Cagney & Lacey

Cagney & Lacey is an American television series that aired on the CBS television network for seven seasons from March 25, 1982, to May 16, 1988. A police procedural, the show starred Sharon Gless and Tyne Daly as New York City police detectives who led very different lives: Christine Cagney (Gless) was a career-minded single woman, while Mary Beth Lacey (Daly) was a married working mother. The series was set in a fictionalized version of Manhattan's 14th Precinct (known as "Midtown South"). For six consecutive years, one of the two lead actresses won the Emmy for Best Lead Actress in a Drama (four wins for Daly, two for Gless), a winning streak matched only once since in any major category by a show.

Cagney & Lacey
Cagneyandlacey
Genre
Created byBarbara Avedon
Barbara Corday
StarringTyne Daly
Loretta Swit (Pilot)
Meg Foster (Season 1)
Sharon Gless (Seasons 2–7)
Al Waxman
John Karlen
Carl Lumbly
Martin Kove
Sidney Clute (Seasons 1–5)
Robert Hegyes
Harvey Atkin
Theme music composerBill Conti
Country of originUnited States
Original language(s)English
No. of seasons7
No. of episodes125 (+ 4 TV movies) (list of episodes)
Production
Executive producer(s)Barney Rosenzweig
Producer(s)Steve Brown
Terry Louise Fisher
Georgia Jeffries
Peter Lefcourt
Richard M. Rosenbloom
Harry R. Sherman
Ralph S. Singleton
April Smith
Joseph Stern
Camera setupSingle-camera
Running time45–48 minutes
Production company(s)Mace Neufeld Productions
Filmways Television
(1982)
(season 1)
Orion Television
(1982-1988)
(seasons 2–7)
DistributorOrion Television Syndication
MGM Television
Release
Original networkCBS
Audio formatMonaural
Original releaseMarch 25, 1982 –
May 16, 1988
Chronology
Followed byCagney & Lacey: The Return (1994)
External links
Website

Development

Producer Barney Rosenzweig was influenced by the feminist movement through his then-girlfriend Barbara Corday, who recommended to him Molly Haskell's book From Reverence to Rape. After learning through Haskell that there had never been a female buddy film, Rosenzweig sought to make one, a comedy initially titled Newman & Redford (before changing the title for legal reasons). Corday & Barbara Avedon wrote the script. No studio wanted to make the film, so Corday considered taking it to television. Rosenzweig took the script, removed the main plot (leaving only the character development), and took it to all networks, but only CBS picked it up.[1]

Original cast

Actress Loretta Swit played the role of Christine Cagney in the original television movie (October 1981), but was forced to decline the role in the series when the producers of M*A*S*H refused to let her out of her contract. When the movie was picked up as a series, first airing with six episodes as a midseason replacement in the spring of 1982, Meg Foster portrayed the character. When the show was picked up for a regular season in 1982, Foster was replaced with Sharon Gless because CBS deemed Foster too aggressive and too likely to be perceived as a lesbian by the viewers.[2]

CBS executives hoped Gless would portray Cagney as more conventionally "feminine" and attempted to pressure the producers to remake Christine into a more "high-class", snobbish woman from wealthy parents. Barney Rosenzweig and Barbara Corday initially refused to change Christine Cagney from a tough, witty, working-class woman. Shortly into Gless's tenure on the program, Rosenzweig and Corday compromised with the network brass. They further developed Cagney's background, explaining gradually in a loose storyline that she may have been born to a somewhat well-to-do professional mother, who had a relationship with police officer Charles Cagney who came from working-class roots. Charles and Maureen soon separated after Christine and her brother Brian were born. She was partially raised in an uptown Westchester world, which she appreciated; however, the trappings of the upper-middle social strata sometimes drove her to miss her father's lifestyle, and she and her father therefore established a special bond.

Cagney was a bit quieter and more reserved than her vivacious, talkative, loud partner Mary Beth Lacey, but could still relate to the world with attitudes that could be shared by people across the social spectrum.

Synopsis

Al Waxman co-starred as Cagney and Lacey's good-natured and sometimes blustery supervisor, Lt. Bert Samuels. Carl Lumbly and Martin Kove played, respectively, fellow detectives Marcus Petrie and Victor Isbecki. Sidney Clute played veteran detective Paul La Guardia. John Karlen co-starred as Mary Beth's husband, Harvey Lacey, and Tony La Torre and Troy Slaten played their sons, Harvey Lacey, Jr. and Michael Lacey, respectively. Harvey Atkin played desk sergeant Ronald Coleman. Jason Bernard had the recurring role of Deputy Inspector Marquette during the first two seasons. When the show was brought back in March 1984, Marquette had been replaced by Dep. Inspector Knelman (Michael Fairman), who lasted the duration of the series. In the fourth season, Christine entered into a relationship with Sgt. Dory McKenna (Barry Primus), who battled a drug addiction. After a tumultuous courtship, Christine left him and soon after took up with a more stable suitor, David Keeler (Stephen Macht), a local attorney.

