Charles Augustin Sainte-Beuve

Charles Augustin Sainte-Beuve (French: [sɛ̃t bœv]; 23 December 1804, in Boulogne-sur-Mer – 13 October 1869, in Paris) was a literary critic of French literature.

Charles Augustin Sainte-Beuve
Sainte-Beuve
Born23 December 1804
Boulogne-sur-Mer, France
Died13 October 1869 (aged 64)
Paris
OccupationLiterary critic
LanguageFrench
NationalityFrench
Alma materCollège Charlemagne
Notable worksPort-Royal

Personal and public life

Early years

He was born in Boulogne, educated there, and studied medicine at the Collège Charlemagne in Paris (1824–27). In 1828, he served in the St Louis Hospital. Beginning in 1824, he contributed literary articles, the Premier lundis of his collected Works, to the newspaper Globe, and in 1827 he came, by a review of Victor Hugo's Odes et Ballades, into close association with Hugo and the Cénacle, the literary circle that strove to define the ideas of the rising Romanticism and struggle against classical formalism. Sainte-Beuve became friendly with Hugo after publishing a favourable review of the author's work but later had an affair with Hugo's wife, which resulted in their estrangement. Curiously, when Sainte-Beuve was made a member of the French Academy in 1845, the ceremonial duty of giving the reception speech fell upon Hugo

Career

Sainte-Beuve published collections of poems and the partly autobiographical novel Volupté in 1834. His articles and essays were collected the volumes Port-Royal and Portraits littéraires.

Plaque Sainte-Beuve, 11 rue du Montparnasse, Paris 6
Commemorative plaque, 11 Rue du Montparnasse, Paris.

During the rebellions of 1848 in Europe, he lectured at Liège on Chateaubriand and his literary circle. He returned to Paris in 1849 and began his series of topical columns, Causeries du lundi ('Monday Chats') in the newspaper, Le Constitutionnel. When Louis Napoleon became Emperor, he made Sainte-Beuve professor of Latin poetry at the Collège de France, but anti-Imperialist students hissed him, and he resigned.

Port-Royal

After several books of poetry and a couple of failed novels, Sainte-Beuve began to do literary research, of which the most important publication resulting is Port-Royal. He continued to contribute to La Revue contemporaine.

Port-Royal (1837–1859), probably Sainte-Beuve's masterpiece, is an exhaustive history of the Jansenist abbey of Port-Royal-des-Champs, near Paris. It not only influenced the historiography of religious belief, i.e., the method of such research, but also the philosophy of history and the history of esthetics.

He was made Senator in 1865, in which capacity he distinguished himself by his pleas for freedom of speech and of the press. According to Jules Amédée Barbey d'Aurevilly, "Sainte-Beuve was a clever man with the temper of a turkey!" In his last years, he was an acute sufferer and lived much in retirement.

One of Sainte-Beuve's critical contentions was that, in order to understand an artist and his work, it was necessary to understand that artist's biography. Marcel Proust took issue with this notion and refuted it in a set of essays, Contre Sainte-Beuve ("Against Sainte-Beuve"). Proust developed the ideas first voiced in those essays in À la recherche du temps perdu (In Search of Lost Time).

Reception

In 1880 Friedrich Nietzsche, though an avowed opponent of Sainte-Beuve, prompted the wife of his friend Franz Overbeck, Ida Overbeck, to translate the Causeries du lundi into German. Until then, Sainte-Beuve was never published in German despite his great importance in France, since it was considered representative of a French way of thinking detested in Germany. Ida Overbeck's translation appeared in 1880 under the title Die Menschen des XVIII. Jahrhunderts (Men of the 18th Century). Nietzsche wrote to Ida Overbeck on August 18, 1880: "An hour ago I received the Die Menschen des XVIII. Jahrhunderts, [...] It is just a marvellous book. I think I've cried." Ida Overbeck's translation is an important document of the cultural transfer between Germany and France in a period of strong tension, but it was largely ignored. It was not until 2014 that a critical and annotated edition of this translation appeared in print.[1]

