Balthasar Klossowski de Rola (February 29, 1908 – February 18, 2001), known as Balthus, was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls, but also for the refined, dreamlike quality of his imagery.
Throughout his career, Balthus rejected the usual conventions of the art world. He insisted that his paintings should be seen and not read about, and he resisted any attempts made to build a biographical profile. A telegram sent to the Tate Gallery as it prepared for its 1968 retrospective of his works read:
NO BIOGRAPHICAL DETAILS. BEGIN: BALTHUS IS A PAINTER OF WHOM NOTHING IS KNOWN. NOW LET US LOOK AT THE PICTURES. REGARDS B.
Balthus by Damian Pettigrew (1996)
Balthasar Klossowski de Rola
February 29, 1908
|Died||February 18, 2001 (aged 92)|
|Known for||Painting, drawing, watercolor|
|The Street (1933–35)|
The Mountain (1937)
Nude Before a Mirror (1955)
Balthus portrayed by Oliver Mark, Rossinière 2000
Balthus was born in Paris, in 1908, to Polish expatriate parents. His given name was Balthasar Klossowski – his sobriquet "Balthus" was based on his childhood nickname, alternately spelled Baltus, Baltusz, Balthusz or Balthus.
His father, Erich Klossowski, was an art historian who wrote a noted monograph on Honoré Daumier. Erich grew up in the town of Ragnit in East Prussia, now part of Russia but then in the German Empire. According to Balthus he belonged to the former Polish petty nobility (the drobna szlachta) and his family bore the Rola coat of arms. This largely undocumented family background would later be appropriated by Balthus when he decided to use the surname "Klossowski de Rola". (Had he lived in Poland, the arrangement of the name would have been Rola-Kłossowski or Kłossowski h. Rola). Balthus had the Rola arms embroidered onto many of his kimonos, in the style of a Japanese kamon.
Balthus's mother Elisabeth Dorothée Spiro Klossowska (known as Baladine Klossowska) was descended from Russian Jews who had emigrated to East Prussia. In the catalogue of the Metropolitan Museum of Art's 1984 Balthus exhibition, she was described as the daughter of a cantor from Kovelitz in Novgorod in the Russian Empire. However, Balthus told his biographer Nicholas Fox Weber that this was erroneous, and that his mother came "apparently from a Protestant family in the south of France". But according to Weber, this was a confabulation on Balthus's part. In fact, Balthus would often embroider upon his story of his mother's ancestry, saying that she was also related to the Romanovs and the Narischkins, powerful aristocratic families of Russia. In another confabulatory twist, Weber reports that Baladine's lover, the poet Rainer Maria Rilke, had said that the Spiros were descended from one of the richest families of Sephardic Jews, i.e. that they were of Spanish, not East-European origin. Weber doubted this story too, since Balthus's son Fumio, born in the late 1960s, had Tay–Sachs disease, a genetic disorder commonly associated with East-European Jews.
Balthus's older brother Pierre Klossowski (born 1905) later became a noted writer and philosopher.
The Klossowski children grew up in an art-world environment, with frequent visits to their household by famous artists and writers, including Rilke, André Gide (who mentored Pierre), and Jean Cocteau (who would depict the family in scenes of his 1929 novel Les Enfants Terribles). The artists Maurice Denis and Pierre Bonnard were also visitors, as was the art dealer Pierre Matisse. The children had a Scottish nanny, and Balthus would later say that his first language was English, although his parents spoke German to one another.
Overall, Balthus had an idyllic memory of these early childhood years, which were disrupted when the first world war forced the family to leave Paris in 1914, shortly after the war began, in order to avoid deportation due to their German citizenship. They settled in Switzerland, near Geneva.
In 1917 his parents separated, and his mother moved with the two boys to Geneva. They lived in a modest flat at 11, rue Pré-Jérôme, a comfortable neighborhood. About a year later his mother became the lover of Rilke. Balthus undoubtedly experienced this replacement of his father as a fairly traumatic event, especially given the romantic ecstasies and agonies of his mother's relationship with Rilke, which probably made him feel jealous and abandoned. However, Rilke was very impressed with the young "Baltusz"'s artistic talent, and helped him to publish his first work in 1921, at the age of 13. This was a book titled Mitsou which included forty drawings by Balthus and a preface by Rilke. The comic-book-style pictures depicted the story of a young boy who loses his beloved cat. The themes of the story foreshadowed Balthus's lifelong fascination with cats, along with a feeling of loss or disappearance.
At Christmas of 1921, Baladine, financially destitute, moved to Berlin with her children in order to live with her brother.
In 1926 Balthus visited Florence, where he copied many frescos by the Renaissance master Piero della Francesca. This inspired an early ambitious work of his: the tempera wall paintings of the Protestant church of the Swiss village of Beatenberg which he executed in 1927.
