In the 21st century, historians have increasingly portrayed the 1970s as a "pivot of change" in world history, focusing especially on the economic upheavals that followed the end of the postwar economic boom. In the Western world, social progressive values that began in the 1960s, such as increasing political awareness and economic liberty of women, continued to grow. In the United Kingdom, the 1979 elections resulted in the victory of its Conservative leader Margaret Thatcher, the first female British Prime Minister. Industrialized countries, except Japan, experienced an economic recession due to an oil crisis caused by oil embargoes by the Organization of Arab Petroleum Exporting Countries. The crisis saw the first instance of stagflation which began a political and economic trend of the replacement of Keynesian economic theory with neoliberal economic theory, with the first neoliberal governments being created in Chile, where a military coup led by Augusto Pinochet took place in 1973.
Novelist Tom Wolfe coined the term "'Me' decade" in his essay "The 'Me' Decade and the Third Great Awakening", published by New York Magazine in August 1976 referring to the 1970s. The term describes a general new attitude of Americans towards atomized individualism and away from communitarianism, in clear contrast with the 1960s.
In Asia, affairs regarding the People's Republic of China changed significantly following the recognition of the PRC by the United Nations, the death of Mao Zedong and the beginning of market liberalization by Mao's successors. Despite facing an oil crisis due to the OPEC embargo, the economy of Japan witnessed a large boom in this period, overtaking the economy of West Germany to become the second-largest in the world. The United States withdrew its military forces from their previous involvement in the Vietnam War, which had grown enormously unpopular. In 1979, the Soviet Union invaded Afghanistan, which led to an ongoing war for ten years.
The 1970s saw an initial increase in violence in the Middle East as Egypt and Syria declared war on Israel, but in the late 1970s, the situation in the Middle East was fundamentally altered when Egypt signed the Egyptian–Israeli Peace Treaty. Anwar El Sadat, President of Egypt, was instrumental in the event and consequently became extremely unpopular in the Arab world and the wider Muslim world. He was assassinated in 1981. Political tensions in Iran exploded with the Iranian Revolution in 1979, which overthrew the Pahlavi dynasty and established an Islamic republic of Iran under the leadership of the Ayatollah Khomeini.
Africa saw further decolonization in the decade, with Angola and Mozambique gaining their independence in 1975 from the Portuguese Empire after the restoration of democracy in Portugal. The continent was, however, plagued by endemic military coups, with the long-reigning Emperor of Ethiopia Haile Selassie being removed, civil wars and famine.
The economies of much of the developing world continued to make steady progress in the early 1970s because of the Green Revolution. They might have thrived and become stable in the way that Europe recovered after World War II through the Marshall Plan; however, their economic growth was slowed by the oil crisis but boomed immediately after.
The most notable wars and/or other conflicts of the decade include:
The most notable International conflicts of the decade include:
The most prominent coups d'état of the decade include:
The most notable terrorist attacks of the decade include:
Superpower tensions had cooled by the 1970s, with the bellicose US–Soviet confrontations of the 1950s–60s giving way to the policy of "détente", which promoted the idea that the world's problems could be resolved at the negotiating table. Détente was partially a reaction against the policies of the previous 25 years, which had brought the world dangerously close to nuclear war on several occasions, and because the US was in a weakened position following the failure of the Vietnam War. As part of détente, the US also restored ties with the People's Republic of China, partially as a counterweight against Soviet expansionism.
The US–Soviet geopolitical rivalry nonetheless continued through the decade, although in a more indirect faction as the two superpowers jockeyed relentlessly for control of smaller countries. American and Soviet intelligence agencies gave funding, training, and material support to insurgent groups, governments, and armies across the globe, each seeking to gain a geopolitical advantage and install friendly governments. Coups, civil wars, and terrorism went on across Asia, Africa, and Latin America, and also in Europe where a spate of Soviet-backed Marxist terrorist groups were active throughout the decade. Over half the world's population in the 1970s lived under a repressive dictatorship, although nothing exceeded the brutalities of Pol Pot's Cambodia in 1975–78. In 1979, a new wrinkle appeared in the form of Islamic fundamentalism, as the Shia theocracy of Ayatollah Khomeini overthrew the Shah of Iran and declared itself hostile to both Western democracy and godless communism.
People were deeply influenced by the rapid pace of societal change and the aspiration for a more egalitarian society in cultures that were long colonized and have an even longer history of hierarchical social structure.
The Green Revolution of the late 1960s brought about self-sufficiency in food in many developing economies. At the same time an increasing number of people began to seek urban prosperity over agrarian life. This consequently saw the duality of transition of diverse interaction across social communities amid increasing information blockade across social class.
Other common global ethos of the 1970s world included increasingly flexible and varied gender roles for women in industrialized societies. More women could enter the work force. However, the gender role of men remained as that of a breadwinner. The period also saw the socioeconomic effect of an ever-increasing number of women entering the non-agrarian economic workforce. The Iranian revolution also affected global attitudes to and among those of the Muslim faith toward the end of the 1970s.
The global experience of the cultural transition of the 1970s and an experience of a global zeitgeist revealed the interdependence of economies since World War II, in a world increasingly polarized between the United States and the Soviet Union.
Prominent assassinations, targeted killings, and assassination attempts include:
The 1970s were perhaps the worst decade of most industrialized countries' economic performance since the Great Depression. Although there was no severe economic depression as witnessed in the 1930s, economic growth rates were considerably lower than previous decades. As a result, the 1970s adversely distinguished itself from the prosperous postwar period between 1945 and 1973. The oil shocks of 1973 and 1979 added to the existing ailments and conjured high inflation throughout much of the world for the rest of the decade. U.S. manufacturing industries began to decline as a result, with the United States running its last trade surplus (as of 2009) in 1975. In contrast, Japan and West Germany experienced economic booms and started overtaking the U.S. as the world's leading manufacturers. In 1970, Japan overtook West Germany to become the world's second-largest economy. Japan would rank as the world's second-largest economy until 1994 when the European Economic Area (18 countries under a single market) came into effect.
In the US, the average annual inflation rate from 1900 to 1970 was approximately 2.5%. From 1970–1979, however, the average rate was 7.06%, and topped out at 13.29% in December 1979. This period is also known for "stagflation", a phenomenon in which inflation and unemployment steadily increased. It led to double-digit interest rates that rose to unprecedented levels (above 12% per year). The prime rate hit 21.5 in December 1980, the highest in history. A rising cost of housing was reflected in the average price of a new home in the U.S. The average price of a new home in the U.S. was $23,450 in 1970 up to $68,700 by 1980. By the time of 1980, when U.S. President Jimmy Carter was running for re-election against Ronald Reagan, the misery index (the sum of the unemployment rate and the inflation rate) had reached an all-time high of 21.98%. The economic problems of the 1970s would result in a sluggish cynicism replacing the optimistic attitudes of the 1950s and 1960s and a distrust of government and technology. Faith in government was at an all-time low in the aftermath of Vietnam and Watergate, as exemplified by the low voter turnout in the 1976 United States presidential election. There was also the 1973–74 stock market crash.
Great Britain also experienced considerable economic turmoil during the decade as outdated industries proved unable to compete with Japanese and German wares. Labor strikes happened with such frequency as to almost paralyze the country's infrastructure. Following the Winter of Discontent, Margaret Thatcher was elected prime minister in 1979 with the purpose of implementing extreme economic reforms.
In Eastern Europe, Soviet-style command economies began showing signs of stagnation, in which successes were persistently dogged by setbacks. The oil shock increased East European, particularly Soviet, exports, but a growing inability to increase agricultural output caused growing concern to the governments of the COMECON block, and a growing dependence on food imported from democratic nations.
On the other hand, export-driven economic development in Asia, especially by the Four Asian Tigers (Hong Kong, South Korea, Singapore, and Taiwan), resulted in rapid economic transformation and industrialization. Their abundance of cheap labor, combined with educational and other policy reforms, set the foundation for development in the region during the 1970s and beyond.
Economically, the 1970s were marked by the energy crisis which peaked in 1973 and 1979 (see 1973 oil crisis and 1979 oil crisis). After the first oil shock in 1973, gasoline was rationed in many countries. Europe particularly depended on the Middle East for oil; the United States was also affected even though it had its own oil reserves. Many European countries introduced car-free days and weekends. In the United States, customers with a license plate ending in an odd number were only allowed to buy gasoline on odd-numbered days, while even-numbered plate-holders could only purchase gasoline on even-numbered days. The realization that oil reserves were not endless and technological development was not sustainable without potentially harming the environment ended the belief in limitless progress that had existed since the 19th century. As a result, ecological awareness rose substantially, which had a major effect on the economy.
