Adult comics

The term adult comics typically denotes comic books, comic magazines, comic strips or graphic novels with content of an erotic, violent, or sophisticated nature, which appeals to adult readers. They are sometimes restricted to purchase by legal adults, especially erotic comics which include sexually explicit material.

Adult comics
FictionHouse house ad
House ad, Fiction House (defunct magazine & comics publisher), Wings #61, 1945, Fiction House
This topic covers comics that fall under the adult genre.
PublishersVertigo (DC Comics)
Marvel Comics' Max line
Metal Mammoth
NBM Publishing
Fantagraphics Books

Early days

Roger Sabin traces the history of adult comics back to the political cartoons published in broadsheets since the 19th century.[1] In the 1930s, there were clandestinely produced tijuana bibles – rectangular, eight page pamphlets with black printing on cheap white paper. The artwork ranged from excellent to utterly crude and was sometimes also racist (Blacks were caricatured with huge lips and extruding eyes). Their stories were explicit sexual escapades usually featuring well known cartoon characters, political figures, or movie stars (without permission).

Sold under the counter in places such as tobacco stores and burlesque houses, millions of tijuana bibles were sold at the height of their popularity in the 1930s. They went into a steep decline after World War II and by the mid-1950s only a small trickle of new product was still appearing on the market, mainly in the form of cheaply printed, poorly drawn and tasteless little eight pagers which sold for 10 cents each in run down candy stores and gas stations, circulating mainly among delinquent teenagers.

Starting in 1932, Norman Pett drew a strip called Jane for the British Daily Mirror newspaper. The heroine would often find herself in awkward situations where she would lose her clothing for one reason or another. The strip was written to some extent for a military audience to boost the morale of troops away from home. Winston Churchill said that Jane was Britain's "secret weapon".[2]

In the United States, pulp magazines such as Harry Donenfeld's Spicy Detective featured comics on heroines who lose their clothing, such as Adolphe Barreaux's Sally the Sleuth which debuted in 1934. Many of the early comic publishers got their start in the pulps with Donenfeld for instance going on to found DC Comics. Fiction House similarly started as a pulp magazine publisher, but in 1938, released Jumbo Comics featuring Sheena, Queen of the Jungle, the first of many scantily clad jungle girls. Fiction House comics routinely featured attractive women on the covers, a trend which later became referred to as 'good girl art.' In 1941, Quality Comics put out Police Comics featuring Phantom Lady, a scantily clad crime fighter. Fox Feature Syndicate eventually began publishing Phantom Lady where she was drawn by Matt Baker, one of the most famous 'good girl' artists. Milton Caniff started producing the comic strip Male Call in 1943, and Bill Ward came out with Torchy in 1944 featuring sexy heroines.

Pulp magazines were also known for their violence. The Shadow carried two guns for killing criminals, and Batman also wielded a gun from 1939 through 1944 before giving it up. Crime and horror comics were popular genres in the late 1940s and early 1950s with such titles as Lev Gleason Publications' Crime Does Not Pay, EC Comics' Crime Suspenstories, Crypt of Terror, Tales From the Crypt and Vault of Horror all enjoying brief spells of interest. It is believed that EC had one of the best-selling lines at the time. Harvey Kurtzman was one of the key writers for EC, and artists such as Wally Wood or Al Williamson began to do research for each new story far beyond what had been seen in titles published up to that time.

In the 1950s Irving Klaw published a line of underground fetish and bondage comics by artists like Eric Stanton, John Willie, and Gene Bilbrew. These never achieved widespread popularity but were kept in print for many years, sold through Klaw's mail order catalog to the same customers who bought his bondage photographs of Bettie Page. Not quite obscene enough to warrant prosecution, they skirted the limits of legality by avoiding full frontal nudity in their depictions.

The Comics Code Authority

In 1954, a psychologist Dr. Fredric Wertham came out with a book Seduction of the Innocent that claimed that the rise in juvenile delinquency being reported in the news at the time was fueled by comic books. He claimed that Batman and Robin were encouraging homosexuality, and decried the bondage seen in Wonder Women's book. EC Comics came under criticism for the graphic violence and gore seen in its crime and horror books. EC publisher William Gaines was called before a Senate committee to testify, but he remained defensive saying that he was already censoring the more extreme things from his books. Partly in order to avoid the government imposing a solution, the other major publishers banded together to form the Comics Code Authority which would screen comics before they went to press, and only allow the Code mark to appear if the comic passed their standards.

