An apple of discord is a reference to the Golden Apple of Discord (Greek: μῆλον τῆς Ἔριδος) which, according to Greek mythology, the goddess Eris (Gr. Ἔρις, "Strife") tossed in the midst of the feast of the gods at the wedding of Peleus and Thetis as a prize of beauty, thus sparking a vanity-fueled dispute among Hera, Athena, and Aphrodite that eventually led to the Trojan War (for the complete story, see The Judgement of Paris). Thus, "apple of discord" is used to signify the core, kernel, or crux of an argument, or a small matter that could lead to a bigger dispute.
Because of this, the Roman goddess corresponding to the Greek Eris was named "Discordia". Also, in German and in Dutch, the words are used a lot more often colloquially than in English, though in German the colloquial form is not Apfel der Zwietracht (lit. "Apple of Discord") but Zankapfel ("Quarrel-apple") and rarely Erisapfel; the Dutch is twistappel ("Strife-apple").
In the Eixample district of Barcelona, there is a block nicknamed in Spanish La manzana de la discordia (Catalan: L'illa de la discòrdia). The reason for this usage is that manzana means both "apple" and "city block" in Spanish. It was so named ("block of discord") because it features four different interpretations of Modernisme architecture: Antoni Gaudí's Casa Batlló, Lluís Domènech i Montaner's Casa Lleó Morera, Josep Puig i Cadafalch's Casa Amatller, and Enric Sagnier's Casa Mulleras.
In some later sources, Eris inscribed on the apple "for the fair" or "to the most beautiful" before tossing it. The most popular version of the inscription is ΤΗΙ ΚΑΛΛΙΣΤΗΙ (Ancient Greek: τῇ καλλίστῃ, romanized: tē(i) kallistē(i), Modern Greek: τη καλλίστη ti kallisti; "for/to the most beautiful"). Καλλίστῃ is the dative singular of the feminine superlative of καλός, beautiful. In Latin sources, the word is formosissima.
The Antikythera Ephebe, officially named in English Antikythera Youth by the museum , is a bronze statue of a young man of languorous grace that was found in 1900 by sponge-divers in the area of the ancient Antikythera shipwreck off the island of Antikythera, Greece. It was the first of the series of Greek bronze sculptures that the Aegean and Mediterranean yielded up in the twentieth century which have fundamentally altered the modern view of Ancient Greek sculpture. The wreck site, which is dated about 70–60 BC, also yielded the Antikythera Mechanism, an astronomical calculating device, a characterful head of a Stoic philosopher, and a hoard of coins. The coins included a disproportionate quantity of Pergamene cistophoric tetradrachms and Ephesian coins, leading scholars to surmise that it had begun its journey on the Ionian coast, perhaps at Ephesus; none of its recovered cargo has been identified as from mainland Greece.The Ephebe, which measures 1.96 meters , slightly over lifesize, was retrieved in numerous fragments. Its first restoration was revised in the 1950s, under the direction of Christos Karouzos, changing the focus of the eyes, the configuration of the abdomen, the connection between the torso and the right upper thigh and the position of the right arm; the re-restoration is universally considered a success.
The Ephebe does not correspond to any familiar iconographic model, and there are no known copies of the type. He held a spherical object in his right hand, and possibly may have represented Paris presenting the Apple of Discord to Aphrodite; however, since Paris is consistently depicted cloaked and with the distinctive Phrygian cap, other scholars have suggested a beardless, youthful Heracles with the Apple of the Hesperides. It has also been suggested that the youth is a depiction of Perseus holding the head of the slain Gorgon. It could also be the God Apollo, a "Learned" Hermes holding a caduceus and declaiming, an athlete holding some sort of prize (a spherical lekythion), or a sphere, a wreathe, a phiale, or an apple. The statue could even be the funerary statue of a young man.
The statue, dated to about 340-330 BC, is one of the most brilliant products of Peloponnesian bronze sculpture; the individuality and character it displays have encouraged speculation on its possible sculptor. It is, perhaps, the work of the famous sculptor Euphranor, trained in the Polyclitan tradition, who did make a sculpture of Paris, according to Pliny:By Euphranor is an Alexander [Paris]. This work is specially admired, because the eye can detect in it at once the judge of the goddesses, the lover of Helen, and yet the slayer of Achilles.
The Antikythera Youth is conserved in the National Archaeological Museum of Athens.Eris (mythology)
Eris (; Greek: Ἔρις, "Strife") is the Greek goddess of strife and discord. Her Roman equivalent is Discordia, which means "discord". Eris's Greek opposite is Harmonia, whose Roman counterpart is Concordia. Homer equated her with the war-goddess Enyo, whose Roman counterpart is Bellona. The dwarf planet Eris is named after the goddess.
