways".:118
|"Chief Star pointing the Dipper" 魁星點斗 Kuíxīng diǎn Dòu|
|Kuixing ("Chief Star"), the god of exams, composed of the characters describing the four Confucian virtues (Sìde 四德), standing on the head of the ao (鰲) turtle (an expression for coming first in the examinations), and pointing at the Big Dipper (斗)".[note 11]|
Chinese religions are polytheistic, meaning that many deities are worshipped as part of what has been defined as yǔzhòu shénlùn (宇宙神論), translated as "cosmotheism", a worldview in which divinity is inherent to the world itself. The gods (shen 神; "growth", "beings that give birth") are interwoven energies or principles that generate phenomena which reveal or reproduce the way of Heaven, that is to say the order (li) of the Greatnine(Tian).[note 2]
In Chinese tradition, there is not a clear distinction between the gods and their physical body or bodies (from stars to trees and animals); the qualitative difference between the two seems not to have ever been emphasised. Rather, the disparity is said to be more quantitative than qualitative. In doctrinal terms, the Chinese view of gods is related to the understanding of qi, the life force, as the gods and their phenomenal productions are manifestations of it. In this way, all natural bodies are believed to be able to attain supernatural attributes by acting according to the universal oneness. Meanwhile, acting wickedly (that is to say against the Tian and its order) brings to disgrace and disaster.
In folk religions, gods (shen) and immortals (xian 仙) are not specifically distinguished from each other. Gods can incarnate in human form and human beings can reach immortality, which means to attain higher spirituality, since all the spiritual principles (gods) are begotten of the primordial qi before any physical manifestation.
In the Doctrine of the Mean, one of the Confucian four books, the zhenren (wise) is the man who has achieved a spiritual status developing his true sincere nature. This status, in turn, enables him to fully develop the true nature of others and of all things. The sage is able to "assist the transforming and nourishing process of Heaven and Earth", forming a trinity (三才 Sāncái, the "Three Powers") with them. In other words, in the Chinese tradition humans are or can be the medium between Heaven and Earth, and have the role of completing what had been initiated.[note 7]
Taoist schools in particular espouse an explicit spiritual pathway which pushes the earthly beings to the edge of eternity. Since the human body is a microcosm, enlivened by the universal order of yin and yang like the whole cosmos, the means of immortality can be found within oneself.
Among those worshipped as immortal heroes (xian, exalted beings) are historical individuals distinguished for their worth or bravery, those who taught crafts to others and formed societies establishing the order of Heaven, ancestors or progenitors (zu 祖), and the creators of a spiritual tradition. The concept of "human divinity" is not self-contradictory, as there is no unbridgeable gap between the two realms; rather, the divine and the human are mutually contained.
In comparison with gods of an environmental nature, who tend to remain stable throughout human experience and history, individual human deities change in time. Some endure for centuries, while others remain localised cults, or vanish after a short time. Immortal beings are conceived as "constellations of qi", which is so vibrant in certain historical individuals that, upon the person's death, this qi nexus does not dissipate but persists, and is reinforced by living people's worship. The energetic power of a god is thought to reverberate on the worshipers influencing their fortune.
Gods and immortals (collectively 神仙 shénxiān) in the Chinese cultural tradition reflect a hierarchical, multiperspective experience of divinity. In Chinese language there is a terminological distinction between 神 shén, 帝 dì and 仙 xiān. Although the usage of the former two is sometimes blurred, it corresponds to the distinction in Western cultures between "god" and "deity", Latin genius (meaning a generative principle, "spirit") and deus or divus; dì, sometimes translated as "thearch", implies a manifested or incarnate "godly" power.[note 12] It is etymologically and figuratively analogous to the concept of di as the base of a fruit, which falls and produces other fruits. This analogy is attested in the Shuowen jiezi explaining "deity" as "what faces the base of a melon fruit". The latter term 仙 xiān unambiguously means a man who has reached immortality, similarly to the Western idea of "hero".
Many classical books have lists and hierarchies of gods and immortals, among which the "Completed Record of Deities and Immortals" (神仙通鑒 Shénxiān tōngjiàn) of the Ming dynasty, and the "Biographies of Deities and Immortals" (神仙傳 Shénxiān zhuán) by Ge Hong (284-343). There's also the older Liexian zhuan (列仙傳 "Collected Biographies of Immortals").
