Being John Malkovich

Being John Malkovich is a 1999 American fantasy comedy-drama film directed by Spike Jonze and written by Charlie Kaufman, both making their feature film debut. The film stars John Cusack, Cameron Diaz, and Catherine Keener, with John Malkovich and Charlie Sheen as themselves. The film follows a puppeteer who finds a portal that leads into Malkovich's mind.

Released by USA Films, the film was nominated in three categories at the 72nd Academy Awards: Best Director for Jonze, Best Original Screenplay for Kaufman, and Best Supporting Actress for Keener.

Being John Malkovich
Being John Malkovich poster
Theatrical release poster
Directed bySpike Jonze
Produced byMichael Stipe
Sandy Stern
Steve Golin
Vincent Landay
Written byCharlie Kaufman
Starring
Music byCarter Burwell
CinematographyLance Acord
Edited byEric Zumbrunnen
Production
company
Distributed byUSA Films
Release date
  • September 2, 1999 (Venice)
  • October 29, 1999 (United States)
Running time
112 minutes
CountryUnited States
LanguageEnglish
Budget$13 million[1]
Box office$32.4 million[1]

Plot

Craig Schwartz is an unemployed puppeteer in a forlorn marriage with his pet-obsessed wife Lotte. After being hired as a file clerk for LesterCorp, in the strange Floor ​7 12 low-ceiling offices of the Mertin-Flemmer Building in New York City, he develops an attraction to his coworker Maxine Lund, who does not return his affections. Craig discovers and enters a small door hidden behind a filing cabinet, and crawls down a tunnel. Suddenly he is quickly drawn into the opposite end of the tunnel, and finds himself in the mind of actor John Malkovich.

Craig is able to observe and sense whatever Malkovich does for fifteen minutes before he is ejected and dropped into a ditch near the New Jersey Turnpike. He reveals the portal to Maxine, who sees the profit in it, and they let others use it for $200 a turn.

Craig tells Lotte, who becomes obsessed with the experience, which had allowed her to live out her transgender desires. Lotte becomes attracted to Maxine when she is experiencing Malkovich, and she and Malkovich begin a sexual relationship with Lotte inside Malkovich's head while Maxine and Malkovich have sex. Craig, forsaken by both women, binds and gags Lotte and locks her in a cage with her pet chimpanzee, then enters Malkovich's mind and has sex with Maxine.

Soon Craig, with his expert puppeteer skills, discovers that he is able to control Malkovich's actions while in his head. This causes the actor to feel paranoid that he is being controlled by someone else. After Malkovich consults with his friend Charlie Sheen, Malkovich trails Maxine to the Mertin-Flemmer building, where he himself tries the portal into his own head. He finds himself in a world where everyone has his face and they only say "Malkovich", and views his own lifetime history. He is then ejected and meets Craig by the turnpike. Malkovich demands that the portal be closed, but Craig refuses.

Lotte escapes with the help of her chimpanzee, who learned how to untie knots in Africa during a zoological capture, which is shown viewed from the chimpanzee's point of view. Lotte phones Maxine, revealing that it was Craig having sex with her while inside Malkovich. Maxine is annoyed but accepts it, because she enjoyed the experience.

Seeking help, Lotte finds Lester, who reveals himself to be Captain Mertin, the original founder of LesterCorp. Lester is aware of the portal, and has a room dedicated to Malkovich's life. Lester explains that the person who is connected to the portal becomes "ripe" for lasting occupation by others on the eve of their 44th birthday. However, when the host turns 44, the portal immediately moves to its next host, an unborn child.

If it is possible for a person to take advantage of the "ripe" host and enter the portal then, one can greatly increase one's lifespan, and then one can eventually move on to another host. However, if one misses the brief window of "ripeness", and enters the portal even a minute too late, one will find oneself trapped within the unborn child who will be the next host. Lester, who has been using the portal in order to prolong his life, reveals his plan to use Malkovich when "ripe" as the host for him and several of his elderly friends. Offered the chance to join Lester's group, Lotte warns him that Craig currently has control of Malkovich.

Craig finds he is able to remain in Malkovich indefinitely. He spends the next eight months in Malkovich's body, and using his puppeteer's control, he is able to turn Malkovich into a world-class puppeteer. Malkovich marries Maxine. He learns that she is pregnant as their relationship grows distant.