One of the most significant cast changes occurred early in the fifth season, upon the death of Sidney Clute in October 1985. Off screen, Det. LaGuardia had retired from the 14th Precinct and moved to New Jersey with a new female companion less than half his age. Clute had completed filming a few episodes of the 1985–86 season prior to his death. In his honor, the producers kept Clute's name in the opening credits for the rest of the series.

LaGuardia's immediate replacement in the fifth season was Det. Jonah Newman (Dan Shor), a boyish ingenue with an elevated sense of himself. Newman, while popular with the guys, was not above stepping on anyone in order to get the coveted promotion of Detective Second Grade. As a result, Chris and Mary Beth had to force a strained relationship with him at best. Newman developed a crush on Chris but she never knew. Eventually, Newman was partnered with veteran Al Corassa (Paul Mantee), who became a regular midway through season five (Mantee had made three guest appearances in late 1985, in which his character's name was Det. Thomas in the first two episodes, and Corassa in the third) and officially took up the role of experience that LaGuardia had vacated. Their partnership met a sad end in May 1986, when Newman was killed from a random gunshot outside of the local district court, just after receiving his promotion to Second Grade.

The beginning of the sixth season saw the arrival of Manny Esposito (Robert Hegyes), a young, street-savvy detective who became Corassa's new partner. There was quite a clash between the two, as Esposito's freewheeling lifestyle (represented by his casual dress on the job, the desire to make a quick buck, and three ex-wives) put him in contrast with Corassa, the older, more conservative family man with a heightened sense of professionalism. Supporting characters added to the precinct at this time were rookie Officer Tom Basil (Barry Laws) and Officer Beverley Faverty (Beverley Faverty). The following year, Petrie was promoted to sergeant and then departed the 14th Precinct (Carl Lumbly had decided to leave the series). In his place, singer Merry Clayton joined the cast as Verna Dee Jordan, the first new female detective at the precinct since the additions of Cagney and Lacey. Jordan had joined law enforcement in middle age to better herself, after having been a single mother raising four children (now grown) on welfare.

Dick O'Neill played a recurring role as Cagney's alcoholic father, Charlie Cagney, a former NYPD officer who regaled her with stories of the old days; Christine later fought alcoholism as well.[3] In the fourth season, Mary Beth becomes pregnant; she and Harvey welcome in a baby daughter, Alice, in the fall of 1985. Alice Lacey was played by alternating twins Dana & Paige Bardolph from 1985 to 1987, with toddler Michelle Sepe taking over for the seventh season.

Cancellation and return

Cagney & Lacey premiered in March 1982 with high hopes from the industry, in the wake of the TV movie. Reviews of the series, however, with Meg Foster in place of Loretta Swit, were mixed. Critics praised the level of storytelling, but put emphasis on the aggressiveness that both Daly and Foster expressed with their characters. As soon as the six-episode order was finished in late April, CBS canceled the program due to poor ratings. Executive producer Barney Rosenzweig was determined to reverse the network's decision. Gless had been initially unavailable for the movie and series, which were produced by Orion, because of her long-running contract to Universal Television (she was the last actress ever to be signed to a long-term contract with a studio, in 1972). Gless was even actively utilizing her Universal contract at the time the series went into production, having taken over as female lead (from Lynn Redgrave who left the series in a dispute with producers) on the CBS sitcom House Calls. However, rumors were also rampant that House Calls was getting the axe that spring.

Prior to the unveiling of that year's network upfronts, a CBS executive noted to the press that the cancellation of Cagney & Lacey was highly motivated by the jarringly tough nature of the female leads as well as low ratings. The official claimed in response to the strong portrayal of Daly and Foster that "we've perceived them as dykes." This remark set off massive protest, and put Rosenzweig into high gear in his dealings with CBS. The cancellation of House Calls was announced among insider circles just before upfronts, and Rosenzweig pressured CBS executives to relaunch Cagney & Lacey in the fall with Gless replacing Foster. Gless met with Cagney & Lacey producers again to consider the role, but while always having taken to the character, had doubts about joining for the fall of 1982 because, after House Calls, she "didn't want to make a career of replacing actresses."