The 1970s witnessed an explosion in the understanding of solid-state physics, driven by the development of the integrated circuit, and the laser. Stephen Hawking developed his theories of black holes and the boundary-condition of the universe at this period with his theory called Hawking radiation. The biological sciences greatly advanced, with molecular biology, bacteriology, virology, and genetics achieving their modern forms in this decade. Biodiversity became a cause of major concern as habitat destruction, and Stephen Jay Gould's theory of punctuated equilibrium revolutionized evolutionary thought.
As the 1960s ended, the United States had made two successful manned lunar landings. Many Americans lost interest afterward, feeling that since the country had accomplished President John F. Kennedy's goal of landing on the moon by the end of the 1960s, there was no need for further missions. There was also a growing sentiment that the billions of dollars spent on the space program should be put to other uses. The moon landings continued through 1972, but the near loss of the Apollo 13 mission in April 1970 served to further anti-NASA feelings. Plans for missions up to Apollo 20 were canceled, and the remaining Apollo and Saturn hardware was used for the Skylab space station program in 1973–1974, and for the Apollo–Soyuz Test Project (ASTP), which was carried out in July 1975. Many of the ambitious projects NASA had planned for the 1970s were canceled amid heavy budget cutbacks, and instead it would devote most of the decade to the development of the space shuttle. ASTP was the last manned American space flight for the next five years. The year 1979 witnessed the spectacular reentry of Skylab over Australia. NASA had planned for a shuttle mission to the space station, but the shuttles were not ready to fly until 1981, too late to save it.
Meanwhile, the Soviets, having failed completely in their attempt at manned lunar landings, canceled the program in 1972. By then, however, they had already begun Salyut, the world's first space station program, which began in 1971. This would have problems of its own, especially the tragic loss of the Soyuz 11 crew in July 1971 and the near-loss of the Soyuz 18a crew during launch in April 1975. It eventually proved a success, with missions as long as six months being conducted by the end of the decade.
In terms of unmanned missions, a variety of lunar and planetary probes were launched by the US and Soviet programs during the decade. The most successful of these include the Soviet Lunokhod program, a series of robotic lunar missions which included the first unmanned sample return from another world, and the American Voyagers, which took advantage of a rare alignment of the outer planets to visit all of them except Pluto by the end of the 1980s.
China entered the space race in 1970 with the launching of its first satellite, but technological backwardness and limited funds would prevent the country from becoming a significant force in space exploration. Japan launched a satellite for the first time in 1972. The European Space Agency was founded during the decade as well.
Social science intersected with hard science in the works in natural language processing by Terry Winograd (1973) and the establishment of the first cognitive sciences department in the world at MIT in 1979. The fields of generative linguistics and cognitive psychology went through a renewed vigor with symbolic modeling of semantic knowledge while the final devastation of the long-standing tradition of behaviorism came about through the severe criticism of B. F. Skinner's work in 1971 by the cognitive scientist Noam Chomsky.
The birth of modern computing was in the 1970s, which saw the development of:
The 1970s were also the start of:
British Rail introduced high-speed trains on InterCity services. The trains consisted of British Rail Class 43 diesel-electric locomotives at either end with British Rail Mark 3 carriages. The trains were built in the United Kingdom by British Rail Engineering Limited. The high speed trains ran at 125 miles per hour (201 km/h) speeding up journeys between towns and cities and is still known as the InterCity 125.
Amtrak was formed in the United States in 1971, assuming responsibility for inter-city passenger operations throughout the country. In 1976, Conrail was formed to take over assets of six bankrupt freight railroads in the northeastern US.
The 1970s was an era of fuel price increases, rising insurance rates, safety concerns, and emissions controls. The 1973 oil crisis caused a move towards smaller, fuel-efficient vehicles. Attempts were made to produce electric cars, but they were largely unsuccessful. In the United States, imported cars became a significant factor for the first time, and several domestic-built subcompact models entered the market. American-made cars such as the "quirky" AMC Gremlin, the jelly bean shaped AMC Pacer, and Pontiac Firebird's powerful Trans Am "sum up" the decade. Muscle cars and convertible models faded from favor during the early-1970s. It was believed that the 1976 Cadillac Eldorado would be the last American-built convertible; ending the open body style that once dominated the auto industry.
Cars in the U.S. from the early 1970s are noted more for their power than their styling, but they even lost their power by the late-1970s. Styling on American cars became progressively more boxy and rectilinear during the 1970s, with coupes being the most popular body style. Wood paneling and shag carpets dominated the interiors. Many automobiles began to lose their character and looked the same across brands and automakers, as well as featuring "luxury" enhancements such as vinyl roofs and opera windows. Only a few had "real personalities" such as the AMC Gremlin, which was America's first modern subcompact, and the AMC Pacer. "These two cars embody a sense of artful desperation that made them stand out from the crowd and epitomize at once the best and worst of the seventies."
Automobiles in the U.S. reached the largest sizes they would ever attain, but by 1977, General Motors managed to downsize its full-size models to more manageable dimensions. Ford followed suit two years later, with Chrysler offering new small front-wheel-drive models, but was suffering from a worsening financial situation caused by various factors. By 1979, the company was near bankruptcy, and under its new president Lee Iacocca (who had been fired from Ford the year before), asked for a government bailout. American Motors beat out the U.S. Big Three to subcompact sized model (the Gremlin) in 1970, but its fortunes declined throughout the decade, forcing it into a partnership with the French automaker Renault in 1979.
European car design underwent major changes during the 1970s due to the need for performance with high fuel efficiency—designs such as the Volkswagen Golf and Passat, BMW 3, 5, and 7 series, and Mercedes-Benz S-Class appeared at the latter half of the decade. Ford Europe, specifically Ford Germany, also eclipsed the profits of its American parent company. The designs of Giorgetto Giugiaro became dominant, along with those of Marcello Gandini in Italy. The 1970s also saw the decline and practical failure of the British car industry—a combination of militant strikes and poor quality control effectively halted development at British Leyland, owner of all other British car companies during the 1970s.
The Japanese automobile industry flourished during the 1970s, compared to other major auto markets. Japanese vehicles became internationally renowned for their affordability, reliability, and fuel-efficiency, which was very important to many customers due to the oil embargo. Japanese car manufacturing focused on computerized robotic manufacturing techniques and lean manufacturing, contributing to high-efficiency and low production costs. The Honda Civic was introduced in 1973, and sold well due to its high fuel-efficiency. Other popular compact cars included the Toyota Corolla and the Datsun Sunny, in addition to other cars from those companies and others such as Subaru, Mitsubishi, and Mazda.
The role of women in society was profoundly altered with growing feminism across the world and with the presence and rise of a significant number of women as heads of state outside monarchies and heads of government in a number of countries across the world during the 1970s, many being the first women to hold such positions. Non-monarch women heads of state and heads of government in this period included Isabel Martínez de Perón as the first woman President in Argentina and the first woman non-monarch head of state in the Western hemisphere in 1974 until being deposed in 1976, Elisabeth Domitien becomes the first woman Prime Minister of the Central African Republic, Indira Gandhi continuing as Prime Minister of India until 1977 (and taking office again in 1980), Prime Minister Golda Meir of Israel and acting Chairman Soong Ching-ling of the People's Republic of China continuing their leadership from the sixties, Lidia Gueiler Tejada becoming the interim President of Bolivia beginning from 1979 to 1980, Maria de Lourdes Pintasilgo becoming the first woman Prime Minister of Portugal in 1979, and Margaret Thatcher becoming the first woman Prime Minister of the United Kingdom in 1979. Both Indira Gandhi and Margaret Thatcher would remain important political figures in the following decade in the 1980s.
The opposition to the War in Vietnam that began in the 1960s grew exponentially during the early 1970s. One of the best-known anti-war demonstrations was the Kent State shootings. In 1970, university students were protesting the war and the draft. Riots ensued during the weekend and the National Guard was called in to maintain the peace. However, by 4 May 1970, tensions arose again, and as the crowd grew larger, the National Guard started shooting. Four students were killed and nine injured. This event caused disbelief and shock throughout the country and became a staple of anti-Vietnam demonstrations.
