Aklanon people

The Aklanon people are part of the wider Visayan ethnolinguistic group, who constitute the largest Filipino ethnolinguistic group.

Ph locator map aklan
Location of Aklan, home of the Aklanons
Total population
500,000–1,000,000 (est.) with Aklanon heritage
Regions with significant populations
Panay; Metro Manila, Mindanao, Romblon
 United States
Aklanon/Malaynon, Hiligaynon, Kinaray-a, Tagalog, English
Predominantly Roman Catholicism.
Also minority, Protestantism, others
Related ethnic groups
Filipinos (Ati, Karay-a, Hiligaynon, Romblomanon, Ratagnon, other Visayans), Austronesian peoples


Aklanon form the majority in the province of Aklan in Panay. They are also found in other Panay provinces such as Iloilo, Antique, and Capiz, as well as Romblon. Like the other Visayans, Aklanons have also found their way to Metro Manila, Mindanao, and even the United States.


The Aklanons are descendants of the Austronesian-speaking immigrants who came to the Philippines during the Iron Age. They got their name from the river Akean, which means where there is boiling or frothing.

Minuro it Akean

Aklan, originally known as Minuro it Akean, is considered to be the 2nd oldest province in the country and is believed to have been established as early as 1213 by settlers from Borneo. According to the tales of the Maragtas, Aklan once enjoyed primacy among the realms carved out in Panay by the 10 Bornean datus. These datus, after fleeing the tyranny of Rajah Makatunaw of Borneo, purchased the island from the Ati King Marikudo. The datus paid King Marikudo a golden saduk (helmet), gold necklace, coloured clothing, and small jewelleries in exchange of acquiring the Panay island ("Government of Aklan," 2019). They then established the sakup (states) of Hamtik, Akean (which includes the Capiz area), and Irong-irong, cultivated the land, and renamed the new nation as the Confederation of Madya-as (Madjaas). The datus supposedly landed in Malandog, Hamtik, where a marker commemorates the event which is reenacted in the Binirayan (literally, "place where the boats landed") Festival.

Tradition holds that the first ruler of Aklan was Datu Dinagandan who was dethroned in 1399, by Kalantiaw. In 1433, Kalantiaw III formulated a set of laws that is known today as the Code of Kalantiaw. William Henry Scott, a well-known American historian, later debunked the Code of Kalantiaw as a fraud.[1][2] However, many Filipinos, including Aklanons and other Visayans continue to believe this legend as true.

The capital of Akean changed several times. Towards the end of the 14th century, Datu Dinagandan moved the capital from the present Batan, which was captured in 1399 by Chinese adventurers under Kalantiaw. Kalantiaw established then a dynasty but it prematurely ended when his successor, Kalantiaw III, was slain in a duel with Datu Manduyog, the legitimate successor to Datu Dinagandan. When Manduyog became the new ruler, he moved the capital back to Bakan (ancient name of Banga) in 1437. Several datus succeeded Manduyog and when Miguel Lopez de Legaspi landed in Batan in 1565, Datu Kabanyag was ruling Aklan from what is now the town of Libacao.

(These historical vignettes have no historical record as credible basis, but have been manufactured in such a way as to acquire a hint of historical veracity and reinforced among school children primarily through yearly programs or shows supposedly commemorating those historical events. Nonetheless, these vignettes have found no support among the established and respected historians of the Philippines, and are thus relegated as folklore of no historical provenance or significance.)

Spanish Era

During the Spanish era, Aklanons were generally peaceful and did not revolt against Spanish rule in the area. However, the situation changed when two Aklanons, Francisco del Castillo and Candido Iban, joined the Katipunan with the intention of regaining the independence of Aklan along with the rest of the Philippines. Both were successful in ridding the area of Spaniards.


Currently, Aklanons enjoy some form of self-reliance since Aklan is now a province of the Philippines. Some Aklanons have also been active in Philippine politics, which includes [[Jose M. Hontiveros from Tangalan, Aklan became Senator representing district of Iloilo, Capiz, and Romblon from 1922-1928 and was appointed Justice of the Peace, Capiz, Capiz (1913-1916); Provincial Governor of Capiz (1916-1919); Auxiliary Judge, Court of First Instance (1929-1931); Judge of the Court of first Instance, 19th judicial district (1931-1933); and of the 22nd judicial district (1933-1934) and a Delegate representing 3rd District of Capiz in the July 10, 1934 Constitutional Convention]] Dr. Rafael S. Tumbokon, Former Undersecretary of Healh[[Godofredo P. Ramos, Father of Aklan, Conressman, Governor, delegate to the 1971 Constitutional Convention and Justice of the Court of Appeals and was appointed Foreign Affairs Secretary by President Marcos replacing Carlos P. Romulo but did not materialized whe died of cancer before his appointment is approved]](Incumbent Senator Risa Hontiveros, the Grand niece of Sen. Jose M. Hontiveros Alejandro Melchor, Victorino Mapa, and Cardinal Jaime Sin, who was active in the two People Power Revolutions.

