Cardinal Armand Jean du Plessis, 1st Duke of Richelieu and Fronsac (French pronunciation: [aʁmɑ̃ ʒɑ̃ dy plɛsi]; 9 September 1585 – 4 December 1642), commonly referred to as Cardinal Richelieu (French: Cardinal de Richelieu [kaʁdinal d(ə) ʁiʃ(ə)ljø]), was a French clergyman, nobleman, and statesman. He was consecrated as a bishop in 1607 and was appointed Foreign Secretary in 1616. Richelieu soon rose in both the Catholic Church and the French government, becoming a cardinal in 1622, and King Louis XIII's chief minister in 1624. He remained in office until his death in 1642; he was succeeded by Cardinal Mazarin, whose career he had fostered.
Cardinal de Richelieu was often known by the title of the king's "Chief Minister" or "First Minister". He sought to consolidate royal power and crush domestic factions. By restraining the power of the nobility, he transformed France into a strong, centralized state. His chief foreign policy objective was to check the power of the Austro-Spanish Habsburg dynasty, and to ensure French dominance in the Thirty Years' War that engulfed Europe. Although he was a cardinal, he did not hesitate to make alliances with Protestant rulers in an attempt to achieve his goals. While a powerful political figure, events like the Day of the Dupes (Jour des Dupes) show that in fact he very much depended on the king's confidence to keep this power.
As alumnus of the University of Paris and headmaster of the College of Sorbonne, he renovated and extended the institution. Richelieu was also famous for his patronage of the arts; most notably, he founded the Académie française, the learned society responsible for matters pertaining to the French language. Richelieu is also known by the sobriquet l'Éminence rouge ("the Red Eminence"), from the red shade of a cardinal's clerical dress and the style "eminence" as a cardinal. As an advocate for Samuel de Champlain and of the retention of New France, he founded the Compagnie des Cent-Associés and saw the Treaty of Saint-Germain-en-Laye return Quebec City to French rule under Champlain, after the settlement had been taken by the Kirkes in 1629. This in part allowed the colony to eventually develop into the heartland of Francophone culture in North America.
The Cardinal Duke of Richelieu
Cardinal de Richelieu by Philippe de Champaigne (1642)
|First Minister of State|
12 August 1624 – 4 December 1642
|Preceded by||The Marquis of Ancre|
|Succeeded by||Jules Mazarin|
|Governor of Brittany|
17 April 1632 – 4 December 1642
|Preceded by||The Marquis of Thémines|
|Succeeded by||Queen Anne|
|Grand Master of the Navigation|
|Preceded by||The Duke of Montmorency|
|Succeeded by||The Marquis of Brézé|
|Secretary of State for Foreign Affairs|
30 November 1616 – 24 April 1617
|Preceded by||Claude Mangot|
|Succeeded by||The Marquis of Sillery|
|Secretary of State for War|
25 November 1616 – 24 April 1617
|Preceded by||Claude Mangot|
|Succeeded by||Nicolas Brulart de Sillery|
Armand Jean du Plessis
9 September 1585
Paris, Île-de-France, France
|Died||4 December 1642 (aged 57)|
Paris, Île-de-France, France
|Alma mater||College of Navarre|
|Cardinal, Bishop of Luçon|
|Consecration||17 April 1607|
by Anne d'Escars de Givry
|Created cardinal||5 September 1622|
by Pope Gregory XV
Armand Jean du Plessis de Richelieu
|Reference style||His Grand Eminence|
|Spoken style||Your Grand Eminence|
Born in Paris, Armand du Plessis was the fourth of five children and the last of three sons: he was delicate from childhood, and suffered frequent bouts of ill-health throughout his life. His family was somewhat prominent, belonging to the lesser nobility of Poitou: his father, François du Plessis, seigneur de Richelieu, was a soldier and courtier who served as the Grand Provost of France, and his mother, Susanne de La Porte, was the daughter of a famous jurist. When he was five years old, his father died fighting in the French Wars of Religion, leaving the family in debt; with the aid of royal grants, however, the family was able to avoid financial difficulties. At the age of nine, young Richelieu was sent to the College of Navarre in Paris to study philosophy. Thereafter, he began to train for a military career. His private life seems to have been typical of a young officer of the era: in 1605, aged twenty, he was treated by Théodore de Mayerne for gonorrhea.
Henry III had rewarded Richelieu's father for his participation in the Wars of Religion by granting his family the bishopric of Luçon. The family appropriated most of the revenues of the bishopric for private use; they were, however, challenged by clergymen, who desired the funds for ecclesiastical purposes. To protect the important source of revenue, Richelieu's mother proposed to make her second son, Alphonse, the bishop of Luçon. Alphonse, who had no desire to become a bishop, became instead a Carthusian monk. Thus, it became necessary that the younger Richelieu join the clergy. He had strong academic interests and threw himself into studying for his new post.
