George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues and has influenced eminent guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck, Gary Clark Jr. and John Mayer. In the 1960s, Guy played with Muddy Waters as a house guitarist at Chess Records and began a musical partnership with the harmonica player Junior Wells.
Guy was ranked 23rd in Rolling Stone magazine's "100 Greatest Guitarists of All Time". His song "Stone Crazy" was ranked 78th in the Rolling Stone list of the "100 Greatest Guitar Songs of All Time". Clapton once described him as "the best guitar player alive". In 1999, Guy wrote the book Damn Right I've Got the Blues, with Donald Wilcock. His autobiography, When I Left Home: My Story, was published in 2012.
Buddy Guy interacting with the audience in a live performance, 2011
|Birth name||George Guy|
|Born||July 30, 1936|
Lettsworth, Louisiana, U.S.
|Genres||Chicago blues, blues, electric blues, blues rock|
|Occupation(s)||Musician, songwriter, guitarist|
|Labels||RCA, Cobra, Chess, Delmark, Silvertone, MCA, Atlantic, MPS, Charly, Zomba Group, Jive, Vanguard, JSP, Rhino, Purple Pyramid, Flyright, AIM Recording, Alligator, Blues Ball Records|
|Associated acts||Junior Wells, Phil Guy, Memphis Slim, Jimi Hendrix, Eddie Boyd, Muddy Waters, Big Mama Thornton, Howlin' Wolf, Eric Clapton, B.B. King, Willie Dixon, Otis Spann, Sonny Boy Williamson II, Stevie Ray Vaughan, Otis Rush, Jonny Lang, Quinn Sullivan, Marty Sammon, Darren Thiboutot Jr., The Damn Right Blues Band, Tom Hambridge|
Guy was born and raised in Lettsworth, Louisiana. His parents were sharecroppers and Guy as a child would pick cotton for $2.50 per 100 pounds. He began learning to play the guitar using a two-string diddley bow he made. Later he was given a Harmony acoustic guitar, which, decades later in Guy's lengthy career, was donated to the Rock and Roll Hall of Fame.
Soon after moving to Chicago on September 25, 1957, Guy fell under the influence of Muddy Waters. In 1958, a competition with West Side guitarists Magic Sam and Otis Rush gave Guy a record contract. Soon afterwards he recorded for Cobra Records. He recorded sessions with Junior Wells for Delmark Records under the pseudonym Friendly Chap in 1965 and 1966.
Guy's early career was impeded by conservative business choices made by his record company, Chess Records, his label from 1959 to 1968, which refused to record Guy playing in the novel style of his live shows. As late as 1967, Guy worked as a tow truck driver while playing clubs at night. Leonard Chess, Chess Records founder, denounced Guy's playing as "noise". In the early 1960s, Chess tried recording Guy as a solo artist with R&B ballads, jazz instrumentals, soul and novelty dance tunes, but none of these recordings were released as a single. Guy's only Chess album, I Left My Blues in San Francisco, was released in 1967. Most of the songs belong stylistically to the era's soul boom, with orchestrations by Gene Barge and Charlie Stepney. Chess used Guy mainly as a session guitarist to back Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williamson, Koko Taylor and others.
In 1965, Guy participated in the European tour American Folk Blues Festival.
He appeared onstage at the March 1969 "Supershow" in Staines, England, which also included Eric Clapton, Led Zeppelin, Jack Bruce, Stephen Stills, Buddy Miles, Glenn Campbell, Roland Kirk, Jon Hiseman, and the Misunderstood. In 1972, he established The Checkerboard Lounge, with partner L.C. Thurman.
Guy's career took off during the blues revival of the late 1980s and early 1990s. It was sparked by Clapton's request that Guy be part of the "24 Nights" all-star blues guitar lineup at London's Royal Albert Hall. Guy subsequently signed with Silvertone Records.
In 2015, Alan Harper, a British blues fan, published the book Waiting for Buddy Guy: Chicago Blues at the Crossroads.
While Guy's music is often labelled Chicago blues, his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that changes with each performance.
As the New York Times music critic Jon Pareles noted in 2004,
Mr. Guy, 68, mingles anarchy, virtuosity, deep blues and hammy shtick in ways that keep all eyes on him.... [Guy] loves extremes: sudden drops from loud to soft, or a sweet, sustained guitar solo followed by a jolt of speed, or a high, imploring vocal cut off with a rasp.... Whether he's singing with gentle menace or bending new curves into a blue note, he is a master of tension and release, and his every wayward impulse was riveting.
In an interview taped on April 14, 2000, for the Cleveland college station WRUW-FM, Guy said,
The purpose of me trying to play the kind of rocky stuff is to get airplay...I find myself kind of searching, hoping I'll hit the right notes, say the right things, maybe they'll put me on one of these big stations, what they call 'classic'...if you get Eric Clapton to play a Muddy Waters song, they call it classic, and they will put it on that station, but you'll never hear Muddy Waters.