Publications

Non-fiction

  • Tableau Historique et Critique de la Poésie Française et du Théâtre Français au XVIe Siècle (2 vols., 1828).
  • Port-Royal (5 vols., 1840–1859).
  • Portraits Littéraires (3 vols., 1844; 1876–78).
  • Portraits Contemporains (5 vols., 1846; 1869–71).
  • Portraits de Femmes (1844; 1870).
  • Causeries du Lundi (16 vols., 1851–1881).
  • Nouveaux Lundis (3 vols., 1863–1870).
  • Premiers Lundis (3 vols., 1874–75).
  • Étude sur Virgile (1857).
  • Chateaubriand et son Groupe Littéraire (2 vols., 1860).
  • Le Général Jomini (1869).
  • Madame Desbordes-Valmore (1870).
  • M. de Talleyrand (1870).
  • P.-J. Proudhon (1872).
  • Chroniques Parisiennes (1843–1845 & 1876).
  • Les Cahiers de Sainte-Beuve (1876).
  • Mes Poisons (1926).

Fiction

  • Volupté (1834).
  • Madame de Pontivy (1839).
  • Christel (1839).
  • La Pendule (1880).

Poetry

  • Vie, Poésies et Pensées de Joseph Delorme (1829).
  • Les Consolations (1830).
  • Pensées d'août (1837).
  • Livre d'Amour (1843).
  • Poésies Complètes (1863).
  • Poésies françaises d'une Italienne (1854) by Agathe-Sophie Sasserno, preface by Sainte-Beuve

In English translation

  • Portraits of Celebrated Women (1868, trans., Harriet W. Preston).
  • Memoirs of Madame Desbordes-Valmore (1873, trans., Harriet W. Preston).
  • English Portraits (1875, a selection from Causeries du Lundi).
  • Monday-chats (1877, trans., William Matthews)
  • Essays on Men and Women (1890, trans., William Matthews and Harriet W. Preston).
  • Essays (1890, trans., Elizabeth Lee).
  • Portraits of Men (1891, trans., Forsyth Edeveain).
  • Portraits of Women (1891, trans., Helen Stott).
  • Select Essays of Sainte-Beuve (1895, trans., Arthur John Butler).
  • The Prince de Ligne (1899, trans., Katharine Prescott Wormeley).
  • The Correspondence of Madame, Princess Palatine (1899, trans., Katharine Prescott Wormeley).
  • The Essays of Sainte-Beuve (1901, ed., William Sharp).
  • Memoirs and Letters of Cardinal de Bernis (1902, trans., Katharine Prescott Wormeley).
  • Causeries du lundi (1909–11, 8 vols., trans., E.J. Trechmann).
  • Volupté: The Sensual Man (1995, trans., Marilyn Gaddis Rose).

References

  1. ^ Charles-Augustin Sainte-Beuve: Menschen des XVIII. Jahrhunderts. Übersetzt von Ida Overbeck, initiiert von Friedrich Nietzsche. Mit frisch entdeckten Aufzeichnungen von Ida Overbeck neu ediert von Andreas Urs Sommer. 423 pp. Berlin: Die Andere Bibliothek, 2014. ISBN 978-3-8477-0355-6

Sources

  • Nicolson, Harold George (1957). Sainte-Beuve. London: Constable.
  • Williams, Roger L. (1957). "Sainte-Beuve, Sultan of Literature". In: Gaslight and Shadow: The World of Napoleon III. New York: Macmillan.