In 1606 Henry IV nominated Richelieu to become Bishop of Luçon. As Richelieu had not yet reached the canonical minimum age, it was necessary that he journey to Rome for a special dispensation from the Pope. This secured, Richelieu was consecrated bishop in April 1607. Soon after he returned to his diocese in 1608, Richelieu was heralded as a reformer. He became the first bishop in France to implement the institutional reforms prescribed by the Council of Trent between 1545 and 1563.
At about this time, Richelieu became a friend of François Leclerc du Tremblay (better known as "Père Joseph" or "Father Joseph"), a Capuchin friar, who would later become a close confidant. Because of his closeness to Richelieu, and the grey colour of his robes, Father Joseph was also nicknamed l'Éminence grise ("the Grey Eminence"). Later, Richelieu often used him as an agent during diplomatic negotiations.
In 1614, the clergymen of Poitou asked Richelieu to be one of their representatives to the States-General. There, he was a vigorous advocate of the Church, arguing that it should be exempt from taxes and that bishops should have more political power. He was the most prominent clergyman to support the adoption of the decrees of the Council of Trent throughout France; the Third Estate (commoners) was his chief opponent in this endeavour. At the end of the assembly, the First Estate (the clergy) chose him to deliver the address enumerating its petitions and decisions. Soon after the dissolution of the Estates-General, Richelieu entered the service of King Louis XIII's wife, Anne of Austria, as her almoner.
Richelieu advanced politically by faithfully serving the Queen-Mother's favourite, Concino Concini, the most powerful minister in the kingdom. In 1616, Richelieu was made Secretary of State, and was given responsibility for foreign affairs. Like Concini, the Bishop was one of the closest advisors of Louis XIII's mother, Marie de Médicis. The Queen had become Regent of France when the nine-year-old Louis ascended the throne; although her son reached the legal age of majority in 1614, she remained the effective ruler of the realm. However, her policies, and those of Concini, proved unpopular with many in France. As a result, both Marie and Concini became the targets of intrigues at court; their most powerful enemy was Charles de Luynes. In April 1617, in a plot arranged by Luynes, Louis XIII ordered that Concini be arrested, and killed should he resist; Concini was consequently assassinated, and Marie de Médicis overthrown. His patron having died, Richelieu also lost power; he was dismissed as Secretary of State, and was removed from the court. In 1618, the King, still suspicious of the Bishop of Luçon, banished him to Avignon. There, Richelieu spent most of his time writing; he composed a catechism entitled L'Instruction du chrétien.
In 1619, Marie de Médicis escaped from her confinement in the Château de Blois, becoming the titular leader of an aristocratic rebellion. The King and the duc de Luynes recalled Richelieu, believing that he would be able to reason with the Queen. Richelieu was successful in this endeavour, mediating between her and her son. Complex negotiations bore fruit when the Treaty of Angoulême was ratified; Marie de Médicis was given complete freedom, but would remain at peace with the King. The Queen-Mother was also restored to the royal council.
After the death of the King's favourite, the duc de Luynes, in 1621, Richelieu began to rise to power quickly. The year after, the King nominated Richelieu for a cardinalate, which Pope Gregory XV accordingly granted in September 1622. Crises in France, including a rebellion of the Huguenots, rendered Richelieu a nearly indispensable advisor to the King. After he was appointed to the royal council of ministers on 29 April 1624, he intrigued against the chief minister, Charles, duc de La Vieuville. On 12 August of the same year, La Vieuville was arrested on charges of corruption, and Cardinal Richelieu took his place as the King's principal minister the following day, although the Cardinal de la Rochefoucauld nominally remained president of the council (Richelieu was officially appointed president in November 1629).
Cardinal Richelieu's policy involved two primary goals: centralization of power in France and opposition to the Habsburg dynasty (which ruled in both Austria and Spain). Shortly after he became Louis' principal minister, he was faced with a crisis in Valtellina, a valley in Lombardy (northern Italy). To counter Spanish designs on the territory, Richelieu supported the Protestant Swiss canton of Grisons, which also claimed the strategically important valley. The Cardinal deployed troops to Valtellina, from which the Pope's garrisons were driven out. Richelieu's early decision to support a Protestant canton against the Pope was a foretaste of the purely diplomatic power politics he would espouse in his foreign policy.
