4K resolution, also called 4K, refers to a horizontal display resolution of approximately 4,000 pixels. Digital television and digital cinematography commonly use several different 4K resolutions. In television and consumer media, 3840 × 2160 (4K UHD) is the dominant 4K standard, whereas the movie projection industry uses 4096 × 2160 (DCI 4K).
The 4K television market share increased as prices fell dramatically during 2014 and 2015. By 2020, more than half of U.S. households are expected to have 4K-capable TVs, a much faster adoption rate than that of Full HD (1080p).
The term "4K" is generic and refers to any resolution with a horizontal pixel count of approximately 4,000.( ) Several different 4K resolutions have been standardized by various organizations.
In 2005, Digital Cinema Initiatives (DCI), a prominent standards organization in the cinema industry, published the Digital Cinema System Specification. This specification establishes standardized 2K and 4K container formats for digital cinema production, with resolutions of 2048 × 1080 and 4096 × 2160 respectively.(§4.3.1) The resolution of the video content inside follows the SMPTE 428-1 standard,(§3.2.1) which establishes the following resolutions for a 4K distribution:(p6)
2K distributions can have a frame rate of either 24 or 48 FPS, while 4K distributions must have a frame rate of 24 FPS.(§126.96.36.199) Some articles claim that the terms "2K" and "4K" were coined by DCI and refer exclusively to the 2K and 4K formats defined in the DCI standard. However, usage of these terms in the cinema industry predates the publication of the DCI standard, and they are generally understood as casual terms for any resolution approximately 2000 or 4000 pixels in width, rather than names for specific resolutions.( )(p109)
In 2007, the Society of Motion Picture and Television Engineers published SMPTE ST 2036-1, which defines parameters for two UHDTV systems called UHDTV1 and UHDTV2. The standard defines the following characteristics for these systems:
In 2012, the International Telecommunication Union, Radiocommunication Sector published Recommendation ITU-R BT.2020, also known as the Ultra High Definition Television (UHDTV) standard. This standard adopts the same image parameters defined in SMPTE ST 2036-1.
Although the UHDTV standard does not define any official names for the formats it defines, ITU typically uses the terms "4K", "4K UHD", or "4K UHDTV" to refer to the 3840 × 2160 system in public announcements and press releases ("8K" for the 7680 × 4320 system). In some of ITU's other standards documents, the terms "UHDTV1" and "UHDTV2" are used as shorthand.
In October 2012, the Consumer Electronics Association (CEA) announced their definition of the term Ultra High-Definition (or Ultra HD) for use with marketing consumer display devices. CEA defines an Ultra HD product as a TV, monitor, or projector with the following characteristics:
The CEA definition does allow manufacturers to use other terms—such as 4K—alongside the Ultra HD logo.( ) Since the resolution in CEA's definition is only a minimum requirement, displays with higher resolutions such as 4096 × 2160 or 5120 × 2880 also qualify as "Ultra HD" displays, provided they meet the other requirements.
Some 4K resolutions, like 3840 × 2160 are often casually referred to as 2160p. This name follows from the previous naming convention used by HDTV and SDTV formats, which refer to a format by the number of pixels/lines along the vertical axis (such as "1080p" for 1920 × 1080 progressive scan, or "480i" for the 480-line interlaced SDTV formats) rather than the horizontal pixel count (≈4000 or "4K" for 3840 × 2160).
The term "2160p" could be applied to any format with a height of 2160 pixels, but it is most commonly used in reference to the 4K UHDTV resolution of 3840 × 2160 due to its association with the well-known 720p and 1080p HDTV formats. Although 3840 × 2160 is both a 4K resolution and a 2160p resolution, these terms cannot always be used interchangeably since not all 4K resolutions are 2160 pixels tall, and not all 2160p resolutions are ≈4000 pixels wide. However, some companies have begun using the term "4K" to describe devices with support for a 2160p resolution, even if it is not close to 4000 pixels wide. For example, many "4K" dash cams only support a resolution of 2880 × 2160 (4∶3); although this is a 2160p resolution, it is not a 4K resolution. Samsung also released a 5120 × 2160 (64∶27) TV, but marketed it as a "4K" TV despite its 5K-class resolution.
