Bordello of Blood

Tales from the Crypt presents Bordello of Blood is a 1996 American horror comedy film directed by Gilbert Adler and written by Adler and A. L. Katz.[2][3][4] Dennis Miller stars as Rafe Guttman, a private investigator hired by Catherine Verdoux (Erika Eleniak) to investigate the disappearance of her brother Caleb (Corey Feldman). Guttman's investigation leads him to a bordello run by Lilith (Angie Everhart). Guttman learns that the prostitutes are vampires, and must team up with televangelist Reverend J.C. Current (Chris Sarandon) to stop the vampire threat.

The film was developed by Bob Gale and Robert Zemeckis in the 1970s after their college graduation. The duo conceived the original script as an exploitation film designed to break the duo into the film industry, but it went unproduced.[5] The concept was subsequently revisited to serve as the second film in a proposed Tales from the Crypt film trilogy greenlit by Universal Pictures following the success of the first film spinoff of the HBO series, Demon Knight (1995).[6] Miller and Everhart were suggested for the cast by executive producer Joel Silver, though Adler and Katz wanted other actors to play the parts.

Filming took place in Vancouver, British Columbia, Canada, where the production was troubled by limited night time and continuity issues due to Miller's constant improvisation and refusal to show up on set. Released in North America on August 16, 1996, Bordello of Blood grossed $5.6 million,[7] turning a profit from its $2.5 million budget.[8] The film received generally negative reviews from critics and fans of the series,[9] but has since gained a fanbase, becoming a cult film.[8]

Tales from the Crypt presents Bordello of Blood
Bordello-of-blood
Theatrical release poster
Directed byGilbert Adler
Produced byGilbert Adler
Screenplay by
  • A. L. Katz
  • Gilbert Adler
Story by
Starring
Music byChris Boardman
CinematographyTom Priestley
Edited byStephen Lovejoy
Production
company
Crypt Keeper Pictures[1]
Distributed byUniversal Pictures[1]
Release date
  • August 16, 1996
Running time
87 minutes[1]
CountryUnited States[1]
Budget$2.5 million
Box office$5.6 million

Plot

A group of treasure hunters led by Vincent explore a forest, until they find a cave containing the coffin of Lilith, mother of all vampires. Vincent takes out a box containing the four sections of her heart and puts it in her body, reviving her. Lilith awakens and kills all the treasure hunters, except Vincent, who subdues her with the key from Demon Knight.

After having a fight with his sister Catherine, Caleb Verdoux goes to a dive bar, where an odd man named Jenkins tells him of a brothel hidden in a funeral home. Caleb and his friend Reggie visit the address, where the mortician McCutcheon forces them at gunpoint to climb into a coffin that takes them to vampiric prostitutes led by Lilith. Lilith kills Reggie and turns to Caleb.

When the police fail to find Caleb, Catherine reluctantly hires Rafe Guttman, a cynical and sarcastic private investigator. Rafe tracks Caleb's trail to the bar, where Caleb's friends direct him to the funeral home. At his first daytime visit, it appears to be just a funeral home. After a tip from Jenkins, Rafe revisits the funeral home that night. He discovers the funeral home is a front for a corrupt organization run by Reverend Current. Rafe overhears Lilith interview a woman, Tamara, followed by Tamara's scream and a body hitting the floor.

On his third visit, Rafe is admitted into the brothel and approached by Tamara, who is now a vampire. Rafe tricks her into letting him strap her to a torture rack so he can investigate further, finding Jenkins decapitated in a coffin. While fleeing, Rafe drops his wallet, allowing Lilith to find his address. Having tasted Rafe's blood, Lilith takes an interest in Rafe and tries to seduce him. When Catherine arrives, Rafe follows and tells her of the brothel's activity. They alert the police, but the police dismiss Rafe as a fraud when they find no evidence. Meanwhile, Vincent destroys the key, freeing Lilith.