To further consolidate power in France, Richelieu sought to suppress the influence of the feudal nobility. In 1626, he abolished the position of Constable of France and ordered all fortified castles razed, excepting only those needed to defend against invaders. Thus, he stripped the princes, dukes, and lesser aristocrats of important defences that could have been used against the King's armies during rebellions. As a result, Richelieu was hated by most of the nobility.
Another obstacle to the centralization of power was religious division in France. The Huguenots, one of the largest political and religious factions in the country, controlled a significant military force, and were in rebellion. Moreover, the King of England, Charles I, declared war on France in an attempt to aid the Huguenot faction. In 1627, Richelieu ordered the army to besiege the Huguenot stronghold of La Rochelle; the Cardinal personally commanded the besieging troops. English troops under the Duke of Buckingham led an expedition to help the citizens of La Rochelle, but failed abysmally. The city, however, remained firm for over a year before capitulating in 1628.
Although the Huguenots suffered a major defeat at La Rochelle, they continued to fight, led by Henri, duc de Rohan. Protestant forces, however, were defeated in 1629; Rohan submitted to the terms of the Peace of Alais. As a result, religious toleration for Protestants, which had first been granted by the Edict of Nantes in 1598, was permitted to continue, but the Cardinal abolished their political rights and protections. Rohan was not executed (as were leaders of rebellions later in Richelieu's tenure); in fact, he later became a commanding officer in the French army.
Habsburg Spain exploited the French conflict with the Huguenots to extend its influence in northern Italy. It funded the Huguenot rebels in order to keep the French army occupied, meanwhile expanding its Italian dominions. Richelieu, however, responded aggressively; after La Rochelle capitulated, he personally led the French army to northern Italy to restrain Spain. On 26 November 1629, he was created duc de Richelieu and a Peer of France.
In the next year, Richelieu's position was seriously threatened by his former patron, Marie de Médicis. Marie believed that the Cardinal had robbed her of her political influence; thus, she demanded that her son dismiss the chief minister. Louis XIII was not, at first, averse to such a course of action, as he personally disliked Richelieu. Despite this, the persuasive statesman was able to secure the king as an ally against his own mother. On 11 November 1630, Marie de Médicis and the King's brother, Gaston, duc d'Orléans, secured the King's agreement for the dismissal. Richelieu, however, was aware of the plan, and quickly convinced the King to repent. This day, known as the Day of the Dupes, was the only one on which Louis XIII took a step toward dismissing his minister. Thereafter, the King was unwavering in his political support for him.
Meanwhile, Marie de Médicis was exiled to Compiègne. Both Marie and the duc d'Orléans continued to conspire against Richelieu, but their schemes came to nothing. The nobility also remained powerless. The only important rising was that of Henri, duc de Montmorency in 1632; Richelieu, ruthless in suppressing opposition, ordered the duke's execution. Richelieu's harsh measures were designed to intimidate his enemies. He also ensured his political security by establishing a large network of spies in France as well as in other European countries.
Before Richelieu's ascent to power, most of Europe had become enmeshed in the Thirty Years' War (1618–1648). France was not openly at war with the Habsburgs, who ruled Spain and the Holy Roman Empire, so subsidies and aid were provided secretly to their adversaries. He considered the Dutch Republic as one of France's most important allies, for it bordered directly with the Spanish Netherlands and was right in the middle of the Eighty Years' War with Spain at that time. Luckily for him, Richelieu was a bon français, just like the king, who had already decided to subsidize the Dutch to fight against the Spanish via the Treaty of Compiègne in June 1624, prior to Richelieu's appointment to First Minister in August. That same year, a military expedition, secretly financed by France and commanded by Marquis de Coeuvres, started an action with the intention of liberating the Valtelline from Spanish occupation. In 1625 Richelieu also sent money to Ernst von Mansfeld, a famous mercenary general operating in Germany in English service. However, in May 1626, when war costs had almost ruined France, king and cardinal made peace with Spain via the Treaty of Monçon. This peace quickly broke down after tensions due to the War of Mantuan Succession.
In 1629, the Emperor Ferdinand II subjugated many of his Protestant opponents in Germany. Richelieu, alarmed by Ferdinand's growing influence, incited Sweden to intervene, providing money. In the meantime, France and Spain remained hostile due to Spain's ambitions in northern Italy. At that time northern Italy was a major strategic region in Europe's balance of power, serving as a link between the Habsburgs in the Empire and in Spain. Had the imperial armies dominated this region, France would have been threatened by Habsburg encirclement. Spain was meanwhile seeking papal approval for a universal monarchy. When in 1630 French diplomats in Regensburg agreed to make peace with Spain, Richelieu refused to support them. The agreement would have prohibited French interference in Germany. Thus, Richelieu advised Louis XIII to refuse to ratify the treaty. In 1631, he allied France to Sweden, who had just invaded the empire, in the Treaty of Bärwalde.
