Arthur Koestler, CBE (UK: /ˈkɜːstlər/, US: /ˈkɛst-/; German: [ˈkœstlɐ]; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was a Hungarian-British author and journalist. Koestler was born in Budapest and, apart from his early school years, was educated in Austria. In 1931 Koestler joined the Communist Party of Germany until, disillusioned by Stalinism, he resigned in 1938. In 1940 he published his novel Darkness at Noon, an anti-totalitarian work that gained him international fame. Over the next 43 years, from his residence in Britain, Koestler espoused many political causes, and wrote novels, memoirs, biographies and numerous essays. In 1968 he was awarded the Sonning Prize "for [his] outstanding contribution to European culture" and in 1972 he was made a Commander of the Order of the British Empire (CBE). In 1976 he was diagnosed with Parkinson's disease and in 1979 with terminal leukaemia. In 1983 he and his wife committed suicide at their home in London.
Arthur Koestler (1969)
5 September 1905
|Died||1 March 1983 (aged 77)|
|Occupation||Novelist, essayist, journalist|
|Citizenship||Naturalized British subject|
|Subject||Fiction, non-fiction, history, autobiography, politics, philosophy, psychology, parapsychology, science|
|Notable works||Darkness at Noon|
The Thirteenth Tribe
|Notable awards||Sonning Prize (1968)|
|Spouse||Dorothy Ascher (1935–50)|
Mamaine Paget (1950–52)
Cynthia Jefferies (1965–83)
Koestler was born in Budapest to Henrik and Adele Koestler (née Jeiteles). He was an only child. His father Henrik Koestler had been born on 18 August 1869 in the town of Miskolc in northeastern Hungary. His paternal grandfather Lipót Koestler, was a soldier in the Austro-Hungarian Army. In 1861 he married Karolina Schon, the daughter of a prosperous timber merchant. Henrik left school at age 16 and took a job as an errand boy with a firm of drapers. He taught himself English, German and French, and eventually became a partner in the firm. He then set up his own business importing textiles into Hungary.
Arthur's mother, Adele Koestler (née Jeiteles), was born on 25 June 1871 into a prominent Jewish family in Prague. Among her ancestors was Jonas Mischel Loeb Jeitteles, a prominent 18th-century physician and essayist, whose son Juda Jeitteles became a well-known poet. Beethoven set some of his poems to music. Adele's father, Jacob Jeiteles, moved the family to Vienna, where she grew up in relative prosperity until about 1890. Faced with financial difficulties, her father abandoned his wife and daughter, and emigrated to the United States. Adele and her mother moved from Vienna to Budapest to stay with Adele's married sister.
Henrik Koestler met Adele in 1898 and married her in 1900. Arthur, their only child, was born on 5 September 1905. The Koestlers lived in spacious, well-furnished, rented apartments in various predominantly Jewish districts of Budapest. During Arthur's early years they employed a cook/housekeeper as well as a foreign governess. His primary school education started at an experimental private kindergarten founded by Laura Striker (née Polányi). Her daughter Eva Striker later became Koestler's lover, and they remained friends all his life.
The outbreak of World War I in 1914 deprived Koestler's father of foreign suppliers and his business collapsed. Facing destitution, the family moved temporarily to a boarding house in Vienna. When the war ended the family returned to Budapest.
As noted in Koestler's autobiography, he and his family were sympathetic to the short-lived Hungarian Bolshevik Revolution of 1919. Though the small soap factory owned at the time by Koestler's father was nationalized, the elder Koestler was appointed its director by the revolutionary government and was well-paid. Even though the autobiography was published in 1953, when Koestler had become an outspoken anti-Communist, he wrote favorably of the Hungarian Communists and their leader Béla Kun, and recalled fondly the hopes for a better future he had felt as a teenager in revolutionary Budapest.
Later the Koestlers witnessed the temporary occupation of Budapest by the Romanian Army and then the White Terror under the right-wing regime of Admiral Horthy. In 1920 the family returned to Vienna, where Henrik set up a successful new import business.
In September 1922 Arthur enrolled in the Vienna Polytechnic University to study engineering, joining a Zionist duelling student fraternity. When Henrik's latest business failed Koestler stopped attending lectures, and was expelled for non-payment of fees. In March 1926 he wrote a letter to his parents telling them that he was going to Palestine for a year to work as an assistant engineer in a factory, for the purpose of gaining experience that would help him find a job in Austria. On 1 April 1926 he left Vienna for Palestine.
For a few weeks Koestler lived in a kibbutz, but his application to join the collective (Kvutzat Heftziba) was rejected by its members. For the next twelve months he supported himself with menial jobs in Haifa, Tel Aviv and Jerusalem. Frequently penniless and starving, he often depended on friends and acquaintances for survival. He occasionally wrote or edited broadsheets and other publications, mostly in German. In the spring of 1927 he left Palestine briefly, to run the Secretariat of Ze'ev Jabotinsky's Revisionist Party in Berlin.