As Catherine looks over footage where she confronted Lilith, she notices Lilith is not in the shot. Realizing that Rafe might be right, she calls him over. Caleb calls for help, asking them to meet him at the power plant. When they arrive, they discover Caleb is a vampire. Rafe and Catherine flee, but Rafe falls out a window, landing on the police chief's car. The vampires catch Catherine and bring her back to the brothel.

Rafe awakens in a hospital and is nearly killed by Tamara, posing as a nurse. Rafe exposes her to sunlight, killing her. Lilith prepares to feed on Catherine while Caleb watches. Rafe loads up on Super Soakers filled with holy water and raids the brothel, killing Vincent and McCutcheon. He meets up with Current, who has realized his error and is attempting to rectify it. Current tells Rafe that Lilith's heart must be removed from her body and cut into four pieces, as before she was found by Vincent. Rafe gives him a spare water gun and the two enter the brothel, spraying all the vampires, including Caleb, who burn and explode.

They find Lilith, who mortally wounds Current and flees after Rafe attacks her with an axe. Rafe finds Catherine, and they heading to Current's church to reveal the existence of vampires with its media equipment. Lilith returns, handcuffs Rafe to a railing, and attacks Catherine. Rafe uses a nearby laser hit Lilith in the heart, cutting it into four parts. As the pieces remain in her body, Lilith remains alive. As Lilith devolves into a hideous form and attacks Rafe, Catherine grabs a candle stand and stabs out Lilith's heart. Lilith's body burns and collapsing to the ground. The two have Lilith's remains burned and lock away the box with the heart pieces. Later, they sit in his car and Rafe fondles Catherine, which she seems more accepting of now. When he pulls back her skirt, he sees a pair of bite-marks on her thigh. Catherine, now a vampire, bites Rafe in the neck.

Cast

Main cast

Cameos

Development

Zemeckis1997(cropped)
Robert Zemeckis cowrote the story of Bordello of Blood with Bob Gale after graduating from college in 1973.
Erika Eleniak 2011
Erika Eleniak's character, Catherine, was originally scripted as being a former pornographic film star.

After graduating from USC in 1973,[11] Bob Gale and Robert Zemeckis wrote an early draft of Bordello of Blood, wanting to break into the film industry by making an exploitation film about "a whorehouse full of vampires".[5][12] They pitched Bordello of Blood to producer John Milius in the 1970s, but ultimately it was not produced at that time, and the three wound up making 1941 instead, but Milius described the scripts for Bordello and another proposed film from the duo entitled Tank as being "pretty darn good".[13]

Following the commercial success of the Tales from the Crypt film Demon Knight (1995), Universal Pictures greenlit two more Tales films, planning to make a film trilogy.[6] The original proposed second film was Dead Easy (a.k.a. Fat Tuesday), a zombie film set in New Orleans, which never made it past the screenwriting stage because the producers felt the scripts leaned too heavily towards horror and lacked the series' humor.[14] The producers also considered Quentin Tarantino's screenplay From Dusk till Dawn as a possible Tales from the Crypt film,[6] as well as Peter Jackson's The Frighteners.[15] During this development process, Robert Zemeckis was offered a contract with DreamWorks, and considering leaving Universal. To appease him into staying with the studio, it was agreed that a revised Bordello of Blood be produced as the second Tales film.[10]

Production

Angie Everhart and Dennis Miller were suggested for the film by executive producer Joel Silver.

The production budget was $2.5 million.[8] Gilbert Adler was hired to direct, having previously been a showrunner for Tales from the Crypt. Adler and A.L. Katz rewrote Gale and Zemeckis' script to make the film more modern.[8][16] Corey Feldman, who was friends with executive producer Richard Donner and had previously acted in an episode of Tales, was cast in the movie as Caleb.[8] Adler and Katz wanted Daniel Baldwin to play Rafe Guttman, and Robin Givens to play Lilith.[8] Executive producer Joel Silver, however, wanted Dennis Miller to play Rafe, and Angie Everhart to play Lilith. Silver had recently produced a movie with a supermodel in a leading role, and while Everhart, whose only previous performance was a minor role in Last Action Hero, was not a trained actress, Silver thought "supermodel actresses" was "the next big thing". Everhart was introduced to Silver by Sylvester Stallone, who suggested her for the part of Lilith.[8][17] Miller, who didn't want to make the movie, said he'd play the lead for $1 million, but Universal refused to put up this salary for Miller, so Silver cut $750,000 from the special effects budget to hire Miller.[8]