Ratings, however, were still low during the first year Daly and Gless co-starred on the series. Cagney & Lacey was canceled by CBS a second time in May 1983, but after almost a year of decreased buzz about the show, an ever-larger public outcry exploded upon the series's axing. Fans of the show, organized by Rosenzweig,[4] staged a letter-writing campaign. At the same time, CBS switched its time slot for what was to have been its final three months on the air during summer reruns. This relocation resulted in the ratings suddenly rising. The viewer protest, coupled with the post-cancellation improvement in the Nielsens and the Emmy nomination that year (which Tyne Daly won in September), resulted in success for the public. That fall, CBS announced the return of Cagney & Lacey as a mid-season entry. The network would have wanted to return it sooner, but not long after the second cancelation came to pass, the sets at Orion had already been destroyed, and the cast had been let out of their contracts. One cast member, Tony La Torre, had already joined another series, the ABC sitcom 9 to 5. When nearly all of the Cagney & Lacey cast received new contracts in late 1983, La Torre returned as well after 9 to 5 was canceled by ABC just weeks into the 1983–84 season. Cagney & Lacey went back into production in January 1984 and returned to air on March 19 of that year.

TV Guide celebrated the show's return with the cover reading "Welcome Back, Cagney & Lacey – You want them! You've got them!". The show finished in the top 10 for the 1983–84 season, and went on to earn 36 Emmy Award nominations and 14 wins throughout its run until 1988, including six nominations for stars Daly and Gless: four wins for Daly and two for Gless. The series itself won two consecutive Emmy Awards for Best Drama Series in 1985 and 1986. The show's ratings leveled out to where it hovered around 30th place in the Nielsens during seasons four to six, a period where many state the show to have been in its creative peak.

The series continued to air Monday nights at 10:00 p.m. EST/9:00 p.m. CST until the middle of the 1987–88 season, holding its own against ABC's Monday Night Football and NBC Monday Night at the Movies. Midway through its seventh season, Cagney & Lacey was moved to Tuesdays at 10:00 p.m. EST/9:00 p.m. CST, where it began to compete against thirtysomething (ABC) and Crime Story (NBC). Cagney & Lacey lost viewers to the first-year critical success of thirtysomething, which, despite being the time slot winner, only ranked #45 overall. CBS' reason for relocating Cagney & Lacey was because it was believed that its Monday slot would further build an audience for Wiseguy, another new critical hit of the season that had average ratings at best. By the end of the season, Cagney & Lacey was left at 53rd place, and the 20-point drop from the previous season was enough for CBS to have doubts about renewing the show. With the final episode of the seventh season ending on a cliffhanger, CBS was considering bringing the show back, but when May 1988 upfronts were released, Cagney & Lacey's cancellation was confirmed. For the summer of 1988, the series moved one last time, not back to its familiar Monday time slot, but to Thursdays at 10 pm EST/9 CST. The series garnered considerable popularity internationally. It was originally shown in the UK on BBC1 where it regularly made the top 10.

Theme music

The first-season main-titles are accompanied by the theme song "Ain't That the Way" by Michael Stull, sung by Marie Cain, and show the two lead characters being promoted to plainclothes detectives and later disguised as prostitutes. This was replaced the following season by an instrumental theme composed by Bill Conti set to a collage of action and comical scenes featuring the characters from the series.

Reception

Nielsen ratings

Season Rank Rating
1) 1981–1982 Not in the Top 30
2) 1982–1983
3) 1983–1984 #10 20.9
4) 1984–1985 #28 16.9
5) 1985–1986 #31 16.7
6) 1986–1987 #37 15.1
7) 1987–1988 #52 13.0

Awards and nominations

Primetime Emmy Awards

  • 1983 Nomination for Outstanding Drama Series
  • 1983 Award for Outstanding Lead Actress in a Drama Series (Tyne Daly)
  • 1983 Nomination for Outstanding Lead Actress in a Drama Series (Sharon Gless)
  • 1984 Nomination for Outstanding Drama Series
  • 1984 Award for Outstanding Lead Actress in a Drama Series (Tyne Daly)
  • 1984 Nomination for Outstanding Lead Actress in a Drama Series (Sharon Gless)
  • 1985 Award for Outstanding Drama Series
  • 1985 Award for Outstanding Lead Actress in a Drama Series (Tyne Daly)
  • 1985 Award for Outstanding Directing in a Drama Series (Karen Arthur)
  • 1985 Nomination for Outstanding Lead Actress in a Drama Series (Sharon Gless)
  • 1985 Nomination for Outstanding Supporting Actor in a Drama Series (John Karlen)
  • 1986 Award for Outstanding Drama Series
  • 1986 Nomination for Outstanding Lead Actress in a Drama Series (Tyne Daly)
  • 1986 Award for Outstanding Lead Actress in a Drama Series (Sharon Gless)
  • 1986 Award for Outstanding Supporting Actor in a Drama Series (John Karlen)
  • 1986 Award for Outstanding Directing in a Drama Series (Georg Stanford Brown)
  • 1987 Nomination for Outstanding Drama Series
  • 1987 Nomination for Outstanding Directing in a Drama Series (Sharron Miller)
  • 1987 Nomination for Outstanding Lead Actress in a Drama Series (Tyne Daly)
  • 1987 Award for Outstanding Lead Actress in a Drama Series (Sharon Gless)
  • 1987 Nomination for Outstanding Supporting Actor in a Drama Series (John Karlen)
  • 1988 Award for Outstanding Lead Actress in a Drama Series (Tyne Daly)
  • 1988 Nomination for Outstanding Lead Actress in a Drama Series (Sharon Gless)

