Charles Laughton (1 July 1899 – 15 December 1962) was an English-American stage and film actor. Laughton was trained in London at the Royal Academy of Dramatic Art and first appeared professionally on the stage in 1926. In 1927, he was cast in a play with his future wife Elsa Lanchester, with whom he lived and worked until his death.
He played a wide range of classical and modern parts, making an impact in Shakespeare at the Old Vic. His film career took him to Broadway and then Hollywood, but he also collaborated with Alexander Korda on notable British films of the era, including The Private Life of Henry VIII, for which he won the Academy Award for Best Actor for his portrayal of the title character. He portrayed everything from monsters and misfits to kings. Among Laughton's biggest film hits were The Barretts of Wimpole Street, Mutiny on the Bounty, Ruggles of Red Gap, Jamaica Inn, The Hunchback of Notre Dame, and The Big Clock. In his later career, he took up stage directing, notably in The Caine Mutiny Court-Martial, and George Bernard Shaw's Don Juan in Hell, in which he also starred. He directed one film, the thriller The Night of the Hunter.
Daniel Day-Lewis cited Laughton as one of his inspirations, saying: "He was probably the greatest film actor who came from that period of time. He had something quite remarkable. His generosity as an actor, he fed himself into that work. As an actor, you cannot take your eyes off him."
Promotional portrait of Charles Laughton for The Barretts of Wimpole Street (1934)
|Born||1 July 1899|
|Died||15 December 1962 (aged 63)|
Hollywood, California, U.S.
|Resting place||Forest Lawn Memorial Park, Hollywood Hills|
|Education||Scarborough College |
|Alma mater||Royal Academy of Dramatic Art|
|Occupation||Actor, screenwriter, producer, director|
(m. 1929; his death 1962)
Laughton was born in Scarborough, North Riding of Yorkshire, the son of Eliza (née Conlon; 1869–1953) and Robert Laughton (1869–1924), Yorkshire hotel keepers. A blue plaque marks his birthplace. His mother was a devout Roman Catholic of Irish descent, and she sent him to briefly attend a local boys' school, Scarborough College, before sending him to Stonyhurst College, the pre-eminent English Jesuit school. Laughton served in World War I, during which he was gassed, serving first with the 2/1st Battalion of the Huntingdonshire Cyclist Battalion, and then with the 7th Battalion of the Northamptonshire Regiment.
He started work in the family hotel, though also participating in amateur theatricals in Scarborough. He was allowed by his family to become a drama student at RADA in 1925, where actor Claude Rains was one of his teachers. Laughton made his first professional appearance on 28 April 1926 at the Barnes Theatre, as Osip in the comedy The Government Inspector, which he also appeared in at London's Gaiety Theatre in May. He impressed audiences with his talent and had classical roles in two Chekov plays, The Cherry Orchard and The Three Sisters. Laughton played the lead role as Harry Hegan in the world premiere of Seán O'Casey's The Silver Tassie in 1928 in London. He played the title roles in Arnold Bennett's Mr Prohack (Elsa Lanchester was also in the cast) and as Samuel Pickwick in Mr Pickwick at the Theatre Royal (1928–29) in London.
He played Tony Perelli in Edgar Wallace's On the Spot and William Marble in Payment Deferred. He took the last role across the Atlantic and made his United States debut on 24 September 1931, at the Lyceum Theatre. He returned to London for the 1933–34 Old Vic season and was engaged in four Shakespeare roles (as Macbeth and Henry VIII, Angelo in Measure for Measure and Prospero in The Tempest) and also as Lopakhin in The Cherry Orchard, Canon Chasuble in The Importance of Being Earnest, and Tattle in Love for Love. In 1936, he went to Paris and on 9 May appeared at the Comédie-Française as Sganarelle in the second act of Molière's Le Médecin malgré lui, the first English actor to appear at that theatre, where he acted the part in French and received an ovation.
Laughton commenced his film career in Britain while still acting on the London stage. He also took small roles in three short silent comedies starring his wife Elsa Lanchester, Daydreams, Blue Bottles and The Tonic (all 1928) which had been specially written for her by H.G. Wells and were directed by Ivor Montagu. He made a brief appearance as a disgruntled diner in another silent film Piccadilly with Anna May Wong in 1929. He appeared with Lanchester again in a "film revue", featuring assorted British variety acts, called Comets (1930) in which they sang a duet, "The Ballad of Frankie and Johnnie". He made two other early British talkies: Wolves with Dorothy Gish (1930) from a play set in a whaling camp in the frozen north, and Down River (1931), in which he played a drug-smuggling ship's captain.