As Malkovich's 44th birthday approaches, Lester and his friends cut a deal with Maxine, and fake her kidnapping. They call up Craig, threatening to kill her if Craig does not leave Malkovich. Craig ends the call, causing Lester to think that he is calling their bluff. Lotte loses hope and attempts to kill Maxine, but they end up at the turnpike after falling through the portal and through Malkovich's shame-ridden subconscious. Maxine reveals to Lotte that Maxine conceived when Lotte was inside Malkovich's body, and she kept the child because it is "theirs". The revelation cements their love for each other.

Craig calls Lester back, thinking Maxine is still in danger. Realizing his opportunity, Lester continues his bluff, convincing Craig to leave Malkovich's body. Lester and his friends enter the portal, taking control of Malkovich. Craig, discovering that Lotte and Maxine are together again, decides to enter the portal to become Malkovich and regain Maxine, however he has unknowingly missed the deadline for getting into Malkovich. Seven years later, an aging Malkovich, containing the collective mind of Lester and his friends, reveals to Sheen a plan to prolong their lives via Maxine's daughter Emily, within whom Craig is now permanently trapped. Through Emily's eyes Craig is forced to watch Maxine and Lotte living happily together as he futilely pleads that Emily look away.

Cast

Production

Development

Kaufman's idea of Being John Malkovich originated simply as "a story about a man who falls in love with someone who is not his wife." Gradually he added further elements to the story which he found entertaining, such as floor ​7 12 of the Mertin Flemmer building; among his first ideas, Malkovich was "nowhere to be seen".[2] He wrote the script on spec in 1994 and though it was widely read by production company and film studio executives, all turned it down.[3] Hoping to find a producer, Kaufman sent the script to Francis Ford Coppola, who passed it on to his then-son-in-law Spike Jonze.[4]

Jonze first read the script in 1996 and had agreed to direct the film by 1997.[3][5] Jonze brought the script to Propaganda Films, which agreed to produce the film in partnership with production company Single Cell Pictures.[3][5] Single Cell producers Michael Stipe and Sandy Stern pitched the film to numerous studios, including New Line Cinema, who dropped the project after chairman Robert Shaye asked: "Why the fuck can't it be Being Tom Cruise?".[6] Jonze revealed in a September 2013 interview that Malkovich asked him the same question during their first meeting and also relayed Malkovich's attitude after filming commenced:

Either the movie's a bomb and it's got not only my name above the title but my name in the title, so I'm fucked that way; or it does well and I'm just forever associated with this character.[7]

Jonze explained in the same interview that he didn't realize how brave Malkovich's performance in the film was.[7]

With a budget of $10 million,[8] principal photography of Being John Malkovich began on July 20, 1998, and continued through August.[5][9] Filming took place primarily in Los Angeles;[9] specific locations included the University of Southern California campus and the Observation Bar on board the RMS Queen Mary.[10][11]

The puppets in the film were created by Kamela Portuges and Images in Motion. Phillip Huber animated the puppets.[12]

Casting

Diaz's make-up artist Gucci Westman described styling Diaz in the role as "a challenge, to make her look homely."[13] The script included minimal physical descriptions of characters, and thus when Diaz took up the role she did not know that "people weren't going to recognize me."[14]

Cusack read the film's script after he had asked his agent to present him with the "craziest, most unproduceable script you can find." Impressed with the script, he asked his agent to follow its progress and book him an audition, with which he won the role.[15]

Keener cited Being John Malkovich as an instance of her taking up a role based on the director's previous work. She had heard about Jonze's experience with music videos and took up the part of Maxine although she initially disliked the character and did not feel that she was right for the part.[16] [17] She was subsequently nominated for an Oscar.