There are the great cosmic gods representing the first principle in its unmanifested state or its creative order—Yudi (玉帝 "Jade Deity")[note 3] and Doumu (斗母 "Mother of the Meaning" or "Great Chariot"), Pangu (盤古, the macranthropic metaphor of the cosmos), Xiwangmu (西王母 "Queen Mother of the West") and Dongwanggong (東王公 "King Duke of the East") who personificate respectively the yin and the yang, as well as the dimensional Three Patrons and the Five Deities; then there are the sky and weather gods, the scenery gods, the vegetal and animal gods, and gods of human virtues and crafts. These are interpreted in different ways in Taoism and folk sects, the former conferring them long kataphatic names. Below the great deities, there is the unquantifiable number of gods of nature, as every phenomena have or are gods.
The Three Patrons (三皇 Sānhuáng)—Fuxi, Nüwa and Shennong—are the "vertical" manifestation of the primordial God corresponding to the Three Realms (三界 Sānjiè), representing the yin and yang and the medium between them, that is the human being.
The Five Deities (五帝 Wǔdì) or "Five Forms of the Highest Deity" (五方上帝 Wǔfāng Shàngdì)—the Yellow, Green or Blue, Black, Red and White Deities—are the five "horizontal" manifestations of the primordial God and according with the Three Realms they have a celestial, a terrestrial and a chthonic form.[note 13] They correspond to the five phases of creation, the five constellations rotating around the celestial pole, the five sacred mountains and the five directions of space (the four cardinal directions and the centre), and the five Dragon Gods (龍神 Lóngshén) which represent their mounts, that is to say the chthonic forces they preside over.
The Yellow God (黃神 Huángshén) or "Yellow God of the Northern Dipper" (黃神北斗 Huángshén Běidǒu[note 14]) is of peculiar importance, as he is a form of the universal God (Tian or Shangdi) symbolising the axis mundi (Kunlun), or the intersection between the Three Patrons and the Five Deities, that is the center of the cosmos. He is therefore described in the Shizi as the "Yellow Emperor with Four Faces" (黃帝四面 Huángdì Sìmiàn). His human incarnation, the "Yellow Emperor (or Deity) of the Mysterious Origin" (軒轅黃帝 Xuānyuán Huángdì), is said to be the creator of the Huaxia civility, of marriage and morality, language and lineage, and patriarch of all the Chinese together with the Red Deity. Xuanyuan was the fruit of virginal birth, as his mother Fubao conceived him as she was aroused, while walking in the country, by a lightning from the Big Dipper.
The worship of mother goddesses for the cultivation of offspring is present all over China, but predominantly in northern provinces. There are nine main goddesses, and all of them tend to be considered as manifestations or attendant forces of a singular goddess identified variously as Bixia (碧霞 "Blue Dawn"), the daughter or female consort of the Green God of Mount Tai, or Houtu (后土 the "Queen of the Earth"). Bixia herself is identified by Taoists as the more ancient goddess Xiwangmu, Goddesses are commonly entitled mǔ (母 "mother"), lǎomǔ (老母 "old mother"), shèngmǔ (聖母 "holy mother"), niángniáng (娘娘 "lady"), nǎinai (奶奶 "granny").
Altars of goddess worship are usually arranged with Bixia at the center and two goddesses at her sides, most frequently the Lady of Eyesight and the Lady of Offspring. A different figure but with the same astral connections as Bixia is the Qixing Niangniang (七星娘娘 "Goddess of the Seven Stars"). There is also the cluster of the Holy Mothers of the Three Skies (三霄聖母 Sanxiao Shengmu; or "Ladies of the Three Skies", 三霄娘娘 Sanxiao Niangniang), composed of Yunxiao Guniang, Qiongxiao Guniang and Bixiao Guniang. In southeastern provinces the cult of Chen Jinggu (陳靖姑) is identified by some scholars as an emanation of the northern cult of Bixia.
There are other local goddesses with motherly features, including the northern Canmu (蠶母 "Silkworm Mother") and Mazu (媽祖 "Ancestral Mother"), popular in provinces along the eastern coast and in Taiwan. The title of "Queen of Heaven" (天后 Tiānhòu) is most frequently attributed to Mazu and Doumu (the cosmic goddess).
Adam Yuet Chau identifies five styles or modalities of "doing" Chinese religion:
Generally speaking, the Chinese believe that spiritual and material well-being ensues from the harmony of humanity and gods in their participation in the same cosmic power, and also believe that by taking the right path and practice anybody is able to reach the absolute reality. Religious practice is therefore regarded as the bridge to link the human world to the spiritual source, maintaining the harmony of the micro and macrocosmos, protecting the individual and the world from disruption. In this sense, the Chinese view of human life is not deterministic, but one is a master of his own life and can choose to collaborate with the deities for a harmonious world. Chinese culture being a holistic system, in which every aspect is a part of a whole, Chinese folk religious practice is often intermingled with political, educational and economic concerns. A gathering or event may be encompassed with all of these aspects; in general, the commitment (belief) and the process or rite (practice) together form the internal and external dimensions of Chinese religious life. In village communities, religious services are often organised and led by local people themselves. Leaders are usually selected among male heads of families or lineages, or village heads.
