Barsoom is a fictional representation of the planet Mars created by American pulp fiction author Edgar Rice Burroughs. The first Barsoom tale was serialized as Under the Moons of Mars in 1912, and published as a novel as A Princess of Mars in 1917. Ten sequels followed over the next three decades, further extending his vision of Barsoom and adding other characters. The first five novels are in the public domain in U.S., and the entire series is free around the world on Project Gutenberg Australia, but the books are still under copyright in most of the rest of the world.
The Barsoom series, where John Carter in the late 19th century is mysteriously transported from Earth to a Mars suffering from dwindling resources, has been cited by many well known science fiction writers as having inspired and motivated them in their youth, as well as by key scientists involved in both space exploration and the search for extraterrestrial life. Elements of the books have been adapted by many writers, in novels, short stories, comics, television and film.
|Author||Edgar Rice Burroughs|
|Published||1912 – 1948, 1964|
|No. of books||11|
Burroughs began writing the Barsoom books in the second half of 1911, and produced one volume a year between 1911 and 1914; seven more were produced between 1921 and 1941.:229 The first Barsoom tale was serialized in The All-Story magazine as Under the Moons of Mars (1912), and then published in hardcover as the complete novel A Princess of Mars (1917). The final Barsoom tale was a novella, Skeleton Men of Jupiter, published in Amazing Stories in February 1943.:101
Collectively, this series of novels has been referred to as the Martian Series.
|Order||Title||Published as serial||Published as novel||Fictional narrator||Year in novel|
|1||A Princess of Mars||February–July 1912, All-Story||October 1917, McClurg||John Carter||1866–1876|
|2||The Gods of Mars||January–May 1913, All-Story||September 1918, McClurg||John Carter||1886|
|3||The Warlord of Mars||December 1913 – March 1914, All-Story||September 1919, McClurg||John Carter||1887–1888|
|4||Thuvia, Maid of Mars||April 1916, All-Story Weekly||October 1920, McClurg||third person||1888~1898|
|5||The Chessmen of Mars||February–March 1922, Argosy All-Story Weekly||November 1922, McClurg||third person||1898~1917|
|6||The Master Mind of Mars||July 15, 1927, Amazing Stories Annual||March 1928, McClurg||Ulysses Paxton||1917|
|7||A Fighting Man of Mars||April–September 1930, Blue Book||May 1931, Metropolitan||Tan Hadron||1928|
|8||Swords of Mars||November 1934 – April 1935, Blue Book||February 1936, Burroughs||John Carter||1928~1934|
|9||Synthetic Men of Mars||January–February 1939, Argosy Weekly||March 1940, Burroughs||Vor Daj||1934~1938|
|10||Llana of Gathol||March–October 1941, Amazing Stories||March 1948, Burroughs||John Carter||1938~1940|
|11||John Carter of Mars – a novella collection containing:
John Carter and the Giant of Mars
(attributed to John Coleman Burroughs)
|January 1941, Amazing Stories||July 1964, Canaveral||third person||1940|
Skeleton Men of Jupiter
(attributed to Edgar Rice Burroughs)
|February 1943, Amazing Stories||John Carter||1941–1942|
Burroughs frequently invented words of the languages spoken by the peoples in his novels, and used these extensively in the narrative. In Thuvia, Maid of Mars he included a glossary of Barsoomian words used in the first four novels. The word "Barsoom", the native Martian word for Mars, is composed of the Martian name for planet, "soom", and the Martian word for eight, "bar". This reflects counting Mars as the eighth body in the inner solar system, by counting not just planets, but the Sun and the satellites of Earth and of Mars.
A Princess of Mars, the first novel in the Barsoom series, with its sequels The Gods of Mars and The Warlord of Mars, forms a trilogy centered upon protagonist John Carter and damsel in distress Dejah Thoris. John Carter's and Dejah Thoris's son Carthoris is also introduced as a minor character in The Gods of Mars, as is Thuvia.:1209–1210
Ulysses Paxton, another Earth man transported to Mars, is the focus of The Master Mind of Mars, and the rest of the books focus on John Carter's later adventures (Swords of Mars and John Carter of Mars), or on native Martian characters (A Fighting Man of Mars and Synthetic Men of Mars).:95–101
The majority of the tales are novels; but two are collections of shorter works: Llana of Gathol has four linked novelettes, originally published in Amazing Stories during 1941,:664 and John Carter of Mars is composed of two novellas.
Most of the tales are first-person narratives. John Carter narrates A Princess of Mars, The Gods of Mars, The Warlord of Mars, Swords of Mars, the four novellas in Llana of Gathol and "Skeleton Men of Jupiter" in John Carter of Mars. Ulysses Paxton narrates one, The Master Mind of Mars. Martian guardsman Vor Daj narrates Synthetic Men of Mars and Martian navy officer Tan Hadron narrates A Fighting Man of Mars. Two other novels, Thuvia, Maid of Mars and The Chessmen of Mars, are written in the third person, as is "John Carter and the Giant of Mars" in John Carter of Mars.
Beginning with A Princess of Mars, Burroughs established a practice which continued in the four sequels of introducing the novel as if a factual account passed on to him personally, wherein John Carter appears as an avuncular figure known to his family for years. The same device appears in several sequels: The Gods of Mars, The Chessmen of Mars, Swords of Mars, and Llana of Gathol.
All of the Barsoom tales were published under the name of Edgar Rice Burroughs, except Under the Moons of Mars, the first publication of A Princess of Mars, which was published under the pseudonym "Norman Bean". Burroughs had actually typed "Normal Bean" (meaning not insane) on his submitted manuscript; but his publisher's typesetter changed it to "Norman". The first novella in John Carter of Mars, "John Carter and the Giant of Mars", is thought to have been penned by Burroughs' son John "Jack" Coleman Burroughs, although allegedly revised by his father. It was recognized by fans, upon publication, as unlikely of being Burroughs' work, as the writing is of a juvenile quality compared to that of Burroughs' other stories.:101
The stories are science fantasy, belonging to the subgenre planetary romance, which has strong elements of both science fiction and fantasy.:38 Planetary romance stories are similar to sword and sorcery tales, but include scientific aspects.:147 They mostly take place on the surface of an alien world, frequently include sword fighting, monsters, supernatural elements such as telepathic abilities, and civilizations similar to Earth in pre-technological eras, particularly with the inclusion of dynastic or religious social structures. Spacecraft appear in the stories, but are not central to the story.:38 The series can also be classified as the closely related genre sword and planet, which consists of what are essentially sword and sorcery stories that take place on another planet.