Later that same year, through a friend, Koestler obtained the position of Middle East correspondent for the prestigious Berlin-based Ullstein-Verlag group of newspapers. He returned to Jerusalem, where for the next two years he produced detailed political essays, as well as some lighter reportage, for his principal employer and for other newspapers. He travelled extensively, interviewed heads of state, kings, presidents and prime ministers, and greatly enhanced his reputation as a journalist. As noted in his autobiography, he came to realize that he would never really fit in Palestine's Zionist Jewish community, the Yishuv, and particularly that he would not be able to have a journalistic career in Hebrew.
In June 1929, while on leave in Berlin, Koestler successfully lobbied at Ullstein for a transfer away from Palestine. In September he was sent to Paris to fill a vacancy in the bureau of the Ullstein News Service. A year later, in 1931, he was called to Berlin and appointed science editor of the Vossische Zeitung and science adviser to the Ullstein newspaper empire. The same year he was Ullstein's choice to represent the paper on board the Graf Zeppelin's Polar flight, which carried a team of scientists and the Polar aviator Lincoln Ellsworth to 82 degrees North (thus not to the North Pole) and back. Koestler was the only journalist on board: his live wireless broadcasts, and subsequent articles and lecture tours throughout Europe, brought him further kudos. Soon afterwards he was appointed foreign editor and assistant editor-in-chief of the mass-circulation Berliner Zeitung am Mittag.
In 1931 Koestler, encouraged by Eva Striker, and impressed by what he believed to be the achievements of the Soviet Union, became a supporter of Marxism-Leninism, and on 31 December 1931, he applied for membership of the Communist Party of Germany. As noted in his biography, he was disappointed in the conduct of the Vossische Zeitung, "The Flagship of German Liberalism", which adapted to changing times by firing Jewish journalists, hiring writers with marked German Nationalist views, and dropping its longstanding campaign against capital punishment. This led Koestler to the conclusion that Liberals and moderate Democrats could not stand against the rising Nazi tide and that the Communists were the only real counter-force.
Koestler wrote a book on the Soviet Five-Year Plan, but it did not meet with the approval of the Soviet authorities and was never published in Russian. Only the German version, heavily censored, was published in an edition for German-speaking Soviet citizens.
In 1932 Koestler travelled in Turkmenistan and Central Asia. In September 1933 he returned to Paris and for the next two years was active in anti-Fascist movements, writing propaganda under the direction of Willi Münzenberg, the Comintern's chief propaganda director in the West.
In 1935 Koestler married Dorothy Ascher, a fellow Communist activist (they separated amicably in 1937).
In 1936, during the Spanish Civil War, he undertook a visit to General Francisco Franco's headquarters in Seville on behalf of the Comintern, pretending to be a Franco sympathizer and using credentials from the London daily News Chronicle as cover. He collected evidence of the direct involvement of Fascist Italy and Nazi Germany on Franco's side, which at that time the Nationalist rebels were still trying to conceal. He had to escape after he was recognized and denounced as a Communist by a German former colleague. Back in France he wrote L'Espagne Ensanglantée, which was later incorporated into his book Spanish Testament.
In 1937 he returned to Loyalist Spain as a war correspondent for the News Chronicle, but was in Málaga when it fell to the Nationalists and was captured. From February until June he was imprisoned in Seville under sentence of death. He was eventually exchanged for a "high value" Nationalist prisoner held by the Loyalists, the wife of one of Franco's ace fighter pilots. Koestler thus became one of the few authors to have been sentenced to death, an experience he wrote about in Dialogue with Death. As he noted in his autobiography, his separated wife Dorothy Ascher had greatly contributed to saving his life by very intensive months-long lobbying in Britain. When he arrived in Britain after his release, they tried to resume their marriage, but Koestler's gratitude to her proved an insufficient foundation for a daily life together.
Koestler then returned to France, where he agreed to write a sex encyclopaedia to support himself. It was published to great success under the title The Encyclopœdia of Sexual Knowledge under the pseudonyms of "Drs A. Costler, A. Willy, and Others".
In July 1938 Koestler finished work on his novel The Gladiators. Later that year he resigned from the Communist Party and started work on a new novel that in 1941 was published in London under the title Darkness at Noon. It was also in 1938 that he became editor of Die Zukunft (The Future), a German-language weekly published in Paris.
In 1939 Koestler met and formed an attachment to the British sculptor Daphne Hardy. They lived together in Paris, and she translated the manuscript of Darkness at Noon from German into English in early 1940. She smuggled it out of France when they left ahead of the German occupation and arranged for its publication after reaching London that year.
After the outbreak of World War II Koestler returned from the South of France to Paris. He attempted to turn himself in to the authorities as a foreign national several times and was finally arrested on 2 October 1939. The French government first detained Koestler at Stade Roland Garros until he was moved to Le Vernet Internment Camp among other "undesirable aliens", most of them refugees. He was released in early 1940 in response to strong British pressure. Milicent Bagot, an intelligence officer at MI5, recommended his release from Camp Vernet, but said that he should not be granted a British visa. (She was later the model for Connie Sachs in the George Smiley spy novels of John Le Carre and was the first to warn that Kim Philby of MI6 was probably spying for the USSR.) Koestler describes the period 1939 to 1940 and his incarceration in Le Vernet in his memoir Scum of the Earth.