YouTube and the television industry have adopted 3840 × 2160 as their 4K standard. As of 2014, 4K content from major broadcasters remains limited. On April 11, 2013, Bulb TV created by Canadian serial entrepreneur Evan Kosiner became the first broadcaster to provide a 4K linear channel and VOD content to cable and satellite companies in North America. The channel is licensed by the Canadian Radio-Television and Telecommunications Commission to provide educational content. However, 4K content is becoming more widely available online including on YouTube, Netflix, and Amazon. By 2013, some UHDTV models were available to general consumers in the range of US$600. As of 2015, prices on smaller computer and television panels had dropped below US$400.
In 2014, the Digital Video Broadcasting Project released a new set of standards intended to guide the implementation of high resolution content in broadcast television. Dubbed DVB-UHDTV, it establishes two standards, known as UHD-1 (for 4K content) and UHD-2 (for 8K content). These standards use resolutions of 3840 × 2160 and 7680 × 4320 respectively, with framerates of up to 60 Hz, color depth up to 10 bpc (30 bit/px), and HEVC encoding for transmission. DVB is currently focusing on the implementation of the UHD-1 standard.
DVB finalized UHD-1 Phase 2 in 2016, with the introduction of service by broadcasters expected in 2017. UHD-1 Phase 2 adds features such as high dynamic range (using HLG and PQ at 10 or 12 bits), wide color gamut (BT. 2020/2100 colorimetry), and high frame rate (up to 120 Hz).
YouTube, since 2010, and Vimeo allow a maximum upload resolution of 4096 × 3072 pixels (12.6 megapixels, aspect ratio 4:3). Vimeo's 4K content is currently limited to mostly nature documentaries and tech coverage.
The first commercially available 4K camera for cinematographic purposes was the Dalsa Origin, released in 2003. 4K technology was developed by several research groups in universities around the world, such as University of California, San Diego, CALIT2, Keio University, Naval Postgraduate School and others that realized  several demonstrations in venues such as IGrid in 2004 and CineGrid. YouTube began supporting 4K for video uploads in 2010 as a result of leading manufacturers producing 4K cameras. Users could view 4K video by selecting "Original" from the quality settings until December 2013, when the 2160p option appeared in the quality menu. In November 2013, YouTube began to use the VP9 video compression standard, saying that it was more suitable for 4K than High Efficiency Video Coding (HEVC). Google, which owns YouTube, developed VP9.
Sony is one of the leading studios promoting UHDTV content, as of 2013 offering a little over 70 movie and television titles via digital download to a specialized player that stores and decodes the video. The large files (≈40 GB), distributed through consumer broadband connections, raise concerns about data caps.
In 2014, Netflix began streaming House of Cards, Breaking Bad, and "some nature documentaries" at 4K to compatible televisions with an HEVC decoder. Most 4K televisions sold in 2013 did not natively support HEVC, with most major manufacturers announcing support in 2014. Amazon Studios began shooting their full-length original series and new pilots with 4K resolution in 2014. They are now currently available though Amazon Video.
In 2016, Sony and Microsoft released the PlayStation 4 Pro and Xbox One S, respectively, both of which are video game consoles that support 4K streaming, although in most cases the resolution is upscaled to 4K; the Xbox One S also features an Ultra HD Blu-ray disc drive. On November 7, 2017 Microsoft released the Xbox One X, which is capable of native 4K streaming and gaming.