The 1970s started a mainstream affirmation of the environmental issues early activists from the 1960s, such as Rachel Carson and Murray Bookchin, had warned of. The Apollo 11 mission, which had occurred at the end of the previous decade, had transmitted back concrete images of the Earth as an integrated, life-supporting system and shaped a public willingness to preserve nature. On April 22, 1970, the United States celebrated its first Earth Day, in which over two thousand colleges and universities and roughly ten thousand primary and secondary schools participated.
The 1960s counterculture movement had rapidly undone many existing social taboos, and divorce, extramarital sex, and homosexuality were increasingly accepted in the Western world. The event of legalized abortion and over-the-counter birth control pills also played a major factor. Western Europe was in some ways more progressive on sexual liberation than the United States, as nudity in film and on TV had been gradually accepted there from the mid-1960s, and many European countries during this time began allowing women to go topless in public places. Nudist culture was also popular during the decade, especially in Germany and Scandinavia. Child erotica found a niche market, but would eventually be banned under child pornography laws in the 1980s to 1990s.
The market for adult entertainment in the 1970s was large, and driven in part by the sizable baby boomer population, and the 1972 movie Behind the Green Door, an X-rated feature, became one of the top-grossing films of the year. Playboy Magazine appeared increasingly dull and old-fashioned next to new, more explicit sex-themed magazines such as Penthouse Magazine and Hustler Magazine.
By the end of the decade, there was an increasing backlash against libertine sexual attitudes, and the event of the AIDS epidemic helped bring about an end to the Sexual Revolution. Adult movie theaters, which had exploded in numbers during the 1970s and were widely seen as a symptom of urban decay in the US, declined as pornographic movies would largely shift to VHS tapes during the succeeding decade.
Crime rates in the US had been low from the 1940s until the mid-1960s, but began to escalate after 1965 due to a complex of social, economic, and demographic factors. By the 1970s, crime and blighted urban areas were a serious cause of concern, New York City being particularly affected. In 1972, the US Supreme Court ruled capital punishment unconstitutional, then reversed the ruling only four years later. Lax judicial and sentencing practices in the US during the 1960s and 1970s also contributed to high crime rates.
The Second-Wave Feminist Movement in the United States, which had begun in the 1960s, carried over to the 1970s, and took a prominent role within society. The fiftieth anniversary of the passage of the Nineteenth Amendment to the United States Constitution (which legalized female suffrage) in 1970 was commemorated by the Women's Strike for Equality and other protests.
1971 saw Erin Pizzey establish the world's first domestic violence shelter in Chiswick, London and Pizzey and her colleagues opened further facilities throughout the next few years. This work inspired similar networks of safe houses for female victims of abuse in other countries, with the first shelter on the continent opening in Amsterdam in 1974.
With the anthology Sisterhood is Powerful and other works, such as Sexual Politics, being published at the start of the decade, feminism started to reach a larger audience than ever before. In addition, the Supreme Court's 1973 decision of Roe v. Wade, which constitutionalized the right to an abortion, brought the women's rights movement into the national political spotlight.
Even musically, the women's movement had its shining moment. Australian-American singer Helen Reddy, recorded the song "I Am Woman", which became an anthem for the women's liberation movement. "I Am Woman" reached No. 1 on the Billboard Hot 100 chart and even won Helen her one and only Grammy Award.
Most efforts of the movement, especially aims at social equality and repeal of the remaining oppressive, sexist laws, were successful. Doors of opportunity were more numerous and much further open than before as women gained unheard of success in business, politics, education, science, the law, and even the home. Although most aims of the movement were successful, however, there were some significant failures, most notably the failure to ratify the Equal Rights Amendment to the U.S. Constitution with only three more states needed to ratify it (efforts to ratify ERA in the unratified states continues to this day and twenty-two states have adopted state ERAs). Also, the wage gap failed to close, but it did become smaller.
The second wave feminist movement in the United States largely ended in 1982 with the failure of the Equal Rights Amendment, and with new conservative leadership in Washington, D.C.. American women created a brief, but powerful, third-wave in the early 1990s which addressed sexual harassment (inspired by the Anita Hill–Clarence Thomas Senate Judiciary Committee hearings of 1991). The results of the movement included a new awareness of such issues among women, and unprecedented numbers of women elected to public office, particularly the United States Senate.
The Civil Rights Movement of the 1960s began to fracture in the 1970s, as social groups began defining themselves more by their differences than by their universalities. The Black Nationalist movement grew out of frustrations with the "non-violent" strategies of earlier Civil Rights Activists. With the assassinations of both Martin Luther King, Jr. and Senator Bobby Kennedy, many Black people were compelled to reject ideas of negotiation and instead embrace isolation. The feminist movement also splintered from a larger push for Civil Rights in the 1970s. The seventies were seen as the "woman's turn", though many feminists incorporated civil rights ideals into their movement. A feminist who had inherited the leadership position of the civil rights movement from her husband, Coretta Scott King, as leader of the black movement, called for an end to all discrimination, helping and encouraging the Woman's Liberation movement, and other movements as well. At the National Women's Conference in 1977 a minority women's resolution, promoted by King and others, passed to ensure racial equality in the movement's goals. Similarly, the gay movement made a huge step forward in the 1970s with the election of political figures such as Harvey Milk to public office and the advocating of anti-gay discrimination legislation passed and not passed during the decade. Many celebrities, including Freddie Mercury and Andy Warhol, also "came out" during this decade, bringing gay culture further into the limelight.
The Twenty-sixth Amendment to the United States Constitution was ratified on July 1, 1971, lowering the voting age for all federal and state elections from 21 years to 18 years. The primary impetus for this change was the fact that young men were being drafted to fight in the Vietnam War before they were old enough to vote.
During the early 1970s, popular music continued to be dominated by musicians who had achieved fame during the 1960s such as the Rolling Stones, The Who, Bob Dylan, The Grateful Dead, and Eric Clapton. In addition, many newcomer rock groups such as Black Sabbath and Led Zeppelin appeared. The Beatles disbanded in 1970, but each member of the band immediately released a highly successful solo album, and Paul McCartney especially would remain extremely popular throughout the decade. Singer-songwriters such as Elton John, James Taylor and Jackson Browne also came into vogue during the early 1970s.
The 1970s saw the rapid commercialization of rock music, and by mid-decade there were a spate of bands derisively dubbed "corporate rock" due to the notion that they had been created by record labels to produce simplistic, radio-friendly songs that offered cliches rather than meaningful lyrics. Such bands included The Doobie Brothers, Bread, Styx, Kansas, and REO Speedwagon.
Funk, an offshoot of soul music with a greater emphasis on beats, and influences from rhythm and blues, jazz, and psychedelic rock, was also very popular. The mid-1970s also saw the rise of disco music, which dominated during the last half of the decade with bands like the Bee Gees, Chic, ABBA, Village People, Boney M, Donna Summer, KC and the Sunshine Band, and others. In response to this, rock music became increasingly hard-edged, with British early metal artists like Led Zeppelin, Black Sabbath, and Deep Purple. Minimalism also emerged, led by composers such as Philip Glass, Steve Reich and Michael Nyman. This was a break from the intellectual serial music in the tradition of Schoenberg, which lasted from the early 1900s to 1960s.
Experimental classical music influenced both art rock and progressive rock genres with bands such as Yes, Pink Floyd, Todd Rundgren's Utopia, Supertramp, Rush, Genesis, King Crimson, Emerson, Lake & Palmer, Jethro Tull, The Moody Blues and Soft Machine. Hard rock and Heavy metal also emerged among British bands Led Zeppelin, Queen, The Who, Black Sabbath, UFO, Deep Purple, Uriah Heep, and Judas Priest. Australian band AC/DC also found its hard-rock origins in the early 1970s and its breakthrough in 1979's Highway to Hell, while popular American rock bands included Aerosmith, Lynyrd Skynyrd and shock rockers Alice Cooper, Blue Öyster Cult, and Kiss, and guitar-oriented Ted Nugent and Van Halen. In Europe, there was a surge of popularity in the early decade for glam rock.