The Code was alarmingly strict. It barred publishers from using the words 'crime,' 'horror' or 'terror' in their titles, thus forcing EC to abandon some of their most popular titles. Police officers could not be portrayed in a negative light, and if a villain committed murder, he would have to be caught and punished by the end of the story. No mention was allowed of vampires, werewolves or zombies, another swipe at EC. Years later when Marvel introduced zombies into their books, they had to call them 'zuvembies' in order to pass the Code. In general, DC and Marvel were supportive of the Code, but EC struggled to cope with the new rules, and eventually abandoned most of their titles to focus on Mad Magazine, which did not need Code approval.

The code also contained provisions against suggestive or salacious illustration, and required that females be drawn realistically without undue exposure. This was a knock at Fiction House's good girl art covers, and may have contributed to Fiction House's closure.

Magazines and comic strips

North American comic books tend to be around 7 by 10 inches in size. Magazines vary, but are usually larger. Comic books tended to have a Comic Code label marking them as suitable for children, while magazines had no such requirement. This led to magazines becoming one of the most common formats for adult comics.

Playboy magazine first came out in 1953. It would feature single panel cartoons by artists such as Alberto Vargas, Archie Comics artist Dan DeCarlo, Jack Cole, LeRoy Neiman and later Olivia De Berardinis and Dean Yeagle.

In the mid 1960s, Playboy magazine started including a multipage strip called Little Annie Fanny by EC alumni Harvey Kurtzman and Will Elder with an occasional assist from artist Frank Frazetta. Annie had trouble keeping her clothes on, a trend seen also in the strips The Adventures of Phoebe Zeit-Geist, Wally Wood's Sally Forth, and Penthouse 's Oh Wicked Wanda by Ron Embleton. Penthouse would later put out a number of erotic comic magazines: Penthouse Comix, Penthouse Men's Adventure and Penthouse Max with the likes of Adam Hughes contributing artwork.

From 1965, Warren Publishing started publishing two black and white magazines, Creepy and Eerie, commissioning work from the artists who had worked on EC's horror line. Warren added Vampirella in 1969, and then the science fiction magazine titled 1984 (later 1994) starting in the year 1978. The large format of these titles meant that they could be sold with other magazines aimed at adults rather than displayed in comic racks where the child-oriented titles were found.

The publishers of the American humor magazine National Lampoon discovered the French adult magazine Métal hurlant, and in 1977 started publishing Heavy Metal translating the work of Jean-Claude Forest, Jean Giraud, Guido Crepax, Milo Manara and Vittorio Giardino for an English audience. Heavy Metal also provided a forum for the work of American creators such as Richard Corben and Howard Chaykin.

In 1983, Warren went bankrupt, but more recently, Dark Horse Comics has been reprinting some of Warren's old stories, and has revived the Creepy and Eerie magazines.

Underground comics

Adult comics continued underground in the late 1960s outside the umbrella of the CCA. The underground comics movement was spearheaded by creators such as Art Spiegelman, Robert Crumb, Harvey Pekar, Kim Deitch and Spain Rodriguez. Larry Welz appeared in the 1980s with his Cherry book, an underground-style erotic parody of Archie Comics. These titles were often sold at head shops, but these establishments were often at loggerheads with the police, sometimes making distribution difficult.

Independent publishers

In 1966, Wally Wood hit upon the idea of publishing his own comic, and selling it through comic book specialty shops. Recruiting star creators from among his friends, witzend featured one-off strips on a wide variety of themes by the likes of Jack Kirby, Steve Ditko, Frank Frazetta, Gil Kane and Art Spiegelman.

Fantagraphics Books began in 1976, publishing the Comics Journal and later Amazing Heroes with text articles about the comics field, but they began publishing actual comics in 1982, notably Love and Rockets by Gilbert and Jaime Hernandez. In 1990, Fantagraphics established their Eros Comix imprint, reprinting titles by Wally Wood and Frank Thorne as well as Gilbert's Birdland.

Canadian Dave Sim began publishing Cerebus in 1977, and Richard and Wendy Pini put out Elfquest starting in 1978, initially through their own WaRP company. Pacific Comics was formed in 1981, and became the first publisher of Dave Stevens's Rocketeer which was eventually made into a movie. Stevens modeled one of the characters on Bettie Page harkening back to an earlier era of clandestine publishing.

Antarctic Press was founded in 1984, and publishes American manga and independent creators, notably Terry Moore's Strangers in Paradise.

