Achilles

In Greek mythology, Achilles or Achilleus (/əˈkɪliːz/ ə-KIL-eez; Greek: Ἀχιλλεύς, Achilleus [a.kʰil.'leu̯s]) was a Greek hero of the Trojan War and the central character and the greatest warrior of Homer's Iliad. His mother was the immortal Nereid Thetis, and his father, the mortal Peleus, was the king of the Myrmidons.

Achilles' most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, who shot him in the heel with an arrow. Later legends (beginning with a poem by Statius in the 1st century AD) state that Achilles was invulnerable in all of his body except for his heel because, when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels. Alluding to these legends, the term "Achilles' heel" has come to mean a point of weakness, especially in someone or something with an otherwise strong constitution. The Achilles tendon is also named after him due to these legends.

Achilles fighting against Memnon Leiden Rijksmuseum voor Oudheden
Ancient Greek polychromatic pottery painting (dating to c. 300 BC) of Achilles killing the Ethiopian king Memnon, who fought as an ally of the Trojans during the Trojan War

Etymology

Linear B tablets attest to the personal name Achilleus in the forms a-ki-re-u and a-ki-re-we,[1] the latter being the dative of the former.[2] The name grew more popular, even becoming common soon after the seventh century BC[3] and was also turned into the female form Ἀχιλλεία (Achilleía), attested in Attica in the fourth century BC (IG II² 1617) and, in the form Achillia, on a stele in Halicarnassus as the name of a female gladiator fighting an "Amazon".

Achilles' name can be analyzed as a combination of ἄχος (áchos) "distress, pain, sorrow, grief"[4] and λαός (laós) "people, soldiers, nation", resulting in a proto-form *Akhí-lāu̯os "he who has the people distressed" or "he whose people have distress".[5][6] The grief or distress of the people is a theme raised numerous times in the Iliad (and frequently by Achilles himself). Achilles' role as the hero of grief or distress forms an ironic juxtaposition with the conventional view of him as the hero of κλέος kléos ("glory", usually in war). Furthermore, laós has been construed by Gregory Nagy, following Leonard Palmer, to mean "a corps of soldiers", a muster.[6] With this derivation, the name obtains a double meaning in the poem: when the hero is functioning rightly, his men bring distress to the enemy, but when wrongly, his men get the grief of war. The poem is in part about the misdirection of anger on the part of leadership.

The Education of Achilles 1862 Delacroix
The Education of Achilles, by Eugène Delacroix, pastel on paper, c. 1862 (Getty Center, Los Angeles)

Another etymology relates the name to a Proto-Indo-European compound *h₂eḱ-pṓds "sharp foot" which first gave an Illyrian *āk̂pediós, evolving through time into *ākhpdeós and then *akhiddeús. The shift from -dd- to -ll- is then ascribed to the passing of the name into Greek via a Pre-Greek source. The first root part *h₂eḱ- "sharp, pointed" also gave Greek ἀκή (akḗ "point, silence, healing"), ἀκμή (akmḗ "point, edge, zenith") and ὀξύς (oxús "sharp, pointed, keen, quick, clever"), whereas ἄχος stems from the root *h₂egʰ- "to be upset, afraid". The whole expression would be comparable to the Latin acupedius "swift of foot". Compare also the Latin word family of aciēs "sharp edge or point, battle line, battle, engagement", acus "needle, pin, bodkin", and acuō "to make pointed, sharpen, whet; to exercise; to arouse" (whence acute).[7] Some topical epitheta of Achilles in the Iliad point to this "swift-footedness", namely ποδάρκης δῖος Ἀχιλλεὺς (podárkēs dĩos Achilleús "swift-footed divine Achilles")[8] or, even more frequently, πόδας ὠκὺς Ἀχιλλεύς (pódas ōkús Achilleús "quick-footed Achilles").[9]

Some researchers deem the name a loan word, possibly from a Pre-Greek language.[1] Achilles' descent from the Nereid Thetis and a similarity of his name with those of river deities such as Acheron and Achelous have led to speculations about him being an old water divinity (see below Worship).[10] Robert S. P. Beekes has suggested a Pre-Greek origin of the name, based among other things on the coexistence of -λλ- and -λ- in epic language, which may account for a palatalized phoneme /ly/ in the original language.[2]

Birth and early years

Achilles was the son of the Nereid Thetis and of Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, the fore-thinker, warned Zeus of a prophecy (originally uttered by Themis, goddess of divine law) that Thetis would bear a son greater than his father. For this reason, the two gods withdrew their pursuit, and had her wed Peleus.[11]

Peter Paul Rubens 181
Thetis Dipping the Infant Achilles into the River Styx by Peter Paul Rubens (c. 1625; Museum Boijmans Van Beuningen, Rotterdam)

There is a tale which offers an alternative version of these events: In the Argonautica (4.760) Zeus' sister and wife Hera alludes to Thetis' chaste resistance to the advances of Zeus, pointing out that Thetis was so loyal to Hera's marriage bond that she coolly rejected the father of gods. Thetis, although a daughter of the sea-god Nereus, was also brought up by Hera, further explaining her resistance to the advances of Zeus. Zeus was furious and decreed that she would never marry an immortal.[12]

Achilleus Lyra
Chiron teaching Achilles how to play the lyre, Roman fresco from Herculaneum, 1st century AD
The Education of Achilles, by James Barry
The Education of Achilles (c. 1772), by James Barry (Yale Center for British Art)

According to the Achilleid, written by Statius in the 1st century AD, and to non-surviving previous sources, when Achilles was born Thetis tried to make him immortal by dipping him in the river Styx.[13] However, he was left vulnerable at the part of the body by which she held him: his left heel[14] (see Achilles' heel, Achilles' tendon). It is not clear if this version of events was known earlier. In another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire in order to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage.[15]

However, none of the sources before Statius make any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded: in Book 21 the Paeonian hero Asteropaeus, son of Pelagon, challenged Achilles by the river Scamander. He cast two spears at once, one grazed Achilles' elbow, "drawing a spurt of blood".

Also, in the fragmentary poems of the Epic Cycle in which one can find description of the hero's death (i.e. the Cypria, the Little Iliad by Lesches of Pyrrha, the Aithiopis and Iliou persis by Arctinus of Miletus), there is no trace of any reference to his general invulnerability or his famous weakness at the heel; in the later vase paintings presenting the death of Achilles, the arrow (or in many cases, arrows) hit his torso.

Peleus entrusted Achilles to Chiron the Centaur, on Mount Pelion, to be reared.[16] Thetis foretold that her son's fate was either to gain glory and die young, or to live a long but uneventful life in obscurity. Achilles chose the former, and decided to take part in the Trojan war.[17] According to Homer, Achilles grew up in Phthia together with his companion Patroclus.[1]

According to Photius, the sixth book of the New History by Ptolemy Hephaestion reported that Thetis burned in a secret place the children she had by Peleus; but when she had Achilles, Peleus noticed, tore him from the flames with only a burnt foot, and confided him to the centaur Chiron. Later Chiron exhumed the body of the Damysus, who was the fastest of all the giants, removed the ankle, and incorporated it into Achilles' burnt foot.[18]

Other names

Among the appellations under which Achilles is generally known are the following:[19]

  • Pyrisous, "saved from the fire", his first name, which seems to favour the tradition in which his mortal parts were burned by his mother Thetis
  • Aeacides, from his grandfather Aeacus
  • Aemonius, from Aemonia, a country which afterwards acquired the name of Thessaly
  • Aspetos, "inimitable" or "vast", his name at Epirus
  • Larissaeus, from Larissa (also called Cremaste), a town of Thessaly, which still bears the same name
  • Ligyron, his original name
  • Nereius, from his mother Thetis, one of the Nereids
  • Pelides, from his father, Peleus
  • Phthius, from his birth-place, Phthia

Hidden on Skyros

Some post-Homeric sources[20] claim that in order to keep Achilles safe from the war, Thetis (or, in some versions, Peleus) hid the young man at the court of Lycomedes, king of Skyros. There, Achilles is disguised as a girl and lives among Lycomedes' daughters, perhaps under the name "Pyrrha" (the red-haired girl). With Lycomedes' daughter Deidamia, whom in the account of Statius he rapes, Achilles there fathers a son, Neoptolemus (also called Pyrrhus, after his father's possible alias). According to this story, Odysseus learns from the prophet Calchas that the Achaeans would be unable to capture Troy without Achilles' aid. Odysseus goes to Skyros in the guise of a peddler selling women's clothes and jewellery and places a shield and spear among his goods. When Achilles instantly takes up the spear, Odysseus sees through his disguise and convinces him to join the Greek campaign. In another version of the story, Odysseus arranges for a trumpet alarm to be sounded while he was with Lycomedes' women; while the women flee in panic, Achilles prepares to defend the court, thus giving his identity away.

