Édith Piaf (French: [edit pjaf] (listen); born Édith Giovanna Gassion; 19 December 1915 – 10 October 1963) was a French vocalist, songwriter, cabaret performer and film actress noted as France's national chanteuse and one of the country's most widely known international stars.
Piaf's music was often autobiographical and she specialized in chanson and torch ballads about love, loss and sorrow. Her most widely known songs include “La Vie en rose" (1946), "Non, je ne regrette rien" (1960), "Hymne à l'amour" (1949), "Milord" (1959), "La Foule" (1957), "L'Accordéoniste" (1940), and "Padam, padam..." (1951).
Since her death in 1963, several biographies and films have studied her life, including 2007's Academy Award-winning La Vie en rose — and Piaf has become one of the most celebrated performers of the 20th century.
Piaf in 1962
Édith Giovanna Gassion
19 December 1915
|Died||10 October 1963 (aged 47)|
|Resting place||Père Lachaise Cemetery|
|Other names||La Môme Piaf|
(The Little Sparrow)
Despite numerous biographies, much of Piaf's life is unknown. She was born Édith Giovanna Gassion in Belleville, Paris. Legend has it that she was born on the pavement of Rue de Belleville 72, but her birth certificate cites that she was born on 19 December 1915 at the Hôpital Tenon, a hospital located at the 20th arrondissement.
She was named Édith after the World War I British nurse Edith Cavell, who was executed 2 months before her birth for helping French soldiers escape from German captivity. Piaf – slang for "sparrow" – was a nickname she received 20 years later.
Louis Alphonse Gassion (1881–1944), Édith's father, was a street performer of acrobatics from Normandy with a past in the theatre. He was the son of Victor Alphonse Gassion (1850–1928) and Léontine Louise Descamps (1860–1937), known as Maman Tine, a "madam" who ran a brothel in Bernay in Normandy.
Her mother, Annetta Giovanna Maillard (1895–1945), was of French descent on her father's side and of Italian and Moroccan Shilha Berber origin on her mother's, and she was a native of Livorno, Italy. She worked as a café singer under the name Line Marsa. Her parents were Auguste Eugène Maillard (1866–1912) and Emma (Aïcha) Saïd Ben Mohammed (1876–1930), daughter of Said ben Mohammed (1827–1890), a Moroccan acrobat born in Mogador, Morocco, and Marguerite Bracco (1830–1898), born in Murazzano in Italy. She and Louis-Alphonse divorced on 4 June 1929.:5
Piaf's mother abandoned her at birth, and she lived for a short time with her maternal grandmother, Emma (Aïcha). When her father enlisted with the French Army in 1916 to fight in World War I, he took her to his mother, who ran a brothel in Bernay, Normandy. There, prostitutes helped look after Piaf. The bordello had two floors and seven rooms, and the prostitutes were not very numerous, "about ten poor girls" as she later described, in fact five or six were permanent and a dozen for market and any busy days. The sub-mistress of the brothel, "Madam Gaby" could be considered a little like family since she became godmother of Denise Gassion, the half-sister born in 1931. Edith believed her weakness for men came from mixing with prostitutes in her grandmother's brothel. "I thought that when a boy called a girl, the girl would never refuse" she would say later.
From the age of three to seven, Piaf was allegedly blind as a result of keratitis. According to one of her biographers, she recovered her sight after her grandmother's prostitutes pooled money to accompany her on a pilgrimage honouring Saint Thérèse of Lisieux. Piaf claimed this was the result of a miraculous healing.
In 1929, at age 14, she joined her father in his acrobatic street performances all over France, where she first sang in public. At the age of 15, Piaf met Simone "Mômone" Berteaut, who may have been her half-sister, and who became a companion for most of her life. Together they toured the streets singing and earning money for themselves. With the additional money Piaf earned as part of an acrobatic trio, she and Mômone were able to rent their own place; Piaf took a room at Grand Hôtel de Clermont (18 rue Véron, 18th arrondissement of Paris), working with Mômone as a street singer in Pigalle, Ménilmontant, and the Paris suburbs (cf. the song "Elle fréquentait la rue Pigalle").