A simple form of individual practice is to show respect for the gods (jing shen 敬神) through jingxiang (incense offering), and the exchange of vows (huan yuan 還願). Sacrifice can consist of incense, oil, and candles, as well as money. Religious devotion may also express in the form of performance troupes (huahui), involving many types of professionals such as stilt walkers, lion dancers, musicians, martial arts masters, yangge dancers, and story-tellers.
Deities can also be respected through moral deeds in their name (shanshi 善事), and self-cultivation (xiuxing 修行). Some forms of folk religion develop clear prescriptions for believers, such as detailed lists of meritorious and sinful deeds in the form of "morality books" (shanshu 善書) and ledgers of merit and demerit. Involvement in the affairs of communal or intra-village temples are perceived by believers as ways for accumulating merit (gongde 功德). Virtue is believed to accumulate in one's heart, which is seen as energetic centre of the human body (zai jun xin zuo tian fu 在君心作福田). Practices of communication with the gods comprehend different forms of Chinese shamanism, such as wu shamanism and tongji mediumship, or fuji practice.
Classical Chinese has characters for different types of sacrifice, probably the oldest way to communicate with divine forces, today generally encompassed by the definition jìsì 祭祀. However different in scale and quantity, all types of sacrifice would normally involve food, wine, meat and later incense.
Sacrifices usually differ according to the kind of deity they are devoted to. Traditionally, cosmic and nature gods are offered uncooked (or whole) food, while ancestors are offered cooked food. Moreover, sacrifices for gods are made inside the temples that enshrine them, while sacrifices for ancestors are made outside temples. Yearly sacrifices (ji) are made to Confucius, the Red and Yellow Emperors, and other cultural heroes and ancestors.
Both in past history and at the present, all sacrifices are assigned with both religious and political purposes. Some gods are considered carnivorous, for example the River God (河神 Héshén) and Dragon Gods, and offering to them requires animal sacrifice.
The aims of rituals and sacrifices may be of thanksgiving and redeeming, usually involving both. Various sacrifices are intended to express gratitude toward the gods in the hope that spiritual blessing and protection will continue. The jiào 醮, an elaborate Taoist sacrifice or "rite of universal salvation", is intended to be a cosmic community renewal, that is to say a reconciliation of a community around its spiritual centre. The jiao ritual usually starts with zhai, "fasting and purification", that is meant as an atonement for evil-doing, then followed by sacrificial offerings.
This rite, of great political importance, can be intended for the whole nation. In fact, as early as the Song dynasty, emperors asked renowned Taoists to perform such rituals on their behalf or for the entire nation. The modern Chinese republic has given approval for Taoists to conduct such rituals since the 1990s, with the aim of protecting the country and the nation.
A variety of practices are concerned with personal well-being and spiritual growth. Rites of passage are intended to narrate the holy significance of each crucial change throughout a life course. These changes, which are physical and social and at the same time spiritual, are marked by elaborate customs and religious rituals.
In the holistic view about nature and the human body and life, as macro and microcosmos, the life process of a human being is equated with the rhythm of seasons and cosmic changes. Hence, birth is likened to spring, youth to summer, maturity to autumn and old age to winter. There are ritual passages for those who belong to a religious order of priests or monks, and there are the rituals of the stages in a life, the main four being birth, adulthood, marriage and death.
Chinese language has a variety of words defining the temples of the Chinese religion. Some of these terms have a precise functional use, although with time some confusion has arisen and some of them have been used interchangeably in some contexts. Collective names defining "temples" or places of worship are 寺廟 sìmiào and 廟宇 miàoyǔ.
However, 寺 sì, which originally meant a type of residence for imperial officials, with the introduction of Buddhism in China became associated with Buddhist monasteries as many officials donated their residences to the monks. Today sì and 寺院 sìyuàn ("monastery") are used almost exclusively for Buddhist monasteries, with sporadic exceptions, and sì is a component character of names for Chinese mosques. Another term now mostly associated with Buddhism is 庵 ān, "thatched hut", originally a form of dwelling of monks later extended to mean monasteries.
Temples can be public, private (私廟 sìmiào) and household temples (家廟 jiāmiào). The jing 境 is a broader "territory of a god", a geographic region or a village or city with its surroundings, marked by multiple temples or complexes of temples and delineated by the processions.