Further reading

  • Arnold, Matthew (1910). "Sainte-Beuve." In: Essays in Criticism. Boston: The Ball Publishing Co., pp. 137–152.
  • Babbitt, Irving (1912). The Masters of Modern French Criticism. Boston and New York: Houghton Mifflin Company, pp. 79–188.
  • Barlow, Norman H. (1964). Sainte-Beuve to Baudelaire: A Poetic Legacy. Durham, N.C.: Duke University Press.
  • Birrell, Augustine (1892). "Sainte-Beuve." In: Res Judicatæ. New York: Charles Scribner's Sons, pp. 298–308.
  • Calvert, George H. (1875). "Sainte-Beuve, the Critic." In: Essays Æsthetical. Boston: Lee and Shepard, pp. 158–197.
  • Chadbourne, Richard M. (1977). Charles-Augustin Sainte-Beuve. Boston: Twayne Publishers.
  • Dowden, Edward (1902). "Literary Criticism in France." In: New Studies in Literature. London: Kegan Paul, Trench, Trübner & Co., pp. 388–418.
  • Compagnon, Antoine (1995). "Sainte-Beuve and the Canon," MLN, Vol. 110, No. 5, French Issue, pp. 1188–1199.
  • Guérard, Albert Léon (1913). "Critics and Historians: Sainte-Beuve, Taine." In: French Prophets of Yesterday. New York: D. Appleton and Company, pp. 201–223.
  • Harper, George McLean (1897). "Sainte-Beuve," Scribner's Magazine, Vol. XXII, No. 5, pp. 594–600.
  • Harper, George McLean (1901). "Sainte-Beuve." In: Masters of French Literature. New York: Charles Scribner's Sons, pp. 219–275.
  • Harper, George McLean (1909). Charles Augustin Sainte-Beuve. Philadelphia and London: J.B. Lippincott Company.
  • James, Henry (1880). "Sainte-Beuve," The North American Review, Vol. CXXX, No. 278, pp. 51–69.
  • Kirk, John Foster (1866). "Sainte-Beuve," The Atlantic Monthly, Vol. XVII, No. 102, pp. 432–454.
  • Knickerbocker, William S. (1932). "Sainte-Beuve," The Sewanee Review, Vol. 40, No. 2, pp. 206–225.
  • Lehmann, A.G. (1962). Sainte-Beuve: A Portrait of the Critic, 1804-1842. Oxford: Clarendon Press.
  • MacClintock, Lander (1920). Sainte-Beuve's Critical Theory and Practice After 1849. Chicago, Ill.: The University of Chicago Press.
  • Marks, Emerson R. (1964). "Sainte-Beuve's Classicism," The French Review, Vol. 37, No. 4, pp. 411–418.
  • Mott, Lewis Freeman (1925). Sainte-Beuve. New York: D. Appleton and Company.
  • Mulhauser, Ruth E. (1969). Sainte-Beuve and Greco-Roman Antiquity. Cleveland: Press of Case Western Reserve University.
  • Nelles, Paul (2000). "Sainte-Beuve between Renaissance and Enlightenment," Journal of the History of Ideas, Vol. 61, No. 3, pp. 473–492.
  • Paton, J.B. (1870). "Sainte-Beuve and Renan," The London Quarterly Review, Vol. XXXIII, pp. 457–480.
  • Pollak, Gustav (1914). International Perspective in Criticism. New York: Dodd, Mead & Company.
  • Proust, Marcel (1988). Against Sainte-Beuve and Other Essays. London: Penguin.
  • Smith, Horatio (1942). "Sainte-Beuve on Science and Human Nature: Jouffroy, Le Play, Proudhon," Modern Language Notes, Vol. 57, No. 7, pp. 592–602.
  • Sutcliffe, Emerson Grant (1921). "Sainte-Beuve on Fiction," The South Atlantic Quarterly, Vol. XX, pp. 41–51.
  • Switzer, Richard (1960). "Sainte-Beuve and the Ottocento," Italica, Vol. 37, No. 2, pp. 109–117.
  • Whitridge, Arnold (1923). "The Personality of Sainte-Beuve," The North American Review, Vol. 217, No. 810, pp. 676–687.
  • Whitridge, Arnold (1938). "Matthew Arnold and Sainte-Beuve," PMLA, Vol. 53, No. 1, pp. 303–313.
  • "Hugo and Sainte-Beuve," The National Quarterly Review, Vol. XX, 1869, pp. 32–52.
  • "M. Sainte-Beuve," The Quarterly Review, Vol. CXIX, 1866, pp. 80–108.
  • "Sainte-Beuve," The Edinburgh Review, Vol. CXXXII, 1870, pp. 126–154.

External links

1829 in poetry

Nationality words link to articles with information on the nation's poetry or literature (for instance, Irish or France).

1837 in poetry

Nationality words link to articles with information on the nation's poetry or literature (for instance, Irish or France).

1869 in France

Events from the year 1869 in France.

Apollonie Sabatier

Apollonie Sabatier (born Aglaé Joséphine Savatier; 1822–1890) was a French courtesan, salon holder, artists' muse and bohémienne in 1850s Paris.