In the Trojan War

Achilles Agamemnon Pompei mosaic NAMNaples 10006
Achilles and Agamemnon, from a fresco of Pompeii, 1st century AD

According to the Iliad, Achilles arrived at Troy with 50 ships, each carrying 50 Myrmidons. He appointed five leaders (each leader commanding 500 Myrmidons): Menesthius, Eudorus, Peisander, Phoenix and Alcimedon.[21]

Telephus

When the Greeks left for the Trojan War, they accidentally stopped in Mysia, ruled by King Telephus. In the resulting battle, Achilles gave Telephus a wound that would not heal; Telephus consulted an oracle, who stated that "he that wounded shall heal". Guided by the oracle, he arrived at Argos, where Achilles healed him in order that he might become their guide for the voyage to Troy.[22]

According to other reports in Euripides' lost play about Telephus, he went to Aulis pretending to be a beggar and asked Achilles to heal his wound. Achilles refused, claiming to have no medical knowledge. Alternatively, Telephus held Orestes for ransom, the ransom being Achilles' aid in healing the wound. Odysseus reasoned that the spear had inflicted the wound; therefore, the spear must be able to heal it. Pieces of the spear were scraped off onto the wound and Telephus was healed.[22]

Troilus

Achilles slaying Troilus
Achilles slaying Troilus, red-figure kylix signed by Euphronios

According to the Cypria (the part of the Epic Cycle that tells the events of the Trojan War before Achilles' wrath), when the Achaeans desired to return home, they were restrained by Achilles, who afterwards attacked the cattle of Aeneas, sacked neighbouring cities (like Pedasus and Lyrnessus, where the Greeks capture the queen Briseis) and killed Tenes, a son of Apollo, as well as Priam's son Troilus in the sanctuary of Apollo Thymbraios.[23] However, the romance between Troilus and Chryseis described in Geoffrey Chaucer's Troilus and Criseyde and in William Shakespeare's Troilus and Cressida is a medieval invention.[1]

In Dares Phrygius' Account of the Destruction of Troy,[24] the Latin summary through which the story of Achilles was transmitted to medieval Europe, as well as in older accounts, Troilus was a young Trojan prince, the youngest of King Priam's and Hecuba's five legitimate sons (or according other sources, another son of Apollo).[25] Despite his youth, he was one of the main Trojan war leaders, a "horse fighter" or "chariot fighter" according to Homer.[26] Prophecies linked Troilus' fate to that of Troy and so he was ambushed in an attempt to capture him. Yet Achilles, struck by the beauty of both Troilus and his sister Polyxena, and overcome with lust, directed his sexual attentions on the youth – who, refusing to yield, instead found himself decapitated upon an altar-omphalos of Apollo Thymbraios.[27] Later versions of the story suggested Troilus was accidentally killed by Achilles in an over-ardent lovers' embrace.[28] In this version of the myth, Achilles' death therefore came in retribution for this sacrilege.[29] Ancient writers treated Troilus as the epitome of a dead child mourned by his parents. Had Troilus lived to adulthood, the First Vatican Mythographer claimed, Troy would have been invincible.[30]

In the Iliad

Achilles Briseis MAN Napoli Inv9105 n01
Achilles cedes Briseis to Agamemnon, from the House of the Tragic Poet in Pompeii, fresco, 1st century AD (Naples National Archaeological Museum)

Homer's Iliad is the most famous narrative of Achilles' deeds in the Trojan War. Achilles' wrath (μῆνις Ἀχιλλέως, mênis Achilléōs) is the central theme of the poem. The first two lines of the Iliad read:

Μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος

:οὐλομένην, ἣ μυρί' Ἀχαιοῖς ἄλγε' ἔθηκεν, [...]

Sing, Goddess, of the rage of Peleus' son Achilles,
the accursed rage that brought great suffering to the Achaeans.

The Homeric epic only covers a few weeks of the decade-long war, and does not narrate Achilles' death. It begins with Achilles' withdrawal from battle after being dishonoured by Agamemnon, the commander of the Achaean forces. Agamemnon has taken a woman named Chryseis as his slave. Her father Chryses, a priest of Apollo, begs Agamemnon to return her to him. Agamemnon refuses, and Apollo sends a plague amongst the Greeks. The prophet Calchas correctly determines the source of the troubles but will not speak unless Achilles vows to protect him. Achilles does so, and Calchas declares that Chryseis must be returned to her father. Agamemnon consents, but then commands that Achilles' battle prize Briseis, the daughter of Briseus, be brought to him to replace Chryseis. Angry at the dishonour of having his plunder and glory taken away (and, as he says later, because he loves Briseis),[31] with the urging of his mother Thetis, Achilles refuses to fight or lead his troops alongside the other Greek forces. At the same time, burning with rage over Agamemnon's theft, Achilles prays to Thetis to convince Zeus to help the Trojans gain ground in the war, so that he may regain his honour.

As the battle turns against the Greeks, thanks to the influence of Zeus, Nestor declares that the Trojans are winning because Agamemnon has angered Achilles, and urges the king to appease the warrior. Agamemnon agrees and sends Odysseus and two other chieftains, Ajax and Phoenix, to Achilles with the offer of the return of Briseis and other gifts. Achilles rejects all Agamemnon offers him and simply urges the Greeks to sail home as he was planning to do.

The Rage of Achilles by Giovanni Battista Tiepolo.jpeg
The Rage of Achilles, fresco by Giovanni Battista Tiepolo (1757, Villa Valmarana ai Nani, Vicenza)

The Trojans, led by Hector, subsequently push the Greek army back toward the beaches and assault the Greek ships. With the Greek forces on the verge of absolute destruction, Patroclus leads the Myrmidons into battle, wearing Achilles' armour, though Achilles remains at his camp. Patroclus succeeds in pushing the Trojans back from the beaches, but is killed by Hector before he can lead a proper assault on the city of Troy.

After receiving the news of the death of Patroclus from Antilochus, the son of Nestor, Achilles grieves over his beloved companion's death. His mother Thetis comes to comfort the distraught Achilles. She persuades Hephaestus to make new armour for him, in place of the armour that Patroclus had been wearing, which was taken by Hector. The new armour includes the Shield of Achilles, described in great detail in the poem.

Enraged over the death of Patroclus, Achilles ends his refusal to fight and takes the field, killing many men in his rage but always seeking out Hector. Achilles even engages in battle with the river god Scamander, who has become angry that Achilles is choking his waters with all the men he has killed. The god tries to drown Achilles but is stopped by Hera and Hephaestus. Zeus himself takes note of Achilles' rage and sends the gods to restrain him so that he will not go on to sack Troy itself before the time allotted for its destruction, seeming to show that the unhindered rage of Achilles can defy fate itself. Finally, Achilles finds his prey. Achilles chases Hector around the wall of Troy three times before Athena, in the form of Hector's favorite and dearest brother, Deiphobus, persuades Hector to stop running and fight Achilles face to face. After Hector realizes the trick, he knows the battle is inevitable. Wanting to go down fighting, he charges at Achilles with his only weapon, his sword, but misses. Accepting his fate, Hector begs Achilles, not to spare his life, but to treat his body with respect after killing him. Achilles tells Hector it is hopeless to expect that of him, declaring that "my rage, my fury would drive me now to hack your flesh away and eat you raw – such agonies you have caused me".[32] Achilles then kills Hector and drags his corpse by its heels behind his chariot. After having a dream where Patroclus begs Achilles to hold his funeral, Achilles hosts a series of funeral games in his honour.[33]

At the onset of his duel with Hector, Achilles is referred to as the brightest star in the sky, which comes on in the autumn, Orion's dog (Sirius); a sign of evil. During the cremation of Patroclus, he is compared to Hesperus, the evening/western star (Venus), while the burning of the funeral pyre lasts until Phosphorus, the morning/eastern star (also Venus) has set (descended).

