In 1942, Hibbs began a twenty-year association with the editorial staff of The Saturday Evening Post. During the Eisenhower administration, Hibbs persuaded the President to sign a contract calling for him to write four articles a year for publication in The Post beginning after Eisenhower left the White House. During Hibbs’ final year with The Post, 1962, he served as senior editor and began working directly with General Eisenhower on articles he prepared for the magazine.
Hibbs left The Post in January 1963 and joined the editorial staff of Reader’s Digest, owned by DeWitt Wallace. When Eisenhower’s contract with The Post expired in 1964, Hibbs was responsible for the General’s signing a new contract agreeing to write three articles a year for Reader’s Digest at a fee of $30,000 per article. Hibbs was the editor assigned to collaborate with Eisenhower in producing these articles.
The general procedure followed in producing an Eisenhower article was begun when a topic, originated by the General, Hibbs, or The Reader’s Digest editors, was decided upon. Eisenhower and Hibbs then agreed to a meeting time several weeks in advance and proceeded to accumulate ideas and facts for the article. They would then meet several times at either Gettysburg or Palm Springs to discuss the article, working from an outline prepared by Hibbs. From these conversations, and the notes Hibbs compiled from them, a draft of the article was created. It was then sent to Eisenhower for his comments and editing before being submitted to the executive editor of The Reader’s Digest, Hobart Lewis, for final editing.
Hibbs first met Eisenhower during the last year of World War II, when the General requested that reporters from the United States be flown to Europe to document the horrors of the Nazi concentration camps then being liberated by the U.S. Army. Hibbs and the other correspondents were shown the Dachau concentration camp and the Buchenwald concentration camp before being introduced to Eisenhower at his SHAEF (Supreme Headquarters Allied Expeditionary Force) headquarters. Following the war, Hibbs attempted to purchase for The Post the magazine rights to General Eisenhower’s memoirs, Crusade in Europe, but was unsuccessful when Eisenhower sold those rights to Life.
Hibbs actively promoted the candidacy of Eisenhower for the Presidency of the United States in 1952. He wrote an editorial entitled "Will the Republicans Commit Suicide in Chicago" concerning the Taft-Eisenhower battle over the seating of Republican delegates from Texas.
Hibbs was never a part of the inner White House Group during the Eisenhower administrations. However, he did remain an acquaintance of the President and was invited to attend stag dinners and other social functions. His close association with Eisenhower developed after the President left office and began writing articles for The Post and Reader’s Digest.
"A Boy in France" is a short story by J. D. Salinger. It is the second part of a trio of stories following the character Babe Gladwaller. The first story is "Last Day of the Last Furlough", and the third is "The Stranger".
"A Boy in France" is one of the few Salinger war stories which deals directly with combat conditions. The setting is at the front, as Babe, hunkered down in a foxhole, tries to comfort himself by rereading a letter from his sister. The bond between Babe and Matilda anticipates the relationship between Holden Caulfield and his younger sister Phoebe in Salinger's later novel The Catcher in the Rye.Curtis Publishing Company
The Curtis Publishing Company, founded in 1891 in Philadelphia, Pennsylvania, became one of the largest and most influential publishers in the United States during the early 20th century. The company's publications included the Ladies' Home Journal and The Saturday Evening Post, The American Home, Holiday, Jack & Jill, and Country Gentleman. In the 1940s, Curtis also had a comic book imprint, Novelty Press.Four Freedoms (Norman Rockwell)
The Four Freedoms is a series of four 1943 oil paintings by the American artist Norman Rockwell. The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 inches (116.2 cm) × 35.5 inches (90 cm), and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts. The four freedoms refer to President Franklin D. Roosevelt's January 1941 Four Freedoms State of the Union address in which he identified essential human rights that should be universally protected. The theme was incorporated into the Atlantic Charter, and became part of the charter of the United Nations. The paintings were reproduced in The Saturday Evening Post for over four consecutive weeks in 1943, alongside essays by prominent thinkers of the day. They became the highlight of a touring exhibition sponsored by The Post and the U.S. Department of the Treasury. The exhibition and accompanying sales drives of war bonds raised over $132 million.This series has been the cornerstone of retrospective art exhibits presenting the career of Rockwell, who was the most widely known and popular commercial artist of the mid-20th century, but did not achieve critical acclaim. These are his best-known works, and by some accounts became the most widely distributed paintings. At one time they were commonly displayed in post offices, schools, clubs, railroad stations, and a variety of public and semi-public buildings.Critical review of these images, like most of Rockwell's work, has not been entirely positive. Rockwell's idyllic and nostalgic approach to regionalism made him a popular illustrator but a lightly regarded fine artist during his lifetime, a view still prevalent today. However, he has created an enduring niche in the social fabric with Freedom from Want, emblematic of what is now known as the "Norman Rockwell Thanksgiving".Freedom from Want (painting)
Freedom from Want, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms series of four oil paintings by American artist Norman Rockwell. The works were inspired by United States President Franklin D. Roosevelt's 1941 State of the Union Address, known as Four Freedoms.