Golden Globe Awards

  • 1983 Nomination for Best Actress in a Drama Series (Tyne Daly)
  • 1983 Nomination for Best Drama Series
  • 1984 Nomination for Best Actress in a Drama Series (Tyne Daly)
  • 1984 Nomination for Best Actress in a Drama Series (Sharon Gless)
  • 1984 Nomination for Best Drama Series
  • 1985 Nomination for Best Actress in a Drama Series (Tyne Daly)
  • 1985 Award for Best Actress in a Drama Series (Sharon Gless)
  • 1985 Nomination for Best Drama Series
  • 1986 Nomination for Best Actress in a Drama Series (Tyne Daly)
  • 1986 Nomination for Best Actress in a Drama Series (Sharon Gless)
  • 1986 Nomination for Best Drama Series
  • 1987 Nomination for Best Actress in a Drama Series (Sharon Gless)
  • 1988 Nomination for Best Actress in a Drama Series (Sharon Gless)

Directors Guild Awards

After the series

Cagney and Lacey (32841889728)
Daly and Gless in 1999

The series was followed by four television movies which reunited the characters Christine Cagney (promoted and now working at the District Attorney's office) and Mary Beth Lacey (now retired from the police force).

  • Cagney & Lacey: The Return (1994)
  • Cagney & Lacey: Together Again (1995)
  • Cagney & Lacey: The View Through the Glass Ceiling (1995)
  • Cagney & Lacey: True Convictions (1996)

Following the conclusion of Cagney & Lacey, Tyne Daly and Sharon Gless have reunited onscreen three times: all three times playing different characters. Daly guest-starred in an episode of Gless's 1990 series The Trials of Rosie O'Neill; Gless then guest-starred in 2003 on an episode of Daly's successful TV series, Judging Amy, while Daly appeared in 2010 in an episode of Gless's new series, Burn Notice.

DVD releases

On May 8, 2007, MGM Home Entertainment and 20th Century Fox Home Entertainment released Season 1 of Cagney & Lacey on DVD in Region 1. The release coincided with the 25th anniversary of the series and it features the first full season of the show (which is actually the second season of the series) when Sharon Gless joined the cast as Cagney.[5]

The quartet of TV movies entitled The Menopause Years was released in 2009 by S'more Entertainment. The deluxe set contains the complete collection of post-series TV movies.[6] In addition, one of the features, Cagney & Lacey: The Return, was released separately on the same day. As of 2012, these releases have been discontinued and are out of print.

In November 2012, Visual Entertainment released Cagney & Lacey – The Complete Series on DVD in Region 1.[7] The 32-disc set contains all episodes of the series featuring Tyne Daly and Sharon Gless (seasons 2–7). They also released a separate season 2 release on the same day.[8]

A separate collection only available to purchase online, entitled Cagney & Lacey – 30th Anniversary Limited Edition was released on November 27, 2012. This 38-disc set contains all the content from The Complete Series set as well as the pilot episode, the complete first season with Meg Foster as Cagney and Tyne Daly as Lacey, all four post-series Cagney & Lacey: The Menopause Years made-for-TV movies and special bonus features exclusive to this collection, such as an autographed photo from Sharon Gless and Tyne Daly, an audio book of Barney Rosenzweig's "Cagney & Lacey ... and Me" An Inside Hollywood Story OR How I Learned to Stop Worrying and Love the Blonde, and footage of the British Film Institute's Cagney & Lacey 30th Anniversary Event from London. The Limited Edition DVD set is available through the official Cagney & Lacey website.

DVD Name Ep # Release Date Additional Information
The Complete First Season 22 May 8, 2007 "Breaking The Laws of TV" featurette
The Complete Second Season 22 November 13, 2012
The Menopause Years 4 September 29, 2009 Includes all 4 post-series tele-films
30th Anniversary – The Complete Series 119 November 13, 2012 Includes all Cagney & Lacey season 2–7 episodes
30th Anniversary – The Complete Series Limited Edition with bonus features 125 November 8, 2012 Includes all Cagney & Lacey season 1–7 episodes, the original made-for-TV movie starring Loretta Swit plus extra features

Downloads

Since October 2009, all 125 episodes of Cagney & Lacey have been available as a digital download on iTunes in the UK and North America and were also licensed to Netflix for American viewers via the streaming option, which expired in April 2012, and is no longer available. In 2011 the four post-series telefilms were also added to the streaming option after they were licensed to Netflix partner Starz. That partnership ended in February 2012 and the telefilms ceased to be running on Netflix streaming.