With the assistance of the god Hermes (Argeiphontes), Hector's father Priam goes to Achilles' tent to plead with Achilles for the return of Hector's body so that he can be buried. Achilles relents and promises a truce for the duration of the funeral, lasting 9 days with a burial on the 10th (in the tradition of Niobe's offspring). The poem ends with a description of Hector's funeral, with the doom of Troy and Achilles himself still to come.

Later epic accounts: fighting Penthesilea and Memnon

Akhilleus Memnon Staatliche Antikensammlungen 1410
Achilles and Memnon fighting, between Thetis and Eos, Attic black-figure amphora, c. 510 BC, from Vulci

The Aethiopis (7th century BC) and a work named Posthomerica, composed by Quintus of Smyrna in the fourth century AD, relate further events from the Trojan War. When Penthesilea, queen of the Amazons and daughter of Ares, arrives in Troy, Priam hopes that she will defeat Achilles. After his temporary truce with Priam, Achilles fights and kills the warrior queen, only to grieve over her death later.[34] At first, he was so distracted by her beauty, he did not fight as intensely as usual. Once he realized that his distraction was endangering his life, he refocused and killed her.

Following the death of Patroclus, Nestor's son Antilochus becomes Achilles' closest companion. When Memnon, son of the Dawn Goddess Eos and king of Ethiopia, slays Antilochus, Achilles once more obtains revenge on the battlefield, killing Memnon. Consequently, Eos will not let the sun rise, until Zeus persuades her. The fight between Achilles and Memnon over Antilochus echoes that of Achilles and Hector over Patroclus, except that Memnon (unlike Hector) was also the son of a goddess.

Many Homeric scholars argued that episode inspired many details in the Iliad's description of the death of Patroclus and Achilles' reaction to it. The episode then formed the basis of the cyclic epic Aethiopis, which was composed after the Iliad, possibly in the 7th century BC. The Aethiopis is now lost, except for scattered fragments quoted by later authors.

Achilles and Patroclus

Akhilleus Patroklos Antikensammlung Berlin F2278
Achilles tending Patroclus wounded by an arrow, Attic red-figure kylix, c. 500 BC (Altes Museum, Berlin)

The exact nature of Achilles' relationship with Patroclus has been a subject of dispute in both the classical period and modern times. In the Iliad, it appears to be the model of a deep and loyal friendship. Homer does not suggest that Achilles and his close friend Patroclus were lovers.[35][36] Despite there being no direct evidence in the text of the Iliad that Achilles and Patroclus were lovers, this theory was expressed by some later authors.[36] Commentators from classical antiquity to the present have often interpreted the relationship through the lens of their own cultures. In 5th-century BC Athens, the intense bond was often viewed in light of the Greek custom of paiderasteia. In Plato's Symposium, the participants in a dialogue about love assume that Achilles and Patroclus were a couple; Phaedrus argues that Achilles was the younger and more beautiful one so he was the beloved and Patroclus was the lover.[37] But ancient Greek had no words to distinguish heterosexual and homosexual,[38] and it was assumed that a man could both desire handsome young men and have sex with women.

Death

The death of Achilles, as predicted by Hector with his dying breath, was brought about by Paris with an arrow (to the heel according to Statius). In some versions, the god Apollo guided Paris' arrow. Some retellings also state that Achilles was scaling the gates of Troy and was hit with a poisoned arrow. All of these versions deny Paris any sort of valour, owing to the common conception that Paris was a coward and not the man his brother Hector was, and Achilles remained undefeated on the battlefield. His bones were mingled with those of Patroclus, and funeral games were held. He was represented in the Aethiopis as living after his death in the island of Leuke at the mouth of the river Danube.

Closeup of Achilles thniskon in Corfu Achilleion autocorrected
Dying Achilles (Achilleas thniskon) in the gardens of the Achilleion

Another version of Achilles' death is that he fell deeply in love with one of the Trojan princesses, Polyxena. Achilles asks Priam for Polyxena's hand in marriage. Priam is willing because it would mean the end of the war and an alliance with the world's greatest warrior. But while Priam is overseeing the private marriage of Polyxena and Achilles, Paris, who would have to give up Helen if Achilles married his sister, hides in the bushes and shoots Achilles with a divine arrow, killing him.

In the Odyssey, Agamemnon informs Achilles of his pompous burial and the erection of his mound at the Hellespont while they are receiving the dead suitors in Hades.[39] He claims they built a massive burial mound on the beach of Ilion that could be seen by anyone approaching from the Ocean.[40] Achilles was cremated and his ashes buried in the same urn as those of Patroclus.[41] Paris was later killed by Philoctetes using the enormous bow of Heracles.

In Book 11 of Homer's Odyssey, Odysseus sails to the underworld and converses with the shades. One of these is Achilles, who when greeted as "blessed in life, blessed in death", responds that he would rather be a slave to the worst of masters than be king of all the dead. But Achilles then asks Odysseus of his son's exploits in the Trojan war, and when Odysseus tells of Neoptolemus' heroic actions, Achilles is filled with satisfaction.[42] This leaves the reader with an ambiguous understanding of how Achilles felt about the heroic life.

According to some accounts, he had married Medea in life, so that after both their deaths they were united in the Elysian Fields of Hades – as Hera promised Thetis in Apollonius' Argonautica (3rd century BC).

Fate of Achilles' armour

Aias body Akhilleus Staatliche Antikensammlungen 1884
Ajax carries off the body of Achilles, Attic black-figure lekythos from Sicily (c. 510 BC - Staatliche Antikensammlungen, Munich)

Achilles' armour was the object of a feud between Odysseus and Telamonian Ajax (Ajax the greater). They competed for it by giving speeches on why they were the bravest after Achilles to their Trojan prisoners, who after considering both men, decided Odysseus was more deserving of the armour. Furious, Ajax cursed Odysseus, which earned him the ire of Athena. Athena temporarily made Ajax so mad with grief and anguish that he began killing sheep, thinking them his comrades. After a while, when Athena lifted his madness and Ajax realized that he had actually been killing sheep, Ajax was left so ashamed that he committed suicide. Odysseus eventually gave the armour to Neoptolemus, the son of Achilles.

A relic claimed to be Achilles' bronze-headed spear was for centuries preserved in the temple of Athena on the acropolis of Phaselis, Lycia, a port on the Pamphylian Gulf. The city was visited in 333 BC by Alexander the Great, who envisioned himself as the new Achilles and carried the Iliad with him, but his court biographers do not mention the spear.[43] However, it was shown in the time of Pausanias in the 2nd century AD.[44]

Achilles, Ajax and a game of petteia

Numerous paintings on pottery have suggested a tale not mentioned in the literary traditions. At some point in the war, Achilles and Ajax were playing a board game (petteia).[45][46] They were absorbed in the game and oblivious to the surrounding battle.[47] The Trojans attacked and reached the heroes, who were saved only by an intervention of Athena.[48]

Worship and heroic cult

Tumulus of Achilles and sacrifice of Polyxena
Sacrifice of Polyxena and tomb of Achilles with a tripod in front, on the Polyxena sarcophagus, circa 500 BC.[49]
Achilles Troilus MAN Napoli Inv5999
Roman statue of a man with the dead body of a boy, identified as Achilles and Troilus, 2nd century AD (Naples National Archaeological Museum)
05-Mosaico del Oecus. Aquiles en Skyros alta
Achilles on Skyros, where – according to the Achilleid – Odysseus discovers him dressed as a woman and hiding among the princesses of the royal court, late Roman mosaic from La Olmeda, Spain, 4th-5th centuries AD
Achilles at Skyros, Mosaic, Villa La Olmeda, 4th century AD
Detail of Achilles

The tomb of Achilles,[50] extant throughout antiquity in Troad,[51] was venerated by Thessalians, but also by Persian expeditionary forces, as well as by Alexander the Great and the Roman emperor Caracalla.[52] Achilles' cult was also to be found at other places, e. g. on the island of Astypalaea in the Sporades,[53] in Sparta which had a sanctuary,[54] in Elis and in Achilles' homeland Thessaly, as well as in the Magna Graecia cities of Tarentum, Locri and Croton,[55] accounting for an almost Panhellenic cult to the hero.

The cult of Achilles is illustrated in the 500 BC Polyxena sarcophagus, where the sacrifice of Polixena near the tumulus of Achilles is depicted.[56] Strabo (13.1.32) also suggested that such a cult of Achilles existed in Troad:[57][49]

Near the Sigeium is a temple and monument of Achilles, and monuments also of Patroclus and Anthlochus. The Ilienses perform sacred ceremonies in honour of them all, and even of Ajax. But they do not worship Hercules, alleging as a reason that he ravaged their country.