In 1932, she met and fell in love with Louis Dupont. Within a very short time, he moved into their small room, where the three lived despite Louis' and Mômone's dislike for each other. Louis was never happy with the idea of Piaf's roaming the streets, and continually persuaded her to take jobs he found for her. She resisted his suggestions, until she became pregnant and worked for a short while making wreaths in a factory.
In February 1933, the 17-year-old Piaf gave birth to her daughter, Marcelle (nicknamed Cécelle) at the Hôpital Tenon. Like her mother, Piaf found it difficult to care for a child, as she had little maternal instinct, parenting knowledge, or domestic skills. She rapidly returned to street singing, until the summer of 1933, when she opened at Juan-les-Pins, Rue Pigalle.
Following an intense quarrel over her behavior, Piaf left Louis Dupont (Marcelle's father) taking Mômone and Marcelle with her. The three stayed at the Hôtel Au Clair de Lune, Rue André-Antoine. During this time, Marcelle was often left alone in the room while Piaf and Mômone were out on the streets or at the club singing. Dupont eventually came and took Marcelle away, saying that if Édith wanted the child, she must come home. Like her own mother, Piaf decided not to come home, though she did pay for childcare. Marcelle died of meningitis at age two. It is rumored that Piaf slept with a man to pay for Marcelle's funeral.
In 1935, Piaf was discovered in the Pigalle area of Paris by nightclub owner Louis Leplée, whose club Le Gerny's off the Champs-Élysées was frequented by the upper and lower classes alike. He persuaded her to sing despite her extreme nervousness, which, combined with her height of only 142 centimetres (4 ft 8 in), inspired him to give her the nickname that would stay with her for the rest of her life and serve as her stage name, La Môme Piaf (Paris slang meaning "The Waif Sparrow" or "The Little Sparrow"). Leplée taught her the basics of stage presence and told her to wear a black dress, which became her trademark apparel. Later, she would always appear in black.
Leplée ran an intense publicity campaign leading up to her opening night, attracting the presence of many celebrities, including actor and singer Maurice Chevalier. The bandleader that evening was Django Reinhardt, with his pianist, Norbert Glanzberg.:35 Her nightclub gigs led to her first two records produced that same year, with one of them penned by Marguerite Monnot, a collaborator throughout Piaf's life and one of her favourite composers.
On 6 April 1936, Leplée was murdered. Piaf was questioned and accused as an accessory, but acquitted. Leplée had been killed by mobsters with previous ties to Piaf. A barrage of negative media attention now threatened her career. To rehabilitate her image, she recruited Raymond Asso, with whom she would become romantically involved. He changed her stage name to "Édith Piaf", barred undesirable acquaintances from seeing her, and commissioned Monnot to write songs that reflected or alluded to Piaf's previous life on the streets.
In 1940, Piaf co-starred in Jean Cocteau's successful one-act play Le Bel Indifférent. The German occupation of Paris did not stop her career; she began forming friendships with prominent people, including Chevalier and poet Jacques Bourgeat. She wrote the lyrics of many of her songs and collaborated with composers on the tunes. Spring 1944 saw the first cooperation and a love affair with Yves Montand in the Moulin Rouge.
In 1947, she wrote the lyrics to the song "Mais qu’est-ce que j’ai ?" (music by Henri Betti) for Yves Montand. Within a year, he became one of the most famous singers in France. She broke off their relationship when he had become almost as popular as she was.
During this time, she was in great demand and very successful in Paris as France's most popular entertainer. After the war, she became known internationally, touring Europe, the United States, and South America. In Paris, she gave Atahualpa Yupanqui (Héctor Roberto Chavero) – a central figure in the Argentine folk music tradition – the opportunity to share the scene, making his debut in July 1950. She helped launch the career of Charles Aznavour in the early 1950s, taking him on tour with her in France and the United States and recording some of his songs. At first she met with little success with U.S. audiences, who expected a gaudy spectacle and were disappointed by Piaf's simple presentation. After a glowing 1947 review in the New York Herald Tribune by the influential New York critic Virgil Thomson, himself a contributor to international avant garde culture, however, her popularity grew, to the point where she eventually appeared on The Ed Sullivan Show eight times and at Carnegie Hall twice (1956 and 1957).