His New York stage debut in 1931 immediately led to film offers and Laughton's first Hollywood film, The Old Dark House (1932) with Boris Karloff, in which he played a bluff Yorkshire businessman marooned during a storm with other travelers in a creepy remote Welsh manor. He then played a demented submarine commander in Devil and the Deep with Tallulah Bankhead, Gary Cooper and Cary Grant, and followed this with his best-remembered film role of that year as Nero in Cecil B. DeMille's The Sign of the Cross. Laughton turned out other memorable performances during that first Hollywood trip, repeating his stage role as a murderer in Payment Deferred, playing H.G. Wells' mad vivisectionist Dr. Moreau in Island of Lost Souls, and the meek raspberry-blowing clerk in the brief segment of If I Had A Million, directed by Ernst Lubitsch. He appeared in six Hollywood films in 1932. His association with director Alexander Korda began in 1933 with the hugely successful The Private Life of Henry VIII (loosely based on the life of King Henry VIII), for which Laughton won the Academy Award for Best Actor. He also continued to act occasionally on stage, including a US production of The Life of Galileo by (and with) Bertolt Brecht.
Laughton soon gave up the stage for films and returned to Hollywood, where his next film was White Woman (1933) in which he co-starred with Carole Lombard as a Cockney river trader in the Malayan jungle. Then came The Barretts of Wimpole Street (1934) as Norma Shearer's character's malevolent father (although Laughton was only three years older than Shearer); Les Misérables (1935) as Inspector Javert; one of his most famous screen roles in Mutiny on the Bounty (1935) as Captain William Bligh, co-starring with Clark Gable as Fletcher Christian; and Ruggles of Red Gap (1935) as the very English butler transported to early 1900s America. He signed to play Micawber in David Copperfield (1934), but after a few days shooting asked to be released from the part and was replaced by W. C. Fields.
Back in the UK, and again with Korda, he played the title role in Rembrandt (1936). In 1937, also for Korda, he starred in an ill-fated film version of the classic novel, I, Claudius, by Robert Graves, which was abandoned during filming owing to the injuries suffered by co-star Merle Oberon in a car crash. After I, Claudius, he and the expatriate German film producer Erich Pommer founded the production company Mayflower Pictures in the UK, which produced three films starring Laughton: Vessel of Wrath (US title The Beachcomber) (1938), based on a story by W. Somerset Maugham, in which his wife, Elsa Lanchester, co-starred; St. Martin's Lane (US title Sidewalks of London), about London street entertainers, which featured Vivien Leigh and Rex Harrison; and Jamaica Inn, with Maureen O'Hara and Robert Newton, about Cornish shipwreckers, based on Daphne du Maurier's novel, and the last film Alfred Hitchcock directed in Britain before moving to Hollywood in the late 1930s.
The films produced were not commercially successful enough, and the company was saved from bankruptcy only when RKO Pictures offered Laughton the title role (Quasimodo) in The Hunchback of Notre Dame (1939), with Jamaica Inn co-star O'Hara. Laughton and Pommer had plans to make further films, but the outbreak of World War II, which implied the loss of many foreign markets, meant the end of the company. Laughton's early success in The Private Life of Henry VIII established him as one of the leading interpreters of the costume and historical drama parts for which he is best remembered (Nero, Henry VIII, Mr. Barrett, Inspector Javert, Captain Bligh, Rembrandt, Quasimodo and others); he was also type-cast for arrogant, unscrupulous characters.
He largely moved away from historical parts when he played an Italian vineyard owner in California in They Knew What They Wanted (1940); a South Seas patriarch in The Tuttles of Tahiti (1942); and an American admiral during World War II in Stand By for Action (1942). He played a Victorian butler in Forever and a Day (1943) and an Australian bar-owner in The Man from Down Under (1943). Simon Callow's 1987 biography quotes a number of contemporary reviews of Laughton's performances in these films. James Agate, reviewing Forever and a Day, wrote: "Is there no-one at RKO to tell Charles Laughton when he is being plain bad?" On the other hand, Bosley Crowther of The New York Times declared that Forever and a Day boasted "superb performances".