Burroughs' Barsoom stories are considered seminal planetary romances. While examples existed prior to the publication of his works, they are the principal influence on the many works of this type that followed.:38 His style of planetary romance has ceased to be written and published in the mainstream, though his books remain in print.:1210
Like most of Burroughs' fiction, the novels in the series are mostly travelogues, feature copious violence, and often depict civilized heroes captured by uncivilized cultures and mimicking their captors to survive.:93–94
Most Barsoom novels follow a familiar plot structure, wherein a hero is forced to a far-off location in search of a woman kidnapped by an odious but powerful villain.:16–17
Female characters are likely to be virtuous and fight off amorous advances and other dangers until able to connect with the hero;:16–17 who himself fights a variety of enemies and deposes petty rulers of severely repressed populations, usually with the assistance of a native.:16–17
The world of Barsoom is morally unambiguous; characters are either good or evil, there is no sense of moral relativity. A sense of honor transcends race or political affiliation and characters fight alongside one another, and against their adversaries because it is the right thing to do. Qualities of compassion, loyalty and bravery are celebrated, and callousness, deception, and cowardice are frowned upon.
Typically the novels include descriptions of aspects of the Martian world such as the architecture, and the presence of desolate landscapes punctuated by abandoned cities, technological achievements, advanced medicine, cultural elements such as superstitious religious practices and eating habits, breeding practices, and methods of population control.:17 Many lost cities and civilizations and journeys into forgotten underworlds appear across the series, and the environment beyond the cities is populated by a variety of ferocious beasts, many roughly equivalent with Earth creatures and most bearing multiple sets of limbs. There are numerous examples of striking coincidences and deus ex machina usually to the benefit of the protagonists.
Mad scientists also appear, Ras Thavas from The Master Mind of Mars and Synthetic Men of Mars being the principal example, although another plays a prominent role in A Fighting Man of Mars.:95–101 Incidences of the use of superstition by religious cults to control and manipulate others are also common.:28
A Princess of Mars was possibly the first fiction of the 20th century to feature a constructed language; although Barsoomian was not particularly developed, it did add verisimilitude to the narrative.
The majority of the villains in the Barsoom series are implacably evil; are rulers or despots of major empires, or of hidden fiefdoms; are usually hated by their subjects; and possess a voracious sexual appetite, usually directed towards the heroine. The pattern is established by Tharkian Jeddak Tal Hajus in the first novel, A Princess of Mars. Further examples include the Salensus Oll of The Warlord of Mars, Nutus of Dusar in Thuvia, Maid of Mars, and Ul Vas, Jeddak of the Tarids in Swords of Mars.:27–28
While Burroughs' Barsoom tales never aspired to anything other than escapism, his vision of Mars was loosely inspired by astronomical speculation of the time, especially that of Percival Lowell, that saw the planet as a formerly Earthlike world now becoming less hospitable to life due to its advanced age. Living on an aging planet, with dwindling resources, the inhabitants of Barsoom have become hardened and warlike, fighting one another to survive.:94 Once a wet world with continents and oceans, Barsoom's seas gradually dried up, leaving it a dry planet of highlands interspersed with moss-covered dead sea bottoms. Abandoned cities line the former coasts. The last remnants of the former bodies of water are the Great Toonolian Marshes and the antarctic Lost Sea of Korus.
Barsoomians distribute their scarce water supplies via a worldwide system of canals, controlled by quarreling city-states at the junctures thereof. The idea of Martian "canals" stems from telescopic observations by 19th century astronomers who, beginning with Giovanni Schiaparelli in 1877, believed they saw networks of lines on the planet. Schiaparelli called them canali, meaning "channels" but mistranslated in English as "canals". During the time Burroughs wrote his first Barsoom stories, the theory was put forward by a number of prominent scientists, notably Lowell, that these were huge engineering works constructed by an intelligent race. This view, though utterly false as is now known, inspired much science fiction. The thinning Barsoomian atmosphere is artificially replenished by an "atmosphere plant" on whose function all life on the planet is dependent.:205
The Martian year comprises 687 Martian days, each of which is 24 hours and 37 minutes long. (Burroughs presumably derived this from the figures published by Lowell, but erroneously substituted the number of 24-hour Earth days in the Martian year, rather than the number of 24.6-hour Martian days, which is only 669.) The days are hot (again known to be false) and the nights are cold, and there appears to be little variation in climate across the planet except at the poles.:230–292
Burroughs explained his ideas about the Martian environment in an article "A Dispatch on Mars" published in the London Daily Express in 1926. He assumed that Mars was formerly identical to the Earth; therefore a similar evolutionary development of fauna would have taken place. He referenced winds, snows, and marshes supposedly observed by astronomers, as evidence of an atmosphere, and that the wastes of the planet had been irrigated (probably referencing Lowell's "canals"), which suggested that an advanced civilization existed on the planet.
All Barsoomian races resemble Homo sapiens in most respects, except for being oviparous:148 and having lifespans in excess of 1,000 years (though actual life expectancy is far shorter.) The traditional Martian lifespan of 1,000 is based on the customary pilgrimage down the River Iss, which is taken by virtually all Martians by that age, or those who feel tired of their long lives and expect to find a paradise at the end of their journey. None return from this pilgrimage, because it leads to almost certain death at the hands of ferocious creatures. The longer lifespan of the people appears to be due to the Martian environment, as John Carter's aging is greatly slowed down while he is on Mars; Ulysses Paxton meets him in the late 1910s, but Carter, who was in his 80s by then, seems to show no signs of age.