— Strabo (13.1.32).[58]

The spread and intensity of the hero's veneration among the Greeks that had settled on the northern coast of the Pontus Euxinus, today's Black Sea, appears to have been remarkable. An archaic cult is attested for the Milesian colony of Olbia as well as for an island in the middle of the Black Sea, today identified with Snake Island (Ukrainian Зміїний, Zmiinyi, near Kiliya, Ukraine). Early dedicatory inscriptions from the Greek colonies on the Black Sea (graffiti and inscribed clay disks, these possibly being votive offerings, from Olbia, the area of Berezan Island and the Tauric Chersonese[59]) attest the existence of a heroic cult of Achilles[60] from the sixth century BC onwards. The cult was still thriving in the third century AD, when dedicatory stelae from Olbia refer to an Achilles Pontárchēs (Ποντάρχης, roughly "lord of the Sea," or "of the Pontus Euxinus"), who was invoked as a protector of the city of Olbia, venerated on par with Olympian gods such as the local Apollo Prostates, Hermes Agoraeus,[52] or Poseidon.[61]

Pliny the Elder (23–79 AD) in his Natural History mentions a "port of the Achæi" and an "island of Achilles", famous for the tomb of that "man" (portus Achaeorum, insula Achillis, tumulo eius viri clara), situated somewhat nearby Olbia and the Dnieper-Bug Estuary; furthermore, at 125 Roman miles from this island, he places a peninsula "which stretches forth in the shape of a sword" obliquely, called Dromos Achilleos (Ἀχιλλέως δρόμος, Achilléōs drómos "the Race-course of Achilles")[62] and considered the place of the hero's exercise or of games instituted by him.[52] This last feature of Pliny's account is considered to be the iconic spit, called today Tendra (or Kosa Tendra and Kosa Djarilgatch), situated between the mouth of the Dnieper and Karkinit Bay, but which is hardly 125 Roman miles (c. 185 km) away from the Dnieper-Bug estuary, as Pliny states. (To the "Race-course" he gives a length of 80 miles, c. 120 km, whereas the spit measures c. 70 km today.)

In the following chapter of his book, Pliny refers to the same island as Achillea and introduces two further names for it: Leuce or Macaron (from Greek [νῆσος] μακαρῶν "island of the blest"). The "present day" measures, he gives at this point, seem to account for an identification of Achillea or Leuce with today's Snake Island.[63] Pliny's contemporary Pomponius Mela (c. 43 AD) tells that Achilles was buried on an island named Achillea, situated between the Borysthenes and the Ister, adding to the geographical confusion.[64] Ruins of a square temple, measuring 30 meters to a side, possibly that dedicated to Achilles, were discovered by Captain Kritzikly in 1823 on Snake Island. A second exploration in 1840 showed that the construction of a lighthouse had destroyed all traces of this temple. A fifth century BC black-glazed lekythos inscription, found on the island in 1840, reads: "Glaukos, son of Poseidon, dedicated me to Achilles, lord of Leuke." In another inscription from the fifth or fourth century BC, a statue is dedicated to Achilles, lord of Leuke, by a citizen of Olbia, while in a further dedication, the city of Olbia confirms its continuous maintenance of the island's cult, again suggesting its quality as a place of a supra-regional hero veneration.[52]

The heroic cult dedicated to Achilles on Leuce seems to go back to an account from the lost epic Aethiopis according to which, after his untimely death, Thetis had snatched her son from the funeral pyre and removed him to a mythical Λεύκη Νῆσος (Leúkē Nêsos "White Island").[65] Already in the fifth century BC, Pindar had mentioned a cult of Achilles on a "bright island" (φαεννά νᾶσος, phaenná nâsos) of the Black Sea,[66] while in another of his works, Pindar would retell the story of the immortalized Achilles living on a geographically indefinite Island of the Blest together with other heroes such as his father Peleus and Cadmus.[67] Well known is the connection of these mythological Fortunate Isles (μακαρῶν νῆσοι, makárôn nêsoi) or the Homeric Elysium with the stream Oceanus which according to Greek mythology surrounds the inhabited world, which should have accounted for the identification of the northern strands of the Euxine with it.[52] Guy Hedreen has found further evidence for this connection of Achilles with the northern margin of the inhabited world in a poem by Alcaeus, speaking of "Achilles lord of Scythia"[68] and the opposition of North and South, as evoked by Achilles' fight against the Aethiopian prince Memnon, who in his turn would be removed to his homeland by his mother Eos after his death.

The Periplus of the Euxine Sea (c. 130 AD) gives the following details:

It is said that the goddess Thetis raised this island from the sea, for her son Achilles, who dwells there. Here is his temple and his statue, an archaic work. This island is not inhabited, and goats graze on it, not many, which the people who happen to arrive here with their ships, sacrifice to Achilles. In this temple are also deposited a great many holy gifts, craters, rings and precious stones, offered to Achilles in gratitude. One can still read inscriptions in Greek and Latin, in which Achilles is praised and celebrated. Some of these are worded in Patroclus' honour, because those who wish to be favored by Achilles, honour Patroclus at the same time. There are also in this island countless numbers of sea birds, which look after Achilles' temple. Every morning they fly out to sea, wet their wings with water, and return quickly to the temple and sprinkle it. And after they finish the sprinkling, they clean the hearth of the temple with their wings. Other people say still more, that some of the men who reach this island, come here intentionally. They bring animals in their ships, destined to be sacrificed. Some of these animals they slaughter, others they set free on the island, in Achilles' honour. But there are others, who are forced to come to this island by sea storms. As they have no sacrificial animals, but wish to get them from the god of the island himself, they consult Achilles' oracle. They ask permission to slaughter the victims chosen from among the animals that graze freely on the island, and to deposit in exchange the price which they consider fair. But in case the oracle denies them permission, because there is an oracle here, they add something to the price offered, and if the oracle refuses again, they add something more, until at last, the oracle agrees that the price is sufficient. And then the victim doesn't run away any more, but waits willingly to be caught. So, there is a great quantity of silver there, consecrated to the hero, as price for the sacrificial victims. To some of the people who come to this island, Achilles appears in dreams, to others he would appear even during their navigation, if they were not too far away, and would instruct them as to which part of the island they would better anchor their ships.[69]

The Greek geographer Dionysius Periegetes, who lived probably during the first century AD, wrote that the island was called Leuce "because the wild animals which live there are white. It is said that there, in Leuce island, reside the souls of Achilles and other heroes, and that they wander through the uninhabited valleys of this island; this is how Jove rewarded the men who had distinguished themselves through their virtues, because through virtue they had acquired everlasting honour".[70] Similarly, others relate the island's name to its white cliffs, snakes or birds dwelling there.[71][52] Pausanias has been told that the island is "covered with forests and full of animals, some wild, some tame. In this island there is also Achilles' temple and his statue".[72] Leuce had also a reputation as a place of healing. Pausanias reports that the Delphic Pythia sent a lord of Croton to be cured of a chest wound.[73] Ammianus Marcellinus attributes the healing to waters (aquae) on the island.[74]

A number of important commercial port cities of the Greek waters were dedicated to Achilles. Herodotus, Pliny the Elder and Strabo reported on the existence of a town Achílleion (Ἀχίλλειον), built by settlers from Mytilene in the sixth century BC, close to the hero's presumed burial mound in the Troad.[51] Later attestations point to an Achílleion in Messenia (according to Stephanus Byzantinus) and an Achílleios (Ἀχίλλειος) in Laconia.[75] Nicolae Densuşianu recognized a connection to Achilles in the names of Aquileia and of the northern arm of the Danube delta, called Chilia (presumably from an older Achileii), though his conclusion, that Leuce had sovereign rights over the Black Sea, evokes modern rather than archaic sea-law.[69]

The kings of Epirus claimed to be descended from Achilles through his son, Neoptolemus. Alexander the Great, son of the Epirote princess Olympias, could therefore also claim this descent, and in many ways strove to be like his great ancestor. He is said to have visited the tomb of Achilles at Achilleion while passing Troy.[76] In AD 216 the Roman Emperor Caracalla, while on his way to war against Parthia, emulated Alexander by holding games around Achilles' tumulus.[77]