After a successful return to live performing in the late 60s with his TV special, Elvis Presley remained popular in Vegas and on concert tours throughout the United States until his death in 1977. His 1973 televised concert, Aloha from Hawaii Via Satellite, aired in over 40 countries in Europe and Asia, as well as the United States, making it one of the most popular concert events of the decade.
The second half of the decade saw the rise of punk rock, when a spate of fresh, young rock groups playing stripped-down hard rock came to prominence at a time when most of the artists associated with the 1960s to early 1970s were in creative decline. Punk bands included The Sex Pistols, The Clash, The Ramones, The Talking Heads, and more.
The highest-selling album was Pink Floyd's The Dark Side of the Moon (1973). It remained on the Billboard 200 albums chart for 741 weeks. Electronic instrumental progressive rock was particularly significant in continental Europe, allowing bands like Kraftwerk, Tangerine Dream, Can, and Faust to circumvent the language barrier. Their synthesiser-heavy "krautrock", along with the work of Brian Eno (for a time the keyboard player with Roxy Music), would be a major influence on subsequent synthrock. The mid-1970s saw the rise of electronic art music musicians such as Jean Michel Jarre, Vangelis, and Tomita, who with Brian Eno were a significant influence of the development of new-age music. Japanese band Yellow Magic Orchestra helped to pioneer synthpop, with their self-titled album (in 1978) setting a template with less minimalism and with a strong emphasis on melody, and drawing from a wider range of influences than had been employed by Kraftwerk. YMO also introduced the microprocessor-based Roland MC-8 sequencer and TR-808 rhythm machine to popular music.
In the first half of the 1970s, many jazz musicians from the Miles Davis school achieved cross-over success through jazz-rock fusion with bands like Weather Report, Return to Forever, The Headhunters and The Mahavishnu Orchestra who also influenced this genre and many others. In Germany, Manfred Eicher started the ECM label, which quickly made a name for "chamber jazz". Towards the end of the decade, Jamaican reggae music, already popular in the Caribbean and Africa since the early 1970s, became very popular in the U.S. and in Europe, mostly because of reggae superstar and legend Bob Marley. The mid-1970s saw the reemergence of acoustic jazz with the return of artists like Dexter Gordon to the US music scene, who, along with a number of other artists, such as trumpet innovators like Don Ellis and Woody Shaw, who were among the last of the decade's traditionally-oriented acoustic jazz musicians to be signed to major record labels, to receive critical and widespread commercial recognition and multiple Grammy nominations.
The late 1970s also saw the beginning of hip hop music with disc jockeys like DJ Kool Herc and Afrika Bambaataa taking loops from funk and soul records and play them repeatedly at block parties and dance clubs. At the end of the 1970s, popular songs like "Rapper's Delight" by Sugarhill Gang gave hip hop a wider audience. Hip hop was also influenced by the song "The Revolution Will Not Be Televised" by Gil Scott-Heron.
Country music also continued to increase in popularity in the 1970s. Between 1977 and 1979, it became more mainstream, particularly with the outlaw movement, led by Waylon Jennings and Willie Nelson. Other artists; such as Conway Twitty, Loretta Lynn, Don Williams, Kenny Rogers, Dolly Parton, the Allman Brothers Band, Ronnie Milsap, Crystal Gayle, and Barbara Mandrell; all scored hits throughout the 70s which reached both country and pop charts. The genre also saw its golden age of vocal duos and groups in this decade; with Conway Twitty and Loretta Lynn, George Jones and Tammy Wynette, Jim Ed Brown and Helen Cornelius, the Bellamy Brothers, the Oak Ridge Boys, the Statler Brothers, Dave & Sugar, and The Kendalls. The genre also became more involved in Hollywood toward the end of the decade, with country-themed action films such as Smokey and the Bandit and Every Which Way But Loose, a trend that continued into the early 80s with the Urban Cowboy craze.
A major event in music in the early 1970s was the deaths of popular rock stars Jimi Hendrix, Janis Joplin, and Jim Morrison, all at the age of 27. Two of popular music's most successful artists from other eras died within eight weeks of each other in 1977. Elvis Presley, the best-selling singer of all time, died on August 16, 1977. Presley's funeral was held at Graceland, on Thursday, August 18, 1977. Bing Crosby, who sold about 50 million records, died on October 14, 1977. His single, White Christmas, remains as the best selling single of all time, confirmed by the Guinness Records.
In addition to the early 70s deaths, in 1970 bands such as Simon and Garfunkel broke-up as did the Beatles, over the next few years Creedence Clearwater Revival, The Everly Brothers and more.
Statistically, Led Zeppelin was the most successful musical act of the 1970s, having sold more than 300 million records since 1969.
Oscar winners of the decade were Patton (1970), The French Connection (1971), The Godfather (1972), The Sting (1973), The Godfather Part II (1974), One Flew Over the Cuckoo's Nest (1975), Rocky (1976), Annie Hall (1977), The Deer Hunter (1978), and Kramer vs. Kramer (1979).
The top ten highest-grossing films of the decade are (in order from highest to lowest grossing): Star Wars, Jaws, Grease, The Exorcist, Close Encounters of the Third Kind, Superman, The Godfather, Saturday Night Fever, Rocky, and Jaws 2. Two of these movies came out on the same day, June 16, 1978.
In 1970s European cinema, the failure of the Prague Spring brought about nostalgic motion pictures such as István Szabó's Szerelmesfilm (1970). German New Wave and Rainer Fassbinder's existential movies characterized film-making in Germany. The movies of the Swedish director Ingmar Bergman reached a new level of expression in motion pictures like Cries and Whispers (1973).
Asian cinema of the 1970s catered to the rising middle class fantasies and struggles. In the Bollywood cinema of India, this was epitomized by the movies of Bollywood superhero Amitabh Bachchan. Another Asian touchstone beginning in the early 1970s was Hong Kong martial arts film which sparked a greater interest in Chinese martial arts around the world. Martial arts film reached the peak of its popularity largely in part due to its greatest icon, Bruce Lee.
During the 1970s, Hollywood continued the New Hollywood revolution of the late-1960s with young film-makers. Top-grossing Jaws (1975) ushered in the blockbuster era of filmmaking, though it was eclipsed two years later by the science-fiction film Star Wars (1977). Saturday Night Fever (1977) single-handedly touched off disco mania in the U.S. The Godfather (1972) was also one of the decade's greatest successes and its first follow-up, The Godfather Part II (1974) was also successful for a sequel.
The Rocky Horror Picture Show flopped in its 1975 debut, only to reappear as a more-popular midnight show later in the decade. Still in limited release 36 years after its premiere, it is the longest-running theatrical release in film history.
In the United Kingdom, colour channels were now available; three stations had begun broadcasting in colour between 1967 and 1969. However, many viewers continued to watch black-and-white television sets for most of the decade, which meant for example that televised snooker (in which the colour of balls is important) did not reach the heights of its popularity until the 1980s.
Notable dramas included Play for Today and Pennies from Heaven. In police dramas, there was a move towards increasing realism; popular shows included Dixon of Dock Green, Z-Cars, Softly, Softly, and The Sweeney.
1970s UK television featured a mix of traditional and more modern comedy. Morecambe and Wise, The Benny Hill Show, Are You Being Served? and Dad's Army had their origins in the variety show and radio comedy of the first half of the century. Many popular British situation comedies (sit-coms) were gentle, unchallenging comedies of middle-class life; typical examples were Terry and June and Sykes. However, the middle-class settings of The Good Life and The Fall and Rise of Reginald Perrin contrasted with their anti-establishment theme of people rejecting traditional social norms. A harsher side of society was shown by comedy series like Porridge and Rising Damp, while sitcoms such as Mind Your Language, Love Thy Neighbour and Till Death Us Do Part reflected social unease brought about by post-war immigration. Spike Milligan's Q and the still-popular Monty Python's Flying Circus both used surreal comedy, originating from the 1950s The Goon Show.
In the late 1970s, BBC2's unveiled a new identity, a twin-striped "2", which was the first electronically generated symbol and scrolled on and off the screen.
As the 1970s began, the Big Three TV networks were rapidly re-engineering their lineups, noting that existing programs were not attracting the youth audience. Most existing programs still operated on paradigms established in the 1950s, and some shows had literally been on the air since the dawn of TV broadcasting in the late 1940s and early 1950s. Shows that had low ratings or insufficient youth appeal were cancelled as networks scrambled to attract the large baby boomer audience.