The painting was created in November 1942 and published in the March 6, 1943 issue of The Saturday Evening Post. All of the people in the picture were friends and family of Rockwell in Arlington, Vermont, who were photographed individually and painted into the scene. The work depicts a group of people gathered around a dinner table for a holiday meal. Having been partially created on Thanksgiving Day to depict the celebration, it has become an iconic representation for Americans of the Thanksgiving holiday and family holiday gatherings in general. The Post published Freedom from Want with a corresponding essay by Carlos Bulosan as part of the Four Freedoms series. Despite many who endured sociopolitical hardships abroad, Bulosan's essay spoke on behalf of those enduring the socioeconomic hardships domestically, and it thrust him into prominence.
The painting has had a wide array of adaptations, parodies, and other uses, such as for the cover for the 1946 book Norman Rockwell, Illustrator. Although the image was popular at the time in the United States and remains so, it caused resentment in Europe where the masses were enduring wartime hardship. Artistically, the work is highly regarded as an example of mastery of the challenges of white-on-white painting and as one of Rockwell's most famous works.Freedom of Speech (painting)
Freedom of Speech is the first of the Four Freedoms paintings by Norman Rockwell that were inspired by United States President Franklin D. Roosevelt's State of the Union Address, known as Four Freedoms, which he delivered on January 6, 1941.Freedom of Speech was published in the February 20, 1943 Issue of The Saturday Evening Post with a matching essay by Booth Tarkington as part of the Four Freedoms series. Rockwell felt that this and Freedom of Worship were the most successful of the set. Since Rockwell liked to depict life as he experienced it or envisioned it, it is not surprising that this image depicts an actual occurrence.Freedom of Worship (painting)
Freedom of Worship or Freedom to Worship is the second of the Four Freedoms oil paintings produced by the American artist Norman Rockwell. The series was based on the goals known as the Four Freedoms enunciated by the 32nd President of the United States, Franklin D. Roosevelt, in his State of the Union Address delivered on January 6, 1941. Rockwell considered this painting and Freedom of Speech the most successful of the series. Freedom of Worship was published on the 27th of February, 1943, issue of The Saturday Evening Post alongside an essay by philosopher Will Durant.Hibbs
Hibbs is a surname. Notable people with the surname include:
Albert Hibbs, American mathematician
Harry Hibbs (footballer) (1906–1984), English footballer
Harry Hibbs (musician) (1942–1989), Canadian musician
Jesse Hibbs (1906–1985), American film and television director
Jim Hibbs (born 1944), American baseball player
Loren Hibbs (born 1961), American baseball player and coach
Robert John Hibbs (1943–1966), American military officer and Medal of Honor recipientJ. C. Leyendecker
Joseph Christian Leyendecker (March 23, 1874 – July 25, 1951) was a German-American illustrator. He is considered to be one of the preeminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950, Leyendecker painted more than 400 magazine covers. During the Golden Age of American Illustration, for The Saturday Evening Post alone, J. C. Leyendecker produced 322 covers, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. Leyendecker "virtually invented the whole idea of modern magazine design."J. D. Salinger
Jerome David Salinger (; January 1, 1919 – January 27, 2010) was an American writer known for his widely read novel, The Catcher in the Rye. Following his early success publishing short stories and The Catcher in the Rye, Salinger led a very private life for more than a half-century. He published his final work in 1965, and gave his last interview in 1980.List of Armed Services Editions
Armed Services Editions (ASEs) were small paperback books of fiction and nonfiction that were distributed in the American military during World War II. From 1943 to 1947, some 122 million copies of more than 1,300 ASE titles were published and printed by the Council on Books in Wartime (CBW) and distributed to servicemembers, with whom they were enormously popular.
This list of all 1,322 ASEs is based, unless otherwise indicated, on the data in appendix B to Molly Guptill Manning's book When Books Went To War (2014), a history of the ASEs and related efforts to promote wartime reading in the United States. Some full author names are taken from the list in the appendix to John Y. Cole's study of the ASEs from 1984.Penn Valley, Pennsylvania
Penn Valley is an unincorporated community located within Lower Merion Township, Pennsylvania. Penn Valley residents share a zip code with Merion, Narberth, or Wynnewood because the town does not have its own post office. However, Penn Valley is a distinct community with a civic association that helps local residents and visitors demarcate the town's boundaries with an iconic sign (featuring William Penn before a farmhouse and smokestack in blue or red on white) that dates from the town's incorporation in 1930.The Saturday Evening Post
The Saturday Evening Post is an American magazine, currently published six times a year. It was published weekly under this title from 1897 until 1963, then every two weeks until 1969. From the 1920s to the 1960s, it was one of the most widely circulated and influential magazines for the American middle class, with fiction, non-fiction, cartoons and features that reached millions of homes every week. The magazine declined in readership through the 1960s, and in 1969 The Saturday Evening Post folded for two years before being revived as a quarterly publication with an emphasis on medical articles in 1971.
The magazine was redesigned in 2013.