Though experiencing rapid price drops beginning in 2013 for viewing devices, the home cinema digital video projector market saw little expansion, with only a few manufacturers (only Sony as of 2015) offering limited 4K-capable lineups, with native 4K projectors commanding five-figure price tags well into 2015 before finally breaking the US$10,000 barrier. Critics state that at normal direct-view panel size and viewing distances, the extra pixels of 4K are redundant at the ability of normal human vision. Projection home cinemas, on the other hand, employ much larger screen sizes without necessarily increasing viewing distance to scale. JVC has used a technique known as "e-shift" to extrapolate extra pixels from 1080p sources to display 4K on screens through upscaling or from native 4K sources at a much lower price than native 4K projectors. This technology of non-native 4K entered its fourth generation for 2016. JVC used this same technology to provide 8K flight simulation for Boeing that met the limits of 20/25 visual acuity.
Pixel shifting, as described here, was pioneered in the consumer space by JVC, and later in the commercial space by Epson. That said, it isn't the same thing as "true" 4K. More recently, some DLP projectors claim 4K UHD (which the JVCs and Epsons do not claim).
As noted above, DCI 4K is 4096 × 2160, while 4K UHD is 3840 × 2160, producing a slight difference in aspect ratio rather than a significant difference in resolution. Traditional displays, such as LCD or OLED, are 3840 pixels across the screen, with each pixel being 1/3840th of the screen width. They do not overlap—if they did, they would suffer reduced detail. The diameter of each pixel is basically 1/3840th of the screen width or 1/2160th of the screen height - either gives the same size pixel. That 3840 × 2160 works out to 8.3 megapixels, the official resolution of 4K UHD (and therefore Blu-ray UHD discs).
The 4K UHD standard doesn't specify how large the pixels are, so a 4K UHD projector (Optoma, BenQ, Dell, et al.) counts because these projectors have a 2718 × 1528 pixel structure. Those projectors process the true 4K of data and project it with overlapping pixels, which is what pixel shifting is. Unfortunately, each of those pixels is far larger: each one has 50% more area than true 4K. Pixel shifting projectors project a pixel, shift it up to the right, by a half diameter, and project it again, with modified data, but that second pixel overlaps the first.
In other words, pixel shifting cannot produce adjacent vertical lines of RGBRGB or other colors where each line is one pixel (1/3840th of the screen) wide. Adjacent red and green pixels would end up looking like yellow, with a fringe on one side of red, on the other of green - except that the next line of pixels overlapps as well, changing the color of that fringe. 4K UHD or 1080p pixel shifting cannot reveal the fine detail of a true 4K projector such as those Sony ships (business, education and home markets). Also, JVC has one true 4K projector priced at $35,000 (as of mid-2017).
So while 4K UHD sounds like it has a pixel structures with 1/4 the area of 1080p, that does not happen with pixel shifting. Only a true 4K projector offers that level of resolution. That's why "true" 4K projectors cost so much more than 4K UHD projectors with otherwise similar feature sets. They produce smaller pixels, finer resolution, no compromising of detail or color from overlapping pixels. By comparison, the slight difference in aspect ratio between DCI and 3840 × 2160 pixel displays without overlap is insignificant relative to the amount of detail.
In November 2014, United States satellite provider DirecTV became the first pay TV provider to offer access to 4K content, although limited to selected video-on-demand films. In August 2015, British sports network BT Sport launched a 4K feed, with its first broadcast being the 2015 FA Community Shield football match. Two production units were used, producing the traditional broadcast in high-definition, and a separate 4K broadcast. As the network did not want to mix 4K footage with upconverted HD footage, this telecast did not feature traditional studio segments at pre-game or half-time, but those hosted from the stadium by the match commentators using a 4K camera. BT envisioned that if viewers wanted to watch studio analysis, they would switch to the HD broadcast and then back for the game. Footage was compressed using H.264 encoders and transmitted to BT Tower, where it was then transmitted back to BT Sport studios and decompressed for distribution, via 4K-compatible BT TV set-top boxes on an eligible BT Infinity internet plan with at least a 25 Mbit/s connection.