While the Martian females are egg-laying, Martians have inexplicably mammalian characteristics such as a navel and breasts.:244–245 While they have skins of various colors, and their bodies differ in some cases from traditional humans, they are very similar to varieties of Earth humans and there is little examination of difference. There is only one spoken language across the entire planet, but a variety of writing systems.:95–101
All Martians are telepathic among one another, and also with domestic animals. Other telepathic abilities are demonstrated across the books. The Lotharians in Thuvia, Maid of Mars, are able to project images of warfare that can kill by suggestion.:95–101 In The Warlord of Mars, the nations are described as bellicose and self-sufficient; but in The Gods of Mars inter-city state merchants are mentioned, and in Thuvia, Maid of Mars, towering staging posts for inter-city liners are also described.:245
Most of the cultures are dynasties or theocracies.
The Red Martians are the dominant culture on Barsoom. They are organized into a system of imperial city-states including Helium, Ptarth, and Zodanga, controlling the planetary canal system, as well as other more-isolated city-states in the hinterlands. The Red Martians are the interbred descendants of the ancient Yellow Martians, White Martians and Black Martians, remnants of which exist in isolated areas of the planet, particularly the poles. The Red Martians are said in A Princess of Mars to have been bred when the seas of Barsoom began to dry up, in hopes of creating a hardy race to survive in the new environment.:95–101:132
The Red Martians are highly civilized, respect the idea of private property, adhere to a code of honor and have a strong sense of fairness. Their culture is governed by law and is technologically advanced. They are capable of love and have families.:203–208
The Green Martians are 15 feet (4.6 m) tall (males) and 12 feet (3.7 m) tall (females), have two arms, two legs and two intermediary limbs that can be used as either arms or legs at will. Their eyes are mounted at the side of their heads and can move independently of each other in order to see in two directions at once. They are nomadic, warlike and barbaric, do not form families, have little concept of friendship or love and enjoy inflicting torture upon their victims. Their social structure is highly communal and rigidly hierarchical, consisting of various levels of chiefs, with the highest office of Jeddak obtained by mortal combat.
The Green Men are primitive, intellectually unadvanced, do not have any kind of art and are without a written language. While they manufacture edged weapons, any advanced technology they possess, such as 'radium pistols', is stolen from raids upon the Red Martians. They inhabit the ancient ruined cities left behind by civilizations which lived on Barsoom during a more advanced and hospitable era in the planet's history. They apparently arose from a biological experiment which went awry and as with all other Martians, they are an egg-laying species, concealing their eggs in incubators until hatching. Tars Tarkas, who befriends John Carter when he first arrives on Barsoom, is an unusual exception from the typical ruthless Green Martian, due to having known the love of his own mate and daughter.:96:2
In the novels, the Green Martians are often referred to by the names of their hordes, which in turn take their names from the abandoned cities they inhabit. Thus the followers of Tars Tarkas, based in the ruined ancient city of Thark, are known as "Tharks". Other hordes bear the names of Warhoon, Torquas, and Thurd.
Yellow Martians are supposedly extinct, but in The Warlord of Mars they are found hiding in secret domed cities at the North Pole of Mars. At the time John Carter arrives on Barsoom, the Yellow Race is known only in old wives' tales and campfire stories.
The only means of entrance to the Okarians' city is through The Carrion Caves, which are every bit as unpleasant as the name suggests. Air travel over the barrier is discouraged through the use of a great magnetic pillar called "The Guardian of the North," which draws fliers of all sizes inexorably to their doom as they collide with the massive structure.
Their cities are domed hothouses which keep out the cold, but outdoors they favor orluk furs and boots. Physically they are large and strong, and the men usually wear bristling black beards.:98:2
The White Martians, known as 'Orovars', were rulers of Mars for 500,000 years, with an empire of sophisticated cities with advanced technology. They were white-skinned, with blond or auburn hair. They were once a seafaring race, but when the oceans began to dry up they began to cooperate with the Yellow and Black Martians to breed the Red Martians, foreseeing the need for hardy stock to cope with the emerging harsher environment. They became decadent and 'overcivilized'. At the beginning of the series they are believed to be extinct, but three remaining populations - the Orovars, Therns and Lotharians – are still living in secret and are discovered as the books progress.:95–101
The Lotharians are a remnant population of the original White Martians, which appear only in Thuvia, Maid of Mars. There are only 1000 of them remaining, all of them male. They are skilled in telepathy, able to project images that can kill, or provide sustenance. They live a reclusive existence in a remote area of Barsoom, debating philosophy amongst themselves.:98–99
Descendants of the original White Martians who live in a complex of caves and passages in the cliffs above the Valley Dor. This is the destination of the River Iss, on whose currents most Martians eventually travel, on a pilgrimage seeking final paradise, once tired of life or reaching 1000 years of age. The valley is actually populated by monsters, overlooked by the Therns (who control these creatures) and ransack and eat the flesh of those who perish, enslaving those who survive. They consider themselves a unique creation, different from other Martians. They maintain the false Martian religion through a network of collaborators and spies across the planet. They are themselves raided by the Black Martians. They are white-skinned (of a skin tone close enough to human Caucasians that John Carter was able to easily pose as one) and the males are bald but wear blond wigs.:97
Legend suggests that the Black Martians are inhabitants of one of the moons of Mars, when in fact they live in an underground stronghold near the south pole of the planet, around the submartian Sea of Omean, below the Lost Sea of Korus, where they keep a large aerial navy. They call themselves the 'First-Born', believing themselves to be a unique creation among Martian races, and worship Issus, a woman who styles herself as the God of the Martian religion but is no such thing. They frequently raid the White Martian Therns, who maintain the false Martian religion, carrying off people as slaves. John Carter defeats their navy in The Gods of Mars.:97
The Chessmen of Mars introduces the Kaldanes of the region Bantoom, whose form is almost all head but for six spiderlike legs and a pair of chelae, and whose racial goal is to evolve even further towards pure intellect and away from bodily existence. In order to function in the physical realm, they have bred the Rykors, a complementary species composed of a body similar to that of a perfect specimen of Red Martian but lacking a head; when the Kaldane places itself upon the shoulders of the Rykor, a bundle of tentacles connects with the Rykor's spinal cord, allowing the brain of the Kaldane to interface with the body of the Rykor. Should the Rykor become damaged or die, the Kaldane merely climbs upon another as an earthling might change a horse.:95–101
A lesser people of Barsoom are the Kangaroo Men of Gooli, so called due to their large, kangaroo-like tails, ability to hop large distances and the rearing of their eggs in pouches. They are presented as a race of boastful, cowardly individuals.:591 Their moral character is not highly developed; they are devout cowards and petty thieves, who value (aside from their lives) only a "treasure" consisting of pretty stones, sea shells, etc.