Pertaining to Chinese religion the most common term is 廟 miào graphically meaning a "shrine" or "sacred enclosure"; it is the general Chinese term that is translated with the general Western "temple", and is used for temples of any of the deities of polytheism. Other terms include 殿 diàn which indicates the "house" of a god, enshrining one specific god, usually a chapel within a larger temple or sacred enclosure; and 壇 tán which means "altar" and refers to any indoor or outdoor altars, majestic outdoor altars being those for the worship of Heaven and Earth and other gods of the environment. 宮 Gōng, originally referring to imperial palaces, became associated to temples of representations of the universal God or the highest gods and consorts, such as the Queen of Heaven.
Another group of words is used for the temples of ancestral religion: 祠 cí (either "temple" or "shrine", meaning a sacred enclosure) or 宗祠 zōngcí ("ancestor shrine"). These terms are also used for temples dedicated to immortal beings. 祖廟 Zǔmiào ("original temple") instead refers to a temple which is believed to be the original temple of a deity, the most legitimate and powerful.
堂 Táng, meaning "hall" or "church hall", originally referred to the central hall of secular buildings but it entered religious usage as a place of worship of the folk religious sects. Christianity in China has borrowed this term from the sects.
觀 Guàn is the appropriate Chinese translation of the Western term "temple", as both refer to "contemplation" (of the divine, according to the astral patterns in the sky or the icon of a deity). Together with its extension 道觀 dàoguàn ("to contemplate or observe the Dao"), it is used exclusively for Taoist temples and monasteries of the state Taoist Church.
Generic terms include 院 yuàn meaning "sanctuary", from the secular usage for a courtyard, college or hospital institution; 岩 yán ("rock") and 洞 dòng ("hole", "cave") referring to temples set up in caves or on cliffs. Other generic terms are 府 fǔ ("house"), originally of imperial officials, which is a rarely used term; and 亭 tíng ("pavilion") which refers to the areas of a temple where laypeople can stay. There is also 神祠 shéncí, "shrine of a god".
Ancestral shrines are sacred places in which lineages of related families, identified by shared surnames, worship their common progenitors. These temples are the "collective representation" of a group, and function as centers where religious, social and economic activities intersect.
Chinese temples are traditionally built according to the styles and materials (wood and bricks) of Chinese architecture, and this continues to be the rule for most of the new temples. However, in the early 20th century and especially in the mainland religious revival of the early 21st century, there has been a proliferation of new styles in temple construction. These include the use of new materials (stones and concrete, stainless steel and glass) and the combination of Chinese traditional shapes with styles of the West or of transnational modernity. Examples can be found in the large ceremonial complexes of mainland China.
分香 Fēnxiāng, meaning an "incense division", is a term that defines both hierarchical networks of temples dedicated to a god, and the ritual process by which these networks form. These temple networks are economic and social bodies, and in certain moments of history have even taken military functions. They also represent routes of pilgrimage, with communities of devotees from the affiliated temples going up in the hierarchy to the senior temple (zumiao).
When a new temple dedicated to the same god is founded, it enters the network through the ritual of division of incense. This consists in filling the incense burner of the new temple with ashes brought from the incense burner of an existing temple. The new temple is therefore spiritually affiliated to the older temple where the ashes were taken, and directly below it in the hierarchy of temples.
廟會 Miàohuì, literally "gatherings at the temple", are "collective rituals to greet the gods" (迎神賽會 yíngshén sàihuì) that are held at the temples on various occasione such as the Chinese New Year or the birthday or holiday of the god enshrined in the temple. In north Chine they are also called 賽會 sàihuì ("communal ritual gatherings") or 香會 xiānghuì ("incense gatherings"), while a 賽社 sàishè ("communal ritual body") is the association which organises such events and by extension it has become another name of the event itself.
Activities include rituals, theatrical performances, processions of the gods' images throughout villages and cities, and offerings to the temples. In north China temple gatherings are generally week-long and large events attracting tens of thousands of people, while in south China they tend to be smaller and village-based events.
According to Yang and Hu (2012):
According to their research, 55.5% of the adult population (15+) of China, or 578 million people in absolute numbers, believe and practise folk religions, including a 20% who practice ancestor religion or communal worship of deities, and the rest who practise what Yang and Hu define "individual" folk religions like devotion to specific gods such as Caishen. Members of folk religious sects are not taken into account. Around the same year, Kenneth Dean estimates 680 million people involved in folk religion, or 51% of the total population.[note 16] At the same time, self-identified folk religion believers in Taiwan are 42.7% of the adult (20+) population, or 16 million people in absolute numbers, although devotion to ancestors and gods can be found even among other religions' believers or 88% of the population. According to the 2005 census of Taiwan, Taoism is the statistical religion of 33% of the population.