In late 2015 and January 2016, three Canadian television providers – including Quebec-based Videotron, Ontario-based Rogers Cable, and Bell Fibe TV, announced that they would begin to offer 4K compatible set-top boxes that can stream 4K content to subscribers over gigabit internet service. On October 5, 2015, alongside the announcement of its 4K set-top box and gigabit internet, Canadian media conglomerate Rogers Communications announced that it planned to produce 101 sports telecasts in 4K in 2016 via its Sportsnet division, including all Toronto Blue Jays home games, and "marquee" National Hockey League games beginning in January 2016. Bell Media announced via its TSN division a slate of 4K telecasts to begin on January 20, 2016, including selected Toronto Raptors games and regional NHL games.
On January 14, 2016, in cooperation with BT Sport, Sportsnet broadcast the first ever NBA game produced in 4K – a Toronto Raptors/Orlando Magic game at O2 Arena in London, England. On January 20, also during a Raptors game, TSN presented the first live 4K telecast produced in North America. Three days later, Sportsnet presented the first NHL game in 4K.
Dome Productions, a joint venture of Bell Media and Rogers Media (the respective owners of TSN and Sportsnet), constructed a "side-by-side" 4K mobile production unit shared by Sportsnet and TSN's first 4K telecasts; it was designed to operate alongside a separate HD truck and utilize cameras capable of output in both formats. For the opening game of the 2016 Toronto Blue Jays season, Dome constructed "Trillium" – a production truck integrating both 4K and 1080i high-definition units. Bell Media's CTV also broadcast the 2016 Juno Awards in 4K as the first awards show presented in the format.
In February 2016, Univision trialed 4K by producing a closed circuit telecast of a football friendly between the national teams of Mexico and Senegal from Miami in the format. The broadcast was streamed privately to several special viewing locations. Univision aimed to develop a 4K streaming app to publicly televise the final of Copa América Centenario in 4K. In March 2016, DirecTV and CBS Sports announced that they would produce the "Amen Corner" supplemental coverage from the Masters golf tournament in 4K.
After having trialed the technology in limited matches at the 2013 FIFA Confederations Cup, and the 2014 FIFA World Cup (via private tests and public viewings in the host city of Rio de Janeiro), the 2018 FIFA World Cup was the first FIFA World Cup in which all matches were produced in 4K. Host Broadcasting Services stated that at least 75% of the broadcast cut on each match would come from 4K cameras (covering the majority of main angles), with instant replays and some camera angles being upconverted from 1080p sources. These broadcasts were made available from selected rightsholders, such as the BBC in the United Kingdom, and selected television providers in the United States.
|Examples of some 4K resolutions used in displays and media|
|-||4096 × 3072||1.33∶1 (4∶3)||12,582,912|
|-||4096 × 2560||1.60∶1 (16∶10)||10,485,760|
|-||4096 × 2304||1.77∶1 (16∶9)||9,437,184|
|DCI 4K (full frame)||4096 × 2160||≈1.90∶1 (256∶135)||8,847,360|
|DCI 4K (CinemaScope cropped)||4096 × 1716||≈2.39∶1 (1024∶429)||7,020,544|
|DCI 4K (flat cropped)||3996 × 2160||1.85∶1 (≈37∶20)||8,631,360|
|WQUXGA||3840 × 2400||1.60∶1 (16∶10)||9,216,000|
|4K UHD||3840 × 2160||1.77∶1 (16∶9)||8,294,400|
|-||3840 × 1600||2.40∶1 (12∶5)||6,144,000|
|-||3840 × 1080||3.55∶1 (32∶9)||4,147,200|
The resolution of 3840 × 2160 is the dominant 4K resolution used in the consumer media and display industries. This is the resolution of the UHDTV1 format defined in SMPTE ST 2036-1, as well as the 4K UHDTV format defined by ITU-R in Rec. 2020, and is also the minimum resolution for CEA's definition of Ultra HD displays and projectors. The resolution of 3840 × 2160 was also chosen by the DVB Project for their 4K broadcasting standard, UHD-1.