In 1933 he moved to Paris, taking a studio in the Rue de Furstemberg. Later he would move to another studio at the nearby Cour de Rohan. Balthus showed no interest in modernist styles such as Cubism. His paintings were realistic but introverted, in the manner of the second generation of Surrealist painters such as Salvador Dali, who often used realistic techniques to depict psychological motifs or dream images. Balthus often depicted pubescent girls in erotic and voyeuristic poses. One of the most notorious works from his first exhibition in Paris was The Guitar Lesson (1934), which caused controversy due to its sadistic and sexually explicit imagery. It depicts a young girl arched on her back over the lap of her female teacher, whose hands are positioned on the girl as if to play her like a guitar: one hand near her exposed vulva, and the other hand grasping her hair. Other works from the same exhibition included The Street (1933), Cathy Dressing (1933) and Alice (1933).
Early on his work was admired by writers and fellow painters, especially by André Breton and Pablo Picasso. His circle of friends in Paris included the novelists Pierre Jean Jouve, Antoine de Saint-Exupéry, Joseph Breitbach, Pierre Leyris, Henri Michaux, Michel Leiris and René Char, the photographer Man Ray, the playwright and actor Antonin Artaud, and the painters André Derain, Joan Miró and Alberto Giacometti (one of the most faithful of his friends). In 1948, another friend, Albert Camus, asked him to design the sets and costumes for his play L'État de Siège (The State of Siege, directed by Jean-Louis Barrault). Balthus also designed the sets and costumes for Artaud's adaptation for Percy Bysshe Shelley's The Cenci (1935), Ugo Betti's Delitto all'isola delle capre (Crime on Goat-Island, 1953) and Barrault's adaptation of Julius Caesar (1959–1960).
In 1937 he married Antoinette de Watteville, who was from an influential aristocratic family from Bern. He had met her as early as 1924, and she was the model for the aforementioned Cathy Dressing and for a series of portraits. Balthus had two children from this marriage, Thaddeus and Stanislas Klossowski (born 1942), who recently published books on their father, including the letters by their parents. Stanislas, known as "Stash", became a figure in swinging London and Paris in the 1960s.
In 1940, with the invasion of France by German forces, Balthus fled with his wife Antoinette to Savoy to a farm in Champrovent near Aix-les-Bains, where he began work on two major paintings: Landscape near Champrovent (1942–1945) and The Living Room (1942). In 1942, he escaped from Nazi France to Switzerland, first to Bern and in 1945 to Geneva, where he became a friend of the publisher Albert Skira as well as the writer and member of the French Resistance, André Malraux. Balthus returned to France in 1946 and a year later traveled with André Masson to Southern France, meeting figures such as Picasso and Jacques Lacan, who eventually became a collector of his work. With Adolphe Mouron Cassandre in 1950, Balthus designed stage decor for a production of Mozart's opera Così fan tutte in Aix-en-Provence. Three years later he moved into the Chateau de Chassy in the Morvan, living with his step-niece Frédérique Tison and finishing his large-scale masterpieces La Chambre (The Room 1952, possibly influenced by Pierre Klossowski's novels) and Le Passage du Commerce Saint-André (1954).
As international fame grew with exhibitions in the gallery of Pierre Matisse (1938) and the Museum of Modern Art (1956) in New York City, he cultivated the image of himself as an enigma. In 1964, he moved to Rome where he presided over the Villa de Medici as director (appointed by the French Minister of Culture André Malraux) of the French Academy in Rome, and became a friend of the filmmaker Federico Fellini and the painter Renato Guttuso.
In 1977 he moved to Rossinière, Switzerland. That he had a second, Japanese wife Setsuko Ideta whom he married in 1967 and was thirty-five years his junior, simply added to the air of mystery around him (he met her in Japan, during a diplomatic mission also initiated by Malraux). A son, Fumio, was born in 1968 but died two years later.
The photographers and friends Henri Cartier-Bresson and Martine Franck (Cartier-Bresson's wife) both portrayed the painter and his wife and their daughter Harumi (born 1973) in his Grand Chalet in Rossinière in 1999.
He died in Rossinière, Switzerland. Prime ministers and rock stars alike attended his funeral. Bono, lead singer of U2, sang for the hundreds of mourners at the funeral, including the President of France, the Prince Sadruddhin Aga Khan, supermodel Elle Macpherson, and Cartier-Bresson.
Balthus's style is primarily classical. His work shows numerous influences, including the writings of Emily Brontë, the writings and photography of Lewis Carroll, and the paintings of Masaccio, Piero della Francesca, Simone Martini, Poussin, Jean-Étienne Liotard, Joseph Reinhardt, Géricault, Ingres, Goya, Jean-Baptiste-Camille Corot, Courbet, Edgar Degas, Félix Vallotton and Paul Cézanne. Although his technique and compositions were inspired by pre-renaissance painters, there also are eerie intimations of contemporary surrealists like de Chirico. Painting the figure at a time when figurative art was largely ignored, he is widely recognised as an important 20th-century artist.