Charlie Kaufman said that there was never another actor in Malkovich's place in the script: "The screenplay was always "Being John Malkovich", even before I had any expectation that John Malkovich would even read the script."[5] He chose Malkovich because he believed there to be "an enigmatic quality about him that works",[18] though Malkovich was partly chosen because of the sound of his name in repetition. Kaufman explained that "When we were thinking of alternatives, we found that a lot of them weren't fun to say."[2] Jonze's then-father-in-law Francis Ford Coppola was able to contact Malkovich,[3] and Jonze flew with producer Sandy Stern to Malkovich's home in France. Stern said that Malkovich was "half intrigued and half horrified" when he first read the script, but he eventually agreed to star in the film.[6]

Spike Jonze makes a cameo appearance as Derek Mantini's assistant; Mantini is billed in the story as the greatest puppeteer in the history of the world and arouses Schwartz's envy. Brad Pitt also has a half-second-long cameo, as a miffed star in the documentary on Malkovich's career, who seems to be on the verge of saying something before the shot ends. Sean Penn appears as a fictionalized version of himself and a fan of Malkovich's puppeteer work. Film director David Fincher makes an uncredited appearance as Christopher Bing in the American Arts & Culture pseudo-documentary on John Malkovich. Winona Ryder, Andy Dick, and the members of Hanson can be seen in the audience of a Malkovich puppet show.[19]

Distribution

Theatrical release

Being John Malkovich was given limited release in the United States theatres on October 22, 1999, and opened across 25 screens. On its opening weekend, the film grossed US$637,731 across 25 screens with a per-screen average of $25,495.[20] It expanded to another 150 screens the following week,[20] bringing in $1.9 million with a per-screen average of $10,857.[21] In its third week, the film's release widened to 467 locations and grossed $2.4 million, averaging a lower $5,041 per screen with a cumulative gross of $6.1 million.[22] It moved into a wide release the next week, expanding to 591 screens, and grossed $1.9 million with a 20% drop in ticket sales.[23] Its fifth week brought in $2.2 million with a 17% increase in ticket sales,[24] which dropped a further 33% the following week despite further expansion to 624 screens.[25] It finished its theatrical run after 26 weeks with a total gross of $22,863,596.[26]

The film opened in the United Kingdom in March 2000, earning £296,282 in its debut week[27] and closing after fifteen weeks with a total gross of £1,098,927.[28] In France, the film opened in December 1999 with a gross of US$546,000 from 94 venues and went on to further success due to positive reviews and word of mouth.[29][30] It grossed $205,100 from 109 screens on its opening weekend in Italy and ticket sales dropped by 37% the following week with a cumulative gross of $480,000 from 82 screens.[29][31] Its German release brought in a total of $243,071.[32] Being John Malkovich had a total foreign gross of $9,523,455, combined with its domestic gross to give an international total of over $32 million.[1]

Home media

Being John Malkovich was initially released in 2000 on VHS, both as a regular edition and a limited edition collector's set,[33][34] and on DVD, with special features including a theatrical trailer, TV spots, cast and crew biographies, the director's photo album and featurettes on floor 7½ and puppeteering.[35] A special edition DVD, released later the same year, included the aforementioned features, an interview with Jonze and two behind-the-scenes featurettes.[36] It was released on HD DVD in 2008. The Criterion Collection released a special edition of the film on Blu-ray and DVD in 2012.[37]

Soundtrack

Being John Malkovich: Original Motion Picture Soundtrack
Soundtrack album by
Various artists
Released1999
GenreElectronic, jazz, soft rock
LabelAstralwerks
ProducerVarious
Professional ratings
Review scores
SourceRating
Allmusic4.5/5 stars[38]

Track listing

All tracks written by Carter Burwell, except where noted.

No.TitleLength
1."Amphibian" (Mark Bell Mix, written by Björk)2:47
2."Malkovich Masterpiece Remix" (Written by Spike Jonze, performed by John Malkovich)2:22
3."Puppet Love"2:02
4."Momentary Introspection"1:07
5."You Should Know"0:34
6."Craig Plots"3:40
7."Malkovich Shrine"0:45
8."Embarcation"1:46
9."Subcon Chase"2:03
10."The Truth"1:21
11."Love on the Phone"0:46
12."To Lester's"0:26
13."Maxine Kidnapped"1:15
14."To Be John M"1:59
15."Craig's Overture"1:00
16."Allegro from Music for Strings, Percussion and Celesta, SZ106" (Béla Bartók)7:21
17."Carter Explains Scene 71 to the Orchestra"0:29
18."Lotte Makes Love"1:28
19."Monkey Memories"1:32
20."Future Vessel"3:40
21."Amphibian" (Film Mix, written by Björk)4:37