When inducting Guy into the Rock and Roll Hall of Fame, Eric Clapton said, "No matter how great the song, or performance, my ear would always find him out. He stood out in the mix, simply by virtue of the originality and vitality of his playing." 
Beck recalled the night he and Vaughan performed with Guy at Buddy Guy's Legends club in Chicago: "That was just the most incredible stuff I ever heard in my life. The three of us all jammed and it was so thrilling. That is as close you can come to the heart of the blues."
Guitar Legends do not come any better than Buddy Guy. He is feted by his peers and loved by his fans for his ability to make the guitar both talk and cry the blues. Such is Buddy's mastery of the guitar that there is virtually no guitarist that he cannot imitate.
Guy was a judge for the 6th and 8th annual Independent Music Awards to support independent artists.
On February 21, 2012, Guy performed in concert at the White House for President Barack Obama and First Lady Michelle Obama. During the finale of the concert, he persuaded the President to sing a few bars of "Sweet Home Chicago".
In 2003, he was presented with the National Medal of Arts, awarded by the President of the United States to those who have made extraordinary contributions to the creation, growth and support of the arts in the United States.
By 2004, Guy had also earned 23 W.C. Handy Awards, Billboard magazine's Century Award (he was its second recipient) for distinguished artistic achievement, and the title of Greatest Living Electric Blues Guitarist.
Guy was inducted into the Rock and Roll Hall of Fame on March 14, 2005, by Eric Clapton and B.B. King. Clapton recalled seeing Guy perform in London's Marquee Club in 1965, impressing him with his technique, his looks and his charismatic showmanship. He remembered seeing Guy pick the guitar with his teeth and play it over his head—two tricks that later influenced Jimi Hendrix. Guy's acceptance speech was concise: "If you don’t think you have the blues, just keep living." He had previously served on the nominating committee of the Rock and Roll Hall of Fame.
On December 2, 2012, Guy was awarded the 2012 Kennedy Center Honors. At his induction, Kennedy Center chairman David Rubenstein said, "Buddy Guy is a titan of the blues and has been a tremendous influence on virtually everyone who has picked up an electric guitar in the last half century". He was honored that night along with Dustin Hoffman, Led Zeppelin (John Paul Jones, Jimmy Page and Robert Plant), David Letterman and Natalia Makarova.
He was married to Jennifer Guy from 1975 to 2002. They have two children together; Rashawnna and Michael. The marriage ended in divorce. Rashawnna Guy, better known by her stage name Shawnna is a rapper. Guy currently lives in Orland Park, Illinois, a suburb south of Chicago.
Heavy Love (2012)
Bring 'Em In is the 13th studio album by blues musician Buddy Guy, released in 2005 on Silvertone Records. The album is made up almost entirely of songs covered by Buddy Guy, containing only one original composition by the artist.
The album features a number of collaborations with other artists including: Carlos Santana (guitar), Tracy Chapman (vocals), John Mayer (guitar), Keb' Mo' (guitar), Anthony Hamilton (vocals), Robert Randolph (pedal steel), and Keith Richards (guitar).Fender Stratocaster
The Fender Stratocaster is a model of electric guitar designed in 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster from 1954 to the present. It is a double-cutaway guitar, with an extended top "horn" shape for balance. Along with the Gibson Les Paul and Fender Telecaster, it is one of the most-often emulated electric guitar shapes. "Stratocaster" and "Strat" are trademark terms belonging to Fender. Guitars that duplicate the Stratocaster by other manufacturers are usually called S-Type or ST-type guitars.
The Stratocaster is a versatile guitar, usable for most styles of music and has been used in many genres, including country, reggae, rock, pop, folk, soul, rhythm and blues, blues, jazz, punk, and heavy metal.Rhythm
Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry" (Liddell and Scott 1996)) generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years.
In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed movement through space" (Jirousek 1995) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (1976), Fred Lerdahl and Ray Jackendoff (Lerdahl and Jackendoff 1983), Jonathan Kramer, Christopher Hasty (1997), Godfried Toussaint (2005), William Rothstein (1989), Joel Lester (Lester 1986), and Guerino Mazzola.The Blues Is Alive and Well
The Blues Is Alive and Well is the 18th studio album by American blues musician Buddy Guy. It was released on June 15, 2018 by RCA/Silvertone Records.The Blues Is Alive and Well won the Grammy Award for Best Traditional Blues Album at the 61st Grammy Awards.Keith Richards and Jeff Beck play guitar on the song "Cognac", and Mick Jagger plays harmonica on the song "You Did the Crime".
Awards for Buddy Guy