She had no temples in ancient Greece (Concordia had one in Rome), and functions essentially as a personification, as which she appears in Homer and many later works.Feast of the Gods (art)
The Feast of the Gods or Banquet of the Gods as a subject in art showing a group of deities at table has a long history going back into antiquity. Showing Greco-Roman deities, it enjoyed a revival in popularity in the Italian Renaissance, and then in the Low Countries during the 16th century, when it was popular with Northern Mannerist painters, at least partly as an opportunity to show copious amounts of nudity.Often the occasion shown was specifically either the wedding of Cupid and Psyche or that of Peleus and Thetis, but other works show other occasions, especially the Feast of Bacchus, or a generalized feast. While the wedding of Cupid and Psyche is just the happy ending of Psyche's story, the wedding of Peleus and Thetis is part of the grand narrative of Greek mythology. The feast was interrupted by Eris, goddess of discord, who threw the golden Apple of Discord inscribed "for the most beautiful" into the company, provoking the argument that led to the Judgement of Paris, and ultimately to the Trojan War. Eris is sometimes shown in the air with the apple, or the apple with the diners, and sometimes the feast forms a background scene to a painting of the Judgement, or vice versa. This wedding was also used as a political symbol around the time of the marriage of the Dutch leader William the Silent to Charlotte of Bourbon in 1575.Generally, despite Thetis being a sea-nymph, depictions of her wedding have the same inland setting as other scenes. A depiction by Hans Rottenhammer (1600, Hermitage Museum) probably of the wedding of Neptune and Amphitrite is set in a beach-side pavilion, with the sea full of an unruly crowd of marine mythological creatures. The Feast of Achelous is derived from Ovid in his Metamorphoses, who describes how Theseus is entertained by the river god in a damp grotto, while waiting for the river's raging flood to subside: "He entered the dark building, made of spongy pumice, and rough tuff. The floor was moist with soft moss, and the ceiling banded with freshwater mussel and oyster shells." The subject was painted a number of times, with Rubens producing an early version with Jan Brueghel the Elder, and a later picture attributed to his "school", and Hendrick van Balen collaborating with Jan Brueghel the Younger. All show much smaller and more decorously behaved groups than the wedding parties.Illa de la Discòrdia
The Illa de la Discòrdia (Catalan pronunciation: [ˈiʎə ðə lə disˈkɔɾði.ə]) or Mansana de la Discòrdia [mənˈsanə ðə lə disˈkɔɾði.ə] — "Block of Discord"; Spanish: Manzana de la Discordia — is a city block on Passeig de Gràcia in the Eixample district of Barcelona, Spain. The block is noted for having buildings by four of Barcelona's most important Modernista architects, Lluís Domènech i Montaner, Antoni Gaudí, Josep Puig i Cadafalch and Enric Sagnier, in close proximity. As the four architects' styles were very different, the buildings clash with each other and the neighboring buildings. They were all built in the early years of the 20th century.
The block is the southwest side of Passeig de Gràcia, between Carrer del Consell de Cent and Carrer d'Aragó. The houses are the Casa Lleó-Morera, at Passeig de Gràcia 35, designed by Lluís Domènech i Montaner; Casa Mulleras, at Passeig de Gràcia 37, designed by Enric Sagnier; Casa Bonet, at Passeig de Gràcia 39, designed by Marcel·lí Coquillat i Llofriu; Casa Amatller, at Passeig de Gràcia 41, designed by Josep Puig i Cadafalch; and Casa Batlló, at Passeig de Gràcia 43, designed by Antoni Gaudí. Due to the presence of these famous landmark buildings, the block is a significant tourist attraction in Barcelona.
The words "illa" and "mansana" both provide a play on words. "Illa de la discòrdia" is a Catalan expression that matches the English expression "bone of contention," but also literally means "block of discord." Similarly, "mansana de la discòrdia" is a pun that means both "block of discord" and "apple of discord," referring to the golden Apple of Discord in the Judgment of Paris, a Greek myth in which three goddesses participate in a competition to determine which of them is the fairest. Calling the area the "Apple of Discord" thus refers to the presence of the major Modernista architects all competing for the most impressive architecture (and their styles clashing) on the very same city block; this label dates from the turn of the twentieth century, when much of the local press greatly satirized the new architectural styles of Modernisme.
Houses of the Illa de la DiscòrdiaPrincipia Discordia
The Principia Discordia is a Discordian religious text written by Greg Hill (Malaclypse the Younger) with Kerry Wendell Thornley (Lord Omar Khayyam Ravenhurst). The first edition was printed using Jim Garrison's Xerox printer in 1963. The second edition was published under the title Principia Discordia or How The West Was Lost in a limited edition of five copies in 1965. The phrase Principia Discordia, reminiscent of Newton's Principia Mathematica, is presumably intended to mean Discordant Principles, or Principles of Discordance.
The Principia describes the Discordian Society and its Goddess Eris, as well as the basics of the POEE denomination of Discordianism. It features typewritten and handwritten text intermixed with clip art, stamps, and seals appropriated from other sources.
While the Principia is full of literal contradictions and unusual humor, it contains several passages which propose that there is serious intent behind the work, for example a message scrawled on page 00075: "If you think the PRINCIPIA is just a ha-ha, then go read it again."
The Principia is quoted extensively in and shares many themes with the satirical science fiction book The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson. Wilson was not directly involved in writing the Principia.
Notable symbols in the book include the Apple of Discord, the pentagon, and the "Sacred Chao", which resembles the Taijitu of Taoism, but the two principles depicted are "Hodge" and "Podge" rather than yin and yang, and they are represented by the apple and the pentagon, and not by dots. Saints identified include Emperor Norton, Yossarian, Don Quixote, and Bokonon. The Principia also introduces the mysterious word "fnord", later popularized in The Illuminatus! Trilogy; the trilogy itself is mentioned in the afterword to the Loompanics edition, and in the various introductions to the fifth editions.
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