The Chinese Spiritual Life Survey conducted by the Center on Religion and Chinese Society of Purdue University, published in 2010, found that 754 million people (56.2%) practise ancestor religion, but only 216 million people (16%) "believe in the existence" of the ancestor.[note 17] The same survey says that 173 million (13%) practise Chinese folk religion in a Taoist framework.
The China Family Panel Studies' survey of 2012, published in 2014, based on the Chinese General Social Surveys which are held on robust samples of tens of thousands of people, found that only 12.6% of the population of China belongs to its five state-sanctioned religious groups, while among the rest of the population only 6.3% are atheists, and the remaining 81% (1 billion people) pray to or worship gods and ancestors in the manner of the traditional popular religion. The same survey has found that 2.2% (≈30 million) of the total population declares to be affiliated to one or another of the many folk religious sects. At the same time, reports of the Chinese government claim that the sects have about the same number of followers of the five state-sanctioned religions counted together (~13% ≈180 million).
Scholars have studied the economic dimension of Chinese folk religion, whose rituals and temples interweave a form of grassroots socio-economic capital for the well-being of local communities, fostering the circulation of wealth and its investment in the "sacred capital" of temples, gods and ancestors.
This religious economy already played a role in periods of imperial China, plays a significant role in modern Taiwan, and is seen as a driving force in the rapid economic development in parts of rural China, especially the southern and eastern coasts.
According to Law (2005), in his study about the relationship between the revival of folk religion and the recostruction of patriarchal civilisation:
Yang Mayfair (2007) defines it as an "embedded capitalism", which preserves local identity and autonomy, and an "ethical capitalism" in which the drive for individual accumulation of money is tempered by religious and kinship ethics of generosity which foster the sharing and investment of wealth in the construction of civil society.
Most of the overseas Chinese populations have maintained Chinese folk religions, often adapting to the new environment by developing new cults and incorporating elements of local traditions. In Southeast Asia, Chinese deities are subject to a "re-territorialisation" and maintain their relation to the ethnic associations (i.e. the Hainanese Association or the Fujianese Association, each of them has a patron deity and manages one or more temples of such a deity).
The most important deity among Southeast Asian Chinese is Mazu, the Queen of Heaven and goddess of the sea. This is related to the fact that most of these Chinese populations are from southeastern provinces of China, where the goddess is very popular. Some folk religious sects have spread successfully among Southeast Asian Chinese. They include especially Church of Virtue (Deism), Zhenkongdao and Yiguandao.
The associations of good-doing (Chinese: 行好的; pinyin: Xínghǎode) are organised groups of the indigenous religion of Hebei province (河北民间宗教 Héběi mínjiān zōngjiào or 河北民间信仰 Héběi mínjiān xìnyǎng), or the "Pear Area" of China. The Congregation of the Dragon's Name (龙牌会 Lóngpái Huì) is one of these movements of good-doers.Xinghaode associations organise temple festivals and pilgrimages for the worship of certain deities, as well as other types of collective activities. Their purpose is to make rènào (热闹), that is "social living" or "social harmony".Baojuan
Baojuan (宝卷 bǎojuǎn), literally precious scrolls, are a genre of prosimetric texts (texts written in an alternation of prose and verse) of a religious or mystical nature, produced within the context of Chinese folk religion and individual Chinese folk religious sects. They are often written in vernacular Chinese and recount the mythology surrounding a deity or a hero, or constitute the theological and philosophical scriptures of organised folk sects.Budai
Budai, Hotei or Pu-Tai (Chinese: 布袋; pinyin: Bùdài; Japanese: 布袋, translit. Hotei; Vietnamese: Bố Đại) is a semi-historical monk as well as deity who was introduced into the Japanese Buddhist pantheon. He allegedly lived around the 10th century in the Wuyue kingdom. His name literally means "Cloth Sack", and refers to the bag that he is conventionally depicted as carrying as he wanders aimlessly. His jolly nature, humorous personality, and eccentric lifestyle distinguishes him from most Buddhist masters or figures. He is almost always shown smiling or laughing, hence his nickname in Chinese, the "Laughing Buddha" (Chinese: 笑佛; pinyin: Xiào Fó). The main textual evidence pointing to Budai resides in a collection of Zen Buddhist monks’ biographies known as the "Jingde Chuandeng Lu", also known as The Transmission of the Lamp.Chinese ritual mastery traditions