In addition to the naturally occurring races of Barsoom, Burroughs described the Hormads, artificial men created by the scientist Ras Thavas as slaves, workers, warriors, etc. in giant vats at his laboratory in the Toonolian Marsh in Synthetic Men of Mars and "John Carter and the Giant of Mars". Although the Hormads were generally recognizable as humanoid, the process was far from perfect, and generated monstrosities ranging from the occasional misplaced nose or eyeball to "a great mass of living flesh with an eye somewhere and a single hand."
When Burroughs wrote the first volume of the Barsoom series, aviation and radio technology was in its infancy and radioactivity was a fledgling science. Despite this, the series includes a range of technological developments including radium munitions, battles between fleets of aircraft, devices similar to faxes and televisions, genetic manipulation, elements of terraforming and other ideas. One notable device mentioned is the "directional compass"; this may be believed to be the precursor to the now-common "global positioning system", or GPS for short.
The Red Martians have flying machines, both civilian transports and fleets of heavily armed war craft. These stay aloft through some form of anti-gravity, which Burroughs explains as relating to the rays of the Sun.:95–101 Fliers travel at approximately 166.1 miles per hour (267.3 km/h) (450 Martian Haads per hour).:170
In Thuvia, Maid of Mars, John Carter's son, Carthoris, invents what appears to be a partial precursor of the autopilot (several decades before it became a reality). The device, built upon existing Martian compass technology, allows the pilot to reach any programmed destination, having only to keep the craft pointed in the set direction. Upon arrival, the device automatically lowers the craft to the surface. He also includes a kind of collision detector, which uses radium rays to detect any obstacle and automatically steer the craft elsewhere until the obstacle is no longer detected.:213 This device works in principle almost identically to the backscatter radiation detector used to fire the braking rockets on the Soyuz space capsule. In Swords of Mars a flier with some kind of mechanical brain is introduced. Controlled by thought, it can be remote-controlled in flight, or instructed to travel to any destination.:542
Firearms are common, and use 'Radium' bullets, which explode when exposed to sunlight. Some weapons are specific to races or inventors. The mysterious Yellow Martians, who live in secret glass-domed cities at the poles and appear in The Warlord of Mars have a form of magnet which allows them to attract flying craft and cause them to crash. Scientist Phor Tak, who appears in A Fighting Man of Mars, has developed a disintegrator ray, and also a paste which renders vehicles such as fliers impervious to its effects. He also develops a missile which seeks out craft protected in this fashion, and a means of rendering fliers invisible which becomes a key plot device in the novel. However, while advanced weapons are available, most Martians seem to prefer melee combat — mostly with swords — and their level of skill is highly impressive. Warriors often are armed with four weapons (in descending order, pistol, long-sword, short sword and dagger) and it is considered unchivalrous to defend with any weapon but the one used in an attack (or a lesser one.):95–101
There are many technological wonders in the novels, some colossal works of engineering. The failing air of the dying planet is maintained by an atmosphere plant, and the restoration of this is a plot component of A Princess of Mars.:95–101 It is described as being 4 miles (6 km) across with walls 100 feet (30 m) in depth, and telepathically operated entrance doors of 20-foot-thick (6.1 m) steel.:180
Martian medicine is generally greatly in advance of that on Earth.:25–26 Various "ointments" and "salves," particularly as ascribed to the Green Martian women, are capable of healing all but instantly deadly wounds in a matter of hours—as first seen in A Princess of Mars. In The Master Mind of Mars aging genius Ras Thavas has perfected the means of transplanting organs, limbs and brains, which during his experiments he swaps between animals and humanoids, men and women and young and old.:95–101 Later, in Synthetic Men of Mars, he discovers the secret of life, and creates an army of artificial servants and warriors grown in giant vats filled with organic tissue. They frequently emerge deformed, are volatile and are difficult to control, later threatening to take over the planet.
The Martians wear no clothing other than jewelry and leather harnesses, which are designed to hold everything from the weaponry of a warrior to pouches containing toiletries and other useful items; the only instances where Barsoomians habitually wear clothing is for need of warmth, such as for travel in the northern polar regions described in The Warlord of Mars.
This preference for near-nudity provides a stimulating subject for illustrators of the stories, though art for many mass-market editions of the books feature Carter and native Barsoomians wearing loincloths and other minimal coverings, or use strategically placed shadows and such to cover genitalia and female breasts.
It appears that most of Burrough’s Martian creatures are roughly equivalent to those found on Earth, though most seem to have multiple legs (usually a total of six limbs, but sometimes as many as ten) and all are egg-laying.
The martian mammalian equivalents all have fur, and both domestic and wild varieties are described by Burroughs.
Barsoom might be seen as a kind of Martian Wild West. John Carter is himself an adventuring frontiersman. When he arrives on Barsoom he first compares it to the landscape of Arizona which he has left behind. He discovers a savage, frontier world where the civilized Red Martians are kept invigorated as a race by repelling the constant attacks of the Green Martians, a possible equivalent of Wild West ideals. Indeed, the Green Martians are a barbaric, nomadic, tribal culture with many parallels to stereotypes of American Indians. The desire to return to the frontier became common in the early 20th century America. As the United States become more urbanized, the world of the 19th century frontier America became romanticized as a lost world of freedom and noble qualities.