She hosted a salon in Paris on Rue Frochot, where she met nearly all of the French artists of her time, such as Gérard de Nerval, Nina de Villard, Arsène Houssaye, Edmond Richard, Gustave Flaubert, Louis Bouilhet, Maxime du Camp, Gustave Ricard, Judith Gautier, daughter of Théophile; Ernest Feydeau, father of Georges Feydeau, Hector Berlioz, Paul de Saint-Victor, Alfred de Musset, Henry Monnier, Victor Hugo, Ernest Meissonnier, Charles Augustin Sainte-Beuve, Charles Jalabert, Ernesta Grisi, Gustave Doré, the musician Ernest Reyer, James Pradier, Auguste Préault, Jules Barbey d'Aurevilly, Auguste Clésinger and Édouard Manet.

Gustave Flaubert, Théophile Gautier and some others have written articles about her and she was one of four women (Caroline, Jeanne Duval, herself and Marie Daubrun) who inspired Charles Baudelaire's famous work Les Fleurs du Mal. Edmond de Goncourt was the first to nickname her "La Présidente".

In Gustave Courbet's painting L'Atelier du peintre she is said to be shown together with her longtime lover, the Belgian tycoon Alfred Mosselman (1810-1867). After his death she was the longtime mistress to art collector and donor to the Wallace fountains, Sir Richard Wallace, 1st Baronet.

She also entered works for the Paris Salon, and was among the artists rejected from the 1863 exhibition who chose to show their works in the Salon des Refusés (Miniatures, Nos. 503-505).

Camille Jordan (politician)

Camille Jordan (11 January 1771 in Lyon – 19 May 1821) was a French politician born in Lyon of a well-to-do mercantile family.

Jordan was educated in Lyon, and from an early age was imbued with royalist principles. He actively supported by voice, pen and musket his native town in its resistance to the Convention; and when Lyon fell, in October 1793, Jordan fled. From Switzerland he passed in six months to England, where he formed acquaintances with other French exiles and with prominent British statesmen, and imbibed a lasting admiration for the English Constitution.

In 1796 he returned to France, and next year he was sent by Lyon as a deputy to the Council of the Five Hundred. There his eloquence won him consideration. He earnestly supported what he felt to be true freedom, especially in matters of religious worship, though the energetic appeal on behalf of church bells in his Rapport sur la liberté des cultes procured him the sobriquet of "Jordan-Cloche". Proscribed at the coup d'état of the 18th Fructidor (4 September 1797) he escaped to Basel. Thence he went to Germany, where he met Goethe.

Back again in France by 1800, he boldly published in 1802 his Vrai sens du vote national pour le consulat à vie, in which he exposed the ambitious schemes of Bonaparte. He was unmolested, however, and during the First Empire lived in literary retirement at Lyon with his wife and family, producing for the Lyon academy occasional papers on the Influence réciproque de l'éloquence sur la Révolution et de la Révolution sur l'éloquence; Etudes sur Klopstock, etc.

At the restoration in 1814 he again emerged into public life. By Louis XVIII he was ennobled and named a councillor of state; and from 1816 he sat in the chamber of deputies as representative of Am. At first he supported the ministry, but when they began to show signs of reaction he separated from them, and gradually came to be at the head of the constitutional opposition. His speeches in the chamber were always eloquent and powerful. Though warned by failing health to resign, Camille Jordan remained at his post till his death at Paris, on 19 May 1821.

To his pen we owe Lettre à M. Laniourette (1791); Histoire de la conversion d'une dame parisienne (1792); La Loi et la religion vengées (1792); Adresse à ses commettants sur la Révolution du 4 Septembre 1797 (I797); Sur les troubles de Lyon (1818); La Session de 1817 (1818). His Discours were collected in 1818. The "Fragments choisis," and translations from the German, were published in L'Abeille française. Besides the histories of the time, see further details vol. x. of the Revue encyclopédique; a paper on Jordan and Madame de Staël, by Charles Augustin Sainte-Beuve, in the Revue des deux mondes for March 1868 and R Boubbe, "Camille Jordan à Weimar," in the Correspondance (1901), ccv. 718–738 and 948–970.

Charles-Augustin

Charles-Augustin is a given name. Notable people with the name include:

Charles-Augustin de Coulomb (1736–1806), French physicist

Charles V Augustin van de Werve, 3rd Count of Vorsselaer.

