Carlos Fuentes

Carlos Fuentes Macías (/ˈfwɛnteɪs/;[1] Spanish: [ˈkaɾ.los ˈfwen.tes] (listen); November 11, 1928 – May 15, 2012) was a Mexican novelist and essayist. Among his works are The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975), The Old Gringo (1985) and Christopher Unborn (1987). In his obituary, The New York Times described Fuentes as "one of the most admired writers in the Spanish-speaking world" and an important influence on the Latin American Boom, the "explosion of Latin American literature in the 1960s and '70s",[2] while The Guardian called him "Mexico's most celebrated novelist".[3] His many literary honors include the Miguel de Cervantes Prize as well as Mexico's highest award, the Belisario Domínguez Medal of Honor. He was often named as a likely candidate for the Nobel Prize in Literature, though he never won.[4]

Carlos Fuentes
Fuentes in 2009
Fuentes in 2009
BornCarlos Fuentes Macías
November 11, 1928
Panama City, Panama
DiedMay 15, 2012 (aged 83)
Mexico City, Mexico
Resting placeCimetière de Montparnasse, Paris
OccupationNovelist, writer
NationalityMexican
Period1954–2012
Literary movementLatin American Boom
Notable works
Spouse
  • Rita Macedo (1959–73)
  • Silvia Lemus (1976–2012, his death)
Children
  • Cecilia Fuentes Macedo (1962–)
  • Carlos Fuentes Lemus (1973–1999)
  • Natasha Fuentes Lemus (1974–2005)

Life and career

Fuentes was born in Panama City, the son of Berta Macías and Rafael Fuentes, the latter of whom was a Mexican diplomat.[2][5] As the family moved for his father's career, Fuentes spent his childhood in various Latin American capital cities,[3] an experience he later described as giving him the ability to view Latin America as a critical outsider.[6] From 1934 to 1940, Fuentes' father was posted to the Mexican Embassy in Washington, D.C.,[7] where Carlos attended English-language school, eventually becoming fluent.[3][7] He also began to write during this time, creating his own magazine, which he shared with apartments on his block.[3]

In 1938, Mexico nationalized foreign oil holdings, leading to a national outcry in the U.S.; he later pointed to the event as the moment in which he began to understand himself as Mexican.[7] In 1940, the Fuentes family was transferred to Santiago, Chile. There Carlos first became interested in socialism, which would become one of his lifelong passions, in part through his interest in the poetry of Pablo Neruda.[8] He lived in Mexico for the first time at the age of 16, when he went to study law at the National Autonomous University of Mexico (UNAM) in Mexico City with an eye toward a diplomatic career.[3] During this time, he also began working at the daily newspaper Hoy and writing short stories.[3] He later attended the Graduate Institute of International Studies in Geneva.[9]

In 1957, Fuentes was named head of cultural relations at the Secretariat of Foreign Affairs.[7] The following year, he published Where the Air Is Clear, which immediately made him a "national celebrity"[7] and allowed him to leave his diplomatic post to write full-time.[2] In 1959, he moved to Havana in the wake of the Cuban Revolution, where he wrote pro-Castro articles and essays.[7] The same year, he married Mexican actress Rita Macedo.[3] Considered "dashingly handsome",[5] Fuentes also had high-profile affairs with actresses Jeanne Moreau and Jean Seberg, who inspired his novel Diana: The Goddess Who Hunts Alone.[7] His second marriage, to journalist Silvia Lemus, lasted until his death.[10]

Fuentes served as Mexico's ambassador to France from 1975 to 1977, resigning in protest of former President Gustavo Díaz Ordaz's appointment as ambassador to Spain.[2] He also taught at Cambridge, Brown, Princeton, Harvard, Columbia, University of Pennsylvania, Dartmouth, and Cornell.[10][11] His friends included Luis Buñuel, William Styron, Friedrich Dürrenmatt,[7] and sociologist C. Wright Mills, to whom he dedicated his book The Death of Artemio Cruz.[12] Once good friends with Nobel-winning Mexican poet Octavio Paz, Fuentes became estranged from him in the 1980s in a disagreement over the Sandinistas, whom Fuentes supported.[2] In 1988, Paz's magazine Vuelta carried an attack by Enrique Krauze on the legitimacy of Fuentes' Mexican identity, opening a feud between Paz and Fuentes that lasted until Paz's 1998 death.[7] In 1989, he was the subject of a full-length PBS television documentary, "Crossing Borders: The Journey of Carlos Fuentes," which also aired in Europe and was broadcast repeatedly in Mexico.[13]