  • Cagney & Lacey: The Lost Episodes — 6 episodes from Season 1
  • Cagney & Lacey: The True Beginning — 22 episodes from Season 2
  • Season 3 — 7 episodes from Season 3
  • Season 4 — 22 episodes from Season 4
  • Season 5 — all 24 episodes from Season 5
  • Season 6 — all 22 episodes from Season 6
  • Season 7 — all 22 episodes from Season 7

Cancelled reboot

On January 26, 2018, CBS announced it had ordered a pilot for a reboot of the series, along with another hit show from the 1980s, Magnum, P.I.[9] On March 13, it was announced that Sarah Drew and Michelle Hurd were cast as Cagney and Lacey, respectively, with Bridget Carpenter writing the pilot and Rosemary Rodriguez directing.[10] On March 19, Ving Rhames was announced in the role of police Captain Stark.[11] On May 11, 2018, CBS passed on the pilot.[12]

See also

References

  1. ^ Abramson, Stephen J. Interview with Barney Rosenzweig. Archive of American Television (October 15, 2008).
  2. ^ TV Guide News (February 16, 2006). "I don't have any wagers, ..." TVGuide.com.
  3. ^ Charlie Cagney profile, TVAcres.com; accessed June 6, 2014.
  4. ^ "'Cagney & Lacey', Police Series on CBS", nytimes.com; July 2, 1984; accessed May 19, 2014.
  5. ^ Lacey, Gord (January 17, 2007). "Cagney & Lacey – Series is coming... finally!". tvshowsondvd.com. Archived from the original on August 15, 2009. Retrieved June 13, 2010.
  6. ^ Lambert, David (July 14, 2009). "Cagney & Lacey – Finalized Press Release for The Menopause Years Box Set". tvshowsondvd.com. Archived from the original on September 17, 2012. Retrieved September 8, 2012.
  7. ^ Lambert, David (September 7, 2012). "Cagney & Lacey – Release Date and Other Updates for VEI's 'Complete' DVD Sets!". tvshowsondvd.com. Archived from the original on September 9, 2012. Retrieved September 8, 2012.
  8. ^ "Cagney & Lacey DVD news: Announcement for Cagney & Lacey - Season 2 - TVShowsOnDVD.com". tvshowsondvd.com. Archived from the original on November 17, 2012.
  9. ^ Keveny, Bill (January 26, 2018). "CBS orders pilots for 'Magnum, P.I.,' 'Cagney' reboots and some fans aren't thrilled". USA Today. Retrieved January 27, 2018.
  10. ^ Andreeva, Nellie (March 13, 2018). "'Cagney & Lacey': 'Grey's Anatomy's Sarah Drew & Michelle Hurd Set As The Leads Of CBS Reboot Pilot". Deadline.
  11. ^ Goldberg, Lesley (March 19, 2018). "Ving Rhames to Co-Star in CBS' 'Cagney and Lacey' Reboot".
  12. ^ Andreeva, Nellie (May 11, 2018). "'Magnum P.I.', 'God Friended Me' & 'The Red Line' Dramas Get CBS Series Orders". Deadline Hollywood.

External links

37th Primetime Emmy Awards

The 37th Primetime Emmy Awards were held on September 22, 1985. The ceremony was broadcast on ABC, from the Pasadena Civic Auditorium, Pasadena, California.

The Cosby Show defeated two-time reigning champion Cheers to win Outstanding Comedy Series, one of three major awards it won. Although it only took home one major award, Cheers did tie the then-record for most major nominations by a comedy series (11), set by The Mary Tyler Moore Show in 1977. In the drama field Cagney & Lacey, en route to winning four major awards on the night, defeated presumed favorite Miami Vice to win Outstanding Drama Series, four time defending champion Hill Street Blues still received nine major nominations, but only won one award. This was Hill Street Blues 18th and final major award, setting an Emmy record for a drama series that still stands.

The ceremony also had a memorable unscripted moment involving the arrest of impersonator Barry Bremen for grand theft while attempting to accept the Outstanding Supporting Actress in a Drama Series award on behalf of Betty Thomas, who would show up on the auditorium stage a few minutes late

Angels with Dirty Faces

Angels with Dirty Faces is a 1938 American crime film directed by Michael Curtiz for Warner Brothers. It stars James Cagney, Pat O'Brien, The Dead End Kids, Humphrey Bogart, Ann Sheridan, and George Bancroft. The screenplay was written by John Wexley and Warren Duff based on the story by Rowland Brown. The film chronicles the fictional rise and fall of the notorious gangster William "Rocky" Sullivan. After spending three years in prison for armed robbery, Rocky intends to collect $100,000 from his co-conspirator, mob lawyer Jim Frazier. All the while, Father Jerry Connolly tries to prevent a group of youths from falling under Rocky's influence.

