Theatrical release poster
|Directed by||Mike Nichols|
|Produced by||Mike Nichols|
Joseph E. Levine
|Written by||Jules Feiffer|
|Edited by||Sam O'Steen|
|Distributed by||AVCO Embassy Pictures|
|Box office||$12,351,000 (US/Canada rentals)|
The story follows the sexual exploits of two Amherst College roommates over a 25-year period, from the late 1940s to the early 1970s. Sandy (Art Garfunkel) is gentle and passive, while Jonathan Fuerst (Jack Nicholson) is tough and aggressive. Sandy idolizes women, while Jonathan objectifies women. He frequently uses the term "ballbuster" to describe women as emasculating teases whose main pleasure is to deny pleasure to men; he extends this term to mean women who want to get married instead of accepting that men mostly want unattached sex. Since each man's perspective of womanhood is extreme and self-serving, neither is able to sustain a relationship with a woman.
The film has three parts. Part I occurs when Sandy and Jonathan are college roommates. Part II follows the men several years after college. In the final part, the men have become middle-aged.
In the beginning, Sandy and Jonathan are discussing women, and what kind appeals to each. Sandy wants a woman who is intellectual. Jonathan is more interested in a woman's physical attributes.
Sandy shyly meets Susan (Candice Bergen) at an on-campus event and they begin dating. Although they enjoy each other's company, Susan is reluctant to enter into a physical relationship. Unbeknownst to Sandy, she is pursued by Jonathan, who feels a physical attraction for her. They have sex. Jonathan tries to convince Susan not to have sex with Sandy, but after some delays, Susan is also having sex with Sandy. Part I ends with Susan and Jonathan breaking up.
Part II finds Sandy married to Susan, while Jonathan is still searching for his "perfect woman." Jonathan now defines perfection by a woman's bust size and figure. Jonathan begins a relationship with Bobbie (Ann-Margret), a beautiful woman who fulfills all of Jonathan's physical requirements. However, Jonathan constantly berates Bobbie for being shallow. Jonathan finds that this purely physical relationship is no more satisfying than his previous relationship with Susan. Bobbie leaves her job at Jonathan's suggestion. She then becomes depressed, spending long hours doing nothing but sleeping in the apartment she shares with Jonathan. The relationship deteriorates. Jonathan berates Bobbie for not cleaning up the apartment while he is out working a nine-to-five job all day. He claims that he doesn't understand why breakups always have to end with "poison."
Sandy's relationship with Susan is faring no better. Sandy is dissatisfied and bored with the physical part of their relationship, even though he and Susan "do all the right things." He relates how they are "patient with each other" and concludes with a statement that perhaps sex is not "meant to be enjoyable with a person you love." He says that being in bed with Susan as she tells him what to do is like taking orders on a short-order drill.
Sandy and Susan end their relationship. He begins dating Cindy (Cynthia O'Neal) next. Sandy, Cindy, Jonathan, and Bobbie find themselves together at Jonathan's apartment, where Jonathan suggests privately to Sandy that they trade partners, to "liven things up a bit." Sandy goes to the bedroom looking for Bobbie. Cindy dances with Jonathan and reprimands him for attempting to bed her with Sandy nearby, but indicates she is open to seeing him on his own, saying he should contact her at a more appropriate time. In the meantime, upset by an earlier fight with Jonathan about her desire to get married, Bobbie has attempted suicide. She is found by Sandy, who calls the hospital to have her taken to intensive care.
Part III opens with now-middle-aged Jonathan presenting a slideshow entitled "Ballbusters on Parade" to Sandy (also middle-aged) and his 18-year-old girlfriend, Jennifer (Carol Kane). The slideshow consists of pictures of Jonathan's various loves throughout his life. He skips awkwardly over a slide of Susan, but not before Sandy notices. He also shows an image of Bobbie, saying they are divorced and had one child together, and he is paying her alimony. Jennifer leaves in tears. Sandy idolizes his new lover, explaining that "she knows worlds which I cannot begin to touch yet." Jonathan believes his friend is deluding himself.