Military expenses placed a considerable strain on royal revenues. In response, Richelieu raised the gabelle (salt tax) and the taille (land tax). The taille was enforced to provide funds to raise armies and wage war. The clergy, nobility, and high bourgeoisie were either exempt or could easily avoid payment, so the burden fell on the poorest segment of the nation. To collect taxes more efficiently, and to keep corruption to a minimum, Richelieu bypassed local tax officials, replacing them with intendants (officials in the direct service of the Crown). Richelieu's financial scheme, however, caused unrest among the peasants; there were several uprisings in 1636 to 1639. Richelieu crushed the revolts violently, and dealt with the rebels harshly.
Because he openly aligned France with Protestant powers, Richelieu was denounced by many as a traitor to the Roman Catholic Church. Military action, at first, was disastrous for the French, with many victories going to Spain and the Empire. Neither side, however, could obtain a decisive advantage, and the conflict lingered on after Richelieu's death. Richelieu was instrumental in redirecting the Thirty Years' War from the conflict of Protestantism versus Catholicism to that of nationalism versus Habsburg hegemony. In this conflict France effectively drained the already overstretched resources of the Habsburg empire and drove it inexorably towards bankruptcy. The defeat of Habsburg forces at the Battle of Lens in 1648, coupled with their failure to prevent a French invasion of Catalonia, effectively spelled the end for Habsburg domination of the continent, and for the Spanish prime minister Olivares' personal career. Indeed, in the subsequent years it would be France, under the leadership of Louis XIV, who would attempt to fill the vacuum left by the Habsburgs in the Spanish Netherlands and supplant Spain as the dominant European power.
When Richelieu came to power, New France, where the French had a foothold since Jacques Cartier, had no more than 100 permanent European inhabitants. Richelieu encouraged Louis XIII to colonize the Americas by the foundation of the Compagnie de la Nouvelle France in imitation of the Dutch West India Company. Unlike the other colonial powers, France encouraged a peaceful coexistence in New France between Natives and Colonists and sought the integration of Indians into colonial society. Samuel de Champlain, governor of New France at the time of Richelieu, saw intermarriage between French and Indians as a solution to increase population in its colony. Under the guidance of Richelieu, Louis XIII issued the Ordonnance of 1627 by which the Indians, converted to Catholicism, were considered as "natural Frenchmen":
"The descendants of the French who are accustomed to this country [New France], together with all the Indians who will be brought to the knowledge of the faith and will profess it, shall be deemed and renowned natural Frenchmen, and as such may come to live in France when they want, and acquire, donate, and succeed and accept donations and legacies, just as true French subjects, without being required to take no letters of declaration of naturalization."
The 1666 census of New France, conducted some 20 years after the death of Cardinal Richelieu, showed a population of 3,215 habitants in New France, many more than there had been only a few decades earlier, but also a great difference in the number of men (2,034) and women (1,181).
Towards the end of his life, Richelieu alienated many people, including Pope Urban VIII. Richelieu was displeased by the Pope's refusal to name him the papal legate in France; in turn, the Pope did not approve of the administration of the French church, or of French foreign policy. However, the conflict was largely healed when the Pope granted a cardinalate to Jules Mazarin, one of Richelieu's foremost political allies, in 1641. Despite troubled relations with the Roman Catholic Church, Richelieu did not support the complete repudiation of papal authority in France, as was advocated by the Gallicanists.
As he neared death, Richelieu faced a plot that threatened to remove him from power. The cardinal had introduced a young man named Henri Coiffier de Ruzé, marquis de Cinq-Mars to Louis XIII's court. The Cardinal had been a friend of Cinq-Mars' father. More importantly, Richelieu hoped that Cinq-Mars would become Louis' favourite, so that he could indirectly exercise greater influence over the monarch's decisions. Cinq-Mars had become the royal favourite by 1639, but, contrary to Cardinal Richelieu's belief, he was not easy to control. The young marquis realized that Richelieu would not permit him to gain political power. In 1641, he participated in the comte de Soissons' failed conspiracy against Richelieu, but was not discovered. Then, the following year, he schemed with leading nobles (including the King's brother, the duc d'Orléans) to raise a rebellion; he also signed a secret agreement with the King of Spain, who promised to aid the rebels. Richelieu's spy service, however, discovered the plot, and the Cardinal received a copy of the treaty. Cinq-Mars was promptly arrested and executed; although Louis approved the use of capital punishment, he grew more distant from Richelieu as a result.