Shortly before the German invasion of France Koestler joined the French Foreign Legion in order to get out of the country. He deserted in North Africa and tried to get back to England. While waiting to gain passage on a ship out of Lisbon, he heard a false report that the ship on which Hardy was travelling had sunk, and that she and his manuscript were lost. He attempted suicide, but survived.
Arriving in the UK without an entry permit, Koestler was imprisoned pending examination of his case. He was still in prison when Daphne Hardy's English translation of his book Darkness at Noon was published in early 1941.
Immediately after Koestler was released he volunteered for Army service. While awaiting his call-up papers, between January and March 1941, he wrote Scum of the Earth, the first book he wrote in English. For the next twelve months he served in the Pioneer Corps.
In March 1942 Koestler was assigned to the Ministry of Information, where he worked as a scriptwriter for propaganda broadcasts and films. In his spare time he wrote Arrival and Departure, the third in his trilogy of novels that included Darkness at Noon. He also wrote several essays, which were subsequently collected and published in The Yogi and the Commissar. One of the essays, titled "On Disbelieving Atrocities" (originally published in The New York Times), was about Nazi atrocities against the Jews.
Daphne Hardy, who had been doing war work in Oxford, joined Koestler in London in 1943, but they parted company a few months later. They remained good friends until Koestler's death.
In December 1944 Koestler travelled to Palestine with accreditation from The Times. There he had a clandestine meeting with Menachem Begin, the head of the Irgun paramilitary organisation, who was wanted by the British and had a 500-pound bounty on his head. Koestler tried to persuade him to abandon militant attacks and accept a two-state solution for Palestine, but failed. Many years later Koestler wrote in his memoirs: "When the meeting was over, I realised how naïve I had been to imagine that my arguments would have even the slightest influence."
Staying in Palestine until August 1945, Koestler collected material for his next novel, Thieves in the Night. When he returned to England Mamaine Paget, whom he had started to see before going out to Palestine, was waiting for him. In 1945 August the couple moved to the cottage of Bwlch Ocyn, a secluded farmhouse that belonged to Clough Williams-Ellis, in the Vale of Ffestiniog. Over the next three years Koestler would become a close friend of George Orwell. The region had its own intellectual circle, which would have been sympathetic to Koestler: Williams-Ellis' wife, Amabel, a niece of Lytton Strachey was also a former communist; other associates included Rupert Crawshay-Williams, Michael Polanyi, Storm Jameson and, most significantly, Bertrand Russell, who lived just a few miles from the Koestler cottage.
In 1948, when war broke out between the newly declared State of Israel and the neighbouring Arab states, Koestler was accredited by several newspapers, American, British and French, and travelled to Israel. Mamaine Paget went with him. They arrived in Israel on 4 June and stayed there until October. Later that year they decided to leave the UK for a while and move to France. News that his long-pending application for British nationality had been granted reached him in France in late December and early in the 1949 he returned to London to swear the oath of allegiance to the British Crown.
In January 1949 Koestler and Mamaine moved to a house he had bought in France, where he wrote a contribution to The God That Failed and finished work on Promise and Fulfilment. The latter book received poor reviews in both the U.S. and the UK. His other book published in 1949 was Insight and Outlook. This too received lukewarm reviews.
In July Koestler began work on Arrow in the Blue, the first volume of his autobiography, and hired a new part-time secretary, Cynthia Jefferies, who eventually became his third wife. In the autumn he started work on The Age of Longing, on which he continued to work until mid-1950.
Koestler had reached agreement with his first wife, Dorothy, on an amicable divorce, and their marriage was dissolved on 15 December 1949. This cleared the way for his marriage to Mamaine Paget, which took place on 15 April 1950 at the British Consulate in Paris.
In June Koestler delivered a major anti-Communist speech in Berlin under the auspices of the Congress for Cultural Freedom, an organisation funded (though he did not know this) by the Central Intelligence Agency. In the autumn he went to the United States on a lecture tour, during which he lobbied for permanent resident status in the U.S. At the end of October, on impulse, he bought Island Farm being a small island with a house on it on the Delaware River near New Hope, Pennsylvania, with the intention of living there at least for part of each year.
In January 1951 a dramatised version of Darkness at Noon, by Sidney Kingsley, opened in New York. It won the New York Drama Critics Award. Koestler donated all his royalties from the play to a fund he had set up to help struggling authors, the Fund for Intellectual Freedom (FIF). In June a bill was introduced in the U.S. Senate to grant Koestler permanent residence in the U.S. Koestler sent tickets for the play to his House sponsor Richard Nixon and his Senate sponsor Owen Brewster, a close confidant of Joseph McCarthy. The bill became law on 23 August 1951 as Private Law 221 Chapter 343 "AN ACT For the relief of Arthur Koestler".