Reception during antiquity

In Greek tragedy

The Greek tragedian Aeschylus wrote a trilogy of plays about Achilles, given the title Achilleis by modern scholars. The tragedies relate the deeds of Achilles during the Trojan War, including his defeat of Hector and eventual death when an arrow shot by Paris and guided by Apollo punctures his heel. Extant fragments of the Achilleis and other Aeschylean fragments have been assembled to produce a workable modern play. The first part of the Achilleis trilogy, The Myrmidons, focused on the relationship between Achilles and chorus, who represent the Achaean army and try to convince Achilles to give up his quarrel with Agamemnon; only a few lines survive today.[78] In Plato's Symposium, Phaedrus points out that Aeschylus portrayed Achilles as the lover and Patroclus as the beloved; Phaedrus argues that this is incorrect because Achilles, being the younger and more beautiful of the two, was the beloved, who loved his lover so much that he chose to die to revenge him.[79]

The tragedian Sophocles also wrote The Lovers of Achilles, a play with Achilles as the main character. Only a few fragments survive.[80]

Towards the end of the 5th century BC, a more negative view of Achilles emerges in Greek drama; Euripides refers to Achilles in a bitter or ironic tone in Hecuba, Electra, and Iphigenia in Aulis.[81]

In Greek philosophy

The philosopher Zeno of Elea centred one of his paradoxes on an imaginary footrace between "swift-footed" Achilles and a tortoise, by which he attempted to show that Achilles could not catch up to a tortoise with a head start, and therefore that motion and change were impossible. As a student of the monist Parmenides and a member of the Eleatic school, Zeno believed time and motion to be illusions.

Achilles in Roman and medieval literature

The Romans, who traditionally traced their lineage to Troy, took a highly negative view of Achilles.[81] Virgil refers to Achilles as a savage and a merciless butcher of men,[82] while Horace portrays Achilles ruthlessly slaying women and children.[83] Other writers, such as Catullus, Propertius, and Ovid, represent a second strand of disparagement, with an emphasis on Achilles' erotic career. This strand continues in Latin accounts of the Trojan War by writers such as Dictys Cretensis and Dares Phrygius and in Benoît de Sainte-Maure's Roman de Troie and Guido delle Colonne's Historia destructionis Troiae, which remained the most widely read and retold versions of the Matter of Troy until the 17th century.

Achilles was described by the Byzantine chronicler Leo the Deacon, not as Hellene, but as Scythian, while according to the Byzantine author John Malalas, his army was made up of a tribe previously known as Myrmidons and later as Bulgars.[84][85]

In modern literature and arts

Wenceslas Hollar - Briseis and Achilles
Briseis and Achilles, engraving by Wenceslaus Hollar (1607–1677)
Peter Paul Rubens - The Wrath of Achilles - Google Art Project
The Wrath of Achilles (c. 1630–1635), painting by Peter Paul Rubens
Peter Paul Rubens 003
The death of Hector, unfinished oil painting by Peter Paul Rubens
Gottlieb Schick Achille and Agamemnon 1801
Achilles and Agamemnon by Gottlieb Schick (1801)
Leon Benouville The Wrath of Achilles
The Wrath of Achilles, by François-Léon Benouville (1847; Musée Fabre)

Literature

Visual arts

Music

Achilles has been frequently the subject of operas, ballets and related genres.

Film and television

In films Achilles has been portrayed in the following films and television series:

Architecture

In 1890, Elisabeth of Bavaria, Empress of Austria, had a summer palace built in Corfu. The building is named the Achilleion, after Achilles. Its paintings and statuary depict scenes from the Trojan War, with particular focus on Achilles.

Namesakes

  • The name of Achilles has been used for at least nine Royal Navy warships since 1744 - both as HMS Achilles and with the French spelling HMS Achille. A 60-gun ship of that name served at the Battle of Belleisle in 1761 while a 74-gun ship served at the Battle of Trafalgar. Other battle honours include Walcheren 1809. An armored cruiser of that name served in the Royal Navy during the First World War.
  • HMNZS Achilles was a Leander-class cruiser which served with the Royal New Zealand Navy in World War II. It became famous for its part in the Battle of the River Plate, alongside HMS Ajax and HMS Exeter. In addition to earning the battle honour 'River Plate', HMNZS Achilles also served at Guadalcanal 1942–43 and Okinawa in 1945. After returning to the Royal Navy, the ship was sold to the Indian Navy in 1948 but when she was scrapped parts of the ship were saved and preserved in New Zealand.
  • A species of lizard, Anolis achilles, which has widened heel plates, is named for Achilles.[87]

Gallery

Achilles departure Eretria Painter CdM Paris 851

Achilles and the Nereid Cymothoe, Attic red-figure kantharos from Volci (Cabinet des Médailles, Bibliothèque nationale, Paris)

Akhilleus embassy Staatliche Antikensammlungen 8770

The embassy to Achilles, Attic red-figure hydria, c. 480 BC (Staatliche Antikensammlungen, Berlin)

AmbrosianIliadPict47Achilles

Achilles sacrificing to Zeus for Patroclus' safe return,[88] from the Ambrosian Iliad, a 5th-century illuminated manuscript

Bell-krater Akhilleus Penthesileia MAN

Achilles and Penthesilea fighting, Lucanian red-figure bell-krater, late 5th century BC

Akhilleus Penthesileia Staatliche Antikensammlungen 2688

Achilles killing Penthesilea, tondo of an Attic red-figure kylix, c. 465 BC, from Vulci.

Mourning of Akhilleus Louvre E643

Thetis and the Nereids mourning Achilles, Corinthian black-figure hydria, c. 555 BC (Louvre, Paris)

Aias Achilles game Musei Capitolini MC6

Achilles and Ajax playing the board game petteia, black-figure oinochoe, c. 530 BC (Capitoline Museums, Rome)

Achilles-01

Head of Achilles depicted on a 4th-century BC coin from Kremaste, Phthia. Reverse: Thetis, wearing and holding the shield of Achilles with his AX monogram.