However, Richelieu was now dying. For many years he had suffered from recurrent fevers (possibly malaria), strangury, intestinal tuberculosis with fistula, and migraine. Now his right arm was suppurating with tubercular osteitis, and he coughed blood (after his death, his lungs were found to have extensive cavities and caseous necrosis). His doctors continued to bleed him frequently, further weakening him. As he felt his death approaching, he named Mazarin, one of his most faithful followers, to succeed him as chief minister to the King.
Richelieu died on 4 December 1642, aged 57. His body was embalmed and interred at the church of the Sorbonne. During the French Revolution, the corpse was removed from its tomb, and the mummified front of his head, having been removed and replaced during the original embalming process, was stolen. It ended up in the possession of Nicholas Armez of Brittany by 1796, and he occasionally exhibited the well-preserved face. His nephew, Louis-Philippe Armez, inherited it and also occasionally exhibited it and lent it out for study. In 1866, Napoleon III persuaded Armez to return the face to the government for re-interment with the rest of Richelieu's body. An investigation of subsidence of the church floor enabled the head to be photographed in 1895.
Richelieu was a famous patron of the arts. An author of various religious and political works (most notably his Political Testament), he sent his agents abroad in search of books and manuscripts for his unrivaled library, which he specified in his will, leaving it to his great-nephew fully funded, should serve, not merely his family but to be open at fixed hours to scholars; the manuscripts alone numbered some 900, bound as codices in red Morocco with the cardinal's arms. The library was transferred to the Sorbonne in 1660. He funded the literary careers of many writers. He was a lover of the theatre, which was not considered a respectable art form during that era; a private theatre was a feature of the Palais-Cardinal. Among the individuals he patronized was the famous playwright Pierre Corneille. Richelieu was also the founder and patron of the Académie française, the pre-eminent French literary society. The institution had previously been in informal existence; in 1635, however, Cardinal Richelieu obtained official letters patent for the body. The Académie française includes forty members, promotes French literature, and remains the official authority on the French language. Richelieu served as the Académie's protector. Since 1672, that role has been fulfilled by the French head of state.
In 1622, Richelieu was elected the proviseur or principal of the Sorbonne. He presided over the renovation of the college's buildings, and over the construction of its famous chapel, where he is now entombed. As he was Bishop of Luçon, his statue stands outside the Luçon cathedral.
Richelieu oversaw the construction of his own palace in Paris, the Palais-Cardinal. The palace, renamed the Palais Royal after Richelieu's death, now houses the French Constitutional Council, the Ministry of Culture, and the Conseil d'État. The Galerie de l'avant-cour had ceiling paintings by the Cardinal's chief portraitist, Philippe de Champaigne, celebrating the major events of the Cardinal's career; the Galerie des hommes illustres had twenty-six historicizing portraits of great men, larger than life, from Abbot Suger to Louis XIII; some were by Simon Vouet others were careful copies by Philippe de Champaigne from known portraits; with them were busts of Roman emperors. Another series of portraits of authors complemented the library. The architect of the Palais-Cardinal, Jacques Lemercier, also received a commission to build a château and a surrounding town in Indre-et-Loire; the project culminated in the construction of the Château Richelieu and the town of Richelieu. To the château, he added one of the largest art collections in Europe and the largest collection of ancient Roman sculpture in France. The heavily resurfaced and restored Richelieu Bacchus continued to be admired by neoclassical artists. Among his 300 paintings by moderns, most notably, he owned Leonardo's Virgin and Child with Saint Anne, The Family of the Virgin by Andrea del Sarto, the two famous Bacchanales of Nicolas Poussin, as well as paintings by Veronese and Titian, and Diana at the Bath by Rubens, for which he was so glad to pay the artist's heirs 3,000 écus, that he made a gift to Rubens' widow of a diamond-encrusted watch. His marble portrait bust by Bernini was not considered a good likeness and was banished to a passageway.
The fittings of his chapel in the Palais-Cardinal, for which Simon Vouet executed the paintings, were of solid gold—crucifix, chalice, paten, ciborium, candlesticks—set with 180 rubies and 9,000 diamonds. His taste also ran to massive silver, small bronzes and works of vertu, enamels and rock crystal mounted in gold, Chinese porcelains, tapestries and Persian carpets, cabinets from Italy and Antwerp and the heart-shaped diamond bought from Alphonse Lopez that he willed to the king. When the Palais-Cardinal was complete, he donated it to the Crown, in 1636. With the Queen in residence, the paintings of the Grand Cabinet were transferred to Fontainebleau and replaced by copies, and the interiors were subjected to much rearrangement.
Michelangelo's two Slaves were among the rich appointments of the château Richelieu, where there were the Nativity triptych by Dürer and paintings by Mantegna, Lorenzo Costa and Perugino, lifted from the Gonzaga collection at Mantua by French military forces in 1630, as well as numerous antiquities.