In 1951 the last of Koestler's political works, The Age of Longing, was published. In it he examined the political landscape of post-war Europe and the problems facing the continent.
In August 1952 his marriage to Mamaine collapsed. They separated, but remained close until her sudden and unexpected death in June 1954. The book Living with Koestler: Mamaine Koestler's Letters 1945-51, edited by Mamaine's twin sister Celia Goodman, gives an insight into their lives together.
Koestler now decided to make his permanent home in Britain. In May 1953 he bought a three-storey Georgian town house on Montpelier Square in London, and sold his houses in France and the United States.
The first two volumes of his autobiography, Arrow in the Blue, which covers his life up to December 1931 when he joined the German Communist Party, and The Invisible Writing, which covers the years 1932 to 1940, were published in 1952 and 1954, respectively. A collection of essays, The Trail of the Dinosaur and Other Essays, on the perils he saw facing western civilisation, was published in 1955.
On 13 April 1955 Janine Graetz, with whom Koestler had an on-off relationship over a period of years, gave birth to his daughter Cristina. Despite repeated attempts by Janine to persuade Koestler to show some interest in her, Koestler had almost no contact with Cristina throughout his life. Early in 1956 he arranged for Cynthia to have an illegal abortion.
Koestler's main political activity during 1955 was his campaign for the abolition of capital punishment (which in the UK was by hanging). In July he started work on Reflections on Hanging.
Although Koestler resumed work on a biography of Kepler in 1955, it was not published until 1959, and in the interim it acquired the title The Sleepwalkers. The emphasis of the book had changed and broadened to "A History of Man's Changing Vision of the Universe", which also became the book's subtitle. Copernicus and Galileo were added to Kepler as the major subjects of the book.
Later in 1956, as a consequence of the Hungarian Uprising, Koestler became busy organising anti-Soviet meetings and protests.
In June 1957 Koestler gave a lecture at a symposium in Alpbach, Austria, and fell in love with the village. He bought land there, had a house built, and for the next twelve years used it as a place for summer vacations and for organising symposia.
In early 1960, on his way back from a conference in San Francisco, Koestler interrupted his journey at the University of Michigan, Ann Arbor, where some experimental research was going on with hallucinogens. He tried psilocybin and had a "bad trip". Later, when he arrived at Harvard to see Timothy Leary, he experimented with more drugs, but was not enthusiastic about that experience either.
In November 1960 he was elected to a Fellowship of The Royal Society of Literature.
In 1962, along with his agent, A D Peters and the editor of The Observer, David Astor, Koestler set up a scheme to encourage prison inmates to engage in arts activities and to reward their efforts. The charity exists to this day and holds an exhibition in London each year.
Koestler's book The Act of Creation came out in May 1964. In November he undertook a lecture tour of various universities in California. In 1965 he married Cynthia in New York, and moved to California, where he participated in a series of seminars at the Center for Advanced Study in the Behavioral Sciences at Stanford.
Koestler spent most of 1966 and the early months of 1967 working on The Ghost in the Machine. In his article "Return Trip to Nirvana", published in 1967 in the Sunday Telegraph, Koestler wrote about the drug culture and his own experiences with hallucinogens. The article also challenged the defence of drugs in Aldous Huxley's The Doors of Perception.
In April 1968 Koestler was awarded the Sonning Prize "for [his] outstanding contribution to European culture". The Ghost in the Machine was published in August of same year and in the autumn he received an honorary doctorate from Queen's University, Kingston, Canada. In the later part of November the Koestlers flew to Australia for a number of television appearances and press interviews.
The first half of the 1970s saw the publication of four more books by Koestler: The Case of the Midwife Toad (1971), The Roots of Coincidence and The Call-Girls (both 1972), and The Heel of Achilles: Essays 1968-1973 (1974). In the New Year Honours List for 1972 he was made a Commander of the Order of the British Empire (CBE).
Early in 1976 Koestler was diagnosed with Parkinson's disease. The trembling of his hand made writing progressively more difficult. He cut back on overseas trips and spent the summer months at a farmhouse in Denston, Suffolk, which he had bought in 1971. That same year saw the publication of The Thirteenth Tribe, which presents his theory about the Khazar origins of European Jewry.
In 1978 Koestler published Janus: A Summing Up. In 1980 he was diagnosed with chronic lymphocytic leukaemia. His book Bricks to Babel was published that year. His final book, Kaleidoscope, containing essays from Drinkers of Infinity and The Heel of Achilles: Essays 1968–1973, with some later pieces and stories, was published in 1981.
During the final years of his life, Koestler, Brian Inglis and Tony Bloomfield established the KIB Society (named from the initials of their surnames) to sponsor research "outside the scientific orthodoxies". After his death it was renamed The Koestler Foundation.
In his capacity as Vice President of the Voluntary Euthanasia Society, later renamed Exit, Koestler wrote a pamphlet on suicide, outlining the case both for and against, with a section dealing specifically with how best to do it. He and Cynthia killed themselves on the evening of 1 March 1983 with overdoses of the barbiturate Tuinal taken with alcohol. Their bodies were discovered on the morning of 3 March, by which time they had been dead for thirty-six hours.