Race is a constant theme in the Barsoom novels and the world is clearly divided along racial lines. Red, Green, White, Black, and Yellow races all appear across the novels, each with particular traits and qualities which seem to define the characters of the individuals. In this respect, Burroughs' concept of race, as depicted in the novels, is more like a division between species. The Red and Green Martians are almost complete opposites of one another, with the Red Martians being civilized, lawful, capable of love and forming families, and the Green Martians being savage, cruel, tribal and without families or the ability to form romantic relationships. Yet, friendship between individuals of different nations and races is a frequent topic driving the stories.:2
The Barsoom series features a number of incidents of religious deception, or the use of superstition by those in power to control and manipulate others.:28 Burroughs is particularly concerned about the hypocrisy of religious leaders.:41 This is first established in A Princess of Mars,:28 but becomes particularly apparent in the sequel, The Gods of Mars. Upon reaching 1,000 years of age almost all Martians undertake a pilgrimage on the River Iss, expecting to find a valley of mystical paradise; what they find is in fact a deathtrap, populated by ferocious creatures and overseen by a race of cruel, cannibal priests known as Therns, who perpetuate the Martian religion through a network of spies across the planet.
John Carter's battle to track down the remnants of the Therns and their masters continues in the sequel, The Warlord of Mars.:98 More deceitful priests in a nation controlled by such appear in The Master Mind of Mars, on this occasion manipulating a temple idol to control followers.:100
Burroughs continued this theme in his many Tarzan novels. Burroughs was not anti-religious; however, he was concerned about followers placing their trust in religions and being abused and exploited, and saw this as a common feature of organized religion.:41
While Burroughs is generally seen as a writer who produced work of limited philosophical sophistication, he wrote two Barsoom novels which appear to explore or parody the limits of excessive intellectual development at the expense of bodily or physical existence. The first was Thuvia, Maid of Mars, in which Thuvia and Carthoris discover a remnant of ancient White Martian civilization, the Lotharians. The Lotharians have mostly died out, but maintain the illusion of a functioning society through powerful telepathic projections. They have formed two factions which appear to portray the excesses of pointless intellectual debate. One faction, the realists, believes in imagining meals to provide sustenance; another, the etherealists, believes in surviving without eating.
The Chessmen of Mars is the second example of this trend. The Kaldanes have sacrificed their bodies to become pure brain, but although they can interface with Rykor bodies, their ability to function, compared to normal people of integrated mind and body, is ineffectual and clumsy. The Kaldanes, though highly intelligent, are ugly, ineffectual creatures when not interfaced with a Rykor body. Tara of Helium compares them to effete intellectuals from her home city, with a self-important sense of superiority; and Gahan of Gathol muses that it might be better to find a balance between the intellect and bodily passions.:29–30
Some of Barsoom's peoples, especially the Therns and First-Born, hold themselves as "superior" to the "lesser order" peoples on Barsoom. A paradox is established in that the Therns and First-Born, though they hold themselves in such high esteem, nonetheless are dependent on these lesser orders for their sustainance, labor, and goods. The Therns and First-Born are "non-productive" peoples and do not produce anything or invent, as such labor is seen as beneath them. This is punctuated by the fact that the Therns and First-Born are obliged to create strongholds in the south polar regions, to insulate themselves from the remainder of the planet dominated primarily by red and green Martians. A particular ironic twist is introduced by the fact that the white Therns think that they control and manipulate the entire planet, when they are in turn unknowingly exploited by the black First-Born.
Burroughs' concept of a dying Mars and the Martian canals follows the theories of Lowell and his predecessor Giovanni Schiaparelli. In 1878, Italian astronomer Giovanni Virginio Schiaparelli observed geological features on Mars which he called canali (Italian: "channels"). This was mistranslated into the English as "canals" which, being artificial watercourses, fueled the belief that there was some sort of intelligent extraterrestrial life on the planet. This further influenced American astronomer Percival Lowell.
In 1895 Lowell published a book titled Mars which speculated about an arid, dying landscape, whose inhabitants had been forced to build canals thousands of miles long to bring water from the polar caps (now known to be mostly frozen carbon dioxide or "dry ice") to irrigate the remaining arable land. Lowell followed with Mars and Its Canals (1906) and Mars as an Abode of Life (1908). These books formed prominent scientific ideas about the conditions on the red planet in the early years of the 20th century. Burroughs does not seem to have based his vision of Mars on precise reading of Lowell's theories, however, as a number of errors in his books suggest he got most of his information from newspaper articles and other popular accounts of Lowell's Mars.:229–230
The concept of canals with flowing water and a world where life was possible were later proved erroneous by more accurate observation of the planet. Later landings by American probes such as the two Viking missions found a dead world too cold (and with far too thin an atmosphere) for water to exist in its fluid state.
The first science fiction to be set on Mars may be Across the Zodiac, by Percy Greg, published in 1880, which concerned a civil war on Mars. Another Mars novel, dealing with benevolent Martians coming to Earth was published in 1897 by Kurd Lasswitz, Auf Zwei Planeten. It was not translated until 1971, and was thus unlikely to have influenced Burroughs, although it did depict a Mars influenced by the ideas of Percival Lowell. Other examples are Mr. Stranger's Sealed Packet (1889), which took place on Mars; Gustavus W. Popes's Journey to Mars (1894); and Ellsworth Douglas's Pharaoh's Broker, in which the protagonist encounters an Egyptian civilization on Mars which, while parallel to that of the Earth, has evolved somehow independently.:38
H.G. Wells' novel, The War of the Worlds, most definitely influenced by Lowell and published in 1898, did however create the precedent for a number of enduring Martian tropes in science fiction writing. These include Mars being an ancient world, nearing the end of its life; being the home of a superior civilization, capable of advanced feats of science and engineering; and a source of invasion forces, keen to conquer the Earth. The first two tropes were prominent in Burroughs' Barsoom series. Burroughs, however, claimed never to have read any of H.G. Wells' books.:38 Lowell was probably the greater direct influence on Burroughs.:90–91
Richard A. Lupoff claimed that Burroughs was influenced in writing his Martian stories by Edwin Lester Arnold's earlier novel Lieut. Gullivar Jones: His Vacation (1905) ( later retitled Gulliver of Mars). Gullivar Jones, who travels to Mars by flying carpet rather than via astral projection, encounters a civilization with similarities to those found on Barsoom, rescues a Martian Princess, and even undertakes a voyage down a river similar to the Iss in The Gods of Mars. Lupoff also suggested that Burroughs derived characteristics of his main protagonist John Carter from Phra, hero of Arnold's The Wonderful Adventures of Phra the Phoenician (1890), who is also a swashbuckling adventurer and master swordsman for whom death is no obstacle. Lupoff's theories were disputed by numerous scholars of Burroughs' work; Lupoff countered, claiming that many of Burroughs' stories had antecedents in previous works and that this was not unusual for writers.