C. A. Lejeune, wrote Callow, was "shocked" by the poor quality of Laughton's work of that period: "One of the most painful screen phenomena of latter years", she wrote in The Observer, "has been the decline and fall of Charles Laughton." On the other hand, David Shipman, in his book The Great Movie Stars: The Golden Years, said "Laughton was a total actor. His range was wide".
Laughton played a cowardly schoolmaster in occupied France in This Land is Mine (1943), by Jean Renoir, in which he engaged himself most actively; in fact, while Renoir was still working on an early script, Laughton would talk about Alphonse Daudet's story "The Last Lesson", which suggested to Renoir a relevant scene for the film. Laughton played a henpecked husband who eventually murders his wife in The Suspect (1944), directed by Robert Siodmak, who would become a good friend. He played sympathetically an impoverished composer-pianist in Tales of Manhattan (1942) and starred in an updated version of Oscar Wilde's The Canterville Ghost in 1944.
Laughton appeared in two comedies with Deanna Durbin, It Started with Eve (1941) and Because of Him (1946). He portrayed a bloodthirsty pirate in Captain Kidd (1945) and a malevolent judge in Alfred Hitchcock's The Paradine Case (1948). Laughton played a megalomaniac press tycoon in The Big Clock (1948). He had supporting roles as a Nazi in pre-war Paris in Arch of Triumph (1948), as a bishop in The Girl from Manhattan (1948), as a seedy go-between in The Bribe (1949), and as a kindly widower in The Blue Veil (1951). He played a Bible-reading pastor in the multi-story A Miracle Can Happen (1947), but his piece wound up being cut and replaced with another featuring Dorothy Lamour, and in this form the film was retitled as On Our Merry Way. However, an original print of A Miracle Can Happen was sent abroad for dubbing before the Laughton sequence was deleted, and in this form it was shown in Spain as Una Encuesta Llamada Milagro.
Laughton made his first colour film in Paris as Inspector Maigret in The Man on the Eiffel Tower (1949) and, wrote the Monthly Film Bulletin, "appeared to overact" alongside Boris Karloff as a mad French nobleman in a version of Robert Louis Stevenson's The Strange Door in 1951. He played a tramp in O. Henry's Full House (1952). He became the pirate Captain Kidd again, this time for comic effect, in Abbott and Costello Meet Captain Kidd (1952). Laughton made a guest appearance on the Colgate Comedy Hour (featuring Abbott and Costello), in which he delivered the Gettysburg Address. In 1953 he played Herod Antipas in Salome, and he reprised his role as Henry VIII in Young Bess, a 1953 drama about Henry's children.
He returned to Britain to star in Hobson's Choice (1954), directed by David Lean. Laughton received Academy Award and Golden Globe nominations for his role in Witness for the Prosecution (1957). He played a British admiral in Under Ten Flags (1960) and worked with Laurence Olivier in Spartacus (1960). His final film was Advise & Consent (1962), for which he received favourable comments for his performance as a Southern US Senator (for which accent he studied recordings of Mississippi Senator John C. Stennis).
In 1955, Laughton directed The Night of the Hunter, starring Robert Mitchum, Shelley Winters and Lillian Gish, and produced by his friend Paul Gregory. The film has been cited among critics as one of the best of the 1950s, and has been selected by the United States National Film Registry for preservation in the Library of Congress. At the time of its original release it was a critical and box-office failure, and Laughton never directed again. The documentary Charles Laughton Directs The Night of the Hunter by Robert Gitt (2002) features preserved rushes and outtakes with Laughton's audible off-camera direction.
Laughton made his London stage debut in Gogol's The Government Inspector (1926). He appeared in many West End plays in the following few years and his earliest successes on the stage were as Hercule Poirot in Alibi (1928); he was the first actor to portray the Belgian detective in this stage adaptation of The Murder of Roger Ackroyd, and as William Marble in Payment Deferred, making his Lyceum Theatre (New York) debut in 1931.