The movie was filmed in Vancouver because of Silver's past union disputes, and Katz described the Canadian production crew as being inexperienced.[8] In addition, Vancouver's limited night hours in July and August caused problems trying to film night scenes.[18] Miller disliked his character's scripted dialogue and once he started filming, he proceeded to improvise nearly all of his dialogue.[17] The Bordello of Blood shoot was rescheduled to work around the shooting of Dennis Miller Live, and the Canadian crew became angry at Miller because the filming schedule prevented their seeing their families on the weekends.[17] On some days, Miller's assistant told the production that he was too tired to show up, which meant that some of Miller's scenes had to be shot without him with the script supervisor standing in for Miller. The cast became angry at Miller, and the script supervisor sometimes did not remember all of Miller's improvised dialogue, which led to continuity problems.[17][16]

According to Katz, after filming began, Erika Eleniak's manager told the production that she would not travel to the set unless significant portions of the script that she found unacceptable were rewritten. Eleniak had left Baywatch because she wanted to be taken seriously as an actress, and allegedly did not want to play the character of Catherine as previously written. Katz claimed Catherine was scripted as being a stripper, and Adler and Katz frantically rewrote the script and changed these aspects of the character so she would travel to the set. However, Eleniak disputes this claim, saying that her argument with the producers was due to Joel Silver wanting to add a "sexy" scene between her and Everhart which had not been in the script, and that changes had been made to the script based on Eleniak's casting to make her character "sexier".[17] Eleniak expressed disappointment that due to rewrites, the backstory of Catherine having a past as a 300lb ex-porn star named Chubbie O'Toole was removed from the film. Eleniak recalled later that she wore special makeup effects that were created for a brief scene in which Catherine discovers a Chubbie O'Toole poster in Rafe's office.[19]

Soundtrack

Bordello of Blood
Soundtrack album
ReleasedAugust 7, 1996
Genre
LabelUniversal
Tales from the Crypt chronology
Demon Knight
(1995)
Bordello of Blood
(1996)
Monsters of Metal
(2000)
Professional ratings
Review scores
SourceRating
Allmusic2/5 stars[20]

The film's soundtrack album was released on August 7, 1996.[20] It focused predominately on heavy metal and glam music by artists such as Anthrax, Red Kross, Kerbdog, Sweet, Scorpions and Cinderella.[20] It received a score of two out of five stars from Allmusic.[20]

No.TitleArtistLength
1."Bordello Of Blood"Anthrax4:12
2."This Is Not A Love Song"Kerbdog2:25
3."All Right Now"Free5:32
4."Jailbreak"Thin Lizzy3:59
5."Ballroom Blitz"Sweet4:02
6."Deuce"Redd Kross3:12
7."Still Loving You"Scorpions6:26
8."30 Days In The Hole"Humble Pie3:56
9."Love's Got Me Doin' Time"Cinderella5:16
10."From The Underworld"The Herd featuring Peter Frampton3:16
Total length:42:13

Release

In a televised appearance prior to the film's release, Dennis Miller told viewers not to see Bordello of Blood.[21] Bordello of Blood grossed $5.6 million.[8][7] Upon release, the film was generally disliked by fans of the TV series,[9] but later it developed a fanbase and is now considered a cult film.[8] While the third film in the Tales from the Crypt film trilogy was never produced, Ritual (2002) is considered an unofficial entry in the Tales series.[10]

On October 20, 2015, Shout! Factory subsidiary Scream Factory released a special edition of the film on Blu-ray and DVD.[22][23] On July 16, 2016, the film was given a special 20th anniversary screening at the Canadian Rio Theatre in Vancouver, BC, attended by Adler and special effects artist Todd Masters. John Kassir also participated via Skype.[24]