Fuentes fathered three children. Only one of them survived him: Cecilia Fuentes Macedo, born in 1962.[2] A son, Carlos Fuentes Lemus, died from complications associated with hemophilia in 1999 at the age of 25. A daughter, Natasha Fuentes Lemus (born August 31, 1974), died of an apparent drug overdose in Mexico City on August 22, 2005, at the age of 30.[14]

Writing

Fuentes described himself as a pre-modern writer, using only pens, ink and paper. He asked, "Do words need anything else?" Fuentes said that he detested those authors who from the beginning claim to have a recipe for success. In a speech on his writing process, he related that when he began the writing process, he began by asking, "Who am I writing for?"[15]

Fuentes' first novel, Where the Air Is Clear (La región más transparente), was an immediate success.[2] The novel is built around the story of Federico Robles – who has abandoned his revolutionary ideals to become a powerful financier – but also offers "a kaleidoscopic presentation" of vignettes of Mexico City, making it as much a "biography of the city" as of an individual man.[16] The novel was celebrated not only for its prose, which made heavy use of interior monologue and explorations of the subconscious,[2] but also for its "stark portrait of inequality and moral corruption in modern Mexico".[17]

A year later, he followed with another novel, The Good Conscience (Las Buenas Conciencias), which depicted the privileged middle classes of a medium-sized town, probably modeled on Guanajuato. Described by a contemporary reviewer as "the classic Marxist novel", it tells the story of a privileged young man whose impulses toward social equality are suffocated by his family's materialism.[18]

Fuentes' best-known novel, The Death of Artemio Cruz (La muerte de Artemio Cruz) appeared in 1962 and is today "widely regarded as a seminal work of modern Spanish American literature".[8] Like many of his works, the novel used rotating narrators, a technique critic Karen Hardy described as demonstrating "the complexities of a human or national personality".[7] The novel is heavily influenced by Orson Welles' Citizen Kane, and attempts literary parallels to Welles' techniques, including close-up, cross-cutting, deep focus, and flashback.[8] Like Kane, the novel begins with the titular protagonist on his deathbed; the story of Cruz's life is then filled in by flashbacks as the novel moves between past and present. Cruz is a former soldier of the Mexican Revolution who has become wealthy and powerful through "violence, blackmail, bribery, and brutal exploitation of the workers".[19] The novel explores the corrupting effects of power and criticizes the distortion of the revolutionaries' original aims through "class domination, Americanization, financial corruption, and failure of land reform".[20]

Fuentes' 1975 Terra Nostra, perhaps his most ambitious novel, is a "massive, Byzantine work" that tells the story of all Hispanic civilization.[8] Modeled on James Joyce's Finnegans Wake, Terra Nostra shifts unpredictably between the sixteenth century and the twentieth, seeking the roots of contemporary Latin American society in the struggle between the conquistadors and indigenous Americans. Like Artemio Cruz, the novel also draws heavily on cinematic techniques.[8] The novel won the Xavier Villaurrutia Award in 1976[21] and the Venezuelan Rómulo Gallegos Prize in 1977.[22]

His 1985 novel The Old Gringo (Gringo viejo), loosely based on American author Ambrose Bierce's disappearance during the Mexican Revolution,[10] became the first U.S. bestseller written by a Mexican author.[4] The novel tells the story of Harriet Winslow, a young American woman who travels to Mexico, and finds herself in the company of an aging American journalist (called only "the old gringo") and Tomás Arroyo, a revolutionary general. Like many of Fuentes' works, it explores the way in which revolutionary ideals become corrupted, as Arroyo chooses to pursue the deed to an estate where he once worked as a servant rather than follow the goals of the revolution.[23] In 1989, the novel was adapted into the U.S. film Old Gringo starring Gregory Peck, Jane Fonda, and Jimmy Smits.[4] A long profile of Fuentes in the U.S. magazine, "Mother Jones," describes the filming of "The Old Gringo" in Mexico with Fuentes on the set.[24]