Dark Horse Comics was founded in 1986. Its first comic book was the adult-oriented anthology, Dark Horse Presents, which published Frank Miller's noirish Sin City, later made into a feature film.

Avatar Press began providing a showcase for the works of Alan Moore and Al Rio in 1996. Top Shelf Productions was formed in 1997, publishing Moore and Melinda Gebbie's Lost Girls erotic graphic novel.

Mainstream publishers

The publisher of Marvel Comics in the 1960s, Martin Goodman, was also the publisher for a number of men's adventure magazines: Men, Male and Stag. In these magazines, they included a strip called The Adventures of Pussycat drawn by Wally Wood and Bill Ward. These strips were eventually collected, and released as a one-shot magazine in 1968. Inside, it is listed as being printed by Marvel Comics, but there is no Marvel logo on the cover, nor any Comics Code mark. The lack of a Comics Code mark came to be a subtle sign that one might find adult content inside.

Intrigued by Warren's success with their black and white titles, Marvel Comics tried their hand at this field as well releasing Savage Tales starting in 1971, Tomb of Dracula in 1972 and Savage Sword of Conan in 1974. In 1974, Marvel even released three issues of Comix Book under their Curtis imprint featuring the work of underground creators. Heavy Metal 's success with glossy color science fiction and fantasy didn't go unnoticed either, and in 1980, Marvel released their Epic Illustrated magazine as well as a number of adult themed graphic novels under the Epic label. By 1986 though, they had cancelled Epic Illustrated, although Savage Sword of Conan continued running until 1995.

By the 1980s, there was a growing trend towards grim and gritty anti-heroes and increasing violence in comics. Marvel Comics' Punisher received his own title in 1985, and in 1986, DC Comics' Watchmen by Alan Moore and The Dark Knight Returns by Frank Miller explored issues related to vigilantes.

In 1986, DC Comics started publishing comics with the words "For Mature Readers" or "Suggested for Mature Readers" on their covers. These mature readers titles included The Shadow (1986), The Question (from #8 1987-), Slash Maraud (1987-8), Swamp Thing (from #57 1987-), Vigilante (from #44 1987-8), Wasteland (1987-), Batman: The Killing Joke (1988), Green Arrow (#1-62 1988-92), Haywire (1988-9), Hellblazer (1988-), Tailgunner Jo (1988-9), V for Vendetta (1988-), Blackhawk (1989–90), Deadman: Love After Death (1989), Gilgamesh II (1989), The Sandman (1989-), Doom Patrol (1990-), Shade the Changing Man (1990-), Twilight (1990), World Without End (1990-1), Mister E (1991), Animal Man (1992-), Deadman: Exorcism (1992) and Mighty Love (2004).

In 1993, DC started up their Vertigo imprint that allowed explicit content in selected titles, grouping a number of their mature readers titles together. Notable Vertigo titles include the Eisner Award winners, Fables, 100 Bullets, Preacher and The Sandman as well as several books that have been adapted into feature films, Hellblazer, A History of Violence, Stardust and V for Vendetta.

In 2001, Marvel Comics withdrew from the Comics Code Authority, and set up their own content rating system, and an adult-oriented Max imprint. In January 2011, DC announced that they were withdrawing from the Comics Code as well, and the sole remaining CCA member Archie Comics withdrew the day after, bringing the code to its end.

Female artists and writers

Although most writers and artists of adult comics have been men, there have been a number of women working in the field. As mentioned above, Olivia De Berardinis contributes illustrations to Playboy magazine. Elaine Lee, a writer who has worked for both DC and Marvel, collaborated with artist Michael Kaluta to produce Skin Tight Orbit, a collection of adult short stories published by NBM for their Amerotica label. Wendy Pini has also worked for Marvel, but is perhaps best known for her Elfquest series which she produced with her husband Richard. Amanda Conner was one of the artists who worked on DC/Vertigo's Codename: Knockout. Melinda Gebbie was the artist who worked with Alan Moore on the erotic Lost Girls graphic novel. Giovanna Casotto is an Italian actress and artist who draws erotic comics.

Erotic comics

Some adult comics are pornographic, focusing substantially on sexual activity, either for its own sake or as a major story element. As such they are usually not permitted to be legally sold to minors. Some examples grew out of the underground comix scene, such as Cherry by Larry Welz, which parodied Archie Comics. Omaha the Cat Dancer by Kate Worley and Reed Waller combined sexually explicit material with a melodrama featuring anthropomorphic animals. XXXenophile by Phil Folgio blended science fiction and fantasy scenarios with sexual situations.