This resolution has an aspect ratio of 16∶9, with 8,294,400 total pixels. It is exactly double the horizontal and vertical resolution of 1080p (1920 × 1080) for a total of 4 times as many pixels, and triple the horizontal and vertical resolution of 720p (1280 × 720) for a total of 9 times as many pixels. It is sometimes referred to as "2160p", based on the naming patterns established by the previous 720p and 1080p HDTV standards.
This resolution is used mainly in digital cinema production, and has a total of 8,847,360 pixels with an aspect ratio 256∶135 (≈19∶10). It was standardized as the resolution of the 4K container format defined by Digital Cinema Initiatives in the Digital Cinema System Specification, and is the native resolution of all DCI-compliant 4K digital projectors and monitors. The DCI specification allows several different resolutions for the content inside the container, depending on the desired aspect ratio. The allowed resolutions are defined in SMPTE 428-1:(§3.2.1) (p. 6)
The DCI 4K standard has twice the horizontal and vertical resolution of DCI 2K (2048 × 1080), with four times as many pixels overall.
Digital movies made in 4K may be produced, scanned, or stored in a number of other resolutions depending on what storage aspect ratio is used. In the digital cinema production chain, a resolution of 4096 × 3112 is often used for acquiring "open gate" or anamorphic input material, a resolution based on the historical resolution of scanned Super 35mm film.
Various other non-standardized 4K resolutions have seen use in displays, including:
The main advantage of recording video at the 4K standard is that fine spatial detail is resolved well. If the final video quality is reduced to 2K from a 4K recording, more detail is apparent than would have been achieved from a native 2K recording. Increased fineness and contrast is then possible with output to DVD and Blu-ray. Some cinematographers record at 4K with the Super 35 film format to offset any resolution loss that may occur during video processing.
4K resolution: A general term referring to any digital image containing an X resolution of approximately 4096 pixels.
Super HD 4K 2880x2160P Resolution and 170 Degree A+ Ultra Wide Angle---Record every detail with the latest technique of car video shooting.
An advanced image sensor and super-wide field of view capture everything in ultra-sharp 4K(2880 x 2160 @24fps) video with HDR.
Type: Curved 4K UHD TV; Resolution: 5120 x 2160
YouTube has had a 4K channel running since as early as 2010 and other developments are definitely on the horizon, especially in countries or regions with excellent internet connectivity that goes above the normal speeds available to most people.
YouTube and Vimeo already stream 4K content. Most of the videos are of the nature/documentary variety, with some tech media coverage thrown in the mix. However, Google recently announced plans to make a much larger selection of 4K video available on YouTube, using its new compression technology, called VP9. If your computer has a powerful graphics card that supports 4K and HDMI version 1.4 or higher, you can connect your computer to a 4K television via an HDMI cable. You will likely need high bandwidth to stream the video without any issues, though neither YouTube nor Vimeo has specified the minimum data speed needed for 4K streaming. Asus, Dell, Sharp, and others make 4K computer monitors.
4K, 4-K or 4k may refer to:
Four kibibytes (4 × 1024 bytes, better written 4 KiB)
4K disk sector size (Advanced Format)
4K demoscene compo, a computer art competition using programs limited to 4 kibibytes
The Java 4K Game Programming Contest
4K resolution, a collective term for digital video formats having a horizontal resolution of approximately 4,000 pixels
4K UHDTV, an ultra-high-definition television format
A temperature of 4 kelvins (better written as 4 K)
4K, the IATA airline code for Askari Aviation
4K, an alternative name for Cuatro Cabezas (Four Heads), an Argentine multimedia production company.