To reflect the new social trends, television changed dramatically with more urban and edgy settings, and replaced the popular rural/country wholesome look of the 1950s and 1960s, seen as outmoded and unable to connect with young, educated urban audiences. This particular trend was known as the rural purge. Television was transformed by what became termed as "social consciousness" programming, such as All in the Family and Soap, which broke down television barriers.
The women's movement ushered in a slew of programming featuring strong, independent females as central characters. Most notable was The Mary Tyler Moore Show, which spawned the successful spin-offs Rhoda and Phyllis, and also resulted in Mary Tyler Moore becoming the first female to head a television production company of her own, MTM Enterprises, which churned out groundbreaking programming in the late 1970s throughout the 1990s. Women were also established portraying action characters in programs like Police Woman, Wonder Woman, The Bionic Woman, and others.
Minority-centric television programming also featured prominently during the 1970s. Shows featuring minorities as main characters, such as Sanford and Son, Maude, The Jeffersons, Good Times, and What's Happening!! broke down barriers and became very popular. In addition, Soul Train, the brainchild of Don Cornelius, premiered in 1971 as the African-American counterpart to American Bandstand, giving a forum for soul, funk, jazz, R&B, disco, and future rap and hip hop artists to gain exposure to American audiences, consumers, music lovers, enthusiasts, and those keen on learning new dance moves.
The television western, which had been very popular in the 1950s and 1960s, all but died out during the 1970s, with Bonanza, The Virginian, and Gunsmoke ending their runs. Replacing westerns were police and detective shows, a trend that would last through the 1980s.
Television still had its medical shows of the 1970s, however, Emergency! was the first popular medical drama ever to feature both the paramedic program as well as the hospital emergency department, which also encouraged future people in the United States to develop their own paramedic program or hospital emergency department, and acted as an inspiration for many individuals.
Soap operas expanded their audiences beyond housewives with the rise of All My Children, As the World Turns, Somerset, and The Young and the Restless; with many extending their episodes from 30 minutes to an hour.
Game shows such as Match Game, The Hollywood Squares, Family Feud, and many others saw its golden age on daytime television. The height of Match Game's popularity occurred between 1973 and 1977, before it was overtaken by Family Feud in 1978. Television's current longest-running game show, The Price Is Right, began its run hosted by Bob Barker in 1972.
Another influential genre was the television newscast, which built on its initial widespread success in the 1960s.
Variety shows, a staple of TV programming since the beginning, were also re-engineered to appeal to young viewers. Old standbys such as The Ed Sullivan Show and The Red Skelton Show were canceled and replaced by hipper programming like Sonny and Cher Comedy Hour and Donny & Marie. The Carol Burnett Show also ended its historic 11-year run in 1978. In the end, rising production costs largely did in variety shows.
As cable television became more affordable and accessible by U.S. consumers, the race to bring the silver screen to the small screen commenced with the launch of pay television services showing premium content.
HBO launched on November 8, 1972, becoming the nation's first pay-television channel. On September 30, 1975, HBO became the first television network to continuously deliver signals via satellite when it showed the "Thrilla in Manila" boxing-match between Muhammad Ali and Joe Frazier.
Star Channel launched their service offerings nationally in 1973 through the delivery of movies on video tapes for cable providers to broadcast. This proved problematic since the videotapes were often riddled with technical difficulties. Star Channel eventually was linked up to satellite in January 1978. Shortly after, Warner Communications acquired the channel and relaunched it on December 1, 1979, in its current form as The Movie Channel.
In 1974, Australian TV tests color transmissions (full-time color comes in 1975). Popular Shows during the Decade include, Young Talent Time,* Number 96, The Aunty Jack Show, Class of '74, The Sullivans, The Don Lane Show, Cop Shop, The Naked Vicar Show, The Paul Hogan Show and Countdown.
South Africa saw nationwide television service for the first time on January 5, 1976, although limited-view, locally available television began on May 5, 1975.
The 1972 Summer Olympics in Munich, Germany saw swimmer Mark Spitz set seven World Records and won a record seven gold medals. The 1976 Summer Olympics were held in Montreal, Quebec, Canada. Brazil won the 1970 FIFA World Cup in Mexico, West Germany won the 1974 FIFA World Cup in West Germany, and Argentina won the 1978 FIFA World Cup in Argentina. The 1970 FIFA World Cup was the first world cup to be televised in color.
The Dallas Cowboys and the Pittsburgh Steelers dominated the decade in the NFL. Steelers were led by Terry Bradshaw and Chuck Noll, and the Cowboys were led by Roger Staubach and Tom Landry, while the Miami Dolphins became the only team in NFL history to go "all the way," winning the Super Bowl with an undefeated record—a feat that remains unmatched to this day.
As numbers of young people became alienated from social norms, they resisted and looked for alternatives. They would form what would become known as the counterculture. The forms of escape and resistance would manifest in many ways including social activism, alternative lifestyles, experimental living through foods, dress, music and alternative recreational activities, including that of throwing a frisbee. What started with a few players like Victor Malafronte, Z Weyand and Ken Westerfield experimenting with new ways of throwing and catching a frisbee, later would become known as playing freestyle. Organized disc sports, in the 1970s, began with promotional efforts from Wham-O and Irwin Toy (Canada), a few tournaments and professionals using frisbee show tours to perform at universities, fairs and sporting events. Disc sports such as freestyle, double disc court, guts, disc ultimate and disc golf became this sports first events.
Fiction in the early '70s brought a return to old-fashioned storytelling, especially with Erich Segal's Love Story. The seventies also saw the decline of previously well-respected writers, such as Saul Bellow and Peter De Vries, who both released poorly received novels at the start of the decade. Racism remained a key literary subject. John Updike emerged as a major literary figure. Reflections of the 1960s experience also found roots in the literature of the decade through the works of Joyce Carol Oates and Wright Morris. With the rising cost of hard-cover books and the increasing readership of "genre fiction", the paperback became a popular medium. Criminal non-fiction also became a popular topic. Irreverence and satire, typified in Kurt Vonnegut's Breakfast of Champions, were common literary elements. The horror genre also emerged, and by the late 1970s Stephen King had become one of the most popular genre novelists.
In non-fiction, several books related to Nixon and the Watergate scandal topped the best-selling lists. 1977 brought many high-profile biographical works of literary figures, such as those of Virginia Woolf, Agatha Christie, and J. R. R. Tolkien.
Architecture in the 1970s began as a continuation of styles created by such architects as Frank Lloyd Wright and Ludwig Mies van der Rohe. Early in the decade, several architects competed to build the tallest building in the world. Of these buildings, the most notable are the John Hancock Center and Sears Tower in Chicago, both designed by Bruce Graham and Fazlur Khan, and the World Trade Center towers in New York by American architect Minoru Yamasaki. The decade also brought experimentation in geometric design, pop-art, postmodernism, and early deconstructivism.
Design trends in the 1970s were marked by a backlash against the bright colors and futurism of the 1950s and 1960s and a rise in popularity of dark, earthy tones with extensive use of brown, green, purple, and orange. Wood decor and paneling was integral to 1970s interior design as well, replacing the obsession of the 1950s and 1960s with chrome and aluminum. Darker colors not only reflected the back-to-nature mindset of the decade, but the sluggish world economy with its lowered optimism and expectations for the future.
In 1974, Louis Kahn's last and arguably most famous building, the National Assembly Building of Dhaka, Bangladesh, was completed. The building's use of open spaces and groundbreaking geometry brought rare attention to the small South Asian country. Hugh Stubbins's Citicorp Center revolutionized the incorporation of solar panels in office buildings. The seventies brought further experimentation in glass and steel construction and geometric design. Chinese architect I. M. Pei's John Hancock Tower in Boston, Massachusetts, is an example, although like many buildings of the time, the experimentation was flawed and glass panes fell from the façade. In 1976, the completed CN Tower in Toronto became the world's tallest free-standing structure on land, an honor it held until 2007. The fact that no taller tower had been built between the construction of the CN Tower and the Burj Khalifa shows how innovative the architecture and engineering of the structure truly was.
Modern architecture was increasingly criticized as the decade went on from the point of view of postmodern architects, such as Philip Johnson, Charles Moore, and Michael Graves, who advocated a return to pre-modern styles of architecture and the incorporation of pop elements as a means of communicating with a broader public. Other architects, such as Peter Eisenman of the New York Five, advocated the pursuit of form for the sake of form and drew on semiotics theory for support.