Mexican historian Enrique Krauze was a vigorous critic of Fuentes and his fiction, dubbing him a "guerrilla dandy" in a 1988 article for the perceived gap between his Marxist politics and his personal lifestyle.[25] Krauze accused Fuentes of selling out to the PRI government and being "out of touch with Mexico", exaggerating its people to appeal to foreign audiences: "There is the suspicion in Mexico that Fuentes merely uses Mexico as a theme, distorting it for a North American public, claiming credentials that he does not have."[5][26] The essay, published in Octavio Paz's magazine Vuelta, began a feud between Paz and Fuentes that lasted until Paz's death.[7] Following Fuentes' death, however, Krauze described him to reporters as "one of the most brilliant writers of the 20th Century".[27]

Fuentes' works have been translated into 24 languages.[4] He remained prolific to the end of his life, with an essay on the new government of France appearing in Reforma newspaper on the day of his death.[28]

Political views

The Los Angeles Times described Fuentes' politics as "moderate liberal", noting that he criticized "the excesses of both the left and the right".[5] Fuentes was a long-standing critic of the Institutional Revolutionary Party (PRI) government that ruled Mexico between 1929 and the election of Vicente Fox in 2000, and later of Mexico's inability to reduce drug violence. He has expressed his sympathies with the Zapatista rebels in Chiapas.[2] Fuentes was also critical of U.S. foreign policy, including Ronald Reagan's opposition to the Sandinistas,[7] George W. Bush's anti-terrorism tactics,[2] U.S. immigration policy,[4] and the role of the U.S. in the Mexican Drug War.[5] His politics caused him to be blocked from entering the United States until a Congressional intervention in 1967.[2] Once, after being denied permission to travel to a 1963 New York City book release party, he responded "The real bombs are my books, not me".[2] Much later in his life, he commented that "The United States is very good at understanding itself, and very bad at understanding others."[3]

The U.S. State Department and the Federal Bureau of Investigation closely monitored Fuentes during the 1960s, purposefully delaying — and often denying — the author’s visa applications.[29] Fuentes' FBI file, released on June 20, 2013, reveals that the FBI’s upper echelons were interested in Fuentes’ movements, because of the writer's suspected communist-leanings and criticism of the Vietnam War. Long-time FBI Associate Director Clyde Tolson was copied on several updates about Fuentes.[29]

Initially a supporter of Fidel Castro's Cuban Revolution, Fuentes turned against Castro after being branded a "traitor" to Cuba in 1965 for attending a New York conference[7] and the 1971 imprisonment of poet Heberto Padilla by the Cuban government.[3] The Guardian described him as accomplishing "the rare feat for a leftwing Latin American intellectual of adopting a critical attitude towards Fidel Castro's Cuba without being dismissed as a pawn of Washington."[3] Fuentes also criticized Venezuelan President Hugo Chávez, dubbing him "a tropical Mussolini."[2]

Fuentes' last message on Twitter read, "There must be something beyond slaughter and barbarism to support the existence of mankind and we must all help search for it."[30]

Death

On May 15, 2012, Fuentes died in Angeles del Pedregal hospital in southern Mexico City from a massive hemorrhage.[10][31] He had been brought there after his doctor had found him collapsed in his Mexico City home.[10]

Mexican President Felipe Calderón wrote on Twitter, "I am profoundly sorry for the death of our loved and admired Carlos Fuentes, writer and universal Mexican. Rest in peace."[6] Nobel laureate Mario Vargas Llosa stated, "with him, we lose a writer whose work and whose presence left a deep imprint".[6] French President François Hollande called Fuentes "a great friend of our country" and stated that Fuentes had "defended with ardour a simple and dignified idea of humanity".[32] Salman Rushdie tweeted "RIP Carlos my friend".[32]

Fuentes received a state funeral on May 16, with his funeral cortege briefly stopping traffic in Mexico City. The ceremony was held in the Palacio de Bellas Artes and was attended by President Calderón.[32]