Senator Jose M. Hontiveros was never mentioned among the Prominent Aklanons who has been active in politics because during his time as Senator Aklan was just the 3rd Congressional District of Capiz and so he was known to be a Capiznon. But his Birthplace is Tangalan, Aklan (CApiz) to Leon Hontiveros and Genoviva Miraflores on March 19, 1899.

Aklanons are also known throughout the Philippines due to the location of Boracay, one of the major tourist destinations in the country.


Aklanons number about 500,000. They are culturally close to the Karay-a and Hiligaynons. This similarity has been shown by customs, traditions, and language.


Aklanons speak the Aklan languages, which includes Aklanon and Malaynon. Ati and Kinaray-a are also spoken to some extent. Meanwhile, Hiligaynon is used as a regional language. Aklanon and Hiligaynon are spoken by Aklanons in Metro Manila, while the official languages of the Philippines, Filipino and English are taught at school.


Prior to the arrival of the Spaniards, the Aklanons likely practised the "worship" of Anitos. However, after Spanish colonization, the majority of Aklanons have become devout Roman Catholics. They are known by their devotion to the Santo Niño or Child Jesus, as shown in the Ati-atihan festival.But originally the Ati-atihan festival is called "Viva Kay Sr. Sto. Nino" and this festival has been celebrated by our forefathers according to my grandmother who was from Lezo, Aklan and during our childhood we sill celebrate this as "Viva Kay Sr. Sto. Nino".It was just in 1960 when the name of the fiesta was change to "Kalibo Ati-atihan Festival" when the then Mayor Federico Icamina was elected in 1959 as Mayor and started Inviting Visitors to witness the Sto. Nino Festival and from there "Kalibo ati-atihan was born and became World Famous Festival in every 3rd Sunday of January.

This celebration is much more different from they had in Iloilo. Antique, Capiz and Negros. Theres were Choreograph Presentations, The "Viva Kay Senyor Santo Nino" is purely merry making like "mardi gras" in praise of the "Sto. Nino". Anyone can join any group dancing on the streets, no one will prohibit you from dancing with their group and in fact they, members of the group welcomes your joining them and too proud of it. You can see the difference and from there you can make your own imagination "why there is merry making dancing on the streets in honor of the "Sto. Nino". What was the event for..? And as far as I can remember, Dinagyang of Iloilo, Halaran of Capiz, Binirayan of Antique and Maskara of Negros was organized during Martial Law period Already. More than A Century behind the "Viva Kay Sr. Sto. Nino" Festivals of Kalibo, Makato, Ibajay and Altavas all of the Province of Aklan. So this is not just kalibo, but Almost a Province wide Celebration in honor of the Sto. Nino and almost all this celebration are one and the same, Street dancing and Merry making and no Choreographic Presentations.

The Celebration of the Sto. Nino is not just in Kalibo, it is also being celebrated in Makato, Aklan in every January 15 of each Year; and January 21 in Ibajay, aklan and January 26 in Alatavas, Aklan.

Aklanons also practice processions during religious holidays such as the Salubong.


The Mobonians2007
A group of dancers performing in the 2007 Ati-Atihan Festival

Most Aklanons engage in agriculture while those in the coastal areas engage in fishing. They also make handicrafts. Music, such as courtship songs or kundiman, wedding hymns, and funeral recitals, are well-developed, as it is with dance.

There are still a lot of Cultural Dances that has never been mentioned by some historians and these dances are the ethnic dance of the Minority groups in the hinterlands of Libacao, Aklan, the barangay Rosal bounding Tapaz, Capiz and this minority group is called the "Pan-ayanon". These dances are the following: Binanog, Panagaytay, Inagong, Sotes, Pahid, Patadyong Dance, and Nigo Dance. Those were the real culutral/Ethnic dance that historians are unaware of.