Charles Augustin Sainte-Beuve (1804–1869), literary critic

Classic book

A classic is a book accepted as being exemplary or noteworthy, for example through an imprimatur such as being listed in a list of great books, or through a reader's personal opinion. Although the term is often associated with the Western canon, it can be applied to works of literature from all traditions, such as the Chinese classics or the Indian Vedas.

What makes a book "classic" is a concern that has occurred to various authors ranging from Italo Calvino to Mark Twain and the related questions of "Why Read the Classics?" and "What Is a Classic?" have been essayed by authors from different genres and eras (including Calvino, T. S. Eliot, Charles Augustin Sainte-Beuve). The ability of a classic book to be reinterpreted, to seemingly be renewed in the interests of generations of readers succeeding its creation, is a theme that is seen in the writings of literary critics including Michael Dirda, Ezra Pound, and Sainte-Beuve.

The terms "classic book" and "Western canon" are closely related concepts, but they are not necessarily synonymous. A "canon" refers to a list of books considered to be "essential" and is presented in a variety of ways. It can be published as a collection (such as Great Books of the Western World, Modern Library, or Penguin Classics), presented as a list with an academic’s imprimatur (such as Harold Bloom's) or be the official reading list of an institution of higher learning (such as "The Reading List" at St. John's College or Rutgers University.

Contre Sainte-Beuve

Contre Sainte-Beuve (French: [kɔ̃tʁ sɛ̃t bœv], "Against Sainte-Beuve") is an unfinished book of essays written by Marcel Proust between 1895 and 1900 and first published posthumously in 1954. The book was discovered, with its pages in order, amongst Proust's papers after his death. It consists of several essays, three of which refute the body of work written by Charles Augustin Sainte-Beuve, a French literary critic active in the early to mid-nineteenth century.

Edward Wagenknecht

Edward (Charles) Wagenknecht (March 28, 1900 – May 24, 2004) was an American literary critic and teacher who specialized in 19th century American literature. He wrote and edited many books on literature and movies, and taught for many years at various universities, including the University of Chicago and Boston University. He also contributed many book reviews and other writings to such newspapers as the Boston Herald, The New York Times, and the Chicago Tribune and to such magazines as The Yale Review and The Atlantic Monthly.

Flaubert's letters

The letters of Gustave Flaubert, the 19th-century French novelist, range in date from 1829, when he was 7 or 8 years old, to a day or two before his death in 1880. They are considered one of the finest bodies of letters in French literature, admired even by many who are critical of Flaubert's novels. His main correspondents include family members, business associates and fellow-writers such as Théophile Gautier, the Goncourt brothers, Guy de Maupassant, Charles Augustin Sainte-Beuve, George Sand, Ivan Turgenev and Émile Zola. They provide a valuable glimpse of his methods of work and his literary philosophy, as well as documenting his social life, political opinions, and increasing disgust with bourgeois society.

Le Constitutionnel

Le Constitutionnel (French pronunciation: ​[lə kɔ̃stitysjɔnɛl], The Constitutional) was a French political and literary newspaper, founded in Paris during the Hundred Days by Joseph Fouché. Originally established in October 1815 as The Independent, it took its current name during the Second Restoration. A voice for Liberals, Bonapartists, and critics of the church, it was suppressed five times, reappearing each time under a new name. Its primary contributors were Antoine Jay, Évariste Dumoulin, Adolphe Thiers, Louis François Auguste Cauchois-Lemaire, as well as Alexander Chevassut and his son-in-law Nicole Robinet de La Serve.

During the 19th century, European monarchs were wary of the press and often suppressed it because they believed it could spark popular uprisings. Newspapers which covered national news were rare and read by few, especially since Germany and Italy were not yet nation-states. According to the Encyclopædia Britannica, "the first signs of a popular press" appeared in Continental Europe with La Presse in 1836, founded by Émile de Girardin. At the same time, Louis Véron founded the Revue de Paris in 1829 and revived Le Constitutionnel in 1835. In 1848, it played a key role in the election of Louis-Napoleon Bonaparte and was a major government newspaper of the Second French Empire.