List of works

Novels

  • La región más transparente (Where the Air Is Clear) (1958) ISBN 978-970-58-0014-6
  • Las buenas conciencias (The Good Conscience) (1961) ISBN 978-970-710-004-6
  • Aura (1962) ISBN 978-968-411-181-3
  • La muerte de Artemio Cruz (The Death of Artemio Cruz) (1962) ISBN 978-0-374-52283-4
  • Cambio de piel (A Change of Skin) (1967)
  • Zona sagrada (Holy Place) (1967)
  • Cumpleaños (Birthday) (1969)
  • Terra Nostra (1975)[33]
  • La cabeza de la hidra (The Hydra Head) (1978)
  • Una familia lejana (Distant Relations) (1980)
  • Gringo viejo (The Old Gringo) (1985)
  • Cristóbal Nonato (Christopher Unborn) (1987)
  • Ceremonias del alba (1991)
  • The Campaign (1992)
  • Diana o la cazadora solitaria (Diana: the Goddess Who Hunts Alone) (1995)
  • La frontera de cristal (The Crystal Frontier: A Novel of Nine Stories) (1996)
  • Los años con Laura Díaz (The Years With Laura Diaz) (1999)
  • Instinto de Inez (Inez) (2001)
  • La silla del águila (The Eagle's Throne) (2002)
  • Todas las familias felices (Happy Families) (2006), ISBN 987-04-0557-6
  • La voluntad y la fortuna (Destiny and Desire) (2008), ISBN 978-1400068807
  • Adán en Edén (2009)
  • Vlad (2010)
  • Federico en su Balcón (2012) (posthumous)

Short stories

  • Los días enmascarados (1954)
  • Cantar de ciegos (1964)
  • Chac Mool y otros cuentos (1973)
  • Agua quemada (Burnt Water) (1983) ISBN 968-16-1577-8
  • Constancia and other Stories For Virgins (1990)
  • Dos educaciones. (1991) ISBN 84-397-1728-8
  • El naranjo (The Orange Tree) (1994)
  • Inquieta compañía (2004)
  • Happy Families (2008)
  • Las dos Elenas
  • El hijo de Andrés Aparicio

Essays

  • La nueva novela hispanoamericana (1969) ISBN 968-27-0142-2
  • El mundo de José Luis Cuevas (1969)
  • Casa con dos puertas (1970)
  • Tiempo mexicano (1971)
  • Miguel de Cervantes o la crítica de la lectura (1976)
  • Myself With Others (1988)
  • El Espejo Enterrado (The Buried Mirror: Reflections on Spain and the New World) (1992) ISBN 84-306-0265-8
  • Geografía de la novela (1993) ISBN 968-16-4044-6
  • Tres discursos para dos aldeas ISBN 950-557-195-X
  • Nuevo tiempo mexicano (A New Time for Mexico) (1995) ISBN 968-19-0231-9
  • Retratos en el tiempo, with Carlos Fuentes Lemus (2000)
  • Los cinco soles de México: memoria de un milenio (2000) ISBN 84-322-1063-3
  • En esto creo (2002) ISBN 970-58-0087-1
  • Contra Bush (2004) ISBN 968-19-1450-3
  • Los 68 (2005) ISBN 0307274152
  • Personas (2012) ISBN 0307274152

Theater

  • Todos los gatos son pardos (1970)
  • El tuerto es rey (1970).
  • Los reinos originarios: teatro hispano-mexicano (1971)
  • Orquídeas a la luz de la luna. Comedia mexicana. (1982)
  • Ceremonias del alba (1990)

Screenplays

  • ¿No oyes ladrar los perros? (1974)
  • Pedro Páramo (1967)
  • Los caifanes (1966)
  • Un alma pura (1965) (episode from Los bienamados)
  • Tiempo de morir (1965) (written in collaboration with Gabriel García Márquez)
  • Las dos Elenas (1964)
  • El gallo de oro (1964) (written in collaboration with Gabriel García Márquez and Roberto Gavaldón, from a short story by Juan Rulfo)