Critical response

On Rotten Tomatoes, the film received a 93% "Certified Fresh" rating, based on 126 reviews, with an average rating of 8.1/10. The site's critical consensus reads: "Being John Malkovich is both funny and smart, featuring a highly original script."[39] On Metacritic, the film has a score of 90 out of 100, based on 36 reviews, indicating "universal acclaim."[40] The film ranked 441st on Empire magazine's 2008 list of the 500 greatest films of all time.[41]

In his review, Roger Ebert awarded the film a full four stars; he would later name it the best film of 1999.[42] His comments of praise included: "Rare is the movie where the last half hour surprises you just as much as the first, and in ways you're not expecting. The movie has ideas enough for half a dozen films, but Jonze and his cast handle them so surely that we never feel hard-pressed; we're enchanted by one development after the next" and he also felt that "Either Being John Malkovich gets nominated for best picture, or the members of the Academy need portals into their brains."[43] Another top critic Peter Rainer, writing for New York, commented that "dazzlingly singular movies aren't often this much fun" in his review,[44] and Owen Gleiberman, writing for Entertainment Weekly, called it "the most excitingly original movie of the year."[45]

John Malkovich's performance as himself in Being John Malkovich is ranked No. 90 on Premiere magazine's '100 Greatest Movie Characters of All Time'.[46]

Connection to Get Out

Following the financial and critical success of the 2017 film Get Out, varying fan theories arose delving into the social horror themes of the film. In December of that year, the film's writer/director/producer Jordan Peele had an interview with Vanity Fair in which he discussed the major fan theories surrounding the film, confirming which of the most popular were true and false. Peele stated that he and Being John Malkovich director Spike Jonze had discussed the theory that Get Out was a secret stand-alone sequel to Being John Malkovich, and, although admitting that Get Out was never conceived as a sequel to Being John Malkovich or thought of as such until after the film was released, Peele stated that since hearing the theory both himself and Jonze viewed the connection as both films being set in the same continuity, saying that "as far as I'm concerned, it's true".[47]

The theory states that Catherine Keener's "Maxine" in Being John Malkovich is the same character as "Missy" in Get Out; Being John Malkovich concludes with Maxine and Lotte raising a child fathered by John Malkovich, but unbeknownst to them, the spirit of Craig is trapped inside the child's mind. With the portal to Malkovich's mind officially closed, they sought out other avenues for mind-transplant experimentation, eventually coming across Roman Armitage (Richard Herd), a neurosurgeon. Lotte entered the body of Dean Armitage (Bradley Whitford), Roman's son, and Emily, combined with the spirit of Craig, living in his own "Sunken Place", grows up to become the malevolent sociopath that is Rose Armitage (Allison Williams), all completely complicit in the scheme.[48][49][50] Regarding his video about the theory in the January 2018 issue of Empire, Peele expressed interest in casting John Malkovich in a Get Out sequel, stating that it would be "cool" to "do the full trilogy".[51]