Koestler had stated more than once that he was afraid, not of being dead, but of the process of dying. His suicide was not unexpected among his close friends. Shortly before his suicide his doctor had discovered a swelling in the groin which indicated a metastasis of the cancer.
Koestler's suicide note:
To whom it may concern.
The purpose of this note is to make it unmistakably clear that I intend to commit suicide by taking an overdose of drugs without the knowledge or aid of any other person. The drugs have been legally obtained and hoarded over a considerable period.
Trying to commit suicide is a gamble the outcome of which will be known to the gambler only if the attempt fails, but not if it succeeds. Should this attempt fail and I survive it in a physically or mentally impaired state, in which I can no longer control what is done to me, or communicate my wishes, I hereby request that I be allowed to die in my own home and not be resuscitated or kept alive by artificial means. I further request that my wife, or a physician, or any friend present, should invoke habeas corpus against any attempt to remove me forcibly from my house to hospital.
My reasons for deciding to put an end to my life are simple and compelling: Parkinson's Disease and the slow-killing variety of leukaemia (CCI). I kept the latter a secret even from intimate friends to save them distress. After a more or less steady physical decline over the last years, the process has now reached an acute state with added complications which make it advisable to seek self-deliverance now, before I become incapable of making the necessary arrangements.
I wish my friends to know that I am leaving their company in a peaceful frame of mind, with some timid hopes for a de-personalised after-life beyond due confines of space, time and matter and beyond the limits of our comprehension. This "oceanic feeling" has often sustained me at difficult moments, and does so now, while I am writing this.
What makes it nevertheless hard to take this final step is the reflection of the pain it is bound to inflict on my surviving friends, above all my wife Cynthia. It is to her that I owe the relative peace and happiness that I enjoyed in the last period of my life – and never before.
The note was dated June 1982. Below it appeared the following:
Since the above was written in June 1982, my wife decided that after thirty-four years of working together she could not face life after my death.
Further down the page appeared Cynthia's own farewell note:
I fear both death and the act of dying that lies ahead of us. I should have liked to finish my account of working for Arthur – a story which began when our paths happened to cross in 1949. However, I cannot live without Arthur, despite certain inner resources.
Double suicide has never appealed to me, but now Arthur's incurable diseases have reached a stage where there is nothing else to do.
Controversy arose over why Koestler allowed, consented to, or (according to some critics) compelled his wife's simultaneous suicide. She was only fifty-five years old and was believed to be in good health. In a typewritten addition to her husband's suicide note Cynthia Koestler wrote that she could not live without her husband. Reportedly, few of their friends were surprised by this admission, apparently perceiving that Cynthia lived her life through her husband and that she had no "life of her own". Her absolute devotion to Koestler can be seen clearly in her partially completed memoirs. Yet according to a profile of Koestler by Peter Kurth:
All their friends were troubled by what Julian Barnes calls "the unmentionable, half-spoken question" of Koestler's responsibility for Cynthia's actions. "Did he bully her into it?" asks Barnes. And "if he didn't bully her into it, why didn't he bully her out of it?" Because, with hindsight, the evidence that Cynthia's life had been ebbing with her husband's was all too apparent.
Another controversy was occasioned by the terms of Koestler's will. With the exception of some minor bequests, Koestler left the residue of his estate, about one million pounds, to the promotion of research into the paranormal through the founding of a chair in parapsychology at a university in Britain. The trustees of the estate had great difficulty finding a university willing to establish such a chair. Oxford, Cambridge, King's College London and University College London were approached, and all refused. Eventually the trustees reached agreement with Edinburgh University to set up a chair in accordance with Koestler's request.
Koestler's relations with women have been a source of controversy. David Cesarani alleged in his biography of Koestler, published in 1998, that Koestler had been a serial rapist, citing the case of the British feminist writer Jill Craigie, who said that she had been one of his victims in 1951. Feminist protesters forced the removal of his bust from Edinburgh University. In his biography, Koestler: The Indispensable Intellectual (2009), Michael Scammell countered that Craigie was the only woman to go on record that she had been raped by Koestler, and had done so at a dinner party more than fifty years after the event. Claims that Koestler had been violent were added by Craigie later, although Scammell concedes that Koestler could be rough and sexually aggressive.
Others, including Cesarani, claim that Koestler had misogynistic tendencies. He engaged in numerous sexual affairs and generally treated the women in his life badly. In his autobiography, The Invisible Writing, Koestler admits to having denounced Nadezhda Smirnova, with whom he was having a relationship, to the Soviet secret police.
Koestler wrote several major novels, two volumes of autobiographical works, two volumes of reportage, a major work on the history of science, several volumes of essays, and a considerable body of other writing and articles on subjects as varied as genetics, euthanasia, Eastern mysticism, neurology, chess, evolution, psychology, the paranormal and more.