Early comics produced for gay and bisexual male readers often focused on sexual situations, such as Kake by Tom of Finland and Harry Chess by Al Shapiro. Although gay comics have expanded to cover a variety of genres, erotica has continued to be popular sometimes incorporated into other genres, such as the erotic superheroes published by Class Comics, the wordless graphic novels written by Dale Lazarov, and yaoi hentai produced in Japan.


The French comics anthology Pilote was published from 1959–89, and featured the work of adult-oriented creators such as Jean Giraud (Moebius), Guido Crepax, Caza and the American Robert Crumb. By 1974, Jean Giraud and some of his comrades had become dissatisfied with Pilote, and broke off to found the Metal Hurlant magazine to showcase adult comics in the science fiction or fantasy genres.

In France in 1962, Jean-Claude Forest started producing a strip called Barbarella, set in outer space, but where the heroine found herself losing her clothing or ending up in sexual situations.

By the mid-1960s, there were quite a few comic strips featuring sexually-liberated heroines: Modesty Blaise and Mayfair 's Carrie by Don Lawrence in England, The Adventures of Jodelle in France, Isabella (by Sandro Angiolini) and Valentina in Italy.

In 1977, the British anthology 2000 A.D. first appeared, and featured the work of many writers and artists who were to become influential in the adult comics field in the U.S. later, notably Alan Moore and Dave Gibbons who created Watchmen and Neil Gaiman who went on to work on The Sandman. Another popular British magazine is Viz which parodies earlier British comics anthologies with an injection of incongruous sex or violence. While 2000 A.D. is adventure-oriented, and Viz focused on potty humor, Raymond Briggs tried to give British comics a more serious tone with works such as When the Wind Blows about an older couple trying to come to terms with the aftermath of a nuclear attack.

In 1978, the Belgian company Casterman started putting out the magazine À Suivre attracting submissions by many of the same contributors who were seen in Metal Hurlant. Catalan Communications and more recently NBM Publishing have also published adult works from Europe mostly as standalone graphic novels, although NBM now has an anthology magazine called Sizzle.

Horacio Altuna is an Argentine artist who has done many four page strips for Playboy Magazine's Spanish, Italian and German editions.

Japanese manga

In Japan, comic books (manga) intended for adults are usually divided into 'seinen manga' (青年漫画 comics for men) and 'josei manga' (女性漫画 comics for women). Erotic comics aimed at men are referred to as 'seijin-muke manga' (成人向け漫画) or 'ero manga' and those aimed at women are called 'ladies comics' (レーディーズ・コミック) (see also the English loanword 'hentai'). Shonen manga for boys tend to outsell seinen manga which in turn outsell seijin-muke manga.[3]

Some of the first specialized manga magazines were aimed at adult men. Weekly Manga Times debuted in 1956, and originally focused on erotic fiction and 'porno manga'. Weekly Manga Goraku first came out in 1964, and was also aimed at the relatively older demographic of men from their 30s through to their 50s. Manga Action and Young Comic debuted in 1967, followed by Big Comic in 1968, with Weekly Young Jump following in 1979, and Weekly Young Magazine in 1980. Manga with the word 'young' in the title tend to be aimed at a younger demographic of 15-30s.

Notable artists and writers

See also


  1. ^ Roger Sabin. Adult Comics: An Introduction (Taylor & Francis, 1993, ISBN 0-415-04419-7, Routledge, 2005, ISBN 0-415-29139-9) p. 15
  2. ^
  3. ^ Japan Magazine Publishers Association Magazine Data 2007 Archived 2012-03-15 at the Wayback Machine
Alternative comics

Alternative comics cover a range of American comics that have appeared since the 1980s, following the underground comix movement of the late 1960s and early 1970s. Alternative comics present an alternative to mainstream superhero comics which in the past have dominated the American comic book industry. Alternative comic books span a wide range of genres, artistic styles, and subjects.

Alternative comics are often published in small numbers as the author(s) deem fit. They are often published with less regard for regular distribution schedules.

Many alternative comics have variously been labelled post-underground comics, independent comics, indie comics, auteur comics, small press comics, new wave comics, creator-owned comics, art comics, or literary comics. Many self-published "minicomics" also fall under the "alternative" umbrella.