In 1926, he played the role of the criminal Ficsur in the original London production of Ferenc Molnár's Liliom (The play became a musical in 1945 by Rodgers and Hammerstein as Carousel, where Ficsur became Jigger Craigin, but Laughton never appeared in the musical version). While Laughton is most remembered for his film career, he continued to work in the theatre, as when, after the success of The Private Life of Henry VIII he appeared at the Old Vic Theatre in 1933 as Macbeth, Lopakin in The Cherry Orchard, Prospero in The Tempest and Angelo in Measure for Measure. In the US, Laughton worked with Bertolt Brecht on a new English version of Brecht's play Galileo. Laughton played the title role at the play's premiere in Los Angeles on 30 July 1947 and later that year in New York. This staging was directed by Joseph Losey. The processes by which Laughton painstakingly, over many weeks, created his Galileo—and incidentally, edited and translated the play along with Brecht—are detailed in an essay by Brecht, "Building Up A Part: Laughton's Galileo."
Laughton had one of his most notable successes in the theatre by directing and playing the Devil in Don Juan in Hell beginning in 1950. The piece is actually the third act sequence from George Bernard Shaw's play Man and Superman, frequently cut from productions to reduce its playing time, consisting of a philosophical debate between Don Juan and the Devil with contributions from Doña Ana and the statue of Ana's father. Laughton conceived the piece as a staged reading and cast Charles Boyer, Cedric Hardwicke and Agnes Moorehead (billed as "The First Drama Quartette") in the other roles. Boyer won a special Tony Award for his performance.
He directed several plays on Broadway, mostly under the production of his friend and Broadway producer Paul Gregory. His most notable box-office success as a director came in 1954, with The Caine Mutiny Court-Martial, a full-length stage dramatisation by Herman Wouk of the court-martial scene in Wouk's novel The Caine Mutiny. The play, starring Henry Fonda as defence attorney Barney Greenwald, opened the same year as the film starring Humphrey Bogart as Captain Queeg and José Ferrer as Greenwald based on the original novel, but did not affect that film's box-office performance. Laughton also directed a staged reading in 1953 of Stephen Vincent Benét's John Brown's Body, a full-length poem about the American Civil War and its aftermath. The production starred Tyrone Power, Raymond Massey (re-creating his film characterisations of Abraham Lincoln and John Brown), and Judith Anderson. Laughton did not appear himself in either production, but John Brown's Body was recorded complete by Columbia Masterworks.
Laughton returned to the London stage in May 1958 to direct and star in Jane Arden's The Party at the New Theatre which also had Elsa Lanchester and Albert Finney in the cast. He made his final appearances on stage as Nick Bottom in A Midsummer Night's Dream, and as King Lear at the Shakespeare Memorial Theatre in 1959, although failing health resulted in both performances being disappointing, according to some British critics. His performance as King Lear was lambasted by critics, including Kenneth Tynan, who wrote that Laughton's Nick Bottom "... behaves in a manner that has nothing to do with acting, although it perfectly hits off the demeanor of a rapscallion uncle dressed up to entertain the children at a Christmas party". Although he did not appear in any later plays, Laughton toured the US with staged readings, including a successful appearance on the Stanford University campus in 1960.
Laughton's voice, equally capable of a penetrating, theatre-filling shout and a soft, velvety tone, first appeared on 78-rpm records with the release of five British Regal Zonophone 10-inch discs entitled Voice of the Stars issued annually from 1934 to 1938. These featured short soundtrack snippets from the year's top films. He is heard on all five records in, respectively, The Private Life of Henry VIII, The Barretts of Wimpole Street, Mutiny on the Bounty, I, Claudius (curiously, since this film was unfinished and thus never released), and Vessel of Wrath. In 1937 he recorded Lincoln's Gettysburg Address on a 10-inch Columbia 78, having made a strong impression with it in Ruggles of Red Gap.
He made several other spoken-word recordings, one of his most famous being his one-man album of Charles Dickens's Mr. Pickwick's Christmas, a twenty-minute version of the Christmas chapter from Dickens's The Pickwick Papers. It was first released by American Decca in 1944 as a four-record 78-rpm set, but was afterward transferred to LP. It frequently appeared on LP with a companion piece, Decca's 1941 adaptation of Dickens's A Christmas Carol, starring Ronald Colman as Scrooge. Both stories were released together on a Deutsche Grammophon CD for Christmas 2005.