4K, model of Toyota K engine
4K, the production code for the 1976 Doctor Who serial The Brain of MorbiusCanon EOS-1D C
The Canon EOS-1D C is an 18.1-megapixel CMOS digital single-lens reflex camera (digital SLR) made by Canon in the Cinema EOS range. It shares many features with the Canon EOS 1D X. It was publicly announced on April 12, 2012, and was released in March 2013 with suggested retail price of US$15,000 (body only). The Canon EOS-1D C is stated to be the world's first 4K resolution DSLR camera.The 1D C has a full frame sensor but uses an APS-H-sized portion to record 4K resolution (4096 x 2160 pixels) video at 24p and 25p without downscaling in Y'CbCr 4:2:2 format. The pixel size of the sensor is 6.95 μm and records 4K in 8-bit 4:2:2 using Motion JPEG. The other modes in 8-bit 4:2:0, using MPEG-4 AVC/H.264 IBP or ALL-I format. Uncompressed video over HDMI up to 1080p is also possible.
In November 2013, Canon announced that the 1D C was the first DSLR to meet the European Broadcasting Union HD Tier 1 requirements for use in HD broadcast production.In an interview in February 2016, Canon Product Manager Roger Machin announced that the 1D C would be succeeded by the 1D X Mark II, however the 1D X Mk II lacks the unlimited recording, and log gamma found on the 1D C, and as of December 2016 the 1D C is still being produced.Cineon
The Cineon System was one of the first computer based digital film system created by Kodak in the early 1990s. It was an integrated suite of components consisting a Motion picture film scanner, a film recorder and workstation hardware with software (the Cineon Digital Film Workstation) for compositing, visual effects, image restoration and color management.The system was first released in September 1992 to Cinesite Hollywood. The workstations were initially built on Sun-Transputer based hardware. In July 1993 version 2.1.3 of the software was released for Silicon Graphics Inc, SGI Onyx hardware. The software was withdrawn from sale by 1997, although a number of customers continued to use it beyond that date.
As an end-to-end solution for 4K resolution, 10 bit digital film production and Digital intermediate the system was one of the first. The three major components of the system (scanner, workstation software, and recorder) have all received separate AMPAS Scientific and Technical Awards.The Cineon project was also responsible for the creation of the Cineon ( .cin) 10 bit log file format, designed to handle digital film frames. Although the product is no longer for sale, Cineon file format that Kodak defined was for a long time commonly used in the film visual effects world, and formed the basis for the newer SMPTE-standardised Digital Picture Exchange (DPX) format.Decima (game engine)
Decima is a proprietary game engine launched in November 2013. It houses tools and features like artificial intelligence and game physics. The engine has a compatibility with 4K resolution and high-dynamic-range imaging used for PlayStation 4 games.Fujifilm X-T100
The Fujifilm X-T100 is a mid-range mirrorless interchangeable-lens camera announced on May 24, 2018. The X-T100 is largely based on the Fujifilm X-A5 and is nearly identical to the X-T20. It uses the Fujifilm X-mount.
The X-T100 is capable of recording video in 4K resolution with only 15 fps. The X-T100 is intended to be sold new either as the camera body only, or with the 15-45mm f/3.5-5.6 OIS PZ lens. The camera is available in 3 colors, black, dark silver and champagne gold and is styled after an SLR camera.Fujifilm X-T3
The Fujifilm X-T3 is a weather-resistant mirrorless interchangeable-lens camera announced on September 6, 2018. The X-T3 is the latest in the Fujifilm X Series lineup. It has a backside-illuminated X-Trans CMOS 4 APS-C sensor and an X-Processor 4 quad core processor. It is the successor to 2016's Fujifilm X-T2. It uses the Fujifilm X-mount.