Brown wrote the scenario in August 1937. After pitching the film to a number of studios, he made a deal with Grand National Pictures, who wanted Cagney to star in the lead role. However, the film never came to fruition, owing to Grand National's bankruptcy in 1939. Cagney then returned to Warner the same year, taking Brown's script with him. Warner acquired the story and asked a number of directors to take on the project; eventually settling with Curtiz. Principal photography began in June 1938 at Warner's Burbank studios, and finished a week behind schedule in August, due mostly to the time it took to shoot Rocky's standoff with the police and eventual execution.

Angels with Dirty Faces was released on November 28, 1938, to positive reviews. At the 11th Academy Awards, the film was nominated in three categories: Best Actor (Cagney), Best Director (Curtiz), and Best Story (Brown). Angels with Dirty Faces is considered to be one of the best movies of all time, and is widely regarded as a defining moment in Cagney's career. It was shortlisted by the American Film Institute in 2008, and was voted 67th in a list of the "100 Best Film Noirs of All Time" by Slant Magazine in 2015.

Captains of the Clouds

Captains of the Clouds (a.k.a. Shadows of Their Wings) is a 1942 Warner Bros. war film in Technicolor, directed by Michael Curtiz and starring James Cagney. It was produced by William Cagney (James Cagney's brother), with Hal B. Wallis as executive producer. The screenplay was written by Arthur T. Horman, Richard Macaulay, and Norman Reilly Raine, based on a story by Horman and Roland Gillett. The cinematography was by Wilfred M. Cline, Sol Polito, and Winton C. Hoch and was notable in that it was the first feature length Hollywood production filmed entirely in Canada.The film stars James Cagney and Dennis Morgan as Canadian pilots who do their part in the Second World War, and features Brenda Marshall, Alan Hale Sr., George Tobias, Reginald Gardiner, and Reginald Denny in supporting roles. The title of the film came from a phrase used by Billy Bishop, the First World War fighter ace, who played himself in the film. The same words are also echoed in the narration of The Lion Has Wings documentary (1939).

In 1942, Canada had been at war with the Axis Powers for over two years, while the United States had only just entered in December 1941. A film on the ongoing Canadian involvement made sense for the American war effort. The films ends with an epilogue chronicling the contributions of the Royal Canadian Air Force (RCAF) to the making of the film.

Each Dawn I Die

Each Dawn I Die is a 1939 gangster film featuring James Cagney and George Raft in their only movie together as leads, although Raft had made an unbilled appearance in a 1932 Cagney vehicle called Taxi! in which he won a dance contest against Cagney, after which he and Cagney brawl. Raft also very briefly "appeared" in Cagney's boxing drama Winner Take All (1932), in a flashback sequence culled from Raft's 1929 film debut Queen of the Night Clubs starring Texas Guinan.

The plotline of Each Dawn I Die involves a crusading reporter (Cagney) who is unjustly thrown in jail and befriends a famous gangster (Raft). George Bancroft portrays the warden. Jane Bryan also co-stars. The movie was a box-office smash and remains a favorite among aficionados of Warner Bros. gangster movies. The film was based on the novel of the same name by Jerome Odlum.

He Was Her Man

He Was Her Man is a 1934 American pre-Code mob film starring James Cagney, Joan Blondell, and Victor Jory. It is the story of a mobster, Flicker Hayes (Cagney), on the lam, with ex-prostitute Rose Lawrence (Blondell), from a vicious gang. The two retreat to a small village to hide. The movie was directed by Lloyd Bacon.

James Cagney

James Francis Cagney Jr. (July 17, 1899 – March 30, 1986) was an American actor and dancer, both on stage and in film (though primarily known for the latter). Known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing, he won acclaim and major awards for a wide variety of performances. He is best remembered for playing multifaceted tough guys in films such as The Public Enemy (1931), Taxi! (1932), Angels with Dirty Faces (1938), and White Heat (1949), finding himself typecast or limited by this reputation earlier in his career. In 1999, the American Film Institute ranked him eighth among its list of greatest male stars of the Golden Age of Hollywood. Orson Welles said of Cagney, "[he was] maybe the greatest actor who ever appeared in front of a camera". Stanley Kubrick considered him to be one of the best actors in history.In his first professional acting performance, Cagney danced costumed as a woman in the chorus line of the revue Every Sailor, in 1919. He spent several years in vaudeville as a dancer and comedian, until he got his first major acting part in 1925. He secured several other roles, receiving good notices, before landing the lead in the 1929 play Penny Arcade. After rave reviews, Warner Bros. signed him for an initial $500-a-week, three-week contract to reprise his role; this was quickly extended to a seven-year contract.