Time passes. Jonathan remains successful, but is alone. A prostitute (Rita Moreno) is with him, and they go through a ritual dialogue about male/female relationships which is apparently a script written by Jonathan. At the end, the prostitute recites a monologue (again scripted by Jonathan) praising his power and "perfection," which apparently has become the only way Jonathan can now get an erection.
The script was originally written as a play. Jules Feiffer sent it to Mike Nichols, who thought it would work better as a film. The script contains numerous four-letter words, some of which were rarely heard on the screen before this time.
The changes in the morals of American society of the 1960s and 1970s and the general receptiveness by the public to frank discussion of sexual issues was sometimes at odds with local community standards. A theatre in Albany, Georgia, showed the film. On January 13, 1972, the local police served a search warrant on the theatre, and seized the film. In March 1972, the theatre manager, Mr. Jenkins, was convicted of the crime of "distributing obscene material". His conviction was upheld by the Supreme Court of Georgia. On June 24, 1974, the U.S. Supreme Court found that the State of Georgia had gone too far in classifying material as obscene in view of its prior decision in Miller v. California, 413 U.S. 15 (1973) (the Miller standard), and overturned the conviction in Jenkins v. Georgia, 418 U.S. 153 (1974). The court also said that,
Our own viewing of the film satisfies us that Carnal Knowledge could not be found … to depict sexual conduct in a patently offensive way. Nothing in the movie falls within … material which may constitutionally be found … "patently offensive" … While the subject matter of the picture is, in a broader sense, sex, and there are scenes in which sexual conduct including "ultimate sexual acts" is to be understood to be taking place, the camera does not focus on the bodies of the actors at such times. There is no exhibition whatever of the actors' genitals, lewd or otherwise, during these scenes. There are occasional scenes of nudity, but nudity alone is not enough to make material legally obscene… Appellant's showing of the film Carnal Knowledge is simply not the "public portrayal of hard core sexual conduct for its own sake, and for the ensuing commercial gain" which we said was punishable…
Carnal Knowledge was nominated for Golden Globe Award for Best Actor – Motion Picture Drama (Jack Nicholson), Golden Globe Award for Best Supporting Actor – Motion Picture (Art Garfunkel), and Academy Award for Best Supporting Actress (Ann-Margret).
Carnal Knowledge was released on DVD December 7, 1999, by MGM Home Video.
Ann Laura Stoler is the Willy Brandt Distinguished University Professor of Anthropology and Historical Studies at The New School for Social Research in New York City. She is known in the field of affect and postcolonial studies for her writings about the treatment of race and sexuality in the works of French philosopher Michel Foucault.Carnal Knowledge (TV series)
Carnal Knowledge was a short-lived 1996 British television game show relating to sex.
It was hosted by Maria McErlane and Graham Norton.It was shown very late at night, appropriate to its explicit subject matter.For Unlawful Carnal Knowledge
For Unlawful Carnal Knowledge (also known as F.U.C.K.) is the ninth studio album by American hard rock band Van Halen, released in 1991 on Warner Bros. Records. It debuted at number 1 on the Billboard 200 album chart and maintained the position for three weeks.For Unlawful Carnal Knowledge Tour
The For Unlawful Carnal Knowledge Tour (often abbreviated as the F.U.C.K. Tour or simply The Fuck Tour) was a North American concert tour by hard rock band Van Halen in support of their album For Unlawful Carnal Knowledge. It was one of the band's longer tours, divided into 99 dates. It featured shows in Hawaii and Mexico, places Van Halen rarely played in their history.
At the two Fresno, California, shows, the band filmed and recorded material for the live double album Live: Right Here, Right Now and live VHS Van Halen: Right Here, Right Now – Live (later also released on DVD). Promotion for these live works was the foundation of the band's next tour.
This tour included the song "Jump" in the set list. This song from 1984 had been the band's only US Hot 100 number 1, but in his attempt to 'forget' the band's past, Sammy Hagar had refused to sing it at every show when he joined the band in 1985. Now an established member of the line-up, he agreed to sing it more often. This tour also marked the first time that keyboards were not performed live on stage by Eddie Van Halen. Keyboard and piano parts were prerecorded by Eddie and played back during the concerts.