Véron asked Charles Augustin Sainte-Beuve to write a weekly column on current literary topics. Sainte-Beuve called the now-famous collection Causeries du lundi ("Monday Chats"). His essays appeared in Le Constitutionnel from October 1849 to November 1852 and from September 1861 to January 1867 as well as in other papers. They were ruminations on authors and their works, with an emphasis on French literature. Sainte-Beuve's reputation as one of the most important French literary critics of the day rested on these columns, in which he guided the literary tastes of the populace. Like other papers at the time, Le Constitutionnel had a "literary slant", which covered up their lack of national news, a slant, which according to Britannica, "persists to some degree in the modern era" in French newspapers.In 1862, Jules Mirès purchased the newspaper as its quality was worsening. Beginning in 1880, it saw a real decline and ceased publication in 1914.

Under the editorship of Louis Véron, from 1844 to 1862, the following works were published serially:

Jeanne by George Sand

Le Juif errant by Eugène Sue

L’Allée des veuves et Les Grands Danseurs du Roi by Charles Rabou

Le Cabinet des Antiques (under the title les Rivalités de Province) by Balzac in 1838

La Cousine Bette by Balzac in 1846

Le Cousin Pons by Balzac in 1847

Le Colonel Chabert by Balzac in 1847

Le Député d'Arcis by Balzac in 1852

Renée de Varville by Virginie Ancelot

The novels of Alexandre Dumas, Prosper Mérimée, and Alfred de Musset

Le Globe

Le Globe was a French newspaper, published in Paris by the Bureau du Globe between 1824 and 1832, and created with the goal of publishing Romantic creations. It was established by Pierre Leroux and the printer Alexandre Lachevardière. After 1828, the paper became political and Liberal in tone.

The Aide-toi, le ciel t'aidera association's organ was first Le Globe and then Le National. Charles Renouard was among the liberals who opposed the Bourbon Restoration.

He was a member of the "Aide-toi" society and participated in the creation of the Globe.

He was the lawyer for this journal, and contributed to it regularly from 1825 to 1827. Goethe was a regular subscriber from 1824 and declared it "among the most interesting periodicals" and that he "could not do without it."Le Globe was bought by the Saint-Simonists in 1830, and was the official voice of the movement under the July Monarchy. Le Globe was ultimately banned, following the denunciation of Saint-Simonianism as an anti-establishment "sect".

List of French novelists

This is a list of novelists from France. Novelists in this list should be notable in some way, and ideally have Wikipedia articles on them.

See also French novelists Category Index.

Honoré d'Urfé (1568–1625)

Charles Sorel (c. 1602–1674)

Madeleine de Scudéry (1607–1701)

Madame de Lafayette (1634–1693), author of La Princesse de Clèves

Alain-René Le Sage (1668–1747)

Pierre de Marivaux (1688–1763)

Voltaire (1694–1778), philosophe, satirist, playwright, author of Candide

Françoise de Graffigny (1695–1758), author of Lettres d'une Péruvienne

Abbé Prévost (1697–1763), author of Manon Lescaut

Claude Prosper Jolyot de Crébillon (1707–1777)

Jean-Jacques Rousseau (1712–1778), philosophe, author of Julie, or the New Heloise

Denis Diderot (1713–1784), philosophe, author of Rameau's Nephew

Marie Jeanne Riccoboni (1714–1792)

Restif de la Bretonne (1734–1806)

Jacques-Henri Bernardin de Saint-Pierre (1737–1814), author of Paul et Virginie

Marquis de Sade (1740–1814), author of "Dialogue Between a Priest and a Dying Man", Justine, The 120 Days of Sodom, Philosophy in the Bedroom, and Juliette

Choderlos de Laclos (1741–1803), author of Les liaisons dangereuses

Anne Louise Germaine de Staël (1766–1817)

Benjamin Constant (1767–1830), author of Adolphe

François-René de Chateaubriand (1768–1848), author of Atala and René

Étienne Pivert de Senancour (1770–1846)

Charles Nodier (1780–1844)

Stendhal (1783–1842), author of The Red and the Black, considered by some to be the first modern novel, and The Charterhouse of Parma

Charles Paul de Kock (1793–1871)

Antoinette Henriette Clémence Robert (1797–1872)

Charles Dezobry (1798–1871), historian and historical novelist

Honoré de Balzac (1799–1850), author of La Comédie Humaine, a series of novels presenting a full picture of France in the early 19th century

Alexandre Dumas, père (1802–1870), author of The Count of Monte Cristo and The Three Musketeers