Awards and recognition

References

  1. ^ "Fuentes". Webster's New World College Dictionary.
  2. ^ a b c d e f g h i j k l m Anthony DePalma (May 15, 2012). "Carlos Fuentes, Mexican Man of Letters, Dies at 83". The New York Times. Retrieved May 16, 2012.
  3. ^ a b c d e f g h i j Nick Caistor (May 15, 2012). "Carlos Fuentes obituary". The Guardian. London. Retrieved May 17, 2012.
  4. ^ a b c d e f Anahi Rama; Lizbeth Diaz (May 15, 2012). "Mexican novelist Carlos Fuentes dies at 83". Chicago Tribune. Reuters. Retrieved May 17, 2012.
  5. ^ a b c d e Reed Johnson; Ken Ellingwood (May 16, 2012). "Carlos Fuentes dies at 83; Mexican novelist". Los Angeles Times. Retrieved May 17, 2012.
  6. ^ a b c "Mexican author Carlos Fuentes dead at 83". BBC News. May 16, 2012. Retrieved May 17, 2012.
  7. ^ a b c d e f g h i j k l m Marcela Valdes (May 16, 2012). "Carlos Fuentes, Mexican novelist, dies at 83". The Washington Post. Retrieved May 16, 2012.
  8. ^ a b c d e f g Howard Fraser; Daniel Altamiranda; Susana Perea-Fox (January 2012). "Carlos Fuentes". Critical Survey of Long Fiction. Retrieved May 18, 2012.
  9. ^ "Carlos Fuentes". Encyclopædia Britannica. Encyclopædia Britannica. Retrieved 23 May 2016.
  10. ^ a b c d e "Carlos Fuentes, prolific Mexican novelist, essayist, dies at 83; mourned around globe". The Washington Post. Associated Press. May 15, 2012. Retrieved May 16, 2012.
  11. ^ Jonathan Roeder; Randall Woods (May 15, 2012). "Carlos Fuentes, Mexican Author With Global Fans, Dies At 83". Bloomberg. Retrieved May 16, 2012.
  12. ^ Maarten van Delden (1993). "Carlos Fuentes: From Identity to Alternativity". Modern Language Notes. Johns Hopkins University. 108 (2): 331–346. doi:10.2307/2904639. JSTOR 2904639.
  13. ^ "Crossing Borders: The Journey of Carlos Fuentes".
  14. ^ "Muere Natasha Fuentes Lemus, hija de Carlos Fuentes". Letralia. September 5, 2012. Retrieved May 16, 2012.
  15. ^ "Desconfía Carlos Fuentes de los escritores con éxito garantizado". El Universal (in Spanish). November 13, 2007. Retrieved May 17, 2012.
  16. ^ Genevieve Slomski (November 2010). "Where the Air Is Clear". Masterplots. Retrieved 18 May 2012.
  17. ^ Husna Haq (May 16, 2012). "Carlos Fuentes: 5 best novels". The Christian Science Monitor. Retrieved May 17, 2012.
  18. ^ Seldan Rodman (November 12, 1961). "Revolution Isn't Enough". The New York Times. Retrieved May 16, 2012.
  19. ^ "The Death of Artemio Cruz". Masterplots. November 2010. Retrieved May 18, 2012.
  20. ^ Genevieve Slomski; Thomas L. Erskine (January 2009). "The Death of Artemio Cruz". Magill's Survey of World Literature. Retrieved May 18, 2012.
  21. ^ a b "Premio Xavier Villaurrutia". El poder de la palabra. Retrieved December 7, 2009.
  22. ^ a b c d e f g h i "Fuentes, Carlos" (in Spanish). Colegio Nacional. Archived from the original on January 7, 2012. Retrieved May 17, 2012.