Darkness at Noon was one of the most influential anti-Soviet books ever written. Its influence in Europe on Communists and sympathisers and, indirectly, on the outcomes of elections in Europe, was substantial. Geoffrey Wheatcroft believes that Koestler's most important books were the five completed before he was 40: his first memoirs and the trilogy of anti-totalitarian novels that included Darkness at Noon.
Koestler embraced a multitude of political as well as non-political issues. Zionism, communism, anti-communism, voluntary euthanasia, abolition of capital punishment, particularly hanging, and the abolition of quarantine for dogs being reimported into the United Kingdom are examples.
In his book The Case of the Midwife Toad (1971) Koestler defended the biologist Paul Kammerer, who claimed to have found experimental support for Lamarckian inheritance. According to Koestler, Kammerer's experiments on the midwife toad may have been tampered with by a Nazi sympathizer at the University of Vienna. Koestler came to the conclusion that a kind of modified "Mini-Lamarckism" may explain some rare evolutionary phenomena.
Koestler criticised neo-Darwinism in a number of his books, but he was not opposed to the theory of evolution in general terms. Biology professor Harry Gershenowitz described Koestler as a "popularizer" of science despite his views not being accepted by the "orthodox academic community". According to an article in the Skeptical Inquirer, Koestler was an "advocate of Lamarckian evolution – and a critic of Darwinian natural selection as well as a believer in psychic phenomena".
In addition to his specific critiques of neo-Darwinism, Koestler was opposed to what he saw as dangerous scientific reductionism more generally, including the behaviourism school of psychology, promoted in particular by B. F. Skinner during the 1930s. Koestler assembled a group of high-profile antireductionist scientists, including C. H. Waddington, W. H. Thorpe and Ludwig von Bertalanffy, for a meeting at his retreat in Alpbach in 1968. This was one of many attempts which Koestler made to gain acceptance within the mainstream of science, a strategy which brought him into conflict with individuals such as Peter Medawar who saw themselves as defending the integrity of science from outsiders. Although he never gained significant credibility as a scientist, Koestler published a number of works at the border between science and philosophy, such as Insight and Outlook, The Act of Creation and The Ghost in the Machine.
Mysticism and a fascination with the paranormal imbued much of Koestler's later work and he became known for endorsing a number of paranormal phenomena, such as extrasensory perception, psychokinesis and telepathy. In his book The Roots of Coincidence (1972) he claims that such phenomena can never be explained by theoretical physics. According to Koestler, distinct types of coincidence could be classified, such as "the library angel", in which information (typically in libraries) becomes accessible through serendipity, chance or coincidence, rather than through the use of a catalogue search. The book mentions yet another line of unconventional research by Paul Kammerer, the theory of coincidence or seriality. He also presents critically the related concepts of Carl Jung. More controversial were Koestler's studies and experiments on levitation and telepathy.
Koestler was Jewish by birth, but he did not practise the religion. In an interview published in the (London) Jewish Chronicle in 1950 he argued that Jews should either emigrate to Israel or assimilate completely into the majority cultures they lived in.
In The Thirteenth Tribe (1976) Koestler advanced a theory that Ashkenazi Jews are descended, not from the Israelites of antiquity, but from the Khazars, a Turkic people in the Caucasus that converted to Judaism in the 8th century and was later forced westwards. Koestler argued that a proof that Ashkenazi Jews have no biological connection to biblical Jews would remove the racial basis of European anti-Semitism.
Koestler coined the phrase, "one nation solemnly promised to a second nation the country of a third."
Koestler first learned Hungarian, but later his family spoke mostly German at home. From his early years he became fluent in both languages. It is likely that he picked up some Yiddish too, through contact with his grandfather. By his teens he was fluent in Hungarian, German, French and English.
During his years in Palestine Koestler became sufficiently fluent in Hebrew to write stories in that language, as well as to create what is believed to have been the world's first Hebrew crossword puzzle. During his years in the Soviet Union (1932–33), although he arrived with a vocabulary of only 1,000 words of Russian, and no grammar, he picked up enough colloquial Russian to speak the language.
Koestler wrote his books in German up to 1940, but then wrote only in English. (L'Espagne ensanglantée was translated into French from German.)
NB The books The Lotus and the Robot, The God that Failed, and Von weissen Nächten und roten Tagen, as well as his numerous essays, all may contain further autobiographical information.
Key to abbreviations used for frequently quoted sources
Arrow in the Blue is an autobiography covering the first 26 years of Arthur Koestler's life (1905–1931). It was published in 1952 by Collins with Hamish Hamilton Ltd. and has been reprinted several times.Arthur Koestler (book)
Arthur Koestler is a book by Mark Levene published in 1984, a year after Arthur Koestler's suicide. The book is divided into seven main chapters, of which the first of is a biography and the other six critical essays on each of Koestler's six novels, his stories and his play Twilight Bar.
The book, which measures 200 mm x 120 mm (small format) was published by Frederick Ungar Publishing Co. in New York,1984, and by Oswald Wolff (Publishers) in London, 1985, ISBN 0-85496-086-4 (cloth); ISBN 0-85496-089-9 (paperback).Darkness at Noon
Darkness at Noon (German: Sonnenfinsternis) is a novel by Hungarian-born British novelist Arthur Koestler, first published in 1940. His best known work, it is the tale of Rubashov, an Old Bolshevik who is arrested, imprisoned, and tried for treason against the government that he had helped to create.