Many of his paintings show young girls in an erotic context. Balthus insisted that his work was not erotic but that it recognized the discomforting facts of children's sexuality. In 2013, Balthus's paintings of adolescent girls were described by Roberta Smith in The New York Times as both "alluring and disturbing".
His work has influenced several contemporary artists, notably Duane Michals and Émile Chambon. He has also influenced the filmmaker Jacques Rivette of the French New Wave, whose film Hurlevent (1985) was inspired by Balthus's drawings made at the beginning of the 1930s: "Seeing as he's a bit of an eccentric and all that, I am very fond of Balthus (...) I was struck by the fact that Balthus enormously simplified the costumes and stripped away the imagery trappings (...)".
His widow, Setsuko Klossowska de Rola, heads the Balthus Foundation established in 1998.
A reproduction of Balthus's Girl at a Window (a painting from 1957) prominently appears in François Truffaut's film Domicile Conjugal (Bed and Board, 1970). The two principal characters, Antoine Doinel (Jean-Pierre Léaud) and his wife Christine (Claude Jade), are arguing. Christine takes down from the wall a small drawing of about 25×25 cm and gives it to her husband: Christine: "Here, take the small Balthus." Antoine: "Ah, the small Balthus. I offered it to you, it's yours, keep it."
During December 2017, a public petition was circulated requesting that Balthus's painting Thérèse Dreaming be removed from display at the Metropolitan Museum of Art in New York due to its alleged explicit content and suggestive portrayal. Philip Kennicott, writing for The Washington Post on 5 December 2017, in an article titled "This painting might be sexually disturbing. But that's no reason to take it out of a museum", summarized the museum's long-standing position against censorship. The painting had previously been on display at the Museum Ludwig in Cologne, Germany in 2007 without incident.
Balthus held his first exhibition at Galerie Pierre, Paris, in 1934. Following the ensuing scandal, he exhibited at the Pierre Matisse Gallery, New York, from 1938 to 1977, although he never visited the United States. Balthus's first major museum exhibition was at the Museum of Modern Art in 1956. Other museum exhibitions of note include Musée des Arts Decoratifs, Paris (1966); Tate Gallery, London (1968); La Biennale di Venezia (1980); Museum of Contemporary Art, Chicago (1980); Musée cantonal des beaux-arts de Lausanne (1993); Musée d'Art Moderne de la Ville de Paris (1984, traveled to Metropolitan Museum, Kyoto); Metropolitan Museum of Art, New York (1984); and Palazzo Grassi, Venice (2001). "Balthus: Cats and Girls: Paintings and Provocations" at the Metropolitan Museum of Art (September 25, 2013 – January 12, 2014) was the first U.S. museum survey of the artist's work in 30 years. A major retrospective overseen by the artist's wife, Ideta Setsuko, was held in 2014 at the Tokyo Metropolitan Art Museum. An exhibition of Polaroid photographs taken by Balthus at the Museum Folkwang in Essen, Germany, was canceled over accusations of pedophilia. The German newspaper Die Zeit called the images, which depict a model named Anna from ages eight to 16, “documents of pedophile greed.”
Balthus Through the Looking-Glass (French: Balthus de l'autre côté du miroir) is a 1996 French documentary film directed by Damian Pettigrew on the French painter Balthus.
The film was honored in a cycle of film classics by Jean Renoir, Marcel Carné, and Jean Vigo at the Museum Ludwig (Cologne, Germany) in September 2007.Baltus Mantz
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Mantz was a farmer, from Meeker, Wisconsin. He was born in Germany in 1815 and immigrated to the United States in 1837. Mantz and served as register of deeds for Washington County, Wisconsin and in town government. He then served in the Wisconsin State Senate, in 1854, from Washington County, Wisconsin. He backed a plan to drain the lakes at Muskego, Wisconsin.Mantz died of cholera on August 8 or August 9, 1854 while still in office.Benjamin Ivry
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Ivry is author of biographies of Francis Poulenc, Arthur Rimbaud, and Maurice Ravel, as well as a poetry collection, Paradise for the Portuguese Queen. The latter contains poems that first appeared in, among other places, The New Yorker, the London Review of Books, The Spectator, Ambit Magazine, and The New Republic.