  23. ^ Bernadette Flynn Low (November 2010). "The Old Gringo". Masterplots. Retrieved 18 May 2012.
  24. ^ "Carlos Fuentes: The Mother Jones Interview".
  25. ^ Marjorie Miller (May 17, 2012). "Appreciating Mexican author Carlos Fuentes". Google News. Associated Press. Retrieved May 18, 2012.
  26. ^ "Mexico mourns death of Carlos Fuentes". The Telegraph. London. May 15, 2012. Retrieved 18 May 2012.
  27. ^ "Reaction to death of Mexican author Carlos Fuentes". CBS News. May 15, 2012. Retrieved May 18, 2012.
  28. ^ Alejandro Escalona (May 16, 2012). "Carlos Fuentes embraced Chicago". Chicago Sun-Times. Retrieved May 17, 2012.
  29. ^ a b Graham Kates (June 21, 2013). "FBI Foiled and Followed Author". NYCity News Service. Retrieved June 22, 2013.
  30. ^ Noam Cohen (May 15, 2012). "The Day Carlos Fuentes Took to Twitter". The New York Times. Retrieved May 16, 2012.
  31. ^ "Muere el escritor Carlos Fuentes". El Universal. May 15, 2012. Retrieved May 15, 2012.
  32. ^ a b c Gaby Wood (May 17, 2012). "Presidents and Nobel winners honour Mexican writer Carlos Fuentes". The Telegraph. London. Retrieved May 17, 2012.
  33. ^ Miles, Valerie (2014). A Thousand Forests in One Acorn. Rochester: Open Letter. pp. 87–96. ISBN 978-1-934824917.
  34. ^ El premio en la página del Carnaval de Mazatlán
  35. ^ "Harvard Honorary Degrees".
  36. ^ Consejo Nacional para la Cultura y las Artes. "Premio Nacional de Ciencias y Artes" (PDF). Secretaría de Educación Pública. Archived from the original (PDF) on July 22, 2011. Retrieved December 1, 2009.
  37. ^ Carlos Fuentes (November 7, 1984). "The 1984 CBC Massey Lectures, "Latin America: At War With The Past"". Canadian Broadcasting Corporation. Retrieved May 17, 2012.
  38. ^ "Cambridge Honorary Degrees". Archived from the original on February 1, 2013.
  39. ^ a b c d "Muere Carlos Fuentes". lne.es. Reuters. May 15, 2012. Retrieved May 17, 2012.
  40. ^ "Commencement Speakers: Office of the Trustees".
  41. ^ "Personas Galardonadas y Discursos Pronunciados". Senado de la Republica de Mexico. May 17, 2012. Retrieved May 17, 2012.
  42. ^ "Miembros de la Academia Mexicana de la Lengua" (in Spanish). Academia Mexicana de la Lengua. Archived from the original on January 9, 2010. Retrieved May 17, 2012.
  43. ^ Real Academia Española (2004). "Premio Real Academia Española de creación literaria 2004". Archived from the original on September 30, 2010. Retrieved August 23, 2010.
  44. ^ "Dan a Carlos Fuentes premio Galileo 2000". El Siglo=. June 20, 2005. Retrieved May 17, 2012.
  45. ^ "Laureates Since 1982". The Franklin D. Roosevelt Four Freedoms Award. 2012. Retrieved May 16, 2012.
  46. ^ "Huizinga-lezing archief" (in Dutch). Leiden University. Retrieved May 17, 2012.
  47. ^ "Conaculta anuncia el Premio Internacional Carlos Fuentes a la Creación Literaria en el Idioma Español" (in Spanish). July 3, 2012. Retrieved July 4, 2012.