Avatar Press

Avatar Press is an independent American publisher of comic books, founded in 1996 by William A. Christensen, and based in Rantoul, Illinois. Avatar Press is most notable for publishing "Bad Girl" comics such as Pandora, the hardcore pornographic Jungle Fantasy Hellina, Lookers, The Ravening, and Brian Pulido's Lady Death.

Currently, Avatar publishes several ongoing series. They have a strong web presence, anchored by Warren Ellis' FreakAngels webcomic, as well as the comics news site Bleeding Cool, helmed by Rich Johnston.

Coyote (comics)

Coyote is an American comic book series created by Steve Englehart and Marshall Rogers.

Dark Horse Comics

Dark Horse Comics is an American comic book and manga publisher. It was founded in 1986 by Mike Richardson in Milwaukie, Oregon.

Richardson started out by opening his first comic book store, Pegasus Books, in Bend, Oregon, in 1980. From there he was able to use the funds from his retail operation to start his own publishing company. Dark Horse Presents and Boris the Bear were the two initial titles in 1986 and within one year of its first publication, Dark Horse Comics added nine new titles to its roster, including Hellboy, The American, The Mask, Trekker, and Black Cross. Frank Miller's Sin City is one of the most famous works associated with Dark Horse, and it has become something of a signature comic to the publishing house. They also established a reputation for publishing licensed works such as Aliens, Buffy the Vampire Slayer, Conan, and Star Wars.

In 2011, Dark Horse Presents relaunched including the return of Paul Chadwick's Concrete and Steve Niles' Criminal Macabre, as well as new talent including Sanford Greene, Carla Speed McNeil, Nate Crosby and others. In late summer of 2018 a set of comic books for Mysticons were released.

Deadline (magazine)

Deadline was a British comics magazine published between 1988 and 1995.

Created by 2000 AD artists Brett Ewins and Steve Dillon, Deadline featured a mix of comic strips and written articles aimed at older readers. Although similar to the likes of Crisis, Revolver and Toxic! which emerged during the magazine's heyday, Deadline alone managed to sustain its impact beyond the first few issues and had a cultural influence beyond the comics world. Deadline was published by Deadline Publications Ltd.

Dennis Publishing

Dennis Publishing Ltd. is an independent publisher founded in 1974.

Epic Comics

Epic Comics (also known as the Epic Comics Group) was a creator-owned imprint of Marvel Comics started in 1982, lasting through the mid-1990s, and being briefly revived on a small scale in the mid-2000s.

Epic Illustrated

Epic Illustrated was a comics anthology in magazine format published in the United States by Marvel Comics. Similar to the US-licensed comic book magazine Heavy Metal, it allowed explicit content to be featured, unlike the traditional American comic books of that time bound by the restrictive Comics Code Authority, as well as offering its writers and artists ownership rights and royalties in place of the industry-standard work for hire contracts. The series lasted 34 issues from Spring 1980–February 1986.

A color comic-book imprint, Epic Comics, was spun off in 1982.

Erotic comics

Erotic comics are adult comics which focus substantially on nudity and sexual activity, either for their own sake or as a major story element. As such they are usually not permitted to be sold to legal minors. Like other genres of comics, they can consist of single panels, short comic strips, comic books, or graphic novels/albums. Although never a mainstream genre, they have existed as a niche alongside – but usually separate from – other genres of comics.

During the mid-twentieth century, most comics were produced for children, and in North America the contents of most comics were constrained by the Comics Code Authority to be suitable for children. Consequently erotic comics have sometimes been subject to criticism and extra scrutiny compared to other forms of erotic art and storytelling. Additionally, the application of laws against child pornography to materials featuring fictional characters with no legal ages, have varied internationally.


Kodansha Ltd. (株式会社講談社, Kabushiki-gaisha Kōdansha) is a Japanese publishing company headquartered in Bunkyō, Tokyo, Japan. Kodansha is the largest Japanese publishing company, and it produces the manga magazines Nakayoshi, Afternoon, Evening, and Weekly Shōnen Magazine, as well as more literary magazines such as Gunzō, Shūkan Gendai, and the Japanese dictionary Nihongo Daijiten. Kodansha was founded by Seiji Noma in 1909, and members of his family continue as its owners.

Max (comics)

Max (sometimes stylized as MAX Comics) is an imprint of Marvel Comics that specializes in comic book media aimed at adult-only readers. It was launched in 2001 after Marvel broke with the Comics Code Authority and established its own rating system.The Max imprint is not Marvel's first effort in featuring explicit content in their titles. The company's Epic Comics imprint in the 1980s and early 1990s often featured stronger content than their mainstream imprint. However, the Max imprint is the first time Marvel has specifically produced comics with uncensored content.