Richelieu's tenure was a crucial period of reform for France. Earlier, the nation's political structure was largely feudal, with powerful nobles and a wide variety of laws in different regions. Parts of the nobility periodically conspired against the King, raised private armies, and allied themselves with foreign powers. This system gave way to centralized power under Richelieu. Local and even religious interests were subordinated to those of the whole nation, and of the embodiment of the nation — the King. Equally critical for France was Richelieu's foreign policy, which helped restrain Habsburg influence in Europe. Richelieu did not survive to the end of the Thirty Years' War. However, the conflict ended in 1648, with France emerging in a far better position than any other power, and the Holy Roman Empire entering a period of decline.
Richelieu's successes were extremely important to Louis XIII's successor, King Louis XIV. He continued Richelieu's work of creating an absolute monarchy; in the same vein as the Cardinal, he enacted policies that further suppressed the once-mighty aristocracy, and utterly destroyed all remnants of Huguenot political power with the Edict of Fontainebleau. Moreover, Louis took advantage of his nation's success during the Thirty Years' War to establish French hegemony in continental Europe. Thus, Richelieu's policies were the requisite prelude to Louis XIV becoming the most powerful monarch, and France the most powerful nation, in all of Europe during the late seventeenth century.
Richelieu is also notable for the authoritarian measures he employed to maintain power. He censored the press, established a large network of internal spies, forbade the discussion of political matters in public assemblies such as the Parlement de Paris (a court of justice), and had those who dared to conspire against him prosecuted and executed. The Canadian historian and philosopher John Ralston Saul has referred to Richelieu as the "father of the modern nation-state, modern centralised power [and] the modern secret service."
Richelieu's motives are the focus of much debate among historians: some see him as a patriotic supporter of the monarchy, while others view him as a power-hungry cynic. The latter image gained further currency due to Alexandre Dumas' The Three Musketeers, which depicts Richelieu as a self-serving and ruthless de facto ruler of France.
His legacy is also important for the world at large; his ideas of a strong nation-state and aggressive foreign policy helped create the modern system of international politics. The notions of national sovereignty and international law can be traced, at least in part, to Richelieu's policies and theories, especially as enunciated in the Treaty of Westphalia that ended the Thirty Years' War.
A less renowned aspect of his legacy is his involvement with Samuel de Champlain and the fledgling colony along the St. Lawrence River. The retention and promotion of Canada under Richelieu allowed it — and through the settlement's strategic location, the St. Lawrence–Great Lakes gateway into the North American interior — to develop into a French empire in North America, parts of which eventually became modern Canada and Louisiana.
As of April 2013, the Internet Movie Database listed ninety-four films and television programs in which Cardinal Richelieu is a character. Richelieu is one of the clergymen most frequently portrayed in film, notably in the many versions of Alexandre Dumas's The Three Musketeers. He is usually portrayed as a sinister character, but the 1950 Cyrano de Bergerac shows Richelieu (played by Edgar Barrier in a scene not from Rostand's original verse drama), as compassionate to Cyrano's financial plight, and playfully having enjoyed the duel at the theatre. Charlton Heston, Tcheky Karyo, Stephen Rea, Tim Curry, Christoph Waltz, Vincent Price, and Peter Capaldi are just a few of the actors to have portrayed Cardinal Richelieu on film and television.
The 1839 play Richelieu; Or the Conspiracy, by Edward Bulwer-Lytton, portrayed Richelieu uttering the now famous line, "The pen is mightier than the sword." The play was adapted into the 1935 film Cardinal Richelieu.
In the 1969 episode How to Recognise Different Types of Trees From Quite a Long Way Away from Monty Python's Flying Circus there is the sketch Court Scene with Cardinal Richelieu where Michael Palin in his likeness is seen to be doing wildly absurd acts.
Many sites and landmarks were named to honor Cardinal Richelieu. They include:
There is also an ornate style of lace, Richelieu lace, named in honor of the cardinal.
|Catholic Church titles|
Jacques de Veny d'Arbouze
| Abbot of Cluny
Armand de Bourbon, Prince of Conti
Title last held informally by the marquis d'Ancre
| Chief Minister to the French Monarch
The Bust of Cardinal Richelieu is a marble sculpture by the Italian sculptor Gian Lorenzo Bernini. Located in The Louvre in Paris, Bernini executed the bust between 1640 and 1641, working from images of Cardinal Richelieu that had been sent to Rome from France. Once completed, the bust was transported to Paris.Cardinal Richelieu (film)
Cardinal Richelieu is a 1935 American historical film directed by Rowland V. Lee and starring George Arliss, Maureen O'Sullivan, Edward Arnold and Cesar Romero. It was based on the 1839 play Richelieu by Edward Bulwer-Lytton depicting the life of the great seventeenth century French statesman Cardinal Richelieu and his dealings with Louis XIII.D'Artagnan and Three Musketeers
D'Artagnan and Three Musketeers (Russian: д'Артаньян и три мушкетёра, D'Artanyan i tri mushketera) is a three-part musical miniseries produced in the Soviet Union and first aired in 1978. It is based on the novel The Three Musketeers by Alexandre Dumas, père.