AS to the name given by the Indigenous People's Satff from Iloilo who went to Libacao and organized it is not acceptable to Libacaonons, "The Tribu Bukidnon"..this Tribu bukidnon never exist in the history of Libacao or Aklan in general. As far as I can remember the Minority group in the hinterlands of libacao is the "Pan-ayanon" who are ethnic Libacaonon and Pan-ay, Tapaz because formerly Pan-ay, Tapaz and Libacao are both part of the Province of Capiz and these are the places where their Tribe used to Live. They have what we called the Minuro as their seat of govt and they have their Chieftains. These Tribe are warlike people having Talibong, Bankaw, Esi, Tara-tara as their weapons and Taming(shield made of wood as their Shield.These people are so artistic. They made their own Silver jewelries like earings, necklaces as long as 5–6 ft made from US coin silvers and some silver ornaments to the handles of Talibong and Bankaw and they have learned the art of a good Silversmith and those necklaces are being used when they have celebrations and performing the ethnic dances.

The other tribe is the Tag-ilaya who were from the barangays of Oyang and Dalagsaan. The Tag-ilayas has no much culture to tell but only their being warlike and using the same weapons as the Pan-ayanon. These 2 Tribes of the hinterlands of Libacao are clanish people and their main livelihood since time immemorial is the Abaca Fibers. Aklan is one of the producers of Abaca in Region VI and Libacao has almost 90% of it.

Historically, Aklanons practised tattooing, sometimes including henna, but abandoned the practice during the Spanish era. Recently, however, there has been a revival of it in Boracay island, which is caused primarily by its popularity with tourists.

They are among the Filipino ancestries that are tolerant to the Negritos, such as the Ati.


The Aklanons have a long tradition in literature with Marikudo as the most notable. Currently, many writers of Aklanon origin, including Melchor F. Cichon, have been trying to introduce Aklanon literature into the mainstream.


Like other Western Visayans, Aklanons are known to believe in the aswang. Tales about these creatures are common among Aklanons and superstitions are practised to ward against the danger brought by the aswang. AS to this Aswang, which means witch or maybe cannibals are maybe true or not.

See also


  1. ^ Morrow, Paul (2003-01-30). "The Fraudulent Code of Kalantiáw". Archived from the original on 2006-11-12. Retrieved 2006-11-09.
  2. ^ Augusto V. de Viana (2006-06-17). "www.manilatimes.net/national/2006/sept/17/yehey/top_stories/20060917top3.html". The Sunday Times. Archived from the original on 2007-03-10. Retrieved 2006-11-09.

External links


Aklanon may refer to:

The Aklanon people

The Aklanon language

Aklanon language

Aklanon (Akeanon), also known as Aklan, is a regional Visayan language spoken in the province of Aklan on the island of Panay in the Philippines. Its unique feature among other Visayan languages is the close-mid back unrounded vowel [ɤ] occurring as part of diphthongs and traditionally written with the letter E such as in the name Akeanon (Aklanon). However, this phoneme is also present in sister Philippine languages, namely Itbayat, Isneg, Manobo, Samal and Sagada.The Malaynon dialect is 93% lexically similar to Aklanon and retained the "l" sounds, which elsewhere are often pronounced as "r".Ibayjanon (Ibajaynon) dialect has shortened versions of Aklanon words.

Carlos Magdaluyo

Carlos Villanueva Magdaluyo (May 20, 1921 – 1995) was a Filipino businessman. He was influential in the movement to revitalize and nationalize casinos in the Philippine gambling industry.

Ethnic groups of Southeast Asia

The ethnic groups of Southeast Asia comprise many different linguistic stocks. Apart from Negrito, which is a physical description, they are here arranged according to the family their languages belong to. The Southeast Asian population stands at 641 million (2017).

Intangible Cultural Heritage of the Philippines

Intangible cultural heritage (ICH) includes traditions and living expressions that are passed down from generation to generation within a particular community.

The Philippines, with the National Commission for Culture and the Arts as the de facto Ministry of Culture, ratified the 2003 Convention after its formal deposit in August 2006. This implies that there is an obligation to carry out the objectives of the convention to ensure the safeguarding of intangible cultural heritage. This includes identifying and documenting viable ICH elements, safeguarding and promoting viable ICH, fostering scientific, technical and artistic studies, and provide technical assistance and training in the field of ICH.