Burroughs' Barsoom series was extremely popular with American readers and many scientists who grew up reading the novels, and helped inspire public support for the US space program. Readers included some of the first space pioneers and those involved in the search for life on other planets. Scientist Carl Sagan read the books as a young boy, and they continued to affect his imagination into his adult years. He remembered Barsoom as a "world of ruined cities, planet-girdling canals, immense pumping stations – a feudal technological society". For two decades, a map of the planet, as imagined by Burroughs, hung in the hallway outside of Sagan's office in Cornell University.:132 The author so influenced real exploration of Mars that an impact crater was named after him.
Well-known early science-fiction writers Ray Bradbury and Arthur C. Clarke both read, and were inspired by, Burroughs' series of Barsoom books in their youth. Bradbury admired Burroughs' stimulating romantic tales, and they were an inspiration for The Martian Chronicles (1950), in which he used some similar concepts of a dying Mars. Robert A. Heinlein also wrote fiction inspired by Burroughs' Barsoom series, and for many others the Barsoom series helped to establish Mars as an adventurous, enticing destination for the imagination.:239–249
The John Carter books enjoyed another wave of popularity in the 1970s, with Vietnam War veterans who said they could identify with Carter, fighting in a war on another planet.
The Warriors of Mars rules for miniature warfare by Gary Gygax and Brian Blume was controversial, and a legal dispute with the owners of the rights to the Barsoom series led to withdrawal of this title from the market.
Eclipse Phase features rural Martian nomads called Barsoomians.
Numerous novels and series by others were inspired by Burroughs' Mars books: the Radio Planet trilogy of Ralph Milne Farley; the Mars and Venus novels of Otis Adelbert Kline; Almuric by Robert E. Howard; Warrior of Llarn and Thief of Llarn by Gardner Fox; Tarzan on Mars, Go-Man and Thundar, Man of Two Worlds by John Bloodstone; the Michael Kane trilogy of Michael Moorcock; The Dream-Quest of Unknown Kadath, Through the Gates of the Silver Key by H.P. Lovecraft, the Gor series of John Norman; the Callisto series and Green Star series of Lin Carter; The Goddess of Ganymede and Pursuit on Ganymede by Mike Resnick; and the Dray Prescot series of Alan Burt Akers (Kenneth Bulmer). In addition, Leigh Brackett, Ray Bradbury, Andre Norton, Marion Zimmer Bradley, and Alan Dean Foster show Burroughs' influence in their development of alien cultures and worlds.
Robert A. Heinlein's novels Glory Road and The Number of the Beast, and Alan Moore's graphic novels of Allan and the Sundered Veil and The League of Extraordinary Gentlemen, Volume II directly reference Barsoom.
In Philip José Farmer's World of Tiers series (1965–1993) Kickaha, the series' adventurer protagonist, asks his friend The Creator of Universes to create for him a Barsoom. The latter agrees only to make an empty world, since "It would go too far for me to create all these fabulous creatures only for you to amuse yourself by running your sword through them." Kickaha visits from time to time the empty Barsoom, complete with beautiful palaces in which nobody ever lived, but goes away frustrated.
L. Sprague de Camp's story "Sir Harold of Zodanga" recasts and rationalizes Barsoom as a parallel world visited by his dimension-hopping hero Harold Shea. De Camp accounts for Burroughs' departures from physics or logic by portraying both Burroughs and Carter as having a tendency to exaggerate in their storytelling, and Barsoomian technology as less advanced than usually presented.
Richard Corben's Den series also appears to be inspired by the Barsoom series. It features a hero, Den, who mysteriously arrives naked on a (largely) desert planet where he becomes a great warrior and where the humanoids wear no clothes. Many of the creatures resemble the description of the white apes of the Gods of Mars. Like John Carter, he also receives great physical prowess from arriving in Neverwhere, although Carter's prowess stems from gravity, whereas Den undergoes a complete physical transformation.
"Mars: The Home Front", a short story by George Alec Effinger, published in War of the Worlds: Global Dispatches, is a crossover between the Barsoom series and H. G. Wells' The War of the Worlds – with Wells' Martians being depicted as a malevolent additional Barsoomian race and John Carter fighting them to help foil their invasion of Earth.
In the first chapters of Gore Vidal's novel Washington, D.C., the character Peter Sanford – sixteen at the outset of the plot – indulges in vivid and detailed fantasies of being John Carter, and adds explicit erotic scenes not appearing in the original Burroughs books.
In Karl Schroeder's novel Lockstep, set over 14,000 years in the future, Mars has been terraformed and is renamed Barsoom, with its human inhabitants no longer remembering that the world was ever named Mars. This Barsoom is covered in canals and ruins from the civilizations of previous millennia, and is also mentioned to be inhabited by genetically engineered Tharks. The ruler of Barsoom is also the son of a man named Carter.
The science fiction poems in Oscar Hurtado's book La Ciudad Muerta de Korad (The Dead City of Korad, in Spanish) are full of intertextualities with the Barsoom series, as well as with the Sherlock Holmes novels by Arthur Conan Doyle, the Iliad, children folk tales, and other references.