In 1943, Laughton recorded a reading of the Nativity story from St. Luke's Gospel, and this was released in 1995 on CD on a Nimbus Records collection entitled Prima Voce: The Spirit of Christmas Past. A Brunswick/American Decca LP entitled Readings from the Bible featured Laughton reading Garden of Eden, The Fiery Furnace, Noah's Ark, and David and Goliath. It was released in 1958. Laughton had previously included several Bible readings when he played the title role in the film Rembrandt. Laughton also narrated the story on the soundtrack album of the film that he directed, Night of the Hunter, accompanied by the film's score. This album has also been released on CD. Also, and derived from the film they made together, a complete radio show (18 June 1945) of The Canterville Ghost was broadcast which featured Laughton and Margaret O'Brien. It has been issued on a Pelican LP.
A two-LP Capitol Records album was released in 1962, the year of Laughton's death, entitled The Story Teller: A Session with Charles Laughton. Taken from Laughton's one-man stage shows, it culls together dramatic readings from several sources. Three of the excerpts are broadcast annually on a Minnesota Public Radio Thanksgiving program entitled Giving Thanks. The Story Teller won a Grammy in 1962 for Best Spoken Word Recording. Although the album has yet to be released on compact disc, it can now be heard in its entirety online.
Laughton was the fill-in host on 9 September 1956, when Elvis Presley made his first of three appearances on CBS's The Ed Sullivan Show, which garnered 72 million viewers (Ed Sullivan was recuperating from a car accident). That same year, Laughton hosted the first of two programmes devoted to classical music entitled "Festival of Music", and telecast on the NBC television anthology series Producers' Showcase. One of his last performances was on Checkmate, in which he played a missionary recently returned from China. He threw himself into the role, travelling to China for several months to better understand his character.
In 1927, Laughton began a relationship with Elsa Lanchester, at the time a castmate in a stage play. The two were married in 1929, became US citizens in 1950, and remained together until Laughton's death. Over the years, they appeared together in several films, including Rembrandt (1936), Tales of Manhattan (1942) and The Big Clock (1948). Lanchester portrayed Anne of Cleves, Henry VIII's fourth wife, opposite Laughton in The Private Life of Henry VIII. They both received Academy Award nominations for their performances in Witness for the Prosecution (1957)—Laughton for Best Actor, and Lanchester for Best Supporting Actress—but neither won.
Laughton's bisexuality was corroborated by several of his contemporaries and is generally accepted by Hollywood historians. Actress Maureen O'Hara, a friend and co-star of Laughton, disputed the contention that his sexuality was the reason Laughton and Lanchester did not have children, claiming Laughton told her he had wanted children but that it had not been possible because of a botched abortion that Lanchester had early in her career of performing burlesque. In her autobiography, Lanchester acknowledged two abortions in her youth – one of the pregnancies purportedly by Laughton – but did not mention infertility. According to her biographer, Charles Higham, the reason she did not have children was that she did not want any.
Laughton owned a spectacular estate on the bluffs above Pacific Coast Highway at 14954 Corona Del Mar in Pacific Palisades. The property suffered a landslide in 1944, alluded to by Bertolt Brecht in his poem "Garden in Progress".
For his contributions to the motion picture industry, Laughton has a star on the Hollywood Walk of Fame at 7021 Hollywood Boulevard.
Abbott and Costello Meet Captain Kidd is a 1952 film starring the comedy team of Abbott and Costello, along with Charles Laughton, who reprised his role as the infamous pirate from the 1945 film Captain Kidd. It was the second film in SuperCinecolor, a three-color version of the two-color process Cinecolor.Because of Him
Because of Him is a 1946 American romantic comedy film starring Deanna Durbin, Charles Laughton and Franchot Tone.Elsa Lanchester
Elsa Sullivan Lanchester (28 October 1902 – 26 December 1986) was an English actress with a long career in theatre, film and television.Lanchester studied dance as a child and after the First World War began performing in theatre and cabaret, where she established her career over the following decade. She met the actor Charles Laughton in 1927, and they were married two years later. She began playing small roles in British films, including the role of Anne of Cleves with Laughton in The Private Life of Henry VIII (1933). His success in American films resulted in the couple moving to Hollywood, where Lanchester played small film roles.