The tour was managed by touring veteran Scotty Ross, who has also managed the tours of Poison, Dio, Saliva and Celtic Woman.I'm Getting Sentimental Over You
"I'm Getting Sentimental Over You" is a song recorded by Tommy Dorsey and His Orchestra. The words were written by Ned Washington and the music was written by George Bassman. It was first performed in 1932. The original copyright is dated 1933 and issued to Lawrence Music Publishers, Inc. The copyright was assigned to Mills Music, Inc. in 1934. Noni Bernardi, a saxophonist with the Dorsey orchestra arranged this song.
Dorsey was the featured trombone soloist when his orchestra played it. It was first recorded in September 1935. A second recording on October 18, 1935 is the exact arrangement that Tommy would henceforth feature. Frank Sinatra sang this song in the Dorsey Orchestra and also featured it in an album, I Remember Tommy, after Tommy Dorsey's death in 1956.
This song was featured in an episode of The Twilight Zone called "Static", in the movie "Carnal Knowledge" and in the movie Bart Got a Room.
The tempo is considered a fox trot or swing.Jenkins v. Georgia
Jenkins v. Georgia, 418 U.S. 153 (1974), was a United States Supreme Court case overturning a Georgia Supreme Court ruling regarding the depiction of sexual conduct in the film Carnal Knowledge.
The changes in the morals of American society of the 1960s and 1970s and the general receptiveness to the public to frank discussion of sexual issues was sometimes at odds with local community standards. A theatre in Albany, Georgia showed the film. On January 13, 1972, the local police served a search warrant on the theatre, and seized the film. In March 1972, the theatre manager, Mr. Jenkins, was convicted of the crime of "distributing obscene material". His conviction was upheld by the Supreme Court of Georgia.
On June 24, 1974, the U.S. Supreme Court ruled that the State of Georgia had gone too far in classifying material as obscene in view of the Court's prior landmark decision in Miller v. California, 413 U.S. 15 (1973) (the Miller standard), and overturned the conviction. The court said,
Our own viewing of the film satisfies us that Carnal Knowledge could not be found ... to depict sexual conduct in a patently offensive way. Nothing in the movie falls within ... material which may constitutionally be found ... "patently offensive" ... While the subject matter of the picture is, in a broader sense, sex, and there are scenes in which sexual conduct including "ultimate sexual acts" is to be understood to be taking place, the camera does not focus on the bodies of the actors at such times. There is no exhibition whatever of the actors' genitals, lewd or otherwise, during these scenes. There are occasional scenes of nudity, but nudity alone is not enough to make material legally obscene ... Appellant's showing of the film Carnal Knowledge is simply not the "public portrayal of hard core sexual conduct for its own sake, and for the ensuing commercial gain" which we said was punishable ...LGBT rights in Uganda
Lesbian, gay, bisexual, and transgender (LGBT) persons in Uganda face legal challenges not experienced by non-LGBT residents. Activists estimated in 2007 that the Ugandan LGBT community consisted of 500,000 people.Both male and female homosexual activity is illegal. Under the Penal Code, "carnal knowledge against the order of nature" between two males carries a potential penalty of life imprisonment. The Uganda Anti-Homosexuality Act, 2014 was passed on 17 December 2013 with a punishment of life in prison for "aggravated homosexuality". The law brought Uganda into international spotlight, and caused international outrage, with many governments refusing to provide aid to Uganda anymore. In August 2014, the Uganda Constitutional Court annulled the law. Nonetheless, LGBT people continue to face major discrimination in Uganda, actively encouraged by political and religious leaders. Violent and brutal attacks against LGBT people are common, often performed by state officials. Households headed by same-sex couples are not eligible for the same legal protections available to opposite-sex couples.
Homosexuality was accepted and commonplace in pre-colonial Ugandan society. The British Empire introduced laws punishing homosexuality when Uganda became a British colony. These laws were kept after independence, and became accepted by the local Ugandan society, which up until then had tolerated homosexuality. Nowadays, homophobia is deeply ingrained in the population, accentuated by government-supported anti-white and anti-Indian racism.Offences Against the Person Act 1828
The Offences Against the Person Act 1828 (9 Geo. 4 c. 31) (also known as Lord Lansdowne's Act) was an Act of the Parliament of the United Kingdom of Great Britain and Ireland. It consolidated provisions in the law related to offences against the person (an expression which, in particular, includes offences of violence) from a number of earlier statutes into a single Act. It was part of the criminal law reforms known collectively as "Peel's Acts", passed with the objective of simplifying the law. Among the laws it replaced was clause XXXVI of the Magna Carta, the first time any part of the Magna Carta was repealed, and the Buggery Act 1533. It also abolished the crime of petty treason.