He has also translated books from the French by authors such as André Gide, Jules Verne, Witold Gombrowicz, and Balthus. Ivry has written about the arts for a variety of periodicals including the New York Observer, The New York Sun, New England Review, The Economist, The Wall Street Journal, Newsweek, Time, New Statesman, The New York Times, Bloomberg.com, and The Washington Post.Beyond the Black River
"Beyond the Black River" is one of the original short stories about Conan the Cimmerian, written by American author Robert E. Howard and first published in Weird Tales magazine, v. 25, nos. 5-6, May-June 1935. The story was republished in the collections King Conan (Gnome Press, 1953) and Conan the Warrior (Lancer Books, 1967). It has more recently been published in the anthology The Mighty Swordsmen (Lancer Books, 1970), and the collections The Conan Chronicles Volume 2: The Hour of the Dragon (Gollancz, 2001) and Conan of Cimmeria: Volume Three (1935-1936) (Del Rey, 2005). It's set in the pseudo-historical Hyborian Age and concerns Conan's battle against a savage tribe of Picts in the unsettled lands beyond the infamous Black River.Centurion (novel)
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Released theatrically in fifteen countries, his film Fellini: I'm a Born Liar won the Rockie Award for Best Documentary at the Banff World Television Festival and was nominated for the Prix Arte at the European Film Awards, Europe's equivalent of the Oscars.Dr. Tenma
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Tenma means Pegasus and is literally translated from Japanese as Heaven-horse.Evergreen (Adventure Time)
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The series follows the adventures of Finn (voiced by Jeremy Shada), a human boy, and his best friend and adoptive brother Jake (voiced by John DiMaggio), a dog with magical powers to change shape and grow and shrink at will. This episode, which takes place millions of years before the start of the series, documents the story of Gunther (voiced by Adlon), the young assistant to ice elemental Urgence Evergreen (voiced by Tom Kenny), and how he and Evergreen try to save the planet from a comet by constructing a magical crown.
Despite being co-boarded by Wolfhard, the episode was largely the vision of Herpich, and he alone wrote the outline for the episode. Wolfhard, however, voiced two different characters in the episode. The episode was watched by an estimated 1.75 million viewers. Critical reception to the episode was largely positive, with Oliver Sava of The A.V. Club complimenting the episode's story, guest voices, and color palette, among other things.Ferdinand Zvonimir von Habsburg
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The French Academy in Rome (French: Académie de France à Rome) is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy.Jean Clair
Jean Clair (French: [klɛʁ]) is the nom de plume (pen name) of Gérard Régnier (born 20 October 1940 in Paris, France). Clair is an essayist, a polemicist, an art historian, an art conservator, and a member of the Académie française since May, 2008. He was, for many years, the director of the Picasso Museum in Paris. Among the milestones of his long and productive career is a comprehensive catalog of the works of Balthus. He was also the director of the Venice Biennale in 1995.List of Fighting Fantasy gamebooks
Fighting Fantasy is a series of single-player fantasy roleplay gamebooks created by Steve Jackson and Ian Livingstone. The first volume in the series was published by Puffin in 1982, with the rights to the franchise eventually being purchased by Wizard Books in 2002. The series distinguished itself by featuring a fantasy role-playing element, with the caption on each cover claiming each title was "a Fighting Fantasy gamebook in which YOU are the hero!" The popularity of the series led to the creation of merchandise such as action figures, board games, role-playing game systems, magazines, novels and video games.Nude Before a Mirror
Nude Before a Mirror (originally known as Nu devant la cheminée) is a 1955 painting by Polish-French artist Balthus.The painting depicts a nude woman before a mirror, which is a typical subject for Balthus, a fact that caused controversy in his early career. This painting is also referred to as Nude in Front of a Mantel.It is part of the collection of The Metropolitan Museum of Art, and was donated to the museum by art collector and banker Robert Lehman in 1975.Pierre Klossowski
Pierre Klossowski (; French: [klɔˈsɔfski]; August 9, 1905, Paris – August 12, 2001, Paris) was a French writer, translator and artist. He was the eldest son of the artists Erich Klossowski and Baladine Klossowska, and his younger brother was the painter Balthus.Setsuko Klossowska de Rola
Setsuko Klossowska de Rola (born 1943) is a Japanese painter. She has exhibited her work internationally, and is also a writer. She became UNESCO's Artist For Peace in 2005. She is the widow of the French painter, Balthus, and is honorary president of the Balthus Foundation.The Crystal World
The Crystal World is a science fiction novel by English author J. G. Ballard, published in 1966.The House of Balthus
The House of Balthus is a 1995 fantasy, horror novel by David Brooks. It is a story about characters from a painting by Balthus who have walked out to inhabit an ancient chateau.Villa Medici
The Villa Medici (Italian pronunciation: [ˌvilːa ˈmɛːditʃi]) is a Mannerist villa and an architectural complex with a garden contiguous with the larger Borghese gardens, on the Pincian Hill next to Trinità dei Monti in Rome, Italy. The Villa Medici, founded by Ferdinando I de' Medici, Grand Duke of Tuscany and now property of the French State, has housed the French Academy in Rome since 1803. A musical evocation of its garden fountains features in Ottorino Respighi's Fontane di Roma.