Her role as the title character in Bride of Frankenstein (1935) brought her recognition. She played supporting roles through the 1940s and 1950s. She was nominated for the Academy Award for Best Supporting Actress for Come to the Stable (1949) and Witness for the Prosecution (1957), the last of twelve films in which she appeared with Laughton. Following Laughton's death in 1962, Lanchester resumed her career with appearances in such Disney films as Mary Poppins (1964), That Darn Cat! (1965) and Blackbeard's Ghost (1968). The horror film Willard (1971) was highly successful, and one of her last roles was in Murder by Death (1976).It Started with Eve
It Started with Eve is a 1941 American musical romantic comedy film directed by Henry Koster and starring Deanna Durbin, Robert Cummings, and Charles Laughton. The film received an Academy Award nomination for Best Original Music Score (Charles Previn and Hans J. Salter). The film is considered by some critics to be Durbin's best film, and the last in which she worked with the producer (Joe Pasternak) and director (Henry Koster) that groomed her for stardom. It Started with Eve was remade in 1964 as I'd Rather Be Rich.Leading actor
A leading actor, leading actress, star, or simply lead, plays the role of the protagonist of a film, television show or play. The word lead may also refer to the largest role in the piece and leading actor may refer to a person who typically plays such parts or an actor with a respected body of work. Some actors are typecast as leads, but most play the lead in some performances and supporting or character roles in others.
Sometimes there is more than one significant leading role in a dramatic piece, and the actors are said to play co-leads; a large supporting role may be considered a secondary lead. Award nominations for acting often reflect such ambiguities. Thus, sometimes two actors in the same performance piece are nominated for Best Actor or Best Actress -- categories traditionally reserved for leads. For example, in 1935 Clark Gable, Charles Laughton and Franchot Tone were each nominated for the Best Actor Academy Award for Mutiny on the Bounty. There can even be controversy over whether a particular performance should be nominated in the Best Actor/Actress or Best Supporting Actor/Actress category.
A title role is often but not necessarily the lead. A lead role must also be differentiated from a starring role, which means that an actor is credited as a part of the main cast, but not that he necessarily plays the main character.Les Misérables (1935 film)
Les Misérables is a 1935 American drama film starring Fredric March and Charles Laughton based upon the famous Victor Hugo novel of the same name. The movie was adapted by W. P. Lipscomb and directed by Richard Boleslawski. This was the last film for Twentieth Century Pictures before it merged with Fox Film Corporation to form 20th Century Fox. The plot of the film basically follows Hugo's novel Les Misérables, but there are a large number of differences.
The film was nominated for the Academy Award for Best Picture, the Academy Award for Best Cinematography, and the Academy Award for Best Film Editing. The National Board of Review named the film the sixth best of 1935.Mutiny on the Bounty (1935 film)
Mutiny on the Bounty is a 1935 American drama film directed by Frank Lloyd and starring Charles Laughton and Clark Gable, based on the Charles Nordhoff and James Norman Hall novel Mutiny on the Bounty.
The film was one of the biggest hits of its time. Although its historical accuracy has been questioned (inevitably, as it is based on a novel), film critics consider this adaptation to be the best cinematic work inspired by the mutiny.Ruggles of Red Gap
Ruggles of Red Gap is a 1935 comedy film directed by Leo McCarey and starring Charles Laughton, Mary Boland, Charlie Ruggles, and ZaSu Pitts and featuring Roland Young and Leila Hyams. It was based on the best-selling 1915 novel by Harry Leon Wilson, adapted by Humphrey Pearson, with a screenplay by Walter DeLeon and Harlan Thompson. It is the story of a newly rich American couple from the West who win a British gentleman's gentleman in a poker game.Salome (1953 film)
Salome is a 1953 Biblical epic film made in technicolor by Columbia Pictures. It was directed by William Dieterle and produced by Buddy Adler from a screenplay by Harry Kleiner and Jesse Lasky Jr. The music score was by George Duning, the dance music by Daniele Amfitheatrof and the cinematography by Charles Lang. Hayworth's costumes by Jean Louis. Hayworth's dances for this film were choreographed by Valerie Bettis. This film was the last produced by Hayworth's production company, the Beckworth Corporation.