Prior to the 2003 Convention, the Philippines was invited by UNESCO to nominate intangible heritage elements for the inclusion to the Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity. This prompted the proclamation of the Hudhud chant of the Ifugao in 2001 and Darangen epic chant of the Maranao in 2005. After the establishment of the 2003 Convention, all entries to the Proclamation of Masterpieces were incorporated in the Representative List of Intangible Cultural Heritage of Humanity in 2008. A third inscription was made in 2015 through a multinational nomination between Cambodia, the Philippines, the Republic of Korea and Viet Nam for the Tugging Rituals and Games, wherein the Punnuk, tugging ritual of the Ifugao was included.

As part of the objective of the 2003 Convention, the National Commission for Culture and the Arts through the Intangible Cultural Heritage unit and in partnership with ICHCAP, published the Pinagmulan: Enumeration from the Philippine Inventory of Intangible Cultural Heritage in 2012. The publication contains an initial inventory of 335 ICH elements with elaborate discussions on 109 ICH elements. The elements listed are the first batch of continuous updating process initiated by the government, UNESCO, and other stakeholders. In 2014, the Pinagmulan was a finalist under the category of the Elfren S. Cruz Prize for Best Book in the Social Sciences to the National Book Awards organized by the National Book Development Board. The Philippine inventory is currently being updated as a measure to safeguard more intangible cultural heritage elements in the country. The updating began in 2013 and results may be released in 5–10 years after the scientific process finishes the second batch of element documentations. According to UNESCO, it is not expected by a country or state party to have a completed inventory. On the contrary, the development and updating of inventories is an ongoing process that can never be finished.Between 2015 and 2017, UNESCO's Intangible Cultural Heritage Courier of Asia and the Pacific featured the darangen epic chant, punnuk tugging ritual, and at least three kinds of traditional healing practices in the Philippines, including the manghihilot and albularyo healing practices and belief of buhay na tubig (living water) of the Tagalog people of 20th century Quezon city, the baglan and mandadawak healing practices and stone beliefs of the Itneg people in Abra, and the mantatawak healing practices of the Tagalog people of Marinduque.By 2016, according to the ICH Unit, National Commission for Culture and the Arts, there were 367 elements listed under the Philippine Inventory of Intangible Cultural Heritage (PIICH), the official ICH inventory of the Philippines. All elements under the PIICH are listed in Philippine Registry of Cultural Property (PRECUP), the official cultural property inventory of the country which includes both tangible and intangible cultural properties. In April 2018, the buklog of the Subanen people was nominated by the National Commission for Culture and the Arts in the list for urgent safeguarding.


Pusô or tamu, sometimes known in Philippine English as "hanging rice", is a Filipino rice cake made by boiling rice in a woven pouch of palm leaves. It is most commonly found in octahedral, diamond, or rectangular shapes, but it can also come in various other intricately woven complex forms. It is known under many different names throughout the Philippines with numerous variations, but it is usually associated with the street food cultures of the Visayan and Moro peoples.Pusô refers to the way of cooking and serving rice on woven leaves, and thus does not refer to a specific recipe. It can actually refer to many different ways of preparing rice, ranging from plain, to savory or sweet. Regardless, all of them are woven pouches where rice is poured inside and cooked by boiling. Pusô are differentiated from other leaf-wrapped Filipino dishes like suman, binalot, and pastil, in that the latter use leaves that are simply wrapped around the food and folded or tied. Pusô, in contrast, uses intricate woven leaves as the pouch.

Pusô is traditionally prepared as a way to pack rice for journeys and is eaten held in the hands while standing, usually paired with meat or seafood cooked on skewers (commonly satti or "barbecue"). It is still eaten this way from street food peddlers (pungko-pungko). In seated dining, it is commonly cut into pieces and served on a plate in place of regular rice.Pusô were once culturally important among pre-Hispanic Filipinos as offerings to the diwata spirits and as an extension of the basic skill of weaving among women. It became linked to festivities since they were commonly served during religious events, especially the more complex woven variations. It is still used in rituals in some parts of the Philippines today, though the rituals themselves have been mostly Christianized. Similarly, it remained culturally important to Muslim Filipinos, where it became symbolic of the Hari Raya feast.

Pusô is related to similar dishes in other rice-farming Austronesian cultures, most notably the Malaysian and Indonesian ketupat, although the latter is restricted to diamond shapes and is woven differently. A very similar octahedron-shaped version called atupat was also found in pre-colonial Guam, before the ancient rice cultivation in the island was replaced by corn brought by the Spanish.

or Expatriates

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