"High Tech" architecture moved forward as Buckminster Fuller continued his experiments in geodesic domes, while the Georges Pompidou Center, designed by Renzo Piano and Richard Rogers, which opened in 1977, was a prominent example. As the decade drew to a close, Frank Gehry broke out in new direction with his own house in Santa Monica, a highly complex structure, half excavated out of an existing bungalow and half cheaply built construction using materials such as chicken wire fencing.
Terracotta Army figures, dating from 210 BC, were discovered in 1974 by some local farmers in Lintong District, Xi'an, Shaanxi Province, China, near the Mausoleum of the First Qin Emperor (Chinese: 秦始皇陵; pinyin: Qín Shǐhuáng Ling). In 1978, electrical workers in Mexico City found the remains of the Great Pyramid of Tenochtitlan in the middle of the city.
Clothing styles during the 1970s were influenced by outfits seen in popular music groups and in Hollywood films. In clothing, prints, especially from India and other parts of the world, were fashionable.
Much of the 1970s fashion styles were influenced by the hippie movement.
Significant fashion trends of the 1970s include:
The following articles contain brief timelines which list the most prominent events of the decade:
For music from a year in the 1970s, go to 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79This article includes an overview of the major events and trends in popular music in the 1970s.
In North America, Europe, and Oceania, the decade saw the rise of disco, which became one of the biggest genres of the decade, especially in the mid-to-late 1970s. In Europe, a variant known as Euro disco rose in popularity towards the end of the 1970s. Aside from disco, funk, smooth jazz, jazz fusion, and soul remained popular throughout the decade. It is this influx of popular music that soon transformed into rock and roll during the Early 1970s. Rock music played an important part in the Western musical scene, with punk rock thriving throughout the mid to late 1970s. Other subgenres of rock, particularly glam rock, hard rock, progressive, art rock and heavy metal achieved various amounts of success. Other genres such as reggae were innovative throughout the decade and grew a significant following. Hip hop emerged during this decade, but was slow to start and did not become significant until the late 1980s. Classical began losing a little momentum; however, through invention and theoretical development, this particular genre gave rise to experimental classical and minimalist music by classical composers. A subgenre of classical, film scores, remained popular with movie-goers. Alongside the popularity of experimental music, the decade was notable for its contributions to electronic music, which rose in popularity with the continued development of synthesizers and harmonizers; more composers embraced this particular genre, gaining the notice of listeners who were looking for something new and different. Its rising popularity, mixed with the popular music of the period, led to the creation of synthpop. Pop also had a popularity role in the 1970s.
In Asia, music continued to follow varying trends. In Japan, the decade saw several musical phases, including the highly popular folk-influenced fōku, as well as greater experimentation with electronic music, ranging from developments in synthpop, electro, and Electronic Dance Music, created through different Japanese artists and bands such as Yellow Magic Orchestra.In Latin America and the Iberian Peninsula, the Nueva canción movement peaked in popularity and was adopted as the music of the hippie, Liberation Theology, and New Left movements. Cumbia music began its internationalization as regional scenes rose outside Colombia. Merengue experienced mainstream exposure across Latin America and the southern US border states.
In Africa, especially Nigeria, the genre known as Afrobeat gained a following throughout the 1970s.A Star Is Born (1976 film)
A Star Is Born is a 1976 American musical romantic drama film about a young singer (Barbra Streisand) who meets and falls in love with an established rock and roll star (Kris Kristofferson), only to find her career ascending while his goes into decline.
The film is a remake of the 1937 original drama starring Janet Gaynor and Fredric March, which had also been adapted in 1954 as a musical starring Judy Garland and James Mason. The story was again adapted in 2018 starring Lady Gaga and Bradley Cooper.Disco
Disco is a music genre and subculture that emerged in the 1970s from the United States' urban nightlife scene. The music, the fashion, many song lyrics and other cultural phenomena associated with disco were focused on having a good time on the dance floor of a discotheque to the loud sounds of records being played by a DJ, usually enhanced by coloured lighting effects.
Disco started as a mixture of music from venues popular with African Americans, Hispanic and Latino Americans, Italian Americans, LGBT people (especially African-American and white gay men), and psychedelic hippies in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction to both the dominance of rock music and the stigmatization of dance music by the counterculture during this period. Several dance styles were developed during the period of disco's popularity in the United States, including the Bump and the Hustle.
The disco sound is typified by "four-on-the-floor" beats, syncopated basslines, and string sections, horns, electric piano, synthesizers, and electric rhythm guitars. Lead guitar features less frequently in disco than in rock. Well-known disco artists include Donna Summer, Gloria Gaynor, the Bee Gees, the Chic, KC and the Sunshine Band, Thelma Houston and the Village People. While performers and singers garnered public attention, record producers working behind the scenes played an important role in developing the genre. Films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's mainstream popularity.
By the late 1970s, most major U.S. cities had thriving disco club scenes, and DJs would mix dance records at clubs such as Studio 54 in New York City, a venue popular among celebrities. Discothèque-goers often wore expensive, extravagant and sexy fashions. There was also a thriving drug subculture in the disco scene, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine and Quaaludes, the latter being so common in disco subculture that they were nicknamed "disco biscuits". Disco clubs were also associated with promiscuity as a reflection of the sexual revolution of this era in popular history.
Disco was the last popular music movement driven by the baby boom generation. It began to decline in the United States during 1979-80, and by 1982 it had lost nearly all popularity there. Disco Demolition Night, an anti-disco protest held in Chicago on July 12, 1979, remains the most well-known of several "backlash" incidents across the country that symbolized disco's declining fortune.
Disco was a key influence in the development of electronic dance music and house music. It has had several revivals, such as Madonna's highly successful 2005 album Confessions on a Dance Floor, and again in the 2010s, entering the pop charts in the US and the UK.Dog Day Afternoon
Dog Day Afternoon is a 1975 American crime drama film directed by Sidney Lumet, written by Frank Pierson, and produced by Martin Bregman and Martin Elfand. The film stars Al Pacino, John Cazale, Charles Durning, Chris Sarandon, Penelope Allen, James Broderick, Lance Henriksen, and Carol Kane. The title refers to the sultry "dog days" of summer.
The film was inspired by P. F. Kluge's article "The Boys in the Bank" in LIFE magazine, about a similar robbery of a Brooklyn bank by John Wojtowicz and Salvatore Naturale on August 22, 1972.
The film received critical acclaim upon its September 1975 release by Warner Bros., some of which referred to its anti-establishment tone. Dog Day Afternoon was nominated for several Academy Awards and Golden Globe awards, and won the Academy Award for Best Original Screenplay. In 2009, the film was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry.Electronic music
Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology. In general, a distinction can be made between sound produced using electromechanical means (electroacoustic music), and that produced using electronics only. Electromechanical instruments include mechanical elements, such as strings, hammers, and so on, and electric elements, such as magnetic pickups, power amplifiers and loudspeakers. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar, which are typically made loud enough for performers and audiences to hear with an instrument amplifier and speaker cabinet. Pure electronic instruments do not have vibrating strings, hammers, or other sound-producing mechanisms. Devices such as the theremin, synthesizer, and computer can produce electronic sounds.The first electronic devices for performing music were developed at the end of the 19th century, and shortly afterward Italian futurists explored sounds that had not been considered musical. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for electronic instruments were made. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to the development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was also created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers to compose music. Algorithmic composition with computers was first demonstrated in the 1950s (although algorithmic composition per se without a computer had occurred much earlier, for example Mozart's Musikalisches Würfelspiel).
In the 1960s, live electronics were pioneered in America and Europe, Japanese electronic musical instruments began influencing the music industry, and Jamaican dub music emerged as a form of popular electronic music. In the early 1970s, the monophonic Minimoog synthesizer and Japanese drum machines helped popularize synthesized electronic music.
In the 1970s, electronic music began having a significant influence on popular music, with the adoption of polyphonic synthesizers, electronic drums, drum machines, and turntables, through the emergence of genres such as disco, krautrock, new wave, synth-pop, hip hop and EDM. In the 1980s, electronic music became more dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines such as the Roland TR-808 and bass synthesizers such as the TB-303. In the early 1980s, digital technologies for synthesizers including digital synthesizers such as the Yamaha DX7 were popularized, and a group of musicians and music merchants developed the Musical Instrument Digital Interface (MIDI).