References

  1. ^ a b c "Being John Malkovich (1999)". The-Numbers.com. Retrieved November 7, 2010.
  2. ^ a b Sragow, Michael (November 11, 1999). "Being Charlie Kaufman". Salon. Retrieved November 4, 2010.
  3. ^ a b c d Kobel, Peter (October 24, 1999). "FILM; The Fun and Games of Living a Virtual Life". The New York Times. Archived from the original on November 28, 2010. Retrieved November 4, 2010.
  4. ^ Villarreal, Phil (January 7, 2007). "Being John Malkovich a quirky wonder". Arizona Daily Star. Retrieved November 4, 2010.
  5. ^ a b c d Holfer, Robert (September 14, 1999). "Charlie Kaufman". Variety. Retrieved November 4, 2010.
  6. ^ a b Stukin, Stacie (November 9, 1999). "Being Sandy Stern". The Advocate (798). p. 68.
  7. ^ a b Michael, Chris (September 9, 2013). "Spike Jonze on letting Her rip and Being John Malkovich". The Guardian. Retrieved September 13, 2013.
  8. ^ Bing, Jonathan (June 19, 2001). "The Write Stuff: Sea change for scribe's future". Variety. Retrieved November 4, 2010.
  9. ^ a b Carver, Benedict (August 10, 1998). "Bean, Place in Malkovich". Variety. Retrieved November 4, 2010.
  10. ^ Padilla, Steve (September 12, 2006). "Campuses a favorite locale for filming". Los Angeles Times. Retrieved November 4, 2010.
  11. ^ "The Queen Mary: Location Filming". QueenMary.com. Archived from the original on November 26, 2010. Retrieved November 4, 2010.
  12. ^ Meltzer, Steve. "Marionettes In Hollywood". Puppetry Journal. HuberMarionettes.com. Retrieved May 25, 2014.
  13. ^ Cantelo, Sigourney (March 11, 2010). "5 Minutes with Gucci Westman". Vogue Australia. Retrieved November 4, 2010.
  14. ^ Fischer, Paul. "Cameron Diaz and Catherine Keener". CrankyCritic.com. Archived from the original on January 7, 2010. Retrieved November 4, 2010.
  15. ^ Robinson, Tasha (December 27, 2007). "John Cusack". The A.V. Club. Archived from the original on November 12, 2010. Retrieved November 4, 2010.
  16. ^ Hirschberg, Lynn (August 27, 2006). "Being Catherine Keener". The New York Times. Retrieved November 4, 2010.
  17. ^ Jackson, Mike (May 5, 2000). "Being John Malkovich". DVD Verdict. Archived from the original on October 11, 2010. Retrieved November 4, 2010.
  18. ^ "Mike Leigh interview, and Being John Malkovich premiere". The Guardian. November 10, 1999. Retrieved November 4, 2010.
  19. ^ "Being John Malkovich (1999) – Full Cast & Crew". IMDb. Amazon.com.
  20. ^ a b Hayes, Dade (October 31, 1999). "B.O. full House". Variety. Retrieved November 7, 2010.
  21. ^ Hayes, Dade (November 7, 1999). "Auds Bone up". Variety. Retrieved November 7, 2010.
  22. ^ Hayes, Dade (November 14, 1999). "Poke pockets monster B.O." Variety. Retrieved November 7, 2010.
  23. ^ Hayes, Dade (November 21, 1999). "B.O. shaken, stirred by Bond". Variety. Retrieved November 7, 2010.
  24. ^ Hayes, Dade (November 28, 1999). "Greatest Story ever sold". Variety. Retrieved November 7, 2010.
  25. ^ Hayes, Dade (December 5, 1999). "Toy keeps B.O. in toon". Variety. Retrieved November 7, 2010.
  26. ^ "Being John Malkovich (1999)". Box Office Mojo. IMDb. Retrieved November 7, 2010.
  27. ^ Thompson, Jonathan; Redvers, Louise (March 26, 2000). "Film: Box Office". The Independent.
  28. ^ Thompson, Jonathan; Redvers, Louise (April 9, 2000). "Film: Box Office". The Independent.
  29. ^ a b Groves, Don (December 13, 1999). "Holiday Hit Parade". Variety. Retrieved November 7, 2010.
  30. ^ Groves, Don (December 19, 1999). "Oversees auds Bonding". Variety. Retrieved November 7, 2010.
  31. ^ Woods, Mark (December 6, 1999). "Toy joy, Bond blast". Variety. Retrieved November 7, 2010.
  32. ^ "Being John Malkovich (1999) – Foreign Box Office". Box Office Mojo. Amazon.com. Retrieved November 7, 2010.
  33. ^ "Being John Malkovich (VHS)". Amazon.com. Retrieved November 7, 2010.
  34. ^ "Being John Malkovich Limited Edition Collector's Set (VHS) (1999)". Amazon.com. Retrieved November 7, 2010.
  35. ^ Hochman, David (January 25, 2001). "Being John Malkovich". Entertainment Weekly. Retrieved November 7, 2010.
  36. ^ Hunt, Bill (May 8, 2000). "Being John Malkovich". The Digital Bits. Archived from the original on November 7, 2011. Retrieved November 7, 2010.
  37. ^ "Being John Malkovich; Criterion Collection".
  38. ^ "Being John Malkovich Review". Allmusic.com. Retrieved April 24, 2011.
  39. ^ "Being John Malkovich (1999)". Rotten Tomatoes. Flixter. Retrieved April 30, 2018.
  40. ^ "Being John Malkovich (1999)". Metacritic. Flixter. Retrieved January 14, 2016.
  41. ^ "Empire Features". EmpireOnline.com. Retrieved December 17, 2010.
  42. ^ "The Best 10 Movies of 1999". Chicago Sun-Times. RogerEbert.com. December 31, 1999. Retrieved January 25, 2012.
  43. ^ Ebert, Roger (October 29, 1999). "Being John Malkovich Review". Chicago Sun-Times. RogerEbert.com. Retrieved August 27, 2018.
  44. ^ Rainer, Peter (November 8, 1999). "Get Outta My Face". New York. Retrieved December 16, 2013.
  45. ^ Gleiberman, Owen (November 12, 1999). "Being John Malkovich Review". Entertainment Weekly. Retrieved December 17, 2010.
  46. ^ "100 Greatest Movie Characters of All Time". FilmSite.org. Retrieved December 17, 2010.
  47. ^ Jordan Peele Breaks Down "Get Out" Fan Theories from Reddit. Vanity Fair. December 1, 2017. Retrieved December 4, 2017.
  48. ^ https://www.cinemablend.com/news/1733729/jordan-peele-confirms-hilarious-get-out-theory
  49. ^ https://screenrant.com/get-out-jordan-peele-fan-theory-being-john-malkovich/
  50. ^ https://io9.gizmodo.com/watch-jordan-peele-respond-to-some-great-get-out-fan-th-1820946824
  51. ^ Empire January 2018 Edition
    Jordan Peele – The Breakthrough