References

  1. ^ a b c d Dorothea Sigel; Anne Ley; Bruno Bleckmann. "Achilles". In Hubert Cancik; et al. Brill's New Pauly. Brill Reference Online. doi:10.1163/1574-9347_bnp_e102220. Accessed 5 May 2017.
  2. ^ a b Robert S. P. Beekes, Etymological Dictionary of Greek, Brill, 2009, pp. 183ff.
  3. ^ Epigraphical database gives 476 matches for Ἀχιλ-.The earliest ones: Corinth 7th c. BC, Delphi 530 BC, Attica and Elis 5th c. BC.
  4. ^ Scholia to the Iliad, 1.1.
  5. ^ Leonard Palmer (1963). The Interpretation of Mycenaean Greek Texts. Oxford: Clarendon Press. p. 79.
  6. ^ a b Gregory Nagy. "The best of the Achaeans". CHS. The Center for Hellenic Studies, Harvard University. Retrieved 19 March 2015.
  7. ^ Cf. the Wiktionary entries "Ἀχιλλεύς" and *h₂eḱ-.
  8. ^ Iliad 1.121, 2.688.
  9. ^ E. g. Iliad 1.58, 1.84, 1.148, 1.215, 1.364, 1.489.
  10. ^ Cf. the supportive position of Hildebrecht Hommel (1980). "Der Gott Achilleus". Sitzungsberichte der Heidelberger Akademie der Wissenschaften (1): 38–44. – A critical point of view is taken by J. T. Hooker (1988). "The cults of Achilleus". Rheinisches Museum für Philologie. 131 (3): 1–7.
  11. ^ Aeschylus, Prometheus Bound 755–768; Pindar, Nemean 5.34–37, Isthmian 8.26–47; Pseudo-Apollodorus, Bibliotheca 3.13.5; Poeticon astronomicon 2.15.
  12. ^ Pseudo-Apollodorus, Bibliotheca 3.13.5.
  13. ^ Statius, Achilleid 1.269; Hyginus, Fabulae 107.
  14. ^ Jonathan S. Burgess (2009). The Death and Afterlife of Achilles. Baltimore: Johns Hopkins University Press. p. 9. ISBN 0-8018-9029-2. Retrieved 5 February 2010.
  15. ^ Apollonius of Rhodes, Argonautica 4.869–879.
  16. ^ Hesiod, Catalogue of Women, fr. 204.87–89 MW; Iliad 11.830–832.
  17. ^ Iliad 9.410ff.
  18. ^ Photius, Bibliotheca, cod. 190: "Thetis burned in a secret place the children she had by Peleus; six were born; when she had Achilles, Peleus noticed and tore him from the flames with only a burnt foot and confided him to Chiron. The latter exhumed the body of the giant Damysos who was buried at Pallene—Damysos was the fastest of all the giants—removed the 'astragale' and incorporated it into Achilles' foot using 'ingredients'. This 'astragale' fell when Achilles was pursued by Apollo and it was thus that Achilles, fallen, was killed. It is said, on the other hand, that he was called Podarkes by the Poet, because, it is said, Thetis gave the newborn child the wings of Arce and Podarkes means that his feet had the wings of Arce."
  19. ^ Murray, John (1833). A Classical Manual: Being a Mythological, Historical and Geographical Commentary on Pope's Homer, and Dryden's Aeneid of Virgil, with a Copious Index. Albemarle Street, London. p. 3. This article incorporates text from this source, which is in the public domain.
  20. ^ Euripides, Skyrioi, surviving only in fragmentary form; Philostratus Junior, Imagines i; Scholiast on Homer's Iliad, 9.326; Ovid, Metamorphoses 13.162–180; Ovid, Tristia 2.409–412 (mentioning a Roman tragedy on this subject); Pseudo-Apollodorus, Bibliotheca 3.13.8; Statius, Achilleid 1.689–880, 2.167ff.
  21. ^ Iliad 16.168–197.
  22. ^ a b Pseudo-Apollodorus. "Bibliotheca, Epitome 3.20". theoi.com.
  23. ^ "Proclus' Summary of the Cypria". Stoa.org. Retrieved 9 March 2010.
  24. ^ "Dares' account of the destruction of Troy, Greek Mythology Link". Homepage.mac.com. Archived from the original on 30 November 2001. Retrieved 9 March 2010.
  25. ^ Pseudo-Apollodorus, Bibliotheca 3.151.
  26. ^ Iliad 24.257. Cf. Vergil, Aeneid 1.474–478.
  27. ^ Pseudo-Apollodorus, Bibliotheca Epitome 3.32.
  28. ^ Scholia to Lycophron 307; Servius, Scholia to the Aeneid 1.474.
  29. ^ James Davidson, "Zeus Be Nice Now" in London Review of Books, 19 July 2007. Accessed 23 October 2007.
  30. ^ The motif, however, is older and found already in Plautus, Bacchides 953ff.
  31. ^ Iliad 9.334–343.
  32. ^ "The Iliad", Fagles translation. Penguin Books, 1991: 22.346.
  33. ^ Lattimore, Richmond (2011). The Illiad of Homer. Chicago: The University of Chicago. ISBN 978-0-226-46937-9.
  34. ^ Propertius, 3.11.15; Quintus Smyrnaeus 1.
  35. ^ Robin Fox (2011). The Tribal Imagination: Civilization and the Savage Mind. Harvard University Press. p. 223. ISBN 9780674060944. There is certainly no evidence in the text of the Iliad that Achilles and Patroclus were lovers.
  36. ^ a b Martin, Thomas R (2012). Alexander the Great: The Story of an Ancient Life. Cambridge University Press. p. 100. ISBN 0521148448. The ancient sources do not report, however, what modern scholars have asserted: that Alexander and his very close friend Hephaestion were lovers. Achilles and his equally close friend Patroclus provided the legendary model for this friendship, but Homer in the Iliad never suggested that they had sex with each other. (That came from later authors.) If Alexander and Hephaestion did have a sexual relationship, it would have been transgressive by majority Greek standards ...
  37. ^ Plato, Symposium, 180a; the beauty of Achilles was a topic already broached at Iliad 2.673–674.
  38. ^ Kenneth Dover, Greek Homosexuality (Harvard University Press, 1978, 1989), p. 1 et passim.
  39. ^ Odyssey 24.36–94.
  40. ^ Richmond Lattimore (2007). The Odyssey of Homer. New York: Harper Perennial. p. 347. ISBN 978-0-06-124418-6.
  41. ^ E. Hamilton (1969), Mythology. New York: Penguin Books.
  42. ^ Odyssey 11.467–564.
  43. ^ "Alexander came to rest at Phaselis, a coastal city which was later renowned for the possession of Achilles' original spear." Robin Lane Fox, Alexander the Great, 1973, p. 144.
  44. ^ Pausanias, iii.3.6; see Christian Jacob and Anne Mullen-Hohl, "The Greek Traveler's Areas of Knowledge: Myths and Other Discourses in Pausanias' Description of Greece", Yale French Studies 59: Rethinking History: Time, Myth, and Writing (1980:65–85, especially 81).
  45. ^ "Petteia". Archived 9 December 2006 at the Wayback Machine
  46. ^ "Greek Board Games". Archived 8 April 2009 at the Wayback Machine
  47. ^ "Latrunculi". Archived 15 September 2006 at the Wayback Machine
  48. ^ Ioannis Kakridis (1988). Ελληνική Μυθολογία [Greek mythology]. Athens: Ekdotiki Athinon. Vol. 5, p. 92.
  49. ^ a b Rose, Charles Brian (2014). The Archaeology of Greek and Roman Troy. Cambridge University Press. p. 79. ISBN 9780521762076.
  50. ^ Cf. Homer, Iliad 24.80–84.
  51. ^ a b Herodotus, Histories 5.94; Pliny, Naturalis Historia 5.125; Strabo, Geographica 13.1.32 (C596); Diogenes Laërtius 1.74.
  52. ^ a b c d e f Guy Hedreen (July 1991). "The Cult of Achilles in the Euxine". Hesperia. 60 (3): 313–330.
  53. ^ Cicero, De Natura Deorum 3.45.
  54. ^ Pausanias, Description of Greece 3.20.8.
  55. ^ Lycophron 856.
  56. ^ Burgess, Jonathan S. (2009). The Death and Afterlife of Achilles. JHU Press. p. 114. ISBN 9781421403618.
  57. ^ Burgess, Jonathan S. (2009). The Death and Afterlife of Achilles. JHU Press. p. 116. ISBN 9781421403618.
  58. ^ Perseus Under Philologic: Str. 13.1.32.
  59. ^ Hildebrecht Hommel (1980). "Der Gott Achilleus". Sitzungsberichte der Heidelberger Akademie der Wissenschaften (1): 38–44.
  60. ^ J. T. Hooker (1988). "The cults of Achilleus". Rheinisches Museum für Philologie. 131 (3): 1–7.
  61. ^ Quintus Smyrnaeus, 3.770–779.
  62. ^ Pliny, Naturalis Historia 4.12.83 (chapter 4.26).
  63. ^ Pliny, Naturalis Historia 4.13.93 (chapter 4.27): "Researches which have been made at the present day place this island at a distance of 140 miles from the Borysthenes, of 120 from Tyras, and of fifty from the island of Peuce. It is about ten miles in circumference." Though afterwards he speaks again of "the remaining islands in the Gulf of Carcinites" which are "Cephalonesos, Rhosphodusa [or Spodusa], and Macra".
  64. ^ Pomponius Mela, De situ orbis 2.7.
  65. ^ Proclus, Chrestomathia 2.
  66. ^ Pindar, Nemea 4.49ff.; Arrian, Periplus of the Euxine Sea 21.
  67. ^ Pindar, Olympia 2.78ff.
  68. ^ D. Page, Lyrica Graeca Selecta, Oxford 1968, p. 89, no. 166.
  69. ^ a b Nicolae Densuşianu: Dacia preistorică. Bucharest: Carol Göbl, 1913.
  70. ^ Dionysius Periegetes, Orbis descriptio 5.541, quoted in Densuşianu 1913.
  71. ^ Arrian, Periplus of the Euxine Sea 21; Scholion to Pindar, Nemea 4.79.
  72. ^ Pausanias, Description of Greece 3.19.11.
  73. ^ Pausanias, Description of Greece 3.19.13.
  74. ^ Ammianus Marcellinus, Res Gestae 22.8.
  75. ^ Pausanias, Description of Greece 3.25.4.
  76. ^ Arrian, Anabasis Alexandri 1.12.1, Cicero, Pro Archia Poeta 24.
  77. ^ Dio Cassius 78.16.7.
  78. ^ Pantelis Michelakis, Achilles in Greek Tragedy, 2002, p. 22
  79. ^ Plato, Symposium, translated Benjamin Jowett, Dover Thrift Editions, page 8
  80. ^ S. Radt. Tragicorum Graecorum fragmenta, vol. 4, (Göttingen: Vandenhoeck & Ruprecht, 1977) frr. 149–157a.
  81. ^ a b Latacz 2010
  82. ^ Aeneid 2.28, 1.30, 3.87.
  83. ^ Odes 4.6.17–20.
  84. ^ Ekonomou, Andrew (2007). Byzantine Rome and the Greek Popes. UK: Lexington Books. p. 123. Retrieved 14 September 2015.
  85. ^ Jeffreys, Elizabeth; Croke, Brian. Studies in John Malalas. Australian Association for Byzantine Studies, Department of Modern Greek, University of Sydney,. p. 206. Retrieved 14 September 2015.
  86. ^ Entry at Musical World.
  87. ^ Beolens, Bo; Watkins, Michael; Grayson, Michael (2011). The Eponym Dictionary of Reptiles. Baltimore: Johns Hopkins University Press. xiii + 296 pp. ISBN 978-1-4214-0135-5. ("Achilles", p. 1).
  88. ^ Iliad 16.220–252.