The novel is set in 1939 during the Stalinist Great Purge and Moscow show trials. Despite being based on real events, the novel does not name either Russia or the USSR, and tends to use generic terms to describe people and organizations: for example the Soviet government is referred to as "the Party" and Nazi Germany is referred to as "the Dictatorship". Joseph Stalin is represented by "Number One", a menacing dictator. The novel expresses the author's disillusionment with the Soviet Union's version of Communism at the outset of World War II.
In 1998, the Modern Library ranked Darkness at Noon number eight on its list of the 100 best English-language novels of the 20th century.Koestler Trust
The Koestler Trust is a charity which helps ex-offenders, secure patients and detainees in the UK to express themselves creatively. The trust promotes the arts in prisons, secure hospitals, immigration centres and in the community, encouraging creativity and the acquisition of new skills as a means to rehabilitation. The Koestler awards were founded in 1962 and the organisation became a charitable trust in 1969 following a bequest from the British-Hungarian author, Arthur Koestler.Living with Koestler
Living with Koestler: Mamaine Koestler's Letters 1945–51 is a book about the author Arthur Koestler and Mamaine Paget, Koestler’s second wife. More specifically, it is a selected compilation of Mamaine’s letters to her twin sister Celia about her life with Koestler. The spontaneous and engaging letters reflect the intensity of her life with Koestler between 1945 and 1951.
The book was written and edited by Celia Goodman, née Paget. In a 22-page Introduction she provides brief biographical essays on Koestler and her sister Mamaine. In a Postscript she briefly describes Mamaine’s sudden and unexpected death in 1954 in a London hospital as a result of an episode of acute asthma.Scum of the Earth (book)
Scum of the Earth is a memoir by Anglo-Hungarian writer Arthur Koestler in which he describes his life in France during 1939-1940, the chaos that prevailed in France just prior to the outbreak of the Second World War and France’s collapse, his tribulations, internment in a concentration camp, and eventual escape to England, via North Africa and Portugal. First published by Jonathan Cape in 1941, it was issued in a new edition by Eland in 2006.Stranger on the Square
Stranger on the Square is the third volume of Arthur Koestler's autobiography, published posthumously in 1984. It was co-authored with his wife Cynthia Koestler, née Jefferies, and includes autobiographical notes of her as well. The book was published by Hutchinson, London 1984, 242 pages including Index. ISBN 0-09-154330-4. It was edited by Harold Harris, who wrote the Introduction and Epilogue. He was Koestler's editor for many years. The book is illustrated with seven monochrome photographs plus a colour and another momochrome photograph on the dustcover.
The structure of the book is unusual. Part One 1940-1951, has six chapters whose authors are Arthur Koestler and Cynthia Koestler, alternately. Part Two 1951-1956, also consists of six chapters, all by Cynthia Koestler, followed by an Epilogue written by Harold Harris, an Appendix by Arthur Koestler, and an Index.The Act of Creation
The Act of Creation is a 1964 book by Arthur Koestler. It is a study of the processes of discovery, invention, imagination and creativity in humour, science, and the arts. It lays out Koestler's attempt to develop an elaborate general theory of human creativity.
From describing and comparing many different examples of invention and discovery, Koestler concludes that they all share a common pattern which he terms "bisociation" – a blending of elements drawn from two previously unrelated matrices of thought into a new matrix of meaning by way of a process involving comparison, abstraction and categorisation, analogies and metaphors. He regards many different mental phenomena based on comparison (such as analogies, metaphors, parables, allegories, jokes, identification, role-playing, acting, personification, anthropomorphism etc.), as special cases of "bisociation".The Call-Girls
The Call-Girls: A Tragi-Comedy with Prologue and Epilogue is a novel (ISBN 0-09-112550-2) by Arthur Koestler. Its publication date is given as 1 January 1972 and its plot tells the story of a group of academic scientists struggling to understand the human tendency towards self-destruction, while the group members gradually become more suspicious and aggressive towards each other.The prologue and epilogue are two short stories which are connected to the main text of the novel by theme rather than plot. The prologue, "The Misunderstanding", is an interior monologue of Jesus Christ as he makes his way to the site of the Crucifixion. The epilogue, "The Chimeras", is a conversation between a psychiatrist and a man who believes that the world is being taken over by monsters.