Chinese ritual mastery traditions, also referred to as ritual teachings (Chinese: 法教; pinyin: fǎjiào, sometimes rendered as "Faism"), or Folk Taoism (Chinese: 民间道教; pinyin: Mínjiàn Dàojiào), or also Red Taoism (mostly in east China and Taiwan), constitute a large group of Chinese orders of ritual officers who operate within the Chinese folk religion but outside the institutions of official Taoism. The "masters of rites", the fashi (法師), are also known in east China as hongtou daoshi (紅頭道士), meaning "redhead" or "redhat" daoshi ("masters of the Tao"), contrasting with the wutou daoshi (烏頭道士), "blackhead" or "blackhat" priests, of Zhengyi Taoism who were historically ordained by the Celestial Master.Zhengyi Taoism and Faism are often grouped together under the category of "daoshi and fashi ritual traditions" (道法二門道壇). Although the two types of priests have the same roles in Chinese society—in that they can marry and they perform rituals for communities' temples or private homes—Zhengyi daoshi emphasize their Taoist tradition, distinguished from the vernacular tradition of the fashi.Ritual masters can be practitioners of tongji possession, healing, exorcism and jiao rituals (although historically they were excluded from performing the jiao liturgy). The only ones that are shamans (wu) are the fashi of the Lushan school.Chinese shamanism
Chinese shamanism, alternatively called Wuism (Chinese: 巫教; pinyin: wū jiào; literally: 'wu religion, shamanism, witchcraft'; alternatively 巫觋宗教 wū xí zōngjiào), refers to the shamanic religious tradition of China. Its features are especially connected to the ancient Neolithic cultures such as the Hongshan culture. Chinese shamanic traditions are intrinsic to Chinese folk religion, an overarching term for all the indigenous religions of China. Wu masters remain important in contemporary Chinese culture.
Various ritual traditions are rooted in original Chinese shamanism: contemporary Chinese ritual masters are sometimes identified as wu by outsiders, though most orders don't self-identify as such. Also Taoism has some of its origins from Chinese shamanism: it developed around the pursuit of long life (shou 壽/寿), or the status of a xian (仙, "mountain man", "holy man").Chinese temple architecture
Chinese temple architecture refer to a type of structures used as place of worship of Chinese Buddhism, Taoism or Chinese folk religion/Shenism, where people revere ethnic Chinese gods and ancestors. They can be classified as:
miào (庙) or diàn (殿), simply meaning "temple" and mostly enshrining gods of the Chinese pantheon, such as Dragon King, Tudigong or Mazu; or mythical or historical figures, such as Guandi or Shennong.
cí (祠), cítáng (祠堂), zōngcí (宗祠) or zǔmiào (祖庙), referring to ancestral temples, mostly enshrining the ancestral gods of a family or clan.
Taoist temples and monasteries: 觀/观 guàn or 道观 dàoguàn; and
Chinese Buddhist temples and monasteries: 寺 sì or 寺院 sìyuàn
Temple of Confucius which usually functions as both temple and town school: 文廟 wénmiào or 孔廟 kŏngmiào.
Temples of City God, which worships the patron God of a village, town or a city.
Smaller household shrines or votive niche, such as the worship of Zaoshen and Caishen.Gōng (宫), meaning "palace" is a term used for a templar complex of multiple buildings, while yuàn (院) is a generic term meaning "sanctuary" or "shrine".Chinese temples in Kolkata
Chinese temples are sacred sites for the practice of Chinese folk religion. Kolkata has a significant population of Indian nationals of Chinese ethnic origin (immigrants and their descendants that emigrated from China starting in the late 18th century to work at the Kolkata port as well as the Chennai port). Unofficial estimates puts the population of Indian nationals of Chinese-origin in Kolkata anywhere from 5,000 to 200,000, most of whom live in or near Tangra. The Chinese brought with them their culture. At least eight of the Chinese temples are located in the old Chinatown around Tiretta Bazar in Central Kolkata.Confucian ritual religion
Confucian ritual religion (s 礼教, t 禮教 Lǐjiào, "rites' transmission", also called 名教 Míngjiào, the "names' transmission"), or the Confucian civil religion, defines the civil religion of China. It consists in the state-endorsed ceremonies and sacrifices (cults), held according to Confucian modalities, dedicated to those gods which represent the theologico-political origin of the state itself and the Chinese civilisation. These rituals have undergone a great revitalisation in post-Maoist China creating a public space in which the Chinese state and popular Confucian movements jostle and negotiate with each other.Worship of cosmological gods and of Confucius, is carried out regularly at consecrated public spacesFenxiang
Fenxiang (分香), literally the incense division, is a term that defines both hierarchical networks of temples dedicated to a god in Chinese folk religion, and the ritual process by which these networks form.Jingxiang
Jìngxiāng (敬香 "offering incense with respect"), shàngxiāng (上香 "offering incense"), bàishén (拜神 "worshipping gods"), is a ritual of offering incense accompanied by tea and or fruits in Chinese traditional religion. In ancestral religious worship it's jìngzǔ (敬祖 "veneration of the ancestor") or bàizǔ 拜祖 ("worship of the ancestor"). It is observed by a devotee holding joss incense with both hands in front of an altar while praying or meditating. For added respect the devotee or descendent is expected to kneel during and after placing the incense in the urn or at the altar.