Critical reception

Upon release, the film was poorly received by critics.[9] Leonard Maltin gave the film two stars, calling it a "fitfully amusing juvenile horror comedy".[3] Chicago Tribune reviewer Mark Caro wrote, "The Crypt tradition is ghoulish irreverence, but here it seems merely a hip excuse to stoop low."[25] The Deseret News wrote, "For a horror-comedy film to work, it's got to be both funny and scary. Tales From the Crypt Presents Bordello of Blood is neither. Instead, it's only a bath of blood and bare skin, with some lame wisecracks thrown in for bad measure."[2] Writing for The Washington Post, Richard Harrington said, "Triple the length of its cable television inspiration, Tales From the Crypt Presents Bordello of Blood is triple the gore, triple the naked women, but not, alas, triple the fun."[26] Variety panned the film, writing, "another cheesy goulash of smart-alecky humor and full-bore gore, spiced with more shots of topless lovelies than you'd find in a '60s sexploitation flick. Adolescent boys might groove to the mix, but most other ticketbuyers will avoid this tawdry opus like the plague."[27] TV Guide gave the film 1 out of 5 stars, writing, "Miller is the best thing about the film, but a little of him goes a long way, and he's on screen a lot. [...] This is a travesty, and if Tales From the Crypt publisher Bill Gaines isn't spinning in his grave, it can only be because someone's already put a stake through his heart."[28] Peter Stack of the San Francisco Chronicle wrote, "Bordello of Blood, ... easily could have been called 'Bore-dello of Blood.' This gory vampire spoof is remarkably free of jolts, hardly registering as a fright film, with a series of weak special effects involving many globs of guts."[29]

The New York Times critic Lawrence Gelder wrote, "Vampires aren't the only things in Bordello of Blood that can't stand up to daylight. Neither can the plot."[30] Austin Chronicle critic Marc Savlov gave the film 1 out of 5 stars, calling it "The Dennis Miller Show… with nekkid vampire-vixens."[31] Exclaim! writer Robert Bell gave the film 4 out of 10, writing, "Tales from the Crypt was known for its twist endings, morality parables and askew sensibility; this feature shared none of those traits, and wouldn't be recognizable as a part of the series without the presence of the Cryptkeeper bookending the film."[16] Dread Central gave the film a score of 2 out of 5, writing, "If you told me the screenwriters dug through Miller’s trash and inserted his discarded one-liners into the script, I would have no problem believing it. Not a single one of his lines works, and every time he opens his mouth it only further reinforces the fact he was so very, very wrong for this role."[9] Allmovie also gave the film a score of two stars out of five, writing, "Even with its obligatory Crypt Keeper bookends, the 87-minute Bordello of Blood seems as inflated as the many surgically enhanced breasts on display."[4]

However, not all reviews were negative. The Los Angeles Times writer Jack Matthews gave the film a favorable review, calling it a "bloody good vehicle for Dennis Miller", writing, "What it lacks in irony and suspense, Gilbert Adler's Tales From the Crypt Presents Bordello of Blood makes up for in whimsy and cheeky self-assurance. [...] This is the version of Dracula that Bram Stoker would have written with the collaboration of Mel Brooks and the Marquis de Sade over drinks at Hooters."[32] Arrow in the Head also reviewed the film favorably, giving it a score of 6 out of 10, writing, "this second entry in the Tales From The Crypt big screen series doesn’t fully measure up to its predecessor, but sill manages to deliver a mindless fun ride".[33] ComingSoon.net wrote that "Bordello is in many ways a superior Tales from the Crypt entry. Adler had previously directed episodes of the show and the film feels like an amplified episode, brightly lit, garish and tricked out with even more sleaze, sex, blood and general luridness".[6] The Digital Bits wrote, "Despite itself, Bordello of Blood is a fun movie. It’s not the best in the Tales from the Crypt series, but it’s miles above [Ritual]. [...] Sure there are plenty of eye-rolling moments, [...] but it’s worth a couple of watches... especially to see William Sadler as a mummy."[10]