Victor Hugo (1802–1885), author of The Hunchback of Notre Dame and Les Misérables

Prosper Mérimée (1803–1870), author of Carmen

Charles Augustin Sainte-Beuve (1804–1869)

George Sand (1804–1876), pseudonym of Amantine Aurore Lucile Dupin, Baroness Dudevant

Eugène Sue (1804–1857)

Jules Amédée Barbey d'Aurevilly (1808–1889)

Alfred de Musset (1810–1857)

Théophile Gautier (1811–1872)

Gustave Flaubert (1821–1880), author of Madame Bovary and Sentimental Education

Edmond de Goncourt (1822–1896)

Henri Murger (1822–1861), author of Scènes de la vie de bohème

Alexandre Dumas, fils (1824–1895), author of La Dame aux camélias

Edmond About (1828–1885)

Jules Verne (1828–1905), writer of techno-thrillers like Twenty Thousand Leagues under the Sea, and founding father of science fiction

Jules de Goncourt (1830–1870)

Hector Malot (1830–1907)

Émile Gaboriau (1832–1873), pioneer of modern detective fiction

Eugène Le Roy (1836–1907)

Alphonse Daudet (1840–1897)

Émile Zola (1840–1902), naturalist, author of Germinal and Nana

Anatole France (1844–1924)

Léon Bloy (1846–1917)

Joris-Karl Huysmans (1848–1907), author of À rebours and Là-bas

Guy de Maupassant (1850–1893)

Pierre Loti (1850–1923)

Élémir Bourges (1852–1925)

Paul Bourget (1852–1935)

René Bazin (1853–1932)

Adolphe Chenevière (1855–19??)

Maurice Barrès (1862–1923)

Henri de Régnier (1864–1936)

Jules Renard (1864–1910)

Romain Rolland (1866–1944), Nobel Prize in Literature, 1915

Gaston Leroux (1868–1927), author of The Phantom of the Opera and The Mystery of the Yellow Room which is recognized as the first locked room puzzle mystery novel

André Gide (1869–1951)

Henri Bordeaux (1870–1963)

Marcel Proust (1871–1922), author of In Search of Lost Time, sometimes seen as the greatest modernist novel

Colette (1873–1954), best known for Gigi and Chéri

Alfred Jarry (1873–1907), satirist, inventor of Pataphysics

Roger Martin du Gard (1881–1958), Nobel Prize in Literature, 1937

Louis Pergaud (1882–1915)

Georges Duhamel (1884–1966)

François Mauriac (1885–1970), Nobel Prize in Literature, 1952

Jules Romains (1885–1972)

Alain-Fournier (1886–1914)

Georges Bernanos (1888–1948)

Adrien Bertrand (1888–1917)

Henri Bosco (1888–1976)

Louis Ferdinand Céline (1894–1961), author of Journey to the End of the Night and Death on the Installment Plan or Mort à Crédit

Henri de Montherlant (1895–1972)

Jean Giono (1895–1970)

Julien Green (1900–1998)

Antoine de Saint Exupéry (1900–1944)

Nathalie Sarraute (1900–1999)

André Malraux (1901–1976)

Irène Némirovsky (1903–1942), author of Suite française

Raymond Queneau (1903–1976)

Raymond Radiguet (1903–1942)

Marguerite Yourcenar (1903–1987)

Jean-Paul Sartre (1905–1980), Nobel Prize in Literature, 1964

Louise Aslanian (1906–1945), pseudonym "Las", author of "The Way of doubt".

Pauline Réage (1907–1998)

Simone de Beauvoir (1908–1986)

Paul Berna (1908–1994)

Jean Genet (1910–1986)

Henri Troyat (1911–2007)

Pierre Boulle (1912–1994), author of The Bridge on the River Kwai and Planet of the Apes

Albert Camus (1913–1960), Nobel Prize in Literature, 1957

Gilbert Cesbron (1913–1979)

Claude Simon (1913–2005), Nobel Prize in Literature, 1985

Romain Gary (1914–1980), winner of the Goncourt prize twice, 1956, and 1975 under the pseudonym of Emile Ajar

Marguerite Duras (1914–1996)

Maurice Druon (1918–2009)

Boris Vian (1920–1959)

Alain Robbe-Grillet (1922–2008)