External links

1999 National Society of Film Critics Awards

The 34th National Society of Film Critics Awards, given on 8 January 2000, honored the best filmmaking of 1999.

1999 New York Film Critics Circle Awards

The 65th New York Film Critics Circle Awards, honoring the best in film for 1999, were announced on 16 December 1999 and presented on 9 January 2000 by the New York Film Critics Circle.

26th Saturn Awards

The 26th Saturn Awards, honoring the best in science fiction, fantasy and horror film and television in 1999, were held on June 6, 2000.Below is a complete list of nominees and winners. Winners are highlighted in bold.

53rd British Academy Film Awards

The 53rd British Film Awards, given by the British Academy of Film and Television Arts on 9 April 2000, honoured the best in film for 1999.

Sam Mendes's American Beauty won the award for Best Film (also won the Academy Award for Best Picture), Actor (Kevin Spacey; had won the Academy Award) and Actress (Annette Bening), Cinematography, Editing and Film Music. Jude Law (The Talented Mr. Ripley) and Maggie Smith (Tea with Mussolini) won the awards for Best Supporting Actor and Actress. Pedro Almodóvar, director of Todo sobre mi madre (All About My Mother), won the BAFTA Film Award for Best Directing. East Is East was voted Best British Film.

The ceremony took place at the Odeon Leicester Square in London and was hosted by Jack Docherty.

57th Golden Globe Awards

The 57th Golden Globe Awards, honoring the best in film and television for 1999, took place on Sunday January 23, 2000. The nominations were announced on December 20, 1999.

Carlos Jacott

Carlos Jacott (born July 28, 1967) is an American film and television actor. He has appeared in over 40 television shows including Firefly and CSI: Crime Scene Investigation, and playing a demon on both Buffy the Vampire Slayer and Angel.

He has also co-starred in films including Kicking and Screaming, Mr. Jealousy, Being John Malkovich, The Last Days of Disco, Grosse Pointe Blank and Fun with Dick and Jane.

Carter Burwell

Carter Benedict Burwell (born November 18, 1954) is an American composer of film scores. He has frequently collaborated with the Coen brothers, having scored 15 of their films. Burwell has also scored three of Todd Haynes' films and all the films of director Martin McDonagh. He has received Academy Award nominations for Best Original Score for Haynes' Carol (2015) and McDonagh's Three Billboards Outside Ebbing, Missouri (2017). Other notable film scores include the Spike Jonze films Being John Malkovich (1999), Adaptation (2002), and Where the Wild Things Are (2009), David O. Russell's Three Kings (1999), Lisa Cholodenko's Olive Kitteridge (2014), and Charlie Kaufman's Anomalisa (2015).