The film holds a 12% approval rating on Rotten Tomatoes based on 33 reviews, and the average rating is 3.2/10. The consensus states: "Bordello of Blood is not as scary or funny as it thinks it is (or should've been), and all of Dennis Miller's lines sound like castoffs from his stand-up material".[34]

See also

References

  1. ^ a b c d "Tales from the Crypt Presents Bordello of Blood (1996)". AFI Catalog of Feature Films. Retrieved August 28, 2018.
  2. ^ a b Vice, Jeff (August 19, 1996). "Film review: Tales From the Crypt Presents Bordello of Blood". Deseret News.
  3. ^ a b c Maltin, Leonard. "2015 Movie Guide".
  4. ^ a b Dillard, Brian. "Bordello of Blood". Allmovie.
  5. ^ a b "Bob Zemeckis, Zooming Ahead". The Washington Post. July 3, 1985.
  6. ^ a b c d "SHOCK takes a critical look at a double-dose of TALES FROM THE CRYPT features on Blu-ray". ComingSoon.
  7. ^ a b Joshi, S. T. (2011). Encyclopedia of the Vampire: The Living Dead in Myth, Legend, and Popular Culture. ABC-CLIO. ISBN 9780313378331.
  8. ^ a b c d e f g h i j k Tainted Blood: The Making of Bordello of Blood Part 1.
  9. ^ a b c d "Bordello of Blood". Dread Central.
  10. ^ a b c d "Bordello of Blood". The Digital Bits.
  11. ^ Notable Alumni, USC School of Cinematic Arts Archived August 26, 2009, at the Wayback Machine.
  12. ^ "25 Development Facts Behind the Back to the Future Trilogy". Huffington Post. October 21, 2015.
  13. ^ Milius, John (2002). The Making of 1941: In the Beginning (DVD). Universal Studios. Event occurs at 01:39. ISBN 0783231032.
  14. ^ The Bordello Follows, Fangoria Magazine, No. 156, September 1996, p. 29
  15. ^ Who's Afraid of The Frighteners? by Michael Helms, Fangoria Magazine, No. 154, July 1996, p. 36
  16. ^ a b c Bell, Robert (October 20, 2015). Tales from the Crypt Presents: Bordello of Blood. Exclaim!.
  17. ^ a b c d e Tainted Blood: The Making of Bordello of Blood Part 2.
  18. ^ Tainted Blood: The Making of Bordello of Blood - Shooting the climax in Vancouver.
  19. ^ Tainted Blood: The Making of Bordello of Blood - Make-up/Visual Effects.
  20. ^ a b c d Ankeny, Jason. "Bordello of Blood [Original Soundtrack]". Allmusic.
  21. ^ Feldman, Corey. "Coreyography: A Memoir".
  22. ^ "Tales From The Crypt Presents: Bordello Of Blood [Collector's Edition]". ShoutFactory.com. 2015-10-20. Retrieved 2015-07-07.
  23. ^ Miska, Brad (September 2, 2015). ""Tales From the Crypt" Films 'Demon Knight' and 'Bordello of Blood' Get Collector's Blu-rays!". Bloody Disgusting.
  24. ^ "Bordello of Blood". Rio Theatre.
  25. ^ Caro, Mark (August 16, 1996). "'Bordello Of Blood' Stuck In Adolescence". Chicago Tribune.
  26. ^ "Pleasure of the Flesh ... and Blood". WashingtonPost.com. 1996-08-16. Retrieved 2014-08-01.
  27. ^ "Review". Variety. August 19, 1996.
  28. ^ "Review: Bordello of Blood (1996)". TV Guide.
  29. ^ Stack, Peter (August 17, 1996). "FILM REVIEW -- Bordello of Blood". San Francisco Chronicle. Retrieved 2018-07-03.
  30. ^ Gelder, Lawrence (August 16, 1996). "Blood And Guts, And Blood, And Blood". The New York Times.
  31. ^ Savlov, Marc (August 23, 1996). "Tales From the Crypt Presents Bordello of Blood". Austin Chronicle.
  32. ^ Matthews, Jack (August 16, 1996). "Bordello' a Bloody Good Vehicle for Dennis Miller". Los Angeles Times.
  33. ^ "Bordello Review". JoBlo.com.
  34. ^ "Tales from the Crypt Presents Bordello of Blood (1996)". Rotten Tomatoes. Retrieved 2016-03-09.