Cagney's seventh film, The Public Enemy, became one of the most influential gangster movies of the period. Notable for a famous scene in which Cagney pushes a grapefruit against Mae Clarke's face, the film thrust him into the spotlight. He became one of Hollywood's leading stars and one of Warner Bros.' biggest contracts. In 1938, he received his first Academy Award for Best Actor nomination for his subtle portrayal of the tough guy/man-child Rocky Sullivan in Angels with Dirty Faces. In 1942, Cagney won the Oscar for his energetic portrayal of George M. Cohan in Yankee Doodle Dandy. He was nominated a third time in 1955 for Love Me or Leave Me. Cagney retired from acting and dancing in 1961 to spend time on his farm with his family. He came out of retirement 20 years later for a part in the movie Ragtime (1981), mainly to aid his recovery from a stroke.Cagney walked out on Warner Bros. several times over the course of his career, each time returning on much improved personal and artistic terms. In 1935, he sued Warner for breach of contract and won. This was one of the first times an actor prevailed over a studio on a contract issue. He worked for an independent film company for a year while the suit was being settled, establishing his own production company, Cagney Productions, in 1942 before returning to Warner four years later. In reference to Cagney's refusal to be pushed around, Jack L. Warner called him "the Professional Againster". Cagney also made numerous morale-boosting troop tours before and during World War II and served as president of the Screen Actors Guild for two years.

Jimmy the Gent (film)

Jimmy the Gent is a 1934 American Pre-Code comedy-crime film directed by Michael Curtiz, starring James Cagney and Bette Davis and featuring Allen Jenkins. It was the first pairing of Cagney and Davis, who would reunite for The Bride Came C.O.D. seven years later.

The screenplay by Bertram Millhauser was based on the story "The Heir Chaser" by Ray Nazarro and Laird Doyle.

Kiss Tomorrow Goodbye (film)

Kiss Tomorrow Goodbye is a 1950 film noir starring James Cagney, directed by Gordon Douglas, produced by William Cagney and based on the novel by Horace McCoy. The film was banned in Ohio as "a sordid, sadistic presentation of brutality and an extreme presentation of crime with explicit steps in commission."Supporting Cagney are Luther Adler as a crooked lawyer, and Ward Bond and Barton MacLane as two crooked cops.

Loretta Swit

Loretta Jane Swit (born November 4, 1937) is an American stage and television actress known for her character roles. Swit is best known for her portrayal of Major Margaret "Hot Lips" Houlihan on M*A*S*H, for which she won two Emmy Awards.

Mark Cagney

Mark Anthony Cagney (born 11 June 1956) is an Irish television presenter and journalist, best known for presenting Ireland AM, the breakfast show on TV3.

Mister Roberts (1955 film)

Mister Roberts is a 1955 American Warnercolor in CinemaScope comedy-drama film directed by John Ford and Mervyn LeRoy and features an all-star cast including Henry Fonda as Mister Roberts, James Cagney as Captain Morton, William Powell (in his final film appearance) as Doc, and Jack Lemmon as Ensign Pulver. Based on the 1946 novel and 1948 Broadway play, the film was nominated for the three Academy Awards, including Best Picture and Best Sound, Recording (William A. Mueller), with Jack Lemmon winning the award for Best Supporting Actor.

Sharon Gless

Sharon Marguerite Gless (born May 31, 1943) is an American actress, who is known for her television roles as Maggie Philbin, the naïve, young receptionist of Frank MacBride and Pete Ryan (played by Eddie Albert and Robert Wagner) on Switch (1975–78), Sgt. Christine Cagney in the police procedural drama series Cagney & Lacey (1982–88), the title role in The Trials of Rosie O'Neill (1990–92), as Debbie Novotny in the Showtime cable television series Queer as Folk (2000–2005), and as Madeline Westen on Burn Notice (2007–2013).

A 10-time Emmy Award nominee and seven-time Golden Globe Award nominee, she won a Golden Globe in 1986 and Emmys in 1986 and 1987 for Cagney & Lacey, and a second Golden Globe in 1991 for The Trials of Rosie O'Neill. Gless received a star on the Hollywood Walk of Fame in 1995.

Taxi!

Taxi! is a 1932 American pre-Code gangster film directed by Roy Del Ruth and starring James Cagney and Loretta Young.

The film includes two famous Cagney dialogues, one of which features Cagney conducting a conversation with a passenger in Yiddish, and the other when Cagney is speaking to his brother's killer through a locked closet, "Come out and take it, you dirty yellow-bellied rat, or I'll give it to you through the door!" The provenance of this sequence led to Cagney being famously misquoted as saying, "You dirty rat, you killed my brother."