Catherine Keener

Catherine Ann Keener (born March 23, 1959) is an American actress. She has been twice nominated for the Academy Award for Best Supporting Actress for her roles as Maxine Lund in Being John Malkovich (1999) and Harper Lee in Capote (2005).

Keener also appeared in the films The 40-Year-Old Virgin (2005), Into the Wild (2007), Synecdoche, New York (2008), and Get Out (2017), which were all well received by critics. Keener is the muse of director Nicole Holofcener, having appeared in each of Holofcener's first five films. She also appeared in each of director Tom DiCillo's first four films, and three films directed by Spike Jonze.

Charlie Kaufman

Charles Stuart Kaufman (; born November 19, 1958) is an American screenwriter, producer, director, and lyricist. He wrote the films Being John Malkovich (1999), Adaptation (2002), and Eternal Sunshine of the Spotless Mind (2004). He made his directorial debut with screenplay Synecdoche, New York (2008), which was also well-received; film critic Roger Ebert dubbed it "the best movie of the decade" in 2009.One of the most celebrated screenwriters of his era, Kaufman has been nominated for four Academy Awards: twice for Best Original Screenplay for Being John Malkovich and Eternal Sunshine of the Spotless Mind (winning for the latter), Best Adapted Screenplay (with his fictional brother) for Adaptation, and Best Animated Feature for Anomalisa. He also won two BAFTA Award for Best Original Screenplays and one BAFTA Award for Best Adapted Screenplay. Three of Kaufman's scripts appear in the Writers Guild of America's list of the 101 greatest movie screenplays ever written.

Doe Boy Fresh

"Doe Boy Fresh" is a song by rap group Three 6 Mafia, originally the first single from their ninth studio album, Last 2 Walk, but was ultimately cut from the album. The final track listing does not include the song, possibly due to the numerous album delays. The song features Chamillionaire. The song was released on January 2, 2007 as a digital download single on iTunes but was leaked in December 2006. For unknown reasons, the single was removed from the iTunes Store in early 2009. However, the other singles cut from the album, "Like Money" and "Sugar Daddy" remain in the store.

The music video premiered on MTV.com on February 9, 2007. Travis Barker makes an appearance in the video, which contains various people briefly being either Three 6 Mafia or Chamillionaire. Actor Tom Bower, from Die Hard 2 and The Hills Have Eyes, makes an appearance as the first portal viewer. The style of the video is inspired by the 1999 film Being John Malkovich where, due to a strange portal, entered the life of the titled actor. There is also an alternate "Doe Boy Fresh" version with a verse by Project Pat. The single reached #54 on the Billboard Hot 100. It reached RIAA gold certification status on July 27, 2007.

Eric Zumbrunnen

Eric James Zumbrunnen (November 1964 – August 1, 2017) was a film editor who won the ACE Eddie Award for the film Being John Malkovich (1999).

John Cusack

John Paul Cusack (; born June 28, 1966) is an American actor, producer and screenwriter. He began acting in films during the 1980s. Cusack starred in films, including Better Off Dead (1985), Say Anything... (1989), Grosse Pointe Blank (1997), Being John Malkovich (1999), High Fidelity (2000), 1408 (2007), Igor (2008), 2012 (2009) and The Raven (2012).

John Malkovich

John Gavin Malkovich (born December 9, 1953) is an American actor, producer, and fashion designer. He has appeared in more than 70 films.

For his roles in Places in the Heart and In the Line of Fire, he received Academy Award nominations. He has appeared in films including Empire of the Sun, The Killing Fields, Johnny English, Con Air, Of Mice and Men, Rounders, Ripley's Game, Being John Malkovich, Shadow of the Vampire, Burn After Reading, Red, Mulholland Falls, Dangerous Liaisons, Warm Bodies, and Bird Box, as well as producing films such as Ghost World, Juno, and The Perks of Being a Wallflower.

Lance Acord

Lance Acord (born September 9, 1964) A.S.C. is an American cinematographer.