External links

Anthrax discography

American thrash metal band Anthrax has released eleven studio albums, six live albums, seven compilation albums, ten video albums, six extended plays, twenty-six singles and twenty-six music videos. Anthrax was formed in 1981 by guitarist Scott Ian and bassist Danny Lilker, who picked the band's name from a biology textbook. After releasing its debut Fistful of Metal (1984) on the independent label Megaforce Records, Anthrax signed to major label Island Records. Singer Joey Belladonna and bassist Frank Bello joined the lineup and the band released Spreading the Disease the following year. The band's third studio album Among the Living (1987) was its commercial breakthrough, peaking at number 62 on the Billboard 200 and was certified gold by the Recording Industry Association of America (RIAA) and silver by the British Phonographic Industry (BPI). Its fourth album State of Euphoria (1988) peaked at 31 on the Billboard 200 and received gold certification in the US.

Persistence of Time (1990), noted for its darker lyrical content than previous albums, peaked at number 24 on the Billboard 200. The band's sixth studio album Sound of White Noise (1993), its first with singer John Bush, was its highest charting album in the US, peaking at number seven and received gold certification. Longtime guitarist Dan Spitz left the band shortly after, and drummer Charlie Benante played most of the lead-guitar parts on Stomp 442 (1995), until Paul Crook was hired as a touring guitarist. Volume 8: The Threat Is Real (1998) was released by the independent label Ignition Records, whose imminent bankruptcy hurt album sales. Ninth studio album We've Come for You All (2003), first with guitarist Rob Caggiano, entered the Billboard 200 at number 122, but failed to chart on most international markets. Belladonna returned for Worship Music (2011) and For All Kings (2016); which both received favorable reviews.

Aruno Tahara

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Aubrey Morris

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Corey Feldman

Corey Scott Feldman (born July 16, 1971) is an American actor and singer. He became well known during the 1980s, with roles as a youth in films such as Gremlins (1984), The Goonies (1985) and Stand by Me (1986). In 1987, Feldman starred in the horror comedy film The Lost Boys with Corey Haim; they became known as "The Two Coreys" and went on to appear in other films together, including License to Drive (1988) and Dream a Little Dream (1989). Feldman has continued to act in film and on television as an adult, and is also known for speaking out about the issue of child sexual abuse in Hollywood.

Demon Knight

Tales from the Crypt presents Demon Knight is a 1995 American horror comedy film directed by Ernest Dickerson, starring Billy Zane, William Sadler and Jada Pinkett. Brenda Bakke, C. C. H. Pounder, Dick Miller and Thomas Haden Church co-star.

Demon Knight is a feature-length film presented by the HBO series Tales from the Crypt, and features scenes with the Crypt Keeper (voiced by John Kassir, as in the series) at the film's beginning and ending. The film was followed by Bordello of Blood; although it is not a direct sequel, the key artifact from this film makes an appearance.

Eli Gabay

Eli Gabay (also credited as Eli Gabe born 1959) is a Canadian actor and voice actor.

He is known for voicing Quetzal, the teacher at School in the Sky, as well as voicing Max and Emmy's father, in Dragon Tales and a gangster named Abrego in the anime, Black Lagoon. Gabay also loaned his voice in other anime such as Earth Maiden Arjuna, Master Keaton and Shakugan No Shana.

Besides animation, Gabay has played live-action roles such as Miguel in Bordello of Blood, the pilot in The Edge and Carlos in the NC-17 movie Bliss. Gabay has also appeared in TV shows, such as The Commish and ReGenesis.