With the Tarzan comic strip a popular success, newspapers began a comic strip adaptation of A Princess of Mars drawn by Edgar Rice Burroughs' son, John Coleman Burroughs. Never as popular as Tarzan, it ran in only four Sunday newspapers, from December 7, 1941 to March 28, 1943.
John Carter appeared in one of the last Sunday Tarzan comic strip stories, drawn by Gray Morrow.
Princess of Mars was a 2009 direct-to-video film, produced by The Asylum, starring Antonio Sabato Jr. as John Carter, and Traci Lords as Dejah Thoris. This adaptation starts with John Carter as a present-day sniper, wounded in Afghanistan and then teleported to another world as a part of a government experiment.
John Carter, released on March 9, 2012, was a big-budget but critically mediocre and financially unsuccessful live-action film by The Walt Disney Company, directed by Andrew Stanton and starring Taylor Kitsch as John Carter and Lynn Collins as Dejah Thoris.
The American copyright of the seven earliest novels has expired in the United States, and they appear on a number of free e-text sites. However, because they were separately copyrighted in Great Britain, these works remain protected under the Berne Copyright Convention in the UK and throughout much of the world. The Australian copyright of the remainder, not including John Carter of Mars (1964), has also expired and they too appear online.
A Princess of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the first of his Barsoom series. It was first serialized in the pulp magazine All-Story Magazine from February–July, 1912. Full of swordplay and daring feats, the novel is considered a classic example of 20th-century pulp fiction. It is also a seminal instance of the planetary romance, a subgenre of science fantasy that became highly popular in the decades following its publication. Its early chapters also contain elements of the Western. The story is set on Mars, imagined as a dying planet with a harsh desert environment. This vision of Mars was based on the work of the astronomer Percival Lowell, whose ideas were widely popularized in the late 19th and early 20th centuries.
The Barsoom series inspired a number of well-known 20th-century science fiction writers, including Jack Vance, Ray Bradbury, Arthur C. Clarke, Robert A. Heinlein, and John Norman. The series was also inspirational for many scientists in the fields of space exploration and the search for extraterrestrial life, including Carl Sagan, who read A Princess of Mars when he was a child.Edgar Rice Burroughs
Edgar Rice Burroughs (September 1, 1875 – March 19, 1950) was an American fiction writer best known for his celebrated and prolific output in the adventure and science-fiction genres. Among the most notable of his creations are the jungle hero Tarzan, the heroic Mars adventurer John Carter and the fictional landmass within Earth known as Pellucidar. Burroughs' California ranch is now the center of the Tarzana neighborhood in Los Angeles.Edgar Rice Burroughs bibliography
The following is the complete bibliography of Edgar Rice Burroughs. The titles are listed chronologically as written.Jetan
Jetan, also known as Martian Chess, is a chess variant with unclear rules. It was created by Edgar Rice Burroughs as a game played on Barsoom, his fictional version of Mars. The game was introduced in The Chessmen of Mars, the fifth book in the Barsoom series. Its rules are described in Chapter 2 and in the Appendix of the book.John Carter, Warlord of Mars
John Carter, Warlord of Mars is a comics series published from 1977 by American company Marvel Comics. Created by Marv Wolfman (writer) and Gil Kane (penciller), it was based on the Barsoom series of Edgar Rice Burroughs and featured the eponymous character.
The entire series (with few exceptions) takes place between the third and fourth paragraphs of chapter 27 of Burroughs' novel A Princess of Mars.
The series ran from 1977 to 1979. In 1978 it won the "Favourite New Title" Eagle Award.John Carter (film)
John Carter is a 2012 American science fiction action film directed by Andrew Stanton from a screenplay written by Stanton, Mark Andrews, and Michael Chabon. The film was produced by Jim Morris, Colin Wilson, and Lindsey Collins, and is based on A Princess of Mars, the first book in the Barsoom series of novels by Edgar Rice Burroughs. John Carter stars Taylor Kitsch in the title role, Lynn Collins, Samantha Morton, Mark Strong, Ciarán Hinds, Dominic West, James Purefoy, and Willem Dafoe. The film chronicles the first interplanetary adventure of John Carter and his attempts to mediate civil unrest amongst the warring kingdoms of Barsoom.
Several developments on a theatrical film adaptation of the Barsoom series emerged throughout the 20th century from various major studios and producers, with the earliest attempt dating back to the 1930s. Most of these efforts, however, ultimately stalled in development hell. In the late-2000s, Walt Disney Pictures began a concerted effort to develop a film adaptation of Burroughs' works, after a previously abandoned venture by the studio in the 1980s. The project was driven by Stanton, who had pressed Disney to renew the screen rights from the Burroughs estate. Stanton became director in 2009; this was his live-action debut, as his previous directorial work for Disney included the Pixar animated films, Finding Nemo (2003) and WALL-E (2008). Filming began in November 2009, with principal photography underway in January 2010, wrapping seven months later in July 2010. Michael Giacchino composed the film's musical score.John Carter was released in the United States on March 9, 2012, marking the centennial of the titular character's first appearance. The film was presented in Disney Digital 3-D, RealD 3D, IMAX 3D, and conventional formats. Upon release, John Carter received a mixed critical reception, with praise for its visuals, Michael Giacchino's soundtrack and action sequences, but criticism toward the characterization and plot. The film flopped at the North American box office, but set an opening-day record in Russia. It grossed $284 million at the worldwide box office, resulting in a $200 million writedown for Disney. With a total cost of $350 million, including an estimated production budget of $263 million, it is one of the most expensive films ever made. Due to the film's poor box office performance, Disney cancelled plans for a sequel (titled John Carter: The Gods of Mars) and trilogy Stanton had planned.John Carter of Mars
John Carter of Mars is a fictional Virginian—a veteran of the American Civil War—transported to Mars and the initial protagonist of Edgar Rice Burroughs' Barsoom stories. His character is enduring, having appeared in various media since his 1912 debut in a magazine serial. The 2012 feature film John Carter marked the 100th anniversary of the character's first appearance.John Carter of Mars (collection)
John Carter of Mars is the eleventh and final book in the Barsoom series by American writer Edgar Rice Burroughs. It is not a novel, but rather a collection of two John Carter of Mars stories.