Jiangxiang is practiced in diffused Chinese folk religion and also by adherents belonging to the schools of Taoism, Chinese Buddhism and Confucianism. It's used for making a general prayer to one of the Chinese deities, sending well wishes to a deceased ancestor as part of daily prayers in Chinese ancestor veneration, or celebrating the Qingming Festival, Ghost festival and Chongyang Festival .Malaysian folk religion
Malaysian folk religion refers to the animistic and polytheistic beliefs and practices that are still held by many in the Islamic-majority country of Malaysia. Malaysian folk faith is practiced either openly or covertly depending on the type of rituals performed.
Some forms of belief are not recognised by the government as a religion for statistical purposes although such practices are not outlawed. There is a deep interaction between the Chinese folk religion of the large Malaysian Chinese population, and the indigenous Malaysian folk religion.Miaohui
Miaohui (庙会), literally temple gatherings or translated as temple fairs, also called yíngshén sàihuì (迎神赛会 "collective rituals to greet the gods"), are Chinese religious gatherings held by folk temples for the worship of the Chinese gods and immortals. Large-scale miaohui are usually held around the time of the Chinese New Year, or in specific temples at the birthday of the god enshrined in the temple itself. Activities usually include rituals celebrated in the temple, opera on a stage facing the temple, processions of the gods' images on carts throughout villages and cities, performance of musical and ritual troupes (of Taoists, sects and Confucian ritualists), blessing of offerings brought to the temple by families, and various economic activities.Geography and local customs lead to great differences in the nature of festivals dedicated to the gods. In northern China miaohui are usually week-long, with ceremonies held in large temples, and attended by tens of thousands of people; while in southern China they are a much more local practice, organised by village temples or clusters of temples of different villages.Ming yun
Ming yun (Chinese: 命運; pinyin: mìng yùn) is a concept of the personal life and destiny in the Chinese folk religion. Ming is "life" or "right", the given status of life, and yùn defines "circumstance" and "individual choice"; mìng is given and influenced by the transcendent force Tiān (天), that is the same as the "divine right" (tiān mìng) of ancient rulers as identified by Mencius. Personal destiny (mìng yùn) is thus perceived as both fixed (the status of life) and flexible, open-ended (the individual choice in matters of bào yìng).Northeast China folk religion
Northeast China folk religion is the variety of Chinese folk religion of northeast China, characterised by distinctive cults original to Hebei and Shandong, transplanted and adapted by the Han Chinese settlers of Liaoning, Jilin and Heilongjiang (the three provinces comprising Manchuria) since the Qing dynasty. It is characterised by terminology, deities and practices that are different from those of central and southern Chinese folk religion. Many of these patterns derive from the interaction of Han religion with Manchu shamanism.Prominence is given to the worship of zoomorphic deities, of a "totemic" significance. In the region the terms shen 神 ("god") and xian 仙 ("immortal being") are synonymous. Figures of ritual specialists or shamans perform various ritual functions for groups of believers and local communities, including chūmǎxiān (出馬仙 "riding for the immortals"), dances, healing, exorcism, divination, and communication with ancestors.Nuo folk religion
Nuo folk religion, or extendedly Chinese popular exorcistic religion, is a variant of Chinese folk religion with its own system of temples, rituals, orders of priests and gods, which is interethnic and practiced across central and southern China but is also intimately connected to the Tujia people. It arose as an exorcistic religious movement, which is the original meaning of nuó (simplified Chinese: 傩; traditional Chinese: 儺), and it spread even outside the boundaries of China exporting such practices in Japan and Korea. It has strong influences from Taoism.One of the most distinguishing characters of Nuo folk religion is its iconographic style, which represents the gods as wooden masks or heads. This is related to its own mythology, which traces the origin of Nuo to the two very first humans, who were unjustly killed by beheading and are since then worshipped as responsive divine ancestors. Nuo rituals began as efficacious methods to worship them, Lord Nuo and Lady Nuo. Since the 1980s Nuo folk religion has undergone a revitalisation in China, and today is a folk religion endorsed by the central government. Nuo priests are classified as 巫 wu (shamans) and their historical precursors were the 方相氏 fangxiangshi ("masters who assist the (astral) square").Qiang folk religion