The film stars Mikhail Boyarsky as D'Artagnan, Veniamin Smekhov as Athos, Igor Starygin as Aramis, Valentin Smirnitsky as Porthos, Margarita Terekhova as Milady de Winter, Oleg Tabakov as King Louis XIII, Alisa Freindlich as Anne of Austria, Aleksandr Trofimov as Cardinal Richelieu, and Lev Durov as Captain de Tréville. The film, and its numerous songs became extremely popular in the Soviet Union throughout the late 1970s and early 1980s, and is now considered a classic.
Three sequels were made: Musketeers Twenty Years After (1992), The Secret of Queen Anne or Musketeers Thirty Years After (1993) and The Return of the Musketeers, or The Treasures of Cardinal Mazarin (2009).Les Trois Mousquetaires
Les Trois Mousquetaires (The Three Musketeers) is a 1921 French silent adventure film serial directed by Henri Diamant-Berger based on the novel by Alexandre Dumas, père.Louis XIII of France
Louis XIII (French pronunciation: [lwi tʁɛz]; 27 September 1601 – 14 May 1643) was a monarch of the House of Bourbon who was King of France from 1610 to 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown.
Shortly before his ninth birthday, Louis became king of France and Navarre after his father Henry IV was assassinated. His mother, Marie de' Medici, acted as regent during his minority. Mismanagement of the kingdom and ceaseless political intrigues by Marie and her Italian favourites led the young king to take power in 1617 by exiling his mother and executing her followers, including Concino Concini, the most influential Italian at the French court.
Louis XIII, taciturn and suspicious, relied heavily on his chief ministers, first Charles d'Albert, duc de Luynes and then Cardinal Richelieu, to govern the Kingdom of France. King and cardinal are remembered for establishing the Académie française, and ending the revolt of the French nobility. They systematically destroyed the castles of defiant lords, and denounced the use of private violence (dueling, carrying weapons, and maintaining private armies). By the end of the 1620s Richelieu established "the royal monopoly of force" as the ruling doctrine. The reign of Louis "the Just" was also marked by the struggles against the Huguenots and Habsburg Spain.The Iron Mask
The Iron Mask is a 1929 American part-talkie adventure film directed by Allan Dwan. It is an adaptation of the last section of the novel The Vicomte de Bragelonne by Alexandre Dumas, père, which is itself based on the French legend of the Man in the Iron Mask.The Musketeer
The Musketeer is a 2001 American action-adventure film based on Alexandre Dumas's classic novel The Three Musketeers, directed and photographed by Peter Hyams and starring Catherine Deneuve, Mena Suvari, Stephen Rea, Tim Roth and Justin Chambers.
The film features Tsui Hark's regular actor Xin-Xin Xiong as a stunt choreographer.The Musketeers
The Musketeers is a BBC period action drama programme based on the characters from Alexandre Dumas's novel The Three Musketeers and co-produced by BBC America and BBC Worldwide. The first episode was shown on BBC One on 19 January 2014. It stars Tom Burke as Athos, Santiago Cabrera as Aramis, Howard Charles as Porthos, Luke Pasqualino as d'Artagnan, with Tamla Kari as Constance, Maimie McCoy as Milady de Winter, Ryan Gage as King Louis XIII and Alexandra Dowling as Queen Anne. It also features Peter Capaldi as Cardinal Richelieu in the first series and Marc Warren as Comte de Rochefort in the second series, with Rupert Everett as the Marquis de Feron for the final series.