External links

Awards
Preceded by
José Angel Conchello Dávila
Belisario Domínguez Medal of Honor
1999
Succeeded by
Leopoldo Zea Aguilar
A Change of Skin

A Change of Skin is a love story written by Carlos Fuentes about a Mexican writer, and his American Jewish wife.

Aura (novel)

Aura is a short novel written by Mexican novelist Carlos Fuentes, first published in 1962 in Mexico. This novel is considered as a fantastic literature for its remarkable description of “dreamlike” themes and the complexion of “double identity” portrayed by the character. Its narrative is completely carried out in second person. The first English translation, by Lysander Kemp, was published in 1965 by Farrar, Straus and Giroux. It was adapted to the screen in 1966 in La strega in amore, starring Richard Johnson, Rosanna Schiaffino and Gian Maria Volontè.

Carlos Fuentes Lemus

Carlos Fuentes Lemus (1973–1999) was a Mexican writer, photographer, painter and director. He was the son of famous Mexican writer Carlos Fuentes and interviewer Silvia Lemus.

Carlos Fuentes Prize

Carlos Fuentes International Prize for Literary Creation in the Spanish Language (Spanish: Premio Internacional Carlos Fuentes a la Creación Literaria en el Idioma Español) is a literary award established in 2012 by the Mexican government in honor of Mexican writer Carlos Fuentes. It is awarded every year on November 11, the birthday of Fuentes. The prize has a remuneration of US$250,000 making it one of the richest literary prizes in the world.The jury is composed of seven people including a member of Spain’s Royal Academy of the Spanish Language, another from the Mexican Spanish-language academy, one more from another academy in Latin America or the Philippines, and four additional academic or literary figures from Mexico.

Christopher Unborn

Christopher Unborn (Spanish: Cristóbal Nonato) is the tenth novel by the Mexican author Carlos Fuentes. Originally published by the Fondo de Cultura Económica in 1987, the first U.S. edition was published in 1989 by Farrar, Straus & Giroux.

The basic structure of the work, including the story of the character from conception to birth, comes directly from Laurence Sterne’s eighteenth century novel The Life and Opinions of Tristram Shandy, Gentleman (1759–1767), to which Fuentes refers openly in the novel.The social satire story is set in Mexico in 1992, which was still a few years into the future when it was written. It follows the character Christopher's entire life in a cataclysmic Mexico on the brink of economic collapse. Other characters in the novel are Angel Palomar y Fagoaga, Angeles Palomar y Fagoaga, Don Homero Fagoaga, Don Fernando Benitez, Lady Mamadoc, Concha Toro, Matamoros Moreno, D. C. Buckley, and Will Gingerich.

Fuentes depicts a dark future for Mexico. It is a story about disaster and survival. The lead character Christopher Palomar, a wonder boy with excellent language skills and total recall, is the narrator who travels through this pessimistic future, where the people still struggle since the last big earthquake in 1985. The novel has a chapter for each of the nine described months of the story, spread out over Christopher's whole life, as he follows in his parents' steps, as they try to save themselves in a chaotic country entering into twilight.

Inez (novel)

Inez is a 2001 novel by the Mexican writer Carlos Fuentes.

La strega in amore

La strega in amore (also known as The Witch, The Witch in Love and Strange Obsession) is a 1966 Italian drama-horror film directed by Damiano Damiani. It is based on the novel Aura by Carlos Fuentes.

Latin American Boom

The Latin American Boom (Spanish: Boom Latinoamericano) was a literary movement of the 1960s and 1970s when the work of a group of relatively young Latin American novelists became widely circulated in Europe and throughout the world. The Boom is most closely associated with Julio Cortázar of Argentina, Carlos Fuentes of Mexico, Mario Vargas Llosa of Peru, and Gabriel García Márquez of Colombia. Influenced by European and North American Modernism, but also by the Latin American Vanguardia movement, these writers challenged the established conventions of Latin American literature. Their work is experimental and, owing to the political climate of the Latin America of the 1960s, also very political. "It is no exaggeration," critic Gerald Martin writes, "to state that if the Southern continent was known for two things above all others in the 1960s, these were, first and foremost, the Cuban Revolution (although Cuba is not in South America) and its impact both on Latin America and the Third World generally, and secondly, the Boom in Latin American fiction, whose rise and fall coincided with the rise and fall of liberal perceptions of Cuba between 1959 and 1971."The sudden success of the Boom authors was in large part due to the fact that their works were among the first Latin American novels to be published in Europe, by publishing houses such as Barcelona's avant-garde Seix Barral in Spain. Indeed, Frederick M. Nunn writes that "Latin American novelists became world famous through their writing and their advocacy of political and social action, and because many of them had the good fortune to reach markets and audiences beyond Latin America through translation and travel—and sometimes through exile."

Mexican literature

Mexican literature is one of the most prolific and influential of Spanish-language literatures along with those of Spain, Argentina and Cuba. It has internationally recognized authors such as Juan Rulfo, Octavio Paz, Carlos Fuentes, Amado Nervo and several others.

Old Gringo

Old Gringo is a 1989 American romantic adventure film starring Jane Fonda, Gregory Peck and Jimmy Smits. It was directed by Luis Puenzo and co-written with Aída Bortnik, based on the novel The Old Gringo by Mexican novelist Carlos Fuentes.The film was screened out of competition at the 1989 Cannes Film Festival.