NBM Publishing

Nantier Beall Minoustchine Publishing Inc. (or NBM Publishing) is an American graphic novel publisher. Founded by Terry Nantier in 1976 as Flying Buttress Publications, NBM is one of the oldest graphic novel publishers in North America. The company publishes English adaptations and translations of popular European comics, compilations of classic comic strips, and original fiction and nonfiction graphic novels. In addition to NBM Graphic Novels, the company has several imprints including Papercutz with comics geared towards younger audiences, ComicsLit for literary graphic fiction, and Eurotica and Amerotica for adult comics.According to NBM, it is "the second largest indie comics press after Fantagraphics with close to $3MM in yearly retail sales on over 200,000 graphic novels sold a year plus tens of thousands of comic books and magazines". The company says their "editorial choices [...] take [their] cue from the large and well-respected European comics scene".

Poem Strip

Poem Strip (Italian: Poema a fumetti) is a 1969 comic book by the Italian writer and illustrator Dino Buzzati. It retells the myth of Orpheus and Eurydice, set in Milan in the 1960s. The aesthetics are influenced by 1960s pop culture. An English translation by Marina Harss was published in 2009.


Shogakukan Inc. (株式会社小学館, Kabushiki gaisha Shōgakukan) is a Japanese publisher of dictionaries, literature, manga, non-fiction, DVDs, and other media in Japan.Shogakukan founded Shueisha, which also founded Hakusensha. These are three separate companies, but are together called the Hitotsubashi Group, one of the largest publishing groups in Japan. Shogakukan is headquartered in the Shogakukan Building in Hitotsubashi, part of Kanda, Chiyoda, Tokyo, near the Jimbocho book district. The corporation also has the other two companies located in the same ward.


Shueisha Inc. (株式会社集英社, Kabushiki Gaisha Shūeisha, "Shueisha Publishing Co., Ltd.") is a Japanese company headquartered in Chiyoda, Tokyo, Japan. The company was founded in 1925 as the entertainment-related publishing division of Japanese publisher Shogakukan. The following year, Shueisha became a separate, independent company.

Magazines published by Shueisha include Weekly Shōnen Jump, Weekly Young Jump, Non-no and Ultra Jump. Shueisha, along with Shogakukan, owns Viz Media, which publishes manga from all three companies in North America.

Tintin in Thailand

Tintin in Thailand is a parody of The Adventures of Tintin books by Hergé, released in 1999. It is written and designed to emulate a volume of the Tintin books, but is the author's own story. It was written by a Belgian author, Baudouin de Duve, who used the alias Bud E. Weyser, a name that is a play on the name of American beer, Budweiser.


witzend, published on an irregular schedule spanning decades, is an underground comic showcasing contributions by comic book professionals, leading illustrators and new artists. witzend was launched in 1966 by the writer-artist Wallace Wood, who handed the reins to Bill Pearson (Wonderful Publishing Company) from 1968–1985. The title was printed in lower-case.

Young Animal (DC Comics)

Young Animal (trademarked as DC's Young Animal) is an inactive imprint of DC Comics founded in 2016. It was developed in collaboration with Gerard Way, an American musician and comic book writer, author of the Eisner Award-winning The Umbrella Academy. Its main focus is to relaunch characters and settings from the DC Universe in stories for mature readers, done with a more experimental approach than DC's primary line of superhero comics. The line is overseen by Vertigo group editor Jamie S. Rich and executive editor Mark Doyle. The line was placed on indefinite hold in August 2018, although Way has indicated it will return.Gerard Way has said that a shared theme of the Young Animal comics is "relationships between parents and children." Other themes he has cited are alienation, fame, change ("self-actualization and becoming something else"), as well as bullying, teenagers and drug use (in Shade, the Changing Girl), and eventually "a lot of personal stuff for me in Doom Patrol that deals with mature themes".

Zenescope Entertainment

Zenescope Entertainment is a comic book and graphic novel publisher headquartered in Horsham, Pennsylvania, co-founded by Joe Brusha and Ralph Tedesco in 2005. Zenescope publishes full-color action, fantasy and horror titles.Under their Silver Dragon imprint, Zenescope publishes all-ages and educational titles, partnering with companies like Discovery Channel and History Channel to develop content.

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