In this novel Koestler introduces the term cocacolonization to refer to the expansion of a typical modern diet, consisting of such fare as hamburgers, French fries, fat-rich snacks, soft drinks high in sugar. Nowadays the term is widely used by physicians when they want to explain, at least in part, the global expansion of obesity, diabetes and cardiovascular risk factors.The Encyclopœdia of Sexual Knowledge
The Encyclopaedia of Sexual Knowledge, under the editorship of Dr. Norman Haire (1892–1952), is the first of a trilogy of sexual encyclopaedias by Arthur Koestler writing under the pen name of ‘Dr. A. Costler’. It is the English version, published by Koestler's cousin Francis Aldor in 1934, of the book L'encyclopédie de la vie sexuelle that Koestler in 1933 wrote, together with "A. Willy" (the pseudonym of his other cousin Willy Aldor) and the German Dr. Levy-Lenz. The second book is Sexual Anomalies and Perversions, Physical and Psychological Development, Diagnoses and Treatment. The title of the third book is, in the original French edition of 1939, L’Encyclopédie de la famille. This third book was subsequently translated into English and published under various titles and with changes to the structure and text of the original edition. The name of ‘Dr. Costler’ (or 'A. Coester') as the author or co-author of the book is omitted from later editions.
Koestler wrote that working from standard text books and reference works "I condensed and distilled the Encyclopædia at a rate of about four thousand words a day."The background to Koestler’s collaboration in the writing of these books is set out in detail in his autobiography The Invisible Writing, Chapter XIX. ‘Introducing Dr. Coster’. As noted there, The Encyclopœdia was highly successful and became a best-seller in several languages, but Koestler himself had little benefit of it, being shamelessly exploited by the publisher – a crooked cousin of his. Koestler received a flat payment of sixty pounds and no royalties from the sales, which amounted to tens of thousands.The Ghost in the Machine
The Ghost in the Machine is a 1967 book about philosophical psychology by Arthur Koestler. The title is a phrase (see ghost in the machine) coined by the Oxford philosopher Gilbert Ryle to describe the Cartesian dualist account of the mind–body relationship. Koestler shares with Ryle the view that the mind of a person is not an independent non-material entity, temporarily inhabiting and governing the body. The work attempts to explain humanity's self-destructive tendency in terms of individual and collective functioning, philosophy, and overarching, cyclical political–historical dynamics, peaking in the nuclear weapons arena.The Gladiators (novel)
The Gladiators (1939) is the first novel by the author Arthur Koestler; it portrays the effects of the Spartacus revolt in the Roman Republic. Published in 1939, it was later reprinted in other editions.
The book is the first of a trilogy, including Darkness at Noon (1940), and Arrival and Departure (1943), which address idealism going wrong. This is a common theme in Koestler's work and life. Koestler uses his portrayal of the original slave revolt to examine the experience of the 20th-century political left in Europe following the rise of a Communist government in the Soviet Union. He published it on the brink of World War II. Originally written in German, the novel was translated into English for other audiences and was published in 1939. In the UK it was translated by the German-born, British writer and artist Edith Simon. The manuscript of the German version, for which no publisher had been found, was lost during Koestler's flight at the Fall of France; the German edition finally published after the war had to be re-translated from English.
In 1998 the British critic Geoffrey Wheatcroft wrote of the novel:
"In The Gladiators, Koestler used Spartacus's revolt around 65BC to explore the search for the just city, the inevitable compromises of revolution, the conflict of ends and means, the question of whether and when it is justifiable to sacrifice lives for an abstract ideal."The God that Failed
The God That Failed is a 1949 book that collects together six essays with the testimonies of a number of ex-communist writers and journalists. The common theme of the essays is the authors' disillusionment with and abandonment of communism. The book jacket for the 2001 edition says it "brings together essays by six of the most important writers of the twentieth century on their conversion to and subsequent disillusionment with communism."The six contributors were Louis Fischer, André Gide, Arthur Koestler, Ignazio Silone, Stephen Spender, and Richard Wright.The Lotus and the Robot
The Lotus and the Robot is a 1960 book by Arthur Koestler exploring eastern mysticism. Although later dated by Westerners' greater exposure to Oriental practices, it concentrates mainly on Indian and Japanese traditions, which form the two parts—the "lotus" and the "robot" respectively.The Roots of Coincidence
The Roots of Coincidence is a 1972 book by Arthur Koestler, an introduction to theories of parapsychology, including extrasensory perception and psychokinesis. Koestler postulates links between modern physics, their interaction with time and paranormal phenomena. It is influenced by Carl Jung's concept of synchronicity and the seriality of Paul Kammerer.The psychologist David Marks criticized the book for endorsing pseudoscience. Marks noted that Koestler uncritically accepted ESP experiments and ignored evidence that did not fit his hypothesis. In The Psychology of the Psychic Marks coined the term "Koestler's Fallacy" as the assumption that odd matches of random events cannot arise by chance. Marks illustrates the fact that such odd matches do regularly occur with examples from his own experience. John Beloff gave the book a mixed review, describing it as "a typical Koestlerian performance" but noting that some of his claims about psychical research were inaccurate.The Sleepwalkers (Koestler book)
The Sleepwalkers: A History of Man's Changing Vision of the Universe is a 1959 book by Arthur Koestler. It traces the history of Western cosmology from ancient Mesopotamia to Isaac Newton. He suggests that discoveries in science arise through a process akin to sleepwalking. Not that they arise by chance, but rather that scientists are neither fully aware of what guides their research, nor are they fully aware of the implications of what they discover.