Electronically produced music became prevalent in the popular domain by the 1990s, because of the advent of affordable music technology. Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. Today, pop electronic music is most recognizable in its 4/4 form and more connected with the mainstream culture as opposed to its preceding forms which were specialized to niche markets.Hip hop music
Hip hop music, also called hip-hop or rap music, is a music genre developed in the United States by inner-city African Americans in the late 1970s which consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records (or synthesized beats and sounds), and rhythmic beatboxing. While often used to refer solely to rapping, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of hip hop culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.Indie rock
Indie rock is a genre of rock music that originated in the United Kingdom in the 1970s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. As grunge and punk revival bands in the US and Britpop bands in the UK broke into the mainstream in the 1990s, it came to be used to identify those acts that retained an outsider and underground perspective. In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, some indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term.
Sometimes used interchangeably with "guitar pop rock", in the mid-1980s, the term "indie" (or "indie pop") began to be used to describe the music produced on punk and post-punk labels. Some prominent indie rock record labels were founded during the 1980s. During the 1990s, grunge bands broke into the mainstream, and the term "alternative" lost its original counter-cultural meaning. The term "indie rock" became associated with the bands and genres that remained dedicated to their independent status. By the end of the 1990s, indie rock developed several subgenres and related styles, including lo-fi, noise pop, emo, slowcore, post-rock, and math rock. In the 2000s, changes in the music industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success.In the early 2000s, a new group of bands that played a stripped-down, back-to-basics version of guitar rock emerged into the mainstream. The commercial breakthrough from these scenes was led by four bands: The Strokes, The White Stripes, The Hives and The Vines. Emo also broke into mainstream culture in the early 2000s. By the end of the decade, the proliferation of indie bands was being referred to as "indie landfill".Lists of Pakistani films
The following pages for each decade list films produced in Pakistan by year of release.New wave music
New wave is a genre of rock music popular in the late 1970s and the 1980s with ties to mid-1970s punk rock. New wave moved away from blues and rock and roll sounds to create rock music (early new wave) or pop music (later) that incorporated disco, mod, and electronic music. Initially new wave was similar to punk rock, before becoming a distinct genre. It subsequently engendered subgenres and fusions, including synth-pop.New wave differs from other movements with ties to first-wave punk as it displays characteristics common to pop music, rather than the more "artsy" post-punk. Although it incorporates much of the original punk rock sound and ethos, new wave exhibits greater complexity in both music and lyrics. Common characteristics of new wave music include the use of synthesizers and electronic productions, and a distinctive visual style featured in music videos and fashion.New wave has been called one of the definitive genres of the 1980s, after it was promoted heavily by MTV (the Buggles' "Video Killed the Radio Star" music video was broadcast as the first music video to promote the channel's launch). The popularity of several new wave artists is often attributed to their exposure on the channel. In the mid-1980s, differences between new wave and other music genres began to blur. New wave has enjoyed resurgences since the 1990s, after a rising "nostalgia" for several new wave-influenced artists. Subsequently, the genre influenced other genres. During the 2000s, a number of acts, such as the Strokes, Interpol, Franz Ferdinand and The Killers explored new wave and post-punk influences. These acts were sometimes labeled "new wave of new wave".Post-punk
Post-punk (originally called new musick) is a broad type of rock music that emerged from the punk movement of the 1970s, in which artists departed from the simplicity and traditionalism of punk rock to adopt a variety of avant-garde sensibilities and diverse influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with sources including electronic music and black styles like dub, funk, free jazz, and disco; novel recording and production techniques; and ideas from art and politics, including critical theory, modernist art, cinema and literature. Communities that produced independent record labels, visual art, multimedia performances and fanzines developed around these pioneering musical scenes, which coalesced in cities such as London, New York, Manchester, Melbourne, Sydney and San Francisco.
The early post-punk vanguard was represented by groups such as Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Gang of Four, Joy Division, Talking Heads, Throbbing Gristle, the Slits, the Cure, the Fall Au Pairs and The Sound . The movement was closely related to the development of ancillary genres such as gothic rock, neo-psychedelia, no wave and industrial music. By the mid-1980s, post-punk had dissipated while providing the impetus for the New Pop movement as well much subsequent alternative and independent music.Power pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It originated in the late 1960s as young music fans began to rebel against the emerging pretensions of rock music, and developed mainly among American musicians who came of age during the British Invasion. The genre typically incorporates melodic hooks, vocal harmonies, an energetic performance, and "happy"-sounding music supported by a sense of yearning, longing, or despair.
The term "power pop" was coined by the Who's Pete Townshend to describe their 1967 single "Pictures of Lily". However, the term became more widely identified with subsequent artists from the 1970s who sought to revive Beatles-style pop. The sound of the genre became more established thanks to early 1970s hits by Badfinger, the Raspberries, and Todd Rundgren. Following the rise of new wave and punk, power pop reached its commercial peak with Cheap Trick, the Knack, the Romantics, Nick Lowe, Dave Edmunds, and Dwight Twilley. At the same time, music critics who wrote about the phenomenon popularized the term's usage. It was sometimes characterized as a more commercial counterpart of punk.
After a popular and critical backlash to the genre's biggest-ever hit, "My Sharona" (The Knack, 1979), record companies generally stopped signing power pop groups, and most of its bands broke up in the early 1980s. Over the next two decades, power pop continued with modest commercial success. The 1990s saw a new wave of bands that were drawn to 1960s artists because of the 1980s music they influenced. Although not as successful as their predecessors, Jellyfish, the Posies, Redd Kross, Teenage Fanclub, and Material Issue were critical and cult favorites.Progressive rock
Progressive rock (shortened as prog; sometimes called art rock, classical rock or symphonic rock) is a broad genre of rock music that developed in the United Kingdom and United States throughout the mid to late 1960s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening, not dancing.
Prog is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, prog's scope is sometimes limited to a stereotype of long solos, overlong albums, fantasy lyrics, grandiose stage sets and costumes, and an obsessive dedication to technical skill. While the genre is often cited for its merging of high culture and low culture, few artists incorporated literal classical themes in their work to any great degree, and only a handful of groups purposely emulated or referenced classical music.
The genre coincided with the mid 1960s economic boom that allowed record labels to allocate more creative control to their artists, as well as the new journalistic division between "pop" and "rock" that lent generic significance to both terms. Prog saw a high level of popularity in the early-to-mid 1970s, but faded soon after. Conventional wisdom holds that the rise of punk rock caused this, but several more factors contributed to the decline. Music critics, who often labelled the concepts as "pretentious" and the sounds as "pompous" and "overblown", tended to be hostile towards the genre or to completely ignore it. After the late 1970s, progressive rock fragmented in numerous forms. Some bands achieved commercial success well into the 1980s (albeit with changed lineups and more compact song structures) or crossed into symphonic pop, arena rock, or new wave.
Early groups who exhibited progressive features are retroactively described as "proto-prog". The Canterbury scene, originating in the late 1960s, denoted a subset of prog bands who emphasised the use of wind instruments, complex chord changes and long improvisations. Rock in Opposition, from the late 1970s, was more avant-garde, and when combined with the Canterbury style, created avant-prog. In the 1980s, a new subgenre, neo-progressive rock, enjoyed some commercial success, although it was also accused of being derivative and lacking in innovation. Post-progressive draws upon newer developments in popular music and the avant-garde since the mid 1970s.Ska punk
Ska punk (also spelled ska-punk) is a fusion genre that mixes ska music and punk rock music together. Ska-core (sometimes spelled skacore) is a subgenre of ska punk that mixes ska with hardcore punk. Early ska punk mixed both 2 Tone and ska with hardcore punk. Ska punk tends to feature brass instruments, especially horns such as saxophones, trombones and trumpets, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska which reached its zenith in the mid 1990s.
Before ska punk began, many ska bands and punk rock bands performed on the same bills together and performed to the same audiences. Some music groups from the late 1970s and early 1980s, such as the Clash, the Deadbeats, the Specials, the Beat, and Madness fused characteristics of punk rock and ska, but many of these were either punk bands playing an occasional ska-flavored song, or are usually considered 2-Tone ska bands who played faster songs with a punk attitude. During the late 1980s and early 1990s, ska-punk enjoyed its greatest success, heralded by bands such as Fishbone, Dance Hall Crashers, the Mighty Mighty Bosstones, Citizen Fish, Sublime, the Porkers, Voodoo Glow Skulls, Culture Shock, Operation Ivy, and Mr. Bungle.