The Act only applied to England and Wales (then described as England). A similar statute was passed for Ireland the following year (10 Geo. 4 c. 34).
A number of the Act's provisions were repealed and replaced by the Offences against the Person Act 1837. The death penalty for shooting, stabbing, cutting or wounding with intent (s.12), and for post-quickening abortions (s.13) under this Act was abolished by repeal of those sections by section 1 of the 1837 Act (sections 12 and 13 of this act were replaced by sections 4 and 6 of the 1837 Act, respectively).
The death penalty for rape (s.16) and carnal knowledge of a girl under ten (s.17) was abolished by amendment of those sections by section 3 of the Substitution of Punishments of Death Act 1841. Section 18 made provision in relation to proof of carnal knowledge.
The Act was wholly replaced by the Offences against the Person Act 1861.
Under the Offences Against the Person Act of 1828, several sections pertained to the crime of rape. The penalty for being convicted of rape was still death, and remained so until 1841. The Act also made it a felony punishable by death to carnally know a girl under the age of ten. Carnally knowing a girl over the age of ten and under the age of twelve was a misdemeanor punishable with imprisonment with the option of hard labor for a term to be determined by the court.
The Act also affirmed that proof of penetration was sufficient to reach the conclusion that one person had had carnal knowledge of another; before the 1828 statute, victims of rape had to prove that the perpetrator ejaculated. Historian Anna Clark has argued that medical experts used ejaculation as proof of rape because it was tangible evidence that reduced the need for a victim's testimony. Clark also contends that requiring proof of ejaculation allowed judges and magistrates to ask victims humiliating and explicit questions. By changing the definition of carnal knowledge from ejaculation to proof of penetration, the 1828 act made it a little easier for victims to prosecute their rapists. Records show that from 1828 to 1841, 63 defendants accused of rape were tried at the Old Bailey. Of those 63 defendants, 16 were found guilty and 12 were sentenced to death. Three had their sentenced reduced to imprisonment, and one had his judgment respited altogether.The Act and its focus on interpersonal violence also had the effect of increasing formal accusations of domestic violence, by reducing the stigma surrounding such activity and diminishing judicial delays.Poundcake (song)
"Poundcake" is a Van Halen song and the opening track on their 1991 album For Unlawful Carnal Knowledge. "Poundcake" was the first song to be released as a single from the album making #1 on U.S. Billboard Album Rock Tracks chart and #74 in the UK Singles Chart.Rape
Rape is a type of sexual assault usually involving sexual intercourse or other forms of sexual penetration carried out against a person without that person's consent. The act may be carried out by physical force, coercion, abuse of authority, or against a person who is incapable of giving valid consent, such as one who is unconscious, incapacitated, has an intellectual disability or is below the legal age of consent. The term rape is sometimes used interchangeably with the term sexual assault.The rate of reporting, prosecuting and convicting for rape varies between jurisdictions. Internationally, the incidence of rapes recorded by the police during 2008 ranged, per 100,000 people, from 0.2 in Azerbaijan to 92.9 in Botswana with 6.3 in Lithuania as the median. Worldwide, rape is primarily committed by males. Rape by strangers is usually less common than rape by people the victim knows, and male-on-male and female-on-female prison rapes are common and may be the least reported forms of rape.Widespread and systematic rape (e.g., war rape) and sexual slavery can occur during international conflict. These practices are crimes against humanity and war crimes. Rape is also recognized as an element of the crime of genocide when committed with the intent to destroy, in whole or in part, a targeted ethnic group.