The X-T3 is capable of recording video in 4K resolution up to 60 fps. The X-T3 is intended to be sold new either as the camera body only, or with the 18-55 mm lens. The camera is available in 2 colors, black and silver and is styled after an SLR camera.Her Man (film)
Her Man is a 1930 American pre-Code drama film produced and distributed by Pathé Exchange and directed by Tay Garnett. It starred Phillips Holmes, Helen Twelvetrees and Marjorie Rambeau. The film is a slightly disguised version of the stage play Frankie and Johnny.At least one copy is preserved at the Library of Congress. The original camera negative has been scanned and restored at 4K resolution by Sony Pictures Entertainment, in partnership with the Film Foundation and RT features.My Unfair Lady
My Unfair Lady (Chinese : 不懂撒嬌的女人) is TVB's first 4K resolution television series. It stars Frankie Lam, Jessica Hsuan, Vincent Wong and Natalie Tong as the main leads, with Samantha Ko, Lai Lok-Yi and Gloria Tang as the main supporting cast. It aired concurrently on TVB Jade，Hub Drama First, Astro On Demand, Astro GO and MyTV SUPER.
This drama marks the return of Jessica Hsuan and Frankie Lam to TVB.Nvidia Shield (set-top box)
The Nvidia Shield (stylized SHIELD), also known as the Shield Android TV or Shield Console, is an Android TV-based digital media player produced by Nvidia as part of its Shield brand of Android devices. First released in May 2015, the Shield is marketed by Nvidia as a microconsole, emphasizing its ability to play downloaded games and stream games from a compatible PC on a local network, or via the GeForce Now subscription service. As with all other Android TV devices, it can also stream content from various sources using apps, and also supports 4K resolution video. It has been distributed in models with either 16 GB of flash storage, or a 500 GB hard drive, the latter branded as Shield Pro.
In 2017, Nvidia released a refreshed version of the 16 GB Shield, which has a smaller form factor that drops MicroSD and infrared support, comes with an updated controller, and is otherwise identical in hardware to the original model.Panasonic Lumix DC-GH5
The Panasonic Lumix DC-GH5 is a Micro Four Thirds mirrorless interchangeable lens camera body announced by Panasonic on 4 January 2017.It is the first mirrorless camera capable of shooting 4K resolution video with 10-bit color with 4:2:2 chroma subsampling, along with recording in 4K 60p or 50p (but only in 8 bit). It also captures both 4K and Full HD without time limits. On September 28, 2017, Panasonic released firmware update 2.0 which added support for Hybrid Log-Gamma (HLG) recording, along with a higher 400Mbit/s bit rate All-i recording mode.The later-released sister model Panasonic Lumix DC-GH5S is a more specialized filmmakers' camera that adds greater low-light sensitivity, a multi-aspect image sensor, and expanded DCI 4K options. It has 10 Megapixels, and is equipped without a stabilised image sensor.
The Panasonic GH5S is an even more video-centric variant of the GH5: it can shoot either DCI or UHD 4K footage natively (i.e. where one capture pixel = one output pixel) at up to 60p. As well as the ability to shoot DCI 4K at higher frame rates, Panasonic claim the GH5S's larger pixels and 'Dual Native ISO' sensor will shoot significantly better footage in low light.Panasonic Lumix DMC-G85/G80
The Panasonic Lumix DMC-G85/G80 (DMC-G81 in Germany) is a DSLR-styled mirrorless camera announced on September 19, 2016. It is the followup to the Panasonic Lumix DMC-G7. Its main improvements are a weather-sealed body, an upgraded EVF, and the addition of 5-axis in-body image stabilization which work together with lens stabilization and Post Focus function. Movies can be recorded in 4K resolution.Pictureville Cinema
Pictureville Cinema is a cinema auditorium located within the National Science and Media Museum in Bradford, West Yorkshire, England.