Ska punk had significant mainstream success in the middle-to-late 1990s, with many bands topping pop and rock music charts. The best selling ska punk record of the era was No Doubt's Tragic Kingdom, which was was certified diamond by the Recording Industry Association of America (RIAA) in 1999 and was certified diamond by Music Canada in 1997. By the early 2000s, many of the bands in ska punk had broken up, and the genre lost mainstream appeal, though it continued to have underground popularity and featured a revival in the late 2010s with bands like The Interrupters returning to chart success, when their song "She's Kerosene" reached the top-5 on alternative and rock music charts in Canada and the U.S.Soft rock
Soft rock (or lite rock) is a derivative form of pop rock that originated in the early 1970s in southern California. The style smoothed over the edges of singer-songwriter and pop rock, relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into the synthesized music of adult contemporary in the 1980s.Soul music
Soul music (often referred to simply as soul) is a popular music genre that originated in the African American community in the United States in the 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues and jazz. Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa.According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying". Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds. Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black.Soul music dominated the U.S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U.S., Britain and elsewhere. By 1968, the soul music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, and in some cases more politically conscious varieties. By the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994. There are also several other subgenres and offshoots of soul music.
The key subgenres of soul include the Detroit (Motown) style, a rhythmic music influenced by gospel; deep soul and southern soul, driving, energetic soul styles combining R&B with southern gospel music sounds; Memphis soul, a shimmering, sultry style; New Orleans soul, which came out of the rhythm and blues style; Chicago soul, a lighter gospel-influenced sound; Philadelphia soul, a lush orchestral sound with doo-wop-inspired vocals; psychedelic soul, a blend of psychedelic rock and soul music; as well as categories such as blue-eyed soul, which is soul music performed by white artists; British soul; and Northern soul, rare soul music played by DJs at nightclubs in Northern England.Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
Early synth-pop pioneers included Japanese group Yellow Magic Orchestra, and British bands Ultravox, the Human League and Berlin Blondes. The Human League used monophonic synthesizers to produce music with a simple and austere sound. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s, including late-1970s debutants like Japan and Orchestral Manoeuvres in the Dark, and newcomers such as Depeche Mode and Eurythmics. In Japan, Yellow Magic Orchestra's success opened the way for synth-pop bands such as P-Model, Plastics, and Hikashu. The development of inexpensive polyphonic synthesizers, the definition of MIDI and the use of dance beats, led to a more commercial and accessible sound for synth-pop. This, its adoption by the style-conscious acts from the New Romantic movement, together with the rise of MTV, led to success for large numbers of British synth-pop acts (including Duran Duran and Spandau Ballet) in the United States.
"Synth-pop" is sometimes used interchangeably with "electropop", but "electropop" may also denote a variant of synth-pop that places more emphasis on a harder, more electronic sound. In the mid to late 1980s, duos such as Erasure and Pet Shop Boys adopted a style that was highly successful on the US dance charts, but by the end of the decade, the 'new wave' synth-pop of bands such as A-ha and Alphaville was giving way to house music and techno. Interest in new wave synth-pop began to revive in the indietronica and electroclash movements in the late 1990s, and in the 2000s synth-pop enjoyed a widespread revival, with commercial success for acts including Lady Gaga, La Roux, Owl City, M83 and Chvrches.
The genre has received criticism for alleged lack of emotion and musicianship; prominent artists have spoken out against detractors who believed that synthesizers themselves composed and played the songs. Synth-pop music has established a place for the synthesizer as a major element of pop and rock music, directly influencing subsequent genres (including house music and Detroit techno) and has indirectly influenced many other genres, as well as individual recordings.The Brady Bunch
The Brady Bunch is an American sitcom created by Sherwood Schwartz that aired from September 26, 1969, to March 8, 1974, on ABC. The series revolves around a large blended family with six children. Considered one of the last of the old-style family sitcoms, the series aired for five seasons and, after its cancellation in 1974, went into syndication in September 1975. While the series was never a critical success or hit series during its original run, it has since become a popular staple in syndication, especially among children and teenaged viewers.
The Brady Bunch's success in syndication led to several television reunion films and spin-off series: The Brady Bunch Hour (1976–77), The Brady Girls Get Married (1981), The Brady Brides (1981), A Very Brady Christmas (1988), and The Bradys (1990). In 1995, the series was adapted into a satirical comedy theatrical film titled The Brady Bunch Movie, followed by A Very Brady Sequel in 1996. A second sequel, The Brady Bunch in the White House, aired on Fox in November 2002 as a made-for-television film. In 1997, "Getting Davy Jones" (season three, episode 12) was ranked number 37 on TV Guide's 100 Greatest Episodes of All-Time. The enduring popularity of the show has resulted in it becoming widely recognized as an American cultural icon.The Love Boat
The Love Boat is an American comedy/drama television series set on luxury passenger cruise ship S.S. Pacific Princess, which aired on the ABC television network from May 5, 1977 until May 24, 1986; plus, four three-hour long specials aired in 1986, 1987, and 1990. The series revolves around the ship's captain Merrill Stubing (played by Gavin MacLeod) and a handful of its crew, with several passengers—played by various guest star actors for each episode—having romantic and humorous adventures. It was part of ABC's popular Saturday-night lineup of the time, which also included Fantasy Island until that series ended two years earlier in 1984.
The original 1976 made-for-TV movie on which the show was based (also titled The Love Boat) was itself based on the nonfiction book Love Boats by Jeraldine Saunders, a real-life cruise director on a passenger cruise ship line. It was followed by two more TV-made-for movies (titled The Love Boat II and The New Love Boat), all before the series began its first season in September 1977.The executive producer for the series was Aaron Spelling, who produced several TV series for Four Star Television, and American Broadcasting Company (ABC) from the 1960s into the 1980s.
In 1997, the episode with segment titles "Hidden Treasure", "Picture from the Past", and "Ace's Salary" (season 9, episode 3) was ranked No. 82 on TV Guide's 100 Greatest Episodes of All Time from TV Guide magazine. The Love Boat ran for nine seasons plus four specials. Another made-for-TV movie, titled The Love Boat: A Valentine Voyage, starring four of the original cast members, aired finally on February 12, 1990.The Rocky Horror Picture Show
The Rocky Horror Picture Show is a 1975 musical science-fiction horror-comedy film by 20th Century Fox produced by Lou Adler and Michael White and directed by Jim Sharman. The screenplay was written by Sharman and actor Richard O'Brien, who is also a member of the cast. The film is based on the 1973 musical stage production The Rocky Horror Show, with music, book, and lyrics by O'Brien. The production is a parody tribute to the science fiction and horror B movies of the 1930s through to the early 1960s. Along with O'Brien, the film stars Tim Curry, Susan Sarandon, and Barry Bostwick and is narrated by Charles Gray with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatre productions including Nell Campbell and Patricia Quinn.
The story centres on a young engaged couple whose car breaks down in the rain near a castle where they seek a telephone to call for help. The castle or country home is occupied by strangers in elaborate costumes celebrating an annual convention. They discover the head of the house is Dr. Frank N. Furter, an apparent mad scientist who actually is an alien transvestite who creates a living muscle man in his laboratory. The couple are seduced separately by the mad scientist and eventually released by the servants who take control.
The film was shot in the United Kingdom at Bray Studios and on location at an old country estate named Oakley Court, best known for its earlier use by Hammer Film Productions. A number of props and set pieces were reused from the Hammer horror films. Although the film is both a parody of and tribute to many of kitsch science fiction and horror films, costume designer Sue Blane conducted no research for her designs. Blane stated that costumes from the film have directly affected the development of punk rock fashion trends such as ripped fishnets and dyed hair.Although largely critically panned on initial release, it soon became known as a midnight movie when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. At almost the same time, fans in costume at the King's Court Theater in Pittsburgh began performing alongside the film. This "shadow cast" mimed the actions on screen above and behind them, while lip-synching their character's lines. Still in limited release four decades after its premiere, it is the longest-running theatrical release in film history. It is often shown close to Halloween. Today, the film has a large international cult following. It was selected for preservation in the United States National Film Registry by the Library of Congress in 2005.