Adoption in Italy

Adoptions in Italy numbered 4,130 in 2010.[1] This figure relates to overseas adoptions, domestic adoption from within Italy being relatively difficult.

In 2006 there were 11,000 couples in Italy on the waiting lists of various adoption agencies.[2]

As in most jurisdictions, prospective adoptive parents are required to undergo assessment and must show that they will make suitable parents. Italian law[3] requires adopters to be married (or living together) for at least 3 years. There are also restrictions on the age difference between the prospective parents and the child or children they wish to adopt. On June 22, 2016, the possibility of stepchild adoption by LGBT couples was confirmed by the Court of Cassation in a decision published on 22 June 2016.[4] However, Italian law prohibits adoption by single parents, unless one of the parents inherited custody of the child through either legal separation or death of a spouse.[5]

According to statistical data published by the Italian Commissione per le Adozioni Internazionali,[6] 2010 was the year with the highest number of international adoptions by Italian couples. The Commission for International Adoptions, chaired by Undersecretary Senator Carlo Giovanardi, granted entry in Italy to 4130 children from 58 countries, up from 3964 in 2009 (4.2% increase), 639 of which were special needs children.

The first country of origin is the Russian Federation with 707 children, but there was a particularly high increase in the number of children from Colombia, who numbered 592 compared to 444 of 2009. Colombia is therefore the second largest country of origin, followed by Ukraine with 426 adoptions, Brazil with 318, Ethiopia with 274, Vietnam with 251 and Poland with 193.

There was a significant increase of children from Latin America (+16.34%) and Asia (+34.71%) despite changes in domestic laws taking place in countries such as Vietnam, Cambodia and Nepal. Children from African countries numbered 443.

The Italian region with the highest number of adoptions is Lombardy, followed by Latium, Tuscany and Veneto, but a significant increase was noted in the southern regions, especially Campania, Apulia, Calabria and Sardinia. The only region where international adoptions in 2010 decreased by 14% was Sicily.

Foreign children adopted by Italian couples in 2010 were on average 6 years old, up from 5.9 in 2009.

See also

References

  1. ^ [1] Commissione Adozioni Internazionali
  2. ^ [2] The Guardian
  3. ^ Art. 6 of law 184/83 (modified by law 149/2001)
  4. ^ (in Italian)"Cassazione, via libera alla stepchild adoption in casi particolari". Repubblica.
  5. ^ http://www.adoptionpolicy.org/pdf/eu-italy.pdf
  6. ^ http://www.commissioneadozioni.it/media/68239/prereport_adozioni2010.pdf

External links

Index of Italy-related articles

The following is an alphabetical list of articles related to Italy.

Outline of adoption

The following outline is provided as an overview of and topical guide to adoption:

Adoption – process whereby a person assumes the parenting for another and, in so doing, permanently transfers all rights and responsibilities from the original parent or parents. Adopters assume parenting responsibilities by a legal process.

Renaissance art

Renaissance art is the painting, sculpture and decorative arts of the period of European history, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music, and science. Renaissance art, perceived as the noblest of ancient traditions, took as its foundation the art of Classical antiquity, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Renaissance art, with Renaissance Humanist philosophy, spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.

In many parts of Europe, Early Renaissance art was created in parallel with Late Medieval art.

Renaissance art, painting, sculpture, architecture, music, and literature produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. Scholars no longer believe that the Renaissance marked an abrupt break with medieval values, as is suggested by the French word renaissance, literally “rebirth.” Rather, historical sources suggest that interest in nature, humanistic learning, and individualism were already present in the late medieval period and became dominant in 15th- and 16th-century Italy concurrently with social and economic changes such as the secularization of daily life, the rise of a rational money-credit economy, and greatly increased social mobility.

The influences upon the development of Renaissance men and women in the early 15th century are those that also affected Philosophy, Literature, Architecture, Theology, Science, Government, and other aspects of society. The following list presents a summary, dealt with more fully in the main articles that are cited above.

Classical texts, lost to European scholars for centuries, became available. These included Philosophy, Prose, Poetry, Drama, Science, a thesis on the Arts, and Early Christian Theology.

Simultaneously, Europe gained access to advanced mathematics which had its provenance in the works of Islamic scholars.

The advent of movable type printing in the 15th century meant that ideas could be disseminated easily, and an increasing number of books were written for a broad public.

The establishment of the Medici Bank and the subsequent trade it generated brought unprecedented wealth to a single Italian city, Florence.

Cosimo de' Medici set a new standard for patronage of the arts, not associated with the church or monarchy.

Humanist philosophy meant that man's relationship with humanity, the universe and with God was no longer the exclusive province of the Church.

A revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Brunelleschi and sculptor Donatello. The revival of a style of architecture based on classical precedents inspired a corresponding classicism in painting and sculpture, which manifested itself as early as the 1420s in the paintings of Masaccio and Uccello.

The improvement of oil paint and developments in oil-painting technique by Dutch artists such as Robert Campin, Jan van Eyck, Rogier van der Weyden and Hugo van der Goes led to its adoption in Italy from about 1475 and had ultimately lasting effects on painting practices, worldwide.

The serendipitous presence within the region of Florence in the early 15th century of certain individuals of artistic genius, most notably Masaccio, Brunelleschi, Ghiberti, Piero della Francesca, Donatello and Michelozzo formed an ethos out of which sprang the great masters of the High Renaissance, as well as supporting and encouraging many lesser artists to achieve work of extraordinary quality.

A similar heritage of artistic achievement occurred in Venice through the talented Bellini family, their influential in-law Mantegna, Giorgione, Titian and Tintoretto.

The publication of two treatises by Leone Battista Alberti, De Pitura (On Painting), 1435, and De re aedificatoria (Ten Books on Architecture), 1452.

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