Acord was born in Fresno County, California. He attended Sir Francis Drake High School's School Within A School (S.W.A.S.) program and went on to study photography and filmmaking at the San Francisco Art Institute. He began his professional career with photographer/filmmaker Bruce Weber. Together they made documentaries, commercials and music videos.

His breakthrough in the MTV music videos world came when director Stéphane Sednaoui offered him to work on Björk's Big Time Sensuality. Acord continued to work extensively in the commercials and music videos mediums. He earned the MTV Video Music Award for Best Cinematography for his work on Fatboy Slim’s “Weapon of Choice”, which featured Christopher Walken and was directed by Spike Jonze. He also worked with R.E.M. on a regular basis.

Stéphane Sednaoui, Jonathan Dayton and Valerie Faris, Mark Romanek, Spike Jonze, and Michel Gondry are a few of the directors Acord works with. He has shot and/or directed numerous television commercial campaigns for advertisers such as Levi's, Volkswagen and Nike.

Acord made his first foray into narrative feature filmmaking as the cinematographer on Vincent Gallo’s Buffalo ’66. Since then, he has been the director of photography on Spike Jonze’s features Being John Malkovich, Adaptation. (in which he also made a cameo, as himself during production of Being John Malkovich) and Where the Wild Things Are, Sofia Coppola's Lost in Translation, Marie Antoinette, and her short film Lick the Star, as well as Peter Care’s The Dangerous Lives of Altar Boys. He has two children with his wife.

London Film Critics Circle Awards 2000

The 21st London Film Critics Circle Awards, honouring the best in film for 2000, were announced by the London Film Critics Circle on 15 February 2001.

Online Film Critics Society Awards 1999

The 3rd Online Film Critics Society Awards, honoring the best in film for 1999, were given in 2000.

Sandy Stern

Sandy Stern is an American film producer, best known for his work on the films Pump Up the Volume (1990), Being John Malkovich (1999) and Saved! (2004).

Spike Jonze

Adam Spiegel (born October 22, 1969), known professionally as Spike Jonze (pronounced "Jones"), is an American filmmaker, photographer, and actor, whose work includes music videos, commercials, film and television.

Jonze began his career as a teenager photographing BMX riders and skateboarders for Freestylin' Magazine and Transworld Skateboarding, and co-founded the youth culture magazine Dirt. Moving into filmmaking, he began shooting street skateboarding films, including the influential Video Days (1991). Jonze co-founded the skateboard company Girl Skateboards in 1993 with riders Rick Howard and Mike Carroll. Jonze's filmmaking style made him an in-demand director of music videos for much of the 1990s, resulting in collaborations with Sonic Youth, Beastie Boys, Fatboy Slim, Daft Punk, Weezer, Björk, Kanye West and Arcade Fire.

Jonze began his feature film directing career with Being John Malkovich (1999) and Adaptation. (2002), both written by Charlie Kaufman; the former earned Jonze an Academy Award nomination for Best Director. He was a co-creator and executive producer of MTV's Jackass reality franchise. Jonze later began directing films based on his own screenplays, including Where the Wild Things Are (2009) and Her (2013); for the latter film, he won the Academy Award, Golden Globe, and the Writers Guild of America Award for Best Original Screenplay, while receiving Academy Award nominations for Best Picture and Best Original Song ("The Moon Song").

He has worked as an actor sporadically throughout his career, co-starring in David O. Russell's war comedy Three Kings (1999) and appeared in supporting roles in Bennett Miller's Moneyball (2011) and Martin Scorsese's The Wolf of Wall Street (2013), in addition to a recurring role in comedy series The Increasingly Poor Decisions of Todd Margaret (2010–2012) and cameo appearances in his own films. Jonze co-founded Directors Label, with filmmakers Chris Cunningham and Michel Gondry, and the Palm Pictures company. He is currently the creative director of Vice Media, Inc. and its multinational television channel Viceland.

Vincent Landay

Vincent Landay is a Canadian-American film producer. He has worked with Spike Jonze on his music videos and feature films since 1993. Some of the movies he has produced include Being John Malkovich and Where the Wild Things Are, as well as the 2010 Canadian short film Higglety Pigglety Pop! or There Must Be More to Life, created for the Blu-ray release of Where the Wild Things Are.

He has made music videos for Kanye West, REM, Jay Z and many more artists.

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