Jessica Pope and Adrian Hodges produce the show for the BBC. The programme is largely filmed in the Czech Republic. In February 2015, it was announced that the show had been renewed for a third series, which was announced in April 2016 to be the last. The third series premiered in multiple countries first, before premiering in the UK on 28 May 2016, and concluding on 1 August 2016.The Three Musketeers (1916 film)
The Three Musketeers is a 1916 American silent adventure film directed by Charles Swickard and starring Orrin Johnson, Dorothy Dalton and Louise Glaum. It is an adaptation of Alexandre Dumas' novel The Three Musketeers.The Three Musketeers (1921 film)
The Three Musketeers is a 1921 American silent film based on the novel The Three Musketeers by Alexandre Dumas, père. It was directed by Fred Niblo and stars Douglas Fairbanks as d'Artagnan. The film originally had scenes filmed in the Handschiegl Color Process (billed as the "Wyckoff-DeMille Process"). The film had a sequel, The Iron Mask (1929), also starring Fairbanks as d'Artagnan and DeBrulier as Cardinal Richelieu.The Three Musketeers (1939 film)
The Three Musketeers is a 1939 musical comedy film adaptation of Alexandre Dumas's novel The Three Musketeers directed by Alan Dwan and starring Don Ameche as d'Artagnan, with the Ritz Brothers as his cowardly helpers.The Three Musketeers (1942 film)
The Three Musketeers (Spanish:Los tres mosqueteros) was a 1942 Mexican film.The Three Musketeers (1953 film)
The Three Musketeers (French: Les Trois Mousquetaires) is a 1953 film based on the French novel of the same name. This adaptation is one of five films director André Hunebelle and screen writer Michel Audiard achieved together. Georges Marchal portrayed d'Artagnan. In real life he was clearly older (born in 1920) than this character, but Marchal happened to be one of the most famous actors of European cinema in these days. With hindsight this adaptation might be regarded as one of his lesser important appearances because later on he even starred for Luis Buñuel.The Three Musketeers (1959 film)
The Three Musketeers (French: Les trois mousquetaires) is a 1959 French TV film based on a play adaptation of the novel by Alexandre Dumas. It is notable for featuring Jean Paul Belmondo in the lead.
It was directed by Claude Barma and was broadcast live on Christmas Day.The Three Musketeers (1969 film)
The Three Musketeers is a 1969 television film based on the novel The Three Musketeers (Les Trois Mousquetaires) by Alexandre Dumas. It stars Kenneth Welsh as d'Artagnan. The Three Musketeers, Athos, Porthos and Aramis, are played by Powys Thomas, James Blendick and Colin Fox. Academy Award-winner actor Christopher Walken makes a very early film appearance as Felton.The Three Musketeers (1986 film)
The Three Musketeers is a 1986 Australian made-for-television animated adventure film from Burbank Films Australia. It is based on Alexandre Dumas's classic French novel, The Three Musketeers, first published in 1844, and was adapted by Keith Dewhurst. It was produced by Tim Brooke-Hunt and featured original music by Sharon Calcraft.
Although chronologically the story is followed in Burbank's The Man in the Iron Mask, the latter film was released a year before The Three Musketeers. The copyright for the film is now owned by Pulse Distribution and Entertainment and administered by digital rights management firm NuTech Digital.The Three Musketeers (1992 film)
The Three Musketeers is a 1992 animated film directed by Masakazu Higuchi and Chinami Namba. Released directly to video, it is based on the classic book, The Three Musketeers by Alexandre Dumas. Like all other Golden Films productions, the film features a single theme song, "All for One and One for All", written and composed by Richard Hurwitz and John Arrias.
The film tells the story of young D'Artagnan, who dreams of one day being part of the French squad of the Musketeers. His chance arrives when an opportunity to save the Queen of France takes him along with his new friends, the three finest musketeers in France, Athos, Porthos and Aramis, to England. There they must send for the Duke of Buckingham and bring down the evil Cardinal Richelieu.
The Three Musketeers was produced by Golden Films and the American Film Investment Corporation. It was distributed to DVD in 2003 by GoodTimes Entertainment, packaged together with Sinbad (1992) and The Count of Monte Cristo (1996).The Three Musketeers (musical)
The Three Musketeers is a musical with a book by William Anthony McGuire, lyrics by Clifford Grey and P. G. Wodehouse, and music by Rudolf Friml. It is based on the classic 1844 novel by Alexandre Dumas, père. Set in France and England in 1626, it recounts the adventures of a young man named d'Artagnan after he leaves home to become a Musketeer of the Guard. The three men of the title are his friends Athos, Porthos and Aramis.
The original 1928 production on Broadway, and a 1930 West End run, both starring Dennis King as d'Artagnan, were successful, but a 1984 attempt at a much-revised Broadway revival flopped.The Three Musketeers Anime
The Three Musketeers Anime (アニメ三銃士, Anime San Jūshi) is a 1987 Japanese animated television series based on the d'Artagnan Romances written by Alexandre Dumas.
A feature film sequel, The Three Musketeers Anime: Aramis' Adventure (アニメ三銃士 アラミスの冒険, Anime San Jūshi: Aramisu no Bōken), was released in 1989.