Michel Tournier (born 1924)

Philippe Daudy (1925–1994)

Michel Butor (born 1926)

Sébastien Japrisot (1931–2003)

Emmanuelle Arsan (born 1932)

Régine Deforges (born 1935)

Françoise Sagan (1935–2004)

Georges Perec (1936–1982)

J.M.G. Le Clézio (born 1940), Nobel Prize in Literature, 2008

Nancy Huston (born 1953)

Michel Houellebecq (born 1958), Impact award winner

Éric-Emmanuel Schmitt (born 1960)

Charles Dantzig (born 1961)

Pavel Hak (born 1962)

Beatrice Hammer (born 1963)

Nicolas-Germain Léonard

Nicolas-Germain Léonard (16 March 1744 – 26 January 1793) was a poet and one of Guadeloupe's first writers.

Léonard was born in Guadeloupe, but spent most of his life in France, travelling back and forth frequently. He first moved to France while young, receiving his education there, and was spurred to return later in life by the political situation in the French colonies during the period of the French Revolution. Slavery was an important issue in the colonies, and Léonard was white. He died in Nantes, aged 48.

His fairly conventional poetry is most interesting today for its "astonishing evidence for the experience of living through revolutionary France during the months after the declaration of the republic and the trials against Louis XVI" (Gumbrecht, 213).

The French minister Chauvelin was interested in Léonard's poetry and appointed him chargé d'affaires at Liege. There Léonard wrote "Les lettres de deux amants habitants de Lyon" (1783), a popular romance that was translated into English and Italian. In 1787, he published the fourth edition of his work in three volumes. His work would later attract literary critic Charles-Augustin Sainte-Beuve.

Philippe de Commines

Philippe de Commines (or de Commynes or "Philippe de Comines"; Latin: Philippus Cominaeus; 1447 – 18 October 1511) was a writer and diplomat in the courts of Burgundy and France. He has been called "the first truly modern writer" (Charles Augustin Sainte-Beuve) and "the first critical and philosophical historian since classical times" (Oxford Companion to English Literature). Neither a chronicler nor a historian in the usual sense of the word, his analyses of the contemporary political scene are what made him virtually unique in his own time.

Prix Sainte-Beuve

The Prix Sainte-Beuve, established in 1946, is a French literary prize awarded each year to a writer in the categories "novels" (or "poetry") and "essays" (or "critics"); it is named after the writer Charles-Augustin Sainte-Beuve. The founding jury included Raymond Aron, Maurice Blanchot, Edmond Buchet, Maurice Nadeau, Jean Paulhan and Raymond Queneau.

Revue des deux Mondes

The Revue des deux Mondes (French: [ʁəvy de dø mɔ̃d], Review of the Two Worlds) is a French language monthly literary, cultural and political affairs magazine that has been published in Paris since 1829.According to its website, "it is today the place for debates and dialogues between nations, disciplines and cultures, about the major subjects of our societies". The main shareholder is Marc Ladreit de Lacharrière's FIMALAC Group.

Saint Beuve

Saint Beuve may refer to:

Saint Bobo

Beuve, Abbess of Saint Pierre de Reims

Serge Poltoratzky

Serge Poltoratzky (alternate spellings: Sergei or Sergey and Poltoratsky, Poltoratskii or Poltoratskiy), 1803-1884, was a Russian literary scholar, bibliophile and humanitarian. His major literary work was the Dictionary of Russian Authors, which he worked on for decades. He travelled extensively in Europe to find books and manuscripts needed for this work. He was also interested in the letters of Voltaire and in Franco-Russian cultural relations. He wrote articles for the French press on these and other literary topics, often under the pseudonym R.E. According to Yuri Druzhnikov, Poltoratzky was the first to introduce Pushkin's work to a western European audience, in the October 1821 issue of Revue encyclopedique (published in Paris).

Among Poltoratzky's literary friends were Victor Hugo, Nikolay Karamzin, Charles Forbes René de Montalembert, Alexander Pushkin, Charles Augustin Sainte-Beuve and Vasiliy Zhukovsky. He was also known for giving financial help to impoverished authors and scholars.

Poltoratzky's personal library, which included many rare books and unpublished manuscripts, was donated to the Imperial Public Library, now the Russian State Library.

This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.