Qiang folk religion is the indigenous religion of the majority of the Qiang people, an ethnic group of Sichuan (China) tightly related to the Han Chinese and the Tibetans. It is pantheistic, involving the worship of a variety of gods of nature and of human affairs, including Qiang progenitors. White stones are worshipped as it is believed they can be invested with the power of some gods through rituals. They believe in an overarching God, called Mubyasei ("God of Heaven"), which is connected to the Chinese concept of Tian and clearly identified by the Qiang with the Taoist-originated Jade Deity.Religious ceremonies and rituals are directed by priests called duāngōng in Chinese. They are shamans who acquire their position through years of training with a teacher. Duāngōng are the custodians of Qiang theology, history and mythology. They also administer the coming of age ceremony for 18 year-old boys, called the "sitting on top of the mountain", which involves the boy's entire family going to mountain tops to sacrifice a sheep or cow, and to plant three cypress trees.Two of the most important religious holidays are the Qiang New Year, falling on the 24th day of the sixth month of the lunar calendar (though now it is fixed on October 1st), and the Mountain Sacrifice Festival, held between the second and the sixth month of the lunar calendar. The former festival is to give sacrifice to the God of Heaven, while the latter is dedicated to the god of mountains.Radical 113
Radical 113 (示 Unicode U+793A, compound form 礻 at U+793B, pinyin shì meaning "ancestor, veneration") is number 113 out of 214 Kangxi radicals. It is one of 23 radicals composed of five strokes (the compound form has four strokes). In the Kangxi Dictionary there are 213 characters (out of 49,030) to be found under this radical.
The character 示 represents an altar or offering table, the top stroke depicting the offered goods. Compare to this the Egyptian ḥtp hieroglyph which has the same motivation of "altar with offering". In the seal script the table has a T shape.
Semantically, the sign suggests relation to anything connected with animism in traditional Chinese religion, such as 祭 "to sacrifice, to practice ancestor veneration", ultimately composed of the sign for meat 肉 and the sign for a hand 手 above the altar character, as it were iconographically expressing "hand placing meat on an altar". The sign 祟 for "spirit" originally referred to misfortune caused by malevolent spirits.
In 禁 (jīn ) "to forbid, restrict, restrain", the 林 (lín ) above the radical has only phonetic significance (rebus writing).
Similarly, 神 "spirit" has radical 113 plus 申 shēn as a phonetic marker.
祖 "ancestor" on the other hand has radical 113 plus 且, a pictograph of a stand with shelves for offerings to ancestors.
Some signs including the radical have no connection with spirits or animism and are placed in the category purely on formal grounds, such as 票 "ticket" which originally had radical 火 rather than 示.
The compound form 礻 always appears in the left half of characters.Taigu school
The Taigu school (太谷学派 Tàigǔ xuépài), also Great Perfection (大成教 Dàchéng jiào) or Yellow Cliff teaching (黄崖教 Huángyá jiào), is a mystical folk religious sect of Confucianism spread especially in Jiangsu, Anhui and Shandong. It was founded by Zhou Xingyuan, a man with shamanic skills entitled Taigu (太谷 "Great Valley") by followers.The purpose of the school is to help those who practice it to develop a clear and enlightened state of mind, in which man apprehends his true nature and recovers original simplicity.Wu (awareness)
Wu (Chinese: 悟) is a concept of awareness, consciousness, or spiritual enlightenment in the Chinese folk religion. According to scholarly studies, many practitioners recently "reverted" to the Chinese traditional religion speak of a "new awareness" (kāi wù 開悟 or jué wù 覺悟) of the interconnectedness of reality in terms of the cosmic-moral harmony—mìng yùn, bào yìng, yuán fèn. This spiritual awareness works as an engine that moves these themes from being mere ideas to be motivating forces in one's life: awareness of mìng yùn ignites responsibility towards life; awareness of yuan fen stirs to respond to events rather than resigning. Awareness is a dynamic factor and appears in two guises: a realisation that arrives as a gift, often unbidden; then it evolves into a practice that the person intentionally follows.In Latin alphabetical transliteration of the Chinese, it's a homograph of the wu-shaman.
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