Also, Taxi! marks the first occasion when Cagney dances on screen, as Matt and Sue enter a Peabody contest at a nightclub. To play his competitor in a ballroom dance contest, Cagney recommended his pal, fellow tough-guy-dancer George Raft, who was uncredited in the film. In a lengthy and memorable sequence, he scene culminates with Raft and his partner winning the dance contest against Cagney and Young, after which Cagney slugs Raft and knocks him down. As in The Public Enemy (1931), several scenes in Taxi! involved the use of live machine gun bullets. After a few of the bullets narrowly missed Cagney's head, he outlawed the practice in his future films.In the film they see a fictitious Warner Bros. movie at the cinema called Her Hour of Love in which Cagney cracks a joke about the film's leading man's appearance (an unbilled cameo by Warners contract player Donald Cook, who had played Cagney's brother in The Public Enemy) saying, "his ears are too big". Also advertised in the cinema lobby in the film is The Mad Genius, an actual film starring John Barrymore which was released the previous year by Warners and is a plug by them.

The Oklahoma Kid

The Oklahoma Kid is a 1939 western film starring James Cagney and Humphrey Bogart. The film was directed for Warner Bros. by Lloyd Bacon. Cagney plays an adventurous gunslinger in a broad-brimmed cowboy hat while Bogart portrays his black-clad and viciously villainous nemesis. The film is often remembered for Cagney's character rubbing the thumb and forefinger of his hand together and exulting, "Feel that air!"

The supporting cast features Rosemary Lane, Donald Crisp, and Ward Bond. Rosemary Lane's sister Priscilla Lane also starred with Cagney and Bogart in The Roaring Twenties that same year.

The Public Enemy

The Public Enemy (Enemies of the Public in the UK) is a 1931 American all-talking pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman and stars James Cagney, Jean Harlow, Edward Woods, Donald Cook, and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel — Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon — who had witnessed some of Al Capone's murderous gang rivalries in Chicago.

The Strawberry Blonde

The Strawberry Blonde is a 1941 American romantic comedy film directed by Raoul Walsh, starring James Cagney and Olivia de Havilland, and featuring Rita Hayworth, Alan Hale, Jack Carson, and George Tobias. The picture was nominated for an Academy Award in 1941 for Best Scoring of a Musical Picture and features songs such as "The Band Played On", "Bill Bailey", "Meet Me in St. Louis, Louie," "Wait Till The Sun Shines Nellie," and "Love Me and the World Is Mine." The title is most often listed beginning with the word The, but the film's posters and promotional materials call it simply Strawberry Blonde. Director Walsh remade the film in 1948 as One Sunday Afternoon. It was a remake of One Sunday Afternoon (1933) with Gary Cooper.

Tyne Daly

Ellen Tyne Daly (born February 21, 1946) is an American actress. She has won six Emmy Awards for her television work and a Tony Award, and is a 2011 American Theatre Hall of Fame inductee.

Daly began her career on stage in summer stock in New York, and made her Broadway debut in the play That Summer – That Fall in 1967. She is best known for her television role as Detective Mary Beth Lacey in Cagney & Lacey (1982–88), for which she is a four-time Emmy Award winner as Outstanding Lead Actress in a Drama Series. In 1989, she starred in the Broadway revival of Gypsy and won the 1990 Tony Award for Best Actress in a Musical.Her other TV roles include Alice Henderson in Christy (1994–95), for which she won an Emmy in 1996 and Maxine Gray in Judging Amy (1999–2005), which won her a sixth Emmy in 2003. Her other Broadway credits include The Seagull (1992), her Tony-nominated role in Rabbit Hole (2006) and her Tony-nominated role in Mothers and Sons (2014). She played Maria Callas, both on Broadway and in London's West End, in the play Master Class (2011–12). She also plays Anne Marie Hoag in Marvel Studios' Spider-Man: Homecoming (2017).

White Heat

White Heat is a 1949 film noir directed by Raoul Walsh. It stars James Cagney, Virginia Mayo, Edmond O'Brien, Margaret Wycherly and Steve Cochran. Written by Ivan Goff and Ben Roberts, White Heat is based on a story by Virginia Kellogg, and is considered to be one of the best gangster movies of all time. In 2003, it was added to the National Film Registry as being "culturally, historically, or aesthetically significant" by the United States Library of Congress.

Yankee Doodle Dandy

Yankee Doodle Dandy is a 1942 American biographical musical film about George M. Cohan, known as "The Man Who Owned Broadway". It stars James Cagney, Joan Leslie, Walter Huston, and Richard Whorf, and features Irene Manning, George Tobias, Rosemary DeCamp, Jeanne Cagney, and Vera Lewis. Joan Leslie's singing voice was partially dubbed by Sally Sweetland.

The film was written by Robert Buckner and Edmund Joseph, and directed by Michael Curtiz. According to the special edition DVD, significant and uncredited improvements were made to the script by the famous "script doctors", twin brothers Julius J. Epstein and Philip G. Epstein.

In 1993, Yankee Doodle Dandy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.