The first story was originally published in 1940 by Whitman as a Better Little Book entitled John Carter of Mars. Although credited to Edgar Rice Burroughs, it was written (and illustrated) by his son, John Coleman Burroughs and was later expanded and re-published in the January issue of Amazing Stories in 1941 as "John Carter and the Giant of Mars", the name it goes under in the collection.The second story, "Skeleton Men of Jupiter", was first published in Amazing Stories in 1943. Intended as the first in a series of novelettes to be later collected in book form, in the fashion of Llana of Gathol, it ends with the plot unresolved, and the intended sequels were never written. Several other writers have written pastiche endings for the story.
The first edition of John Carter of Mars (a title that Burroughs never used for any book in the Barsoom series) was published in 1964 by Canaveral Press, fourteen years after his death.Llana of Gathol
Llana of Gathol is a collection of four science fantasy stories by American writer Edgar Rice Burroughs, which were originally published in Amazing Stories in 1941. The first collected edition of Llana of Gathol was published in 1948. It is the penultimate book in the Barsoom series and the last to be published during Burroughs's lifetime.
The stories in Llana of Gathol have a somewhat more humorous tone than earlier entries of the Barsoom series, and this book is considered to be an example of Burroughs engaging in self-parody late in his career.Princess of Mars
Princess of Mars (retitled and re-released in 2012 as John Carter of Mars) is a 2009 direct-to-DVD science fiction film made by American independent studio The Asylum, loosely based on the 1917 novel A Princess of Mars by author Edgar Rice Burroughs. The film's promotional art mentions how the original story inspired some elements of James Cameron's Avatar, but the credits or promotional material of the film do not mention Edgar Rice Burroughs. It is not to be confused with the higher-budget 2012 film John Carter, which is also an adaptation of the novel. In Europe, the film was released with the title The Martian Colony Wars.Rainbow Mars
Rainbow Mars is a 1999 science fiction short story collection by American writer Larry Niven. It includes the five previously published Hanville Svetz stories and the eponymous novella, which was written for the collection. The setting of the Svetz stories is Earth in the distant future. The hereditary leader of the Earth, known as the Secretary General, is an inbred imbecile. In order to maintain the interest of the Secretary, different factions in the capitol use their advanced science to amuse him. Svetz's section uses time travel in an attempt to bring back long extinct animals from Earth's past. Unbeknownst to Svetz and his team, they are actually travelling back into fictional pasts, and returning with mythical creatures.Sir Harold of Zodanga
Sir Harold of Zodanga is a fantasy novella by American writer L. Sprague de Camp, part of the Harold Shea series he originated in collaboration with Fletcher Pratt and later continued with Christopher Stasheff. It was first published in paperback by Baen Books in de Camp and Stasheff's shared world anthology The Exotic Enchanter (1995). It was later reprinted together with the remainder of the de Camp/Pratt Harold Shea stories in the collection The Mathematics of Magic: The Enchanter Stories of L. Sprague de Camp and Fletcher Pratt (2007).The Harold Shea stories are parallel world tales in which universes where magic works coexist with our own, and in which those based on the mythologies, legends, and literary fantasies of our world and can be reached by aligning one's mind to them by a system of symbolic logic. In "Sir Harold of Zodanga", in a new wrinkle, Shea visits a parallel Mars rather than a parallel Earth, Edgar Rice Burroughs' Barsoom.The Chessmen of Mars
The Chessmen of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the fifth of his Barsoom series. Burroughs began writing it in January, 1921, and the finished story was first published in Argosy All-Story Weekly as a six-part serial in the issues for February 18 and 25 and March 4, 11, 18 and 25, 1922. It was later published as a complete novel by A. C. McClurg in November 1922.The Gods of Mars
The Gods of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the second of his Barsoom series. It was first published in The All-Story as a five-part serial in the issues for January–May 1913. It was later published as a complete novel by A. C. McClurg in September, 1918.
As in many of his novels, Burroughs begins with a frame story that explains how he (Burroughs) came into possession of the text, implying it recounts true events.The Master Mind of Mars
The Master Mind of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the sixth of his Barsoom series. Burroughs' working titles for the novel were A Weird Adventure on Mars and Vad Varo of Barsoom. It was first published in the magazine Amazing Stories Annual vol. 1, on July 15, 1927. The first book edition was published by A. C. McClurg in March, 1928.
Burroughs had been unable to place the novel in his standard, higher-paying markets like the Munsey magazines and the Street & Smith line. Some critics have speculated the publishers were put off by its satirical treatment of religious fundamentalists. He eventually sold it to publisher Hugo Gernsback for $1,250: only a third of the rate paid by magazines like Argosy All-Story, where the previous book in the series had first appeared. Gernsback chose the novel's final title and made it the cover feature in his newest magazine.The Number of the Beast (novel)
The Number of the Beast is a science fiction novel by American writer Robert A. Heinlein, published in 1980. The first (paperback) edition featured a cover and interior illustrations by Richard M. Powers. Excerpts from the novel were serialized in the magazine Omni (1979 October, November).The Warlord of Mars
The Warlord of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the third of his Barsoom series. Burroughs began writing it in June, 1913, going through five working titles; Yellow Men of Barsoom, The Fighting Prince of Mars, Across Savage Mars, The Prince of Helium, and The War Lord of Mars.
The finished story was first published in All-Story Magazine as a four-part serial in the issues for December, 1913-March, 1914. It was later published as a complete novel by A. C. McClurg in September, 1919.Thuvia, Maid of Mars
Thuvia, Maid of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the fourth of the Barsoom series. The principal characters are Carthoris (the son of John Carter of Mars) and Thuvia of Ptarth, each of whom appeared in the previous two novels.