Río Blanco, Veracruz

Río Blanco is a municipality located in the montane central zone of the State of Veracruz, about 140 km from the state capital Xalapa. It has an area of 24.68 km2. It is located at 18°50′N 97°09′W. The Decree of June 8, 1899 ordained that Tenango's municipal head-board create the municipality of Río Blanco designating it as Tenango de Río Blanco. In the same year French financiers initiated the construction of the largest textile factory in Latin America, which was inaugurated on October 9, 1892 by President Porfirio Díaz. One thousand seven hundred workers came to be employed at Rio Blanco, including only 60 women. See The Years with Laura Diaz by Carlos Fuentes for an account of the role of the Red Brigades at Rio Blanco as a key event in the Mexican Revolution.

Terra Nostra (novel)

Terra Nostra is a 1975 novel by the Mexican writer Carlos Fuentes. The narrative covers 20 centuries of European and American culture, and prominently features the construction of El Escorial by Philip II. The title is Latin for "Our earth". The novel received the Xavier Villaurrutia Award in 1976 and the Rómulo Gallegos Prize in 1977.

The Crystal Frontier

The Crystal Frontier (Spanish: La frontera de cristal) is a 1995 novel written by Mexican writer Carlos Fuentes. The title can also be translated as "The glass border". An English translation was published in 1997.

The Death of Artemio Cruz

The Death of Artemio Cruz (Spanish: La muerte de Artemio Cruz, pronounced [aɾˈtemjo ˈkɾus]) is a novel written in 1962 by Mexican writer Carlos Fuentes. It is considered to be a milestone in the Latin American Boom.

The Old Gringo

The Old Gringo (Spanish: Gringo Viejo) is a novel by Carlos Fuentes, written from 1964 to 1984 and first published in 1985. Fuentes stated: "What started this novel was my admiration for Ambrose Bierce and for his Tales of Soldiers and Civilians. I was fascinated with the idea of a man who fought in the United States Civil War and dies in a Mexican civil war." The novel addresses themes of death, cultural exchange, and Mexican identity, among others. Its English-language translation became the first novel by a Mexican author to become a U.S. bestseller. The book was one of three nominees for the Ritz Paris Hemingway Award as best novel of 1985.

Tiempo de morir

Tiempo de Morir (Time to Die) is a 1966 Mexican Western film directed by Arturo Ripstein and starring Marga López and Jorge Martínez de Hoyos. Screenplay was written by Nobel Prize winner Gabriel García Marquez and novelist Carlos Fuentes, their first realized film.

Vuelta (magazine)

Vuelta was a Spanish-language literary magazine published in Mexico City, Mexico from 1976 to 1998. It was founded by poet Octavio Paz, who won the Nobel Prize for Literature. The magazine closed after his death. Its role was inherited by Letras Libres.

Weber (journal)

Weber—The Contemporary West (formerly Weber Studies) is a leading American literary magazine, founded in 1984 and based at Weber State University in Ogden, Utah. It focuses on the literature and culture of the American West. Work that has been published in Weber Studies has received commendation by the O. Henry Prize.The journal awards the O. Marvin Lewis Essay Award, Sherwin W. Howard Poetry Award and Neila C. Seshachari Fiction Award. The journal has featured interviews with notable writer including Barry Lopez, Carlos Fuentes, E. L. Doctorow and Robert Pinsky.

Where the Air Is Clear

Where the Air Is Clear (Spanish: La región más transparente) is a 1958 novel by Mexican writer Carlos Fuentes. His first novel, it became an "instant classic" and made Fuentes into an immediate "literary sensation". The novel's success allowed Fuentes to leave his job as a diplomat and become a full-time author.The novel is built around the story of Federico Robles – who has abandoned his revolutionary ideals to become a powerful financier – but also offers "a kaleidoscopic presentation" of vignettes of Mexico City, making it as much a "biography of the city" as of an individual man. It was celebrated not only for its prose, which made heavy use of interior monologue and explorations of the subconscious, but also for its "stark portrait of inequality and moral corruption in modern Mexico".On November 2008, the Royal Spanish Academy (Real Academia Española) together with Spanish academies from all the world, released a special edition of the book to celebrate its 50th anniversary.

Works by Carlos Fuentes

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