People who have been raped can be traumatized and develop posttraumatic stress disorder. Serious injuries can result along with the risk of pregnancy and sexually transmitted infections. A person may face violence or threats from the rapist, and, in some cultures, from the victim's family and relatives.Right Now (Van Halen song)
"Right Now" is a rock song written by the group Van Halen for their album For Unlawful Carnal Knowledge. The song reflects on living for the moment and not being afraid of making a change. Vocalist Sammy Hagar has said that he was writing the lyrics to this song at the studio very late one night, and he heard Eddie Van Halen in an adjacent room working on a piano melody. Hagar said he suddenly realized that "we were writing the same song," so he walked into the room and began singing his words over Van Halen's music. According to Eddie, the instrumental dates back to 1983, "before I wrote "Jump" - it didn't come out until about '92, '93 or something like that, cause nobody wanted anything to do with it." An early version of the melody appears in the 1984 movie The Wild Life which was scored by Eddie Van Halen. Eddie also stated that before Hagar was hired to replace David Lee Roth, he considered an album that would feature various guest singers, with Joe Cocker assigned to "Right Now".Hagar says the lyrics for "Right Now" were the best he ever wrote for a Van Halen song. "I was tired of writing cheap sex songs," he recalled almost two decades later. "Eddie and I wanted to get serious and talk about world issues." Different edits of the video had been used in Van Halen's 2004 tour to make more explicitly political statements in later years.Screen Sinatra
Screen Sinatra is an album featuring songs by Frank Sinatra from various movies to which he has contributed. The tracks were recorded between 1953 and 1960, though the final track—“Dream,” recorded in 1960 —comes from the 1971 film Carnal Knowledge. The compilation was released in 1980 on LP and cassette by EMI, on CD in 1989 by EMI and was released in the United States by Capitol Records in 1996.Section 171 of the Criminal Code of Cyprus
Section 171 of the Criminal Code of Cyprus was a section of the Cyprus Criminal Code, which was enacted in 1929, that criminalized homosexual acts between consenting male adults. Until 1998, the section read:"Any person who (a) has carnal knowledge of any person against the order of nature, or (b) permits a male person to have carnal knowledge of him against the order of nature is guilty of a felony and is liable to imprisonment for five years".Sexual penetration
Sexual penetration is the insertion of a body part or other object into a body orifice, such as the vagina, anus or mouth, as part of human sexual activity or animal sexual behavior.
The term is most commonly used in statute law in the context of proscribing certain sexual activities. Terms such as “sexual intercourse” or “carnal knowledge” are more commonly found in older statutes, while many modern criminal statutes use the term “sexual penetration” because it is a broad term encompassing (unless otherwise qualified) any form of penetrative sex, including digital (meaning with the digits, i.e., the fingers) or with an object, and may involve only the most minimal penetration. Some jurisdictions refer to some forms of penetration as "acts of indecency", or other terminology.Statutory rape
In common law jurisdictions, statutory rape is nonforcible sexual activity in which one of the individuals is below the age of consent (the age required to legally consent to the behavior). Although it usually refers to adults engaging in sexual contact with minors under the age of consent, it is a generic term, and very few jurisdictions use the actual term statutory rape in the language of statutes.Different jurisdictions use many different statutory terms for the crime, such as sexual assault (SA), rape of a child (ROAC), corruption of a minor (COAM), unlawful sex with a minor (USWAM), carnal knowledge of a minor (CKOAM), unlawful carnal knowledge (UCK), sexual battery or simply carnal knowledge. The terms child sexual abuse or child molestation may also be used, but statutory rape generally refers to sex between an adult and a sexually mature minor past the age of puberty, and may therefore be distinguished from child sexual abuse. Sexual relations with a prepubescent child is typically treated as a more serious crime.In statutory rape, overt force or threat is usually not present. Statutory rape laws presume coercion, because a minor or mentally handicapped adult is legally incapable of giving consent to the act.Top of the World (Van Halen song)
"Top of the World" is a rock song written by the group Van Halen for their 1991 album For Unlawful Carnal Knowledge. It is one of six singles issued for the album, and spent four non-consecutive weeks at the top of the Billboard Album Rock Tracks chart in the U.S., becoming their eighth number one on this chart. It was the only single off the album to crack the top 40 on the Billboard Hot 100, peaking at #27. The main guitar riff from "Top of the World" is actually carried over from the closing guitar background riff from 1984's "Jump".UCK
UCK may refer to:
Ubuntu Customization Kit, a tool to create a customized Live CD of Ubuntu
unlawful carnal knowledge