The film stars Rita Hayworth as Salome, as well as Stewart Granger, Charles Laughton and Judith Anderson, with Cedric Hardwicke, Alan Badel and Basil Sydney.Sidewalks of London
Sidewalks of London, also known as St. Martin's Lane, London After Dark, and Partners of the Night, is a 1938 British, black-and-white, comedy drama starring Charles Laughton as a busker or street entertainer who teams up with a talented pickpocket, played by Vivien Leigh. The film co-stars Rex Harrison and Tyrone Guthrie in a rare acting appearance. It also features Ronald Shiner as the barman (uncredited). It was produced by Mayflower Pictures Corporation.The Blue Veil (1951 film)
The Blue Veil is a 1951 American drama film directed by Curtis Bernhardt. The screenplay by Norman Corwin is based on a story by François Campaux, which was adapted for the French language film Le Voile Bleu in 1942. Jane Wyman stars in a cast that also includes Charles Laughton, Joan Blondell, and Agnes Moorehead.The Bribe
The Bribe is a 1949 American crime film noir directed by Robert Z. Leonard and written by Marguerite Roberts, based on a story written by Frederick Nebel. The drama features Robert Taylor, Ava Gardner, Charles Laughton, and Vincent Price.The Man on the Eiffel Tower
The Man on the Eiffel Tower is a 1950 American Ansco Color film noir mystery film directed by Burgess Meredith and starring Charles Laughton, Franchot Tone, Meredith, and Robert Hutton. It is based on the 1931 novel La Tête d'un homme (A Man's Head) by Belgian writer Georges Simenon featuring his detective Jules Maigret. The film was co-produced by Tone and Irving Allen as T&A Film Productions and released by RKO Radio Pictures.
The film is also known as L'homme de la tour Eiffel in France.The Night of the Hunter (film)
The Night of the Hunter is a 1955 American thriller directed by Charles Laughton, and starring Robert Mitchum, Shelley Winters, and Lillian Gish. The screenplay by James Agee was based on the 1953 novel of the same title by Davis Grubb. The plot focuses on a corrupt minister-turned-serial killer who attempts to charm an unsuspecting widow and steal $10,000 hidden by her executed husband.
The novel and film draw on the true story of Harry Powers who was hanged in 1932 for the murder of two widows and three children in Clarksburg, West Virginia. The film's lyrical and expressionistic style with its leaning on the silent era sets it apart from other Hollywood films of the 1940s and 1950s, and it has influenced later directors such as Rainer Werner Fassbinder and Robert Altman.In 1992, The Night of the Hunter was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and was selected for preservation in the National Film Registry. The influential film magazine Cahiers du cinéma selected The Night of the Hunter in 2008 as the second-best film of all time, behind Citizen Kane.The Strange Door
The Strange Door is a 1951 American film noir thriller horror film, released by Universal Pictures, and starring Charles Laughton, Boris Karloff, Sally Forrest and Richard Stapley. Karloff's role is actually a supporting one but his name carried significant weight in the billing. The picture was directed by Joseph Pevney and was based on the short story "The Sire de Maletroit's Door" by Robert Louis Stevenson. Its alternative title was Robert Louis Stevenson's The Strange Door.The Suspect (1944 film)
The Suspect is a 1944 film noir directed by Robert Siodmak, set in London in 1902, in Edwardian times. It is based on the novel This Way Out, by James Ronald, and was released by Universal Pictures. It stars Charles Laughton and Ella Raines.Witness for the Prosecution (1957 film)
Witness for the Prosecution is a 1957 American film depicting an English courtroom drama with film noir elements. It was co-adapted and directed by Billy Wilder and starred Tyrone Power (in his final screen role), Marlene Dietrich, and Charles Laughton, with Elsa Lanchester in a supporting role. Set in the Old Bailey in London, the picture is based on the play of the same name by Agatha Christie and deals with the trial of a man accused of murder. This was the first film adaptation of Christie's story (although a TV movie of the same name was made in 1949), and was adapted for the screen by Larry Marcus, Harry Kurnitz and Wilder.Wolves (1930 film)
Wolves is a 1930 British crime film directed by Albert de Courville and starring Charles Laughton, Dorothy Gish and Malcolm Keen. A woman is captured by a gang of criminals operating in the Arctic but the leader later helps her escape. It was based on a play by Georges Toudouze. It was produced by Herbert Wilcox's British and Dominions Film Corporation, but filmed at the Blattner Studios whilst sound equipment was being installed at Wilcox's nearby Imperial Studios, and the sound was added after filming was completed. It was Gish's first sound film, and was Laughton's second talkie (but his first sound drama), having completed a film of a musical variety performance earlier the same year. Of 57 minutes original duration, it was released in 1936 in a 37-minute version retitled "Wanted Men".