Pictureville is one of the best equipped cinemas in the world. It is equipped for 35 mm, 70 mm, 4K resolution and Cinerama projection. The cinema features Dolby Digital EX, DTS and 8 Channel SDDS digital sound systems. It has the only public Cinerama projection system outside the USA.The cinema opened on 8 April 1992, with a charity performance of Hook in 70 mm and 6-channel stereophonic sound. The first Cinerama screening was This is Cinerama on 16 June 1993.Stingray Ambiance
Stingray Ambiance is a Canadian Category B television channel owned by Stingray Digital. The channel primarily broadcasts a rotation of various nature scenery videos with accompanying audio from the nature scene pictured with sometimes non-verbal music added to create a "soothing" atmosphere. During the Christmas and holiday season, the channel will broadcast videos of a crackling fireplace during portions of the day, primarily evening, night, and early morning hours.
The channel broadcasts in both high definition and 4K resolution (ultra-high-definition television).Stingray Now 4K
Stingray Now 4K is a Canadian English language Category B television channel owned by Stingray Digital. The channel broadcasts music videos in 4K resolution (ultra-high-definition television) from various genres including pop, dance, hip-hop, indie, Latin pop, adult rock, alternative, and more.SxS
SxS (S-by-S) is a flash memory standard compliant to the Sony and SanDisk-created ExpressCard standard. According to Sandisk and Sony, the cards have transfer rates of 800 Mbit/s and burst transfer rate of up to 2.5 Gbit/s over the ExpressCard's PCI Express interface. Sony uses these cards as the storage medium for their XDCAM EX line of professional video cameras.Ultra-high-definition television
Ultra-high-definition television (also known as Ultra HD television, Ultra HD, UHDTV, UHD and Super Hi-Vision) today includes 4K UHD and 8K UHD, which are two digital video formats with an aspect ratio of 16:9. These were first proposed by NHK Science & Technology Research Laboratories and later defined and approved by the International Telecommunication Union (ITU).The Consumer Electronics Association announced on October 17, 2012, that "Ultra High Definition", or "Ultra HD", would be used for displays that have an aspect ratio of 16:9 or wider and at least one digital input capable of carrying and presenting native video at a minimum resolution of 3840×2160 pixels. In 2015, the Ultra HD Forum was created to bring together the end-to-end video production ecosystem to ensure interoperability and produce industry guidelines so that adoption of ultra-high-definition television could accelerate. From just 30 in Q3 2015, the forum published a list up to 55 commercial services available around the world offering 4K resolution.The "UHD Alliance", an industry consortium of content creators, distributors, and hardware manufacturers, announced during a Consumer Electronics Show (CES) 2016 press conference its "Ultra HD Premium" specification, which defines resolution, bit depth, color gamut, high-dynamic-range imaging (HDRI) and rendering (HDRR) required for Ultra HD (UHDTV) content and displays to carry their Ultra HD Premium logo.XAVC
XAVC is a recording format that was introduced by Sony on October 30, 2012. XAVC is a format that will be licensed to companies that want to make XAVC products.Xite 4K (Canada)
XITE 4K is a Canadian English language Category B television channel owned by XCAN Networks Inc. The channel broadcasts music videos in 4K resolution (ultra-high-definition television) from current popular music artists from various genres including pop, dance, hip-hop, and more.Zego
The ZEGO ("Zest to go") is a rackmount server platform built by Sony, targeted for the video post-production and broadcast markets. The platform is based on Sony's PlayStation 3 as it features both the Cell Processor as well as the RSX 'Reality Synthesizer'. It is aimed to greatly speed up postproduction work (in particular in the computationally extremely taxing 4K resolution), 3D rendering and video processing. In some respects it is rather similar to IBM's QS20/21/22 blades (such as used in the Roadrunner supercomputer that took the top spot in the Top500 in May 2008), although Sony seems to target the DCC (Digital Content Creation) markets rather than scientific like IBM, which can be seen by the inclusion of the RSX graphics processor in the ZEGO platform.
ZEGO runs Fixstars's Yellow Dog Enterprise Linux, which was also Sony's favourite Linux distribution for the PlayStation 3.