Erika Eleniak

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Gilbert Adler

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Jailbreak (Thin Lizzy song)

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The song is typical of the band's music, with the dual lead guitar harmony and Brian Robertson's use of the wah-wah pedal. Phil Lynott's lyrics about a prison break are the typical personification of the "tough guys", also seen in "The Boys Are Back in Town" and the regular concert closer and fan favourite "The Rocker". An alternate version of the song appeared on the bonus disc of the 2011 remastered deluxe edition of the Jailbreak album, featuring a short spoken introduction and additional guitar parts throughout.

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Lilith, Lilit, Lilitu, or Lilis may also refer to:

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List of horror films of 1996

A list of horror films released in 1996.

Phil Fondacaro

Phil Fondacaro (born November 8, 1958) is an American actor. A dwarf at 3' 6", Fondacaro is best known for his performance in the horror comedy Bordello of Blood, as well as his roles in the fantasy films The Black Cauldron, Troll and Willow. He also had several prominent television roles, such as a recurring role as Roland on the TV series Sabrina the Teenage Witch.

Rafe (name)

Rafe is an English, Scandinavian and German given name for a male, used in many countries across the world but most popular in English-speaking countries. It is of Old Norse origin (meaning "counsel of the wolf" or "wise wolf"), derived from the Old Norse Raðulfr (rað "counsel" + ulfr "wolf") through Old English Rædwulf.

Ritual (2002 film)

Tales from the Crypt Presents: Ritual is a 2002 American horror comedy film and third and final film based on the HBO television series Tales from the Crypt, following Demon Knight and Bordello of Blood. The film was released in select countries in 2002, the Philippines in 2003, and the US in 2006. It stars Tim Curry, Jennifer Grey, and Craig Sheffer with Avi Nesher directing. It is based on the film I Walked With a Zombie.

Tales from the Crypt

Tales from the Crypt may refer to:

Tales from the Crypt (comics), a comic book published by EC Comics during the 1950s

Tales from the Crypt (film), a 1972 Amicus film starring Ralph Richardson partially based on the comic book

The Vault of Horror, also known as Tales from the Crypt II, a 1973 sequel starring Terry-Thomas, Dawn Adams, Denholm Elliot, and Curt Jurgens also partially based on the comic book

Tales from the Crypt (TV series), a horror anthology television series that ran from 1989 to 1996 based on the comic book

Demon Knight, also known as Tales from the Crypt: Demon Knight, a 1995 film starring Billy Zane, William Sadler and Jada Pinkett Smith that acted as a spin-off from the television series

Bordello of Blood, also known as Tales from the Crypt Presents: Bordello of Blood, a 1996 film starring Dennis Miller, Erika Eleniak, Angie Everhart and Corey Feldman based on the television series

Ritual (2002 film), also known as Tales From the Crypt Presents: Ritual, 2002 release and the fifth installment (third of the HBO spinoffs) in the series starring Tim Curry, Jennifer Grey and Craig Sheffer

Tales from the Crypt (album), a 1995 album by American rapper C-Bo

Tales from the Crypt (TV series)

Tales from the Crypt, sometimes titled HBO's Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989 to July 19, 1996, on the premium cable channel HBO for seven seasons with a total of 93 episodes. The title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or the other EC Comics of the time (The Haunt of Fear, The Vault of Horror, Crime SuspenStories, Shock SuspenStories, and Two-Fisted Tales). The show was produced by HBO.

Because it was aired on HBO, a premium cable television channel, it was one of the few anthology series to be allowed to have full freedom from censorship by network standards and practices. As a result, HBO allowed the series to include content that had not appeared in most television series up to that time, such as graphic violence, profanity, sexual activity and nudity. The show is subsequently edited for such content when broadcast in syndication or on basic cable. While the series began production in the United States, in the final season filming moved to Britain, resulting in episodes which revolved around British characters.

Tales from the Crypt
Comics
Films
Television
Related comics
Related films and television

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