Further reading

  • Ileana Chirassi Colombo (1977), "Heroes Achilleus – Theos Apollon." In Il Mito Greco, edd. Bruno Gentili and Giuseppe Paione. Rome: Edizione dell'Ateneo e Bizzarri.
  • Anthony Edwards (1985a), "Achilles in the Underworld: Iliad, Odyssey, and Æthiopis". Greek, Roman, and Byzantine Studies. 26: pp. 215–227.
  • Anthony Edwards (1985b), "Achilles in the Odyssey: Ideologies of Heroism in the Homeric Epic". Beiträge zur klassischen Philologie. 171.
  • Anthony Edwards (1988), "Kleos Aphthiton and Oral Theory," Classical Quarterly. 38: pp. 25–30.
  • Jakob Escher-Bürkli: Achilleus 1. In: Realencyclopädie der classischen Altertumswissenschaft (RE). Vol. I,1, Stuttgart 1893, Col. 221–245.
  • Guy Hedreen (1991). "The Cult of Achilles in the Euxine". Hesperia. American School of Classical Studies at Athens. 60 (3): 313–330. doi:10.2307/148068. JSTOR 148068.
  • Karl Kerényi (1959). The Heroes of the Greeks. New York/London: Thames and Hudson.
  • Joachim Latacz (2010). "Achilles". In Anthony Grafton; Glenn Most; Salvatore Settis. The Classical Tradition. Cambridge, MA: Harvard University Press. pp. 3–5. ISBN 978-0-674-03572-0.
  • Hélène Monsacré (1984), Les larmes d'Achille. Le héros, la femme et la souffrance dans la poésie d'Homère, Paris: Albin Michel.
  • Gregory Nagy (1984), The Name of Achilles: Questions of Etymology and 'Folk Etymology, Illinois Classical Studies. 19.
  • Gregory Nagy (1999), The Best of The Acheans: Concepts of the Hero in Archaic Greek Poetry. Johns Hopkins University Press (revised edition, online).
  • Dorothea Sigel; Anne Ley; Bruno Bleckmann. "Achilles". In Hubert Cancik; et al. Brill's New Pauly. Brill Reference Online. doi:10.1163/1574-9347_bnp_e102220.
  • Dale S. Sinos (1991), The Entry of Achilles into Greek Epic, Ph. D. thesis, Johns Hopkins University. Ann Arbor, Michigan: University Microfilms International.
  • Jonathan S. Burgess (2009), The Death and Afterlife of Achilles. Baltimore: Johns Hopkins University Press.

External links

Achilles' heel

An Achilles’ heel or Achilles heel is a weakness in spite of overall strength, which can lead to downfall. While the mythological origin refers to a physical vulnerability, idiomatic references to other attributes or qualities that can lead to downfall are common.

Achilles '29

Achilles '29 is a football club from Groesbeek, Netherlands. The first squad played in 2017–18 in the Tweede Divisie.

The club is known for its successes in the Dutch domestic cup, having knocked FC Volendam, Heracles Almelo, RKC Waalwijk, Telstar and MVV Maastricht out of the KNVB Cup.

Achilles tendon

The Achilles tendon or heel cord, also known as the calcaneal tendon, is a tendon of the back of the leg, and the thickest in the human body. It serves to attach the plantaris, gastrocnemius (calf) and soleus muscles to the calcaneus (heel) bone. These muscles, acting via the tendon, cause plantar flexion of the foot at the ankle, and (except soleus) flexion at the knee.

Abnormalities of the Achilles tendon include inflammation (Achilles tendinitis), degeneration, rupture, and becoming embedded with cholesterol deposits (xanthomas).

Achilles tendon rupture

Achilles tendon rupture is when the Achilles tendon, at the back of the ankle, breaks. Symptoms include the sudden onset of sharp pain in the heel. A snapping sound may be heard as the tendon breaks and walking becomes difficult.Rupture typically occurs as a result of a sudden bending up of the foot when the calf muscle is engaged, direct trauma, or long-standing tendonitis. Other risk factors include the use of fluoroquinolones, a significant change in exercise, rheumatoid arthritis, gout, or corticosteroid use. Diagnosis is typically based on symptoms and examination and supported by medical imaging.Prevention may include stretching before activity. Treatment may be by surgery or casting with the toes somewhat pointed down. Relatively rapid return to weight bearing (within 4 weeks) appears okay. The risk of re-rupture is about 25% with casting. If appropriate treatment does not occur within 4 weeks of the injury outcomes are not as good.Achilles tendon rupture occurs in about 1 per 10,000 people per year. Males are more commonly affected than females. People in their 30s to 50s are most commonly affected. The tendon itself was named in 1693 after the Greek hero Achilles.

Ajax the Great

Ajax or Aias ( or ; Greek Αἴας /a͜í.aːs/, gen. Αἴαντος Aiantos; archaic ΑΣϜΑϺ /a͜í.waːs/) is a Greek mythological hero, the son of King Telamon and Periboea, and the half-brother of Teucer. He plays an important role, and is portrayed as a towering figure and a warrior of great courage in Homer's Iliad and in the Epic Cycle, a series of epic poems about the Trojan War. He is also referred to as "Telamonian Ajax" (Αἴας ὁ Τελαμώνιος, in Etruscan recorded as Aivas Tlamunus), "Greater Ajax", or "Ajax the Great", which distinguishes him from Ajax, son of Oileus (Ajax the Lesser).

Briseis

Brisēís (; Ancient Greek: Βρισηΐς, pronounced [brisɛːís]) ("daughter of Briseus"), also known as Hippodámeia (Ἱπποδάμεια, [hippodámeːa]), is a significant character in the Iliad. Her role as a status symbol is at the heart of the dispute between Achilles and Agamemnon that initiates the plot of Homer's epic. She was married to Mynes, King of Lyrnessus, until Achilles sacked her city and enslaved her shortly before the events of the poem.

Chiron

In Greek mythology, Chiron ( KY-rən; also Cheiron or Kheiron; Greek: Χείρων "hand") was held to be the superlative centaur amongst his brethren, as he was called as the "wisest and justest of all the centaurs".

Hector

In Greek mythology and Roman mythology, Hector (; Ἕκτωρ, Hektōr, pronounced [héktɔːr]) was a Trojan prince and the greatest fighter for Troy in the Trojan War. As the first-born son of King Priam and Queen Hecuba, who was a descendant of Dardanus and Tros, the founder of Troy, he was a prince of the royal house and the heir apparent to his father's throne. He was married to Andromache, with whom he had an infant son, Scamandrius (whom the people of Troy called Astyanax). He acted as leader of the Trojans and their allies in the defence of Troy, "killing 31,000 Greek fighters", offers Hyginus. During the European Middle Ages, Hector figures as one of the Nine Worthies noted by Jacques de Longuyon, known not only for his courage but also for his noble and courtly nature. Indeed, Homer places Hector as peace-loving, thoughtful as well as bold, a good son, husband and father, and without darker motives. James Redfield describes Hector as a "martyr to loyalties, a witness to the things of this world, a hero ready to die for the precious imperfections of ordinary life."

Iliad

The Iliad (; Ancient Greek: Ἰλιάς Iliás, pronounced [iː.li.ás] in Classical Attic; sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.

Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' imminent death and the fall of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War.

The Iliad is paired with something of a sequel, the Odyssey, also attributed to Homer. Along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. In the modern vulgate (the standard accepted version), the Iliad contains 15,693 lines; it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. According to Michael N. Nagler, the Iliad is a more complicated epic poem than the Odyssey.

Odysseus

Odysseus (; Greek: Ὀδυσσεύς, Ὀδυσεύς, Ὀdysseús [odysse͜ús]), also known by the Latin variant Ulysses (US: , UK: ; Latin: Ulyssēs, Ulixēs), is a legendary Greek king of Ithaca and the hero of Homer's epic poem the Odyssey. Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle.

Son of Laërtes and Anticlea, husband of Penelope and father of Telemachus and Acusilaus. Odysseus is renowned for his intellectual brilliance, guile, and versatility (polytropos), and is thus known by the epithet Odysseus the Cunning (Greek: μῆτις or mētis, "cunning intelligence"). He is most famous for his nostos or “homecoming”, which took him ten eventful years after the decade-long Trojan War.

Patroclus

In Greek mythology, as recorded in Homer's Iliad, Patroclus (; Ancient Greek: Πάτροκλος Pátroklos, "glory of the father") was a close friend and wartime companion of Achilles. He was the son of Menoetius, grandson of Actor, King of Opus.

Pavlos, Crown Prince of Greece

Pavlos, Crown Prince of Greece, RE (Greek: Παύλος; born 20 May 1967) is the eldest son and second child of Constantine II, the last King of Greece from 1964 to 1973 and his wife, Anne-Marie of Denmark. Pavlos was heir apparent to the throne of Greece and was its crown prince from birth, remaining so during his father's reign until the monarchy's abolition. As a male-line descendant of Christian IX of Denmark, he is also a Danish prince.

Sagittarius (astrology)

Sagittarius (♐) (Greek: Τοξότης Toxotes, Latin: Sagittarius) is the ninth astrological sign, which is associated with the constellation Sagittarius and spans 240–270th degrees of the zodiac. Under the tropical zodiac, the sun transits this sign between approximately November 23 and December 21. Greek mythology associates Sagittarius with the centaur Chiron, who mentored Achilles, a Greek hero of the Trojan War, in archery.Sagittarius, the half human and half horse, is the centaur of mythology, the learned healer whose higher intelligence forms a bridge between Earth and Heaven. Also known as the Archer, Sagittarius is represented by the symbol of a bow and arrow.

Tendinopathy

Tendinopathy, also known as tendinitis or tendinosis, is a type of tendon disorder that results in pain, swelling, and impaired function. The pain is typically worse with movement. It most commonly occurs around the shoulder (rotator cuff tendinitis, biceps tendinitis), elbow (tennis elbow, golfer's elbow), wrist, hip, knee (jumper's knee), or ankle (Achilles tendinitis).Causes may include an injury or repetitive activities. Groups at risk include people who do manual labor, musicians, and athletes. Less common causes include infection, arthritis, gout, thyroid disease, and diabetes. Diagnosis is typically based on symptoms, examination, and occasionally medical imaging. A few weeks following an injury little inflammation remains, with the underlying problem related to weak or disrupted tendon fibrils.Treatment may include rest, NSAIDs, splinting, and physiotherapy. Less commonly steroid injections or surgery may be done. About 80% of people get better within 6 months. Tendinopathy is relatively common. Older people are more commonly affected. It results in a large amount of missed work.

Thetis

Thetis (; Greek: Θέτις [tʰétis]), is a figure from Greek mythology with varying mythological roles. She mainly appears as a sea nymph, a goddess of water, or one of the 50 Nereids, daughters of the ancient sea god Nereus.When described as a Nereid in Classical myths, Thetis was the daughter of Nereus and Doris, and a granddaughter of Tethys with whom she sometimes shares characteristics. Often she seems to lead the Nereids as they attend to her tasks. Sometimes she also is identified with Metis.

Some sources argue that she was one of the earliest of deities worshipped in Archaic Greece, the oral traditions and records of which are lost. Only one written record, a fragment, exists attesting to her worship and an early Alcman hymn exists that identifies Thetis as the creator of the universe. Worship of Thetis as the goddess is documented to have persisted in some regions by historical writers such as Pausanias.

In the Trojan War cycle of myth, the wedding of Thetis and the Greek hero Peleus is one of the precipitating events in the war which also led to the birth of their child Achilles.

Troilus and Cressida

Troilus and Cressida () is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years "stimulated exceptionally lively critical debate".Throughout the play, the tone lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters. Several characteristic elements of the play (the most notable being its constant questioning of intrinsic values such as hierarchy, honour and love) have often been viewed as distinctly "modern", as in the following remarks on the play by author and literary scholar Joyce Carol Oates:

Troilus and Cressida, that most vexing and ambiguous of Shakespeare's plays, strikes the modern reader as a contemporary document – its investigation of numerous infidelities, its criticism of tragic pretensions, above all, its implicit debate between what is essential in human life and what is only existential are themes of the twentieth century. ... This is tragedy of a special sort – the "tragedy" the basis of which is the impossibility of conventional tragedy.

Trojan War

In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.

The war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, Aphrodite's son and one of the Trojans, who was said to have led the surviving Trojans to modern-day Italy.

The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both the war and the city were widely seen as non-historical. In 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars.Whether there is any historical reality behind the Trojan War remains an open question. Many scholars believe that there is a historical core to the tale, though this may simply mean that the Homeric stories are a fusion of various tales of sieges and expeditions by Mycenaean Greeks during the Bronze Age. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th century BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly corresponds with archaeological evidence of a catastrophic burning of Troy VII.

Troy (film)

Troy is a 2004 epic period war film written by David Benioff, directed by Wolfgang Petersen and co-produced by units in Malta, Mexico and Britain's Shepperton Studios. The film features an ensemble cast led by Brad Pitt, Eric Bana, and Orlando Bloom. It is loosely based on Homer's Iliad in its narration of the entire story of the decade-long Trojan War—condensed into little more than a couple of weeks, rather than just the quarrel between Achilles and Agamemnon in the ninth year. Achilles leads his Myrmidons along with the rest of the Greek army invading the historical city of Troy, defended by Hector's Trojan army. The end of the film (the sack of Troy) is not taken from the Iliad, but rather from Homer's Odyssey as the Iliad concludes with Hector's death and funeral.

Troy made over $497 million worldwide, temporarily placing it in the #60 spot of top box office hits of all time. It was the 8th highest-grossing film of 2004.

Zeno's paradoxes

Zeno's paradoxes are a set of philosophical problems generally thought to have been devised by Greek philosopher Zeno of Elea (c. 490–430 BC) to support Parmenides' doctrine that contrary to the evidence of one's senses, the belief in plurality and change is mistaken, and in particular that motion is nothing but an illusion. It is usually assumed, based on Plato's Parmenides (128a–d), that Zeno took on the project of creating these paradoxes because other philosophers had created paradoxes against Parmenides' view. Thus Plato has Zeno say the purpose of the paradoxes "is to show that their hypothesis that existences are many, if properly followed up, leads to still more absurd results than the hypothesis that they are one." Plato has Socrates claim that Zeno and Parmenides were essentially arguing exactly the same point.Some of Zeno's nine surviving paradoxes (preserved in Aristotle's Physics

and Simplicius's commentary thereon) are essentially equivalent to one another. Aristotle offered a refutation of some of them. Three of the strongest and most famous—that of Achilles and the tortoise, the Dichotomy argument, and that of an arrow in flight—are presented in detail below.

Zeno's arguments are perhaps the first examples of a method of proof called reductio ad absurdum also known as proof by contradiction. They are also credited as a source of the dialectic method used by Socrates.Some mathematicians and historians, such as Carl Boyer, hold that Zeno's paradoxes are simply mathematical problems, for which modern calculus provides a mathematical solution.

Some philosophers, however, say that Zeno's paradoxes and their variations (see Thomson's lamp) remain relevant metaphysical problems.The origins of the paradoxes are somewhat unclear. Diogenes Laërtius, a fourth source for information about Zeno and his teachings, citing Favorinus, says that Zeno's teacher Parmenides was the first to introduce the Achilles and the tortoise paradox. But in a later passage, Laërtius attributes the origin of the paradox to Zeno, explaining that Favorinus disagrees.

Achaeans
Trojans

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