Bruno Coquatrix's famous Paris Olympia music hall is where Piaf achieved lasting fame, giving several series of concerts at the hall, the most famous venue in Paris, between January 1955 and October 1962. Excerpts from five of these concerts (1955, 1956, 1958, 1961, 1962) were issued on record and CD and have never been out of print. The 1961 concerts, promised by Piaf in an effort to save the venue from bankruptcy, debuted her song "Non, je ne regrette rien". In April 1963, Piaf recorded her last song, "L'Homme de Berlin".
Piaf's career and fame gained momentum during the German occupation of France. She performed in various nightclubs and brothels, which flourished during the 1940–1945 Années Erotiques (book title of Patrick Buisson, director of the French history channel). Various top Paris brothels, including Le Chabanais, Le Sphinx, One Two Two, La rue des Moulins, and Chez Marguerite, were reserved for German officers and collaborating Frenchmen. She was, for example, invited to take part in a concert tour to Berlin, sponsored by the German officials, together with artists such as Loulou Gasté, Raymond Souplex, Viviane Romance and Albert Préjean. In 1942, Piaf was able to afford a luxury flat in a house in the fancy 16th arrondissement of Paris (today rue Paul-Valéry). She lived above the L'Étoile de Kléber, a famous nightclub and bordello close to the Paris Gestapo headquarters.
Piaf was deemed to have been a traitor and collaboratrice. She had to testify before a purge panel, as there were plans to ban her from appearing on radio transmissions. However, her secretary Andrée Bigard, a member of the Résistance, spoke in her favour after the Liberation. According to Bigard, she performed several times at prisoner of war camps in Germany and was instrumental in helping a number of prisoners escape. Piaf was quickly back in the singing business and then, in December 1944, she went on stage for the Allied forces together with Montand in Marseille.
At age 17 Piaf had a daughter, Marcelle, who died aged two. Piaf neither wanted nor had other children.
The love of Piaf's life, the married boxer Marcel Cerdan, died in a plane crash in October 1949, while flying from Paris to New York City to meet her. Cerdan's Air France flight, on a Lockheed Constellation, crashed in the Azores, killing everyone on board, including noted violinist Ginette Neveu. Piaf and Cerdan's affair made international headlines, as Cerdan was the former middleweight world champion and a legend in France in his own right.
In 1951, Piaf was seriously injured in a car crash along with Charles Aznavour, breaking her arm and two ribs, and thereafter had serious difficulties arising from morphine and alcohol addictions. Two more near-fatal car crashes exacerbated the situation. Jacques Pills, a singer, took her into rehabilitation on three different occasions to no avail.
Piaf married Jacques Pills (real name René Ducos), her first husband, in 1952 (her matron of honour was Marlene Dietrich) and divorced him in 1957. In 1962, she wed Théo Sarapo (Theophanis Lamboukas), a Greek hairdresser-turned-singer and actor who was 20 years her junior. The couple sang together in some of her last engagements.
Piaf lived mainly in Belleville, Paris, with her father from 1915 to 1931. From 1934 to 1941, she lived at 45 rue de Chézy in Neuilly-sur-Seine; she lived alone from 1941 to 1952 and with Jacques Pills from 1952 to 1956. She continued to live there alone from 1956 to 1959. In her final years she lived at 23 rue Édouard Nortier in Neuilly-sur-Seine – alone from 1959 to 1962 and with Théo Sarapo from 1962 until her death in 1963.
Years of alcohol abuse alongside copious amounts of medications, initially for arthritic pain and later insomnia, took their toll on Piaf's health. A series of car accidents only exacerbated her addictions and she eventually underwent a series of surgeries for a stomach ulcer in 1959. Coupled with a deteriorating liver and the need for a blood transfusion, by 1962 she had lost a significant amount of weight, reaching a low of 30 kg (66 pounds). Drifting in and out of consciousness for several months, she died of liver cancer at age 47 at her villa in Plascassier (Grasse), on the French Riviera, on 10 October 1963, the day before filmmaker and friend Jean Cocteau died. Her last words were "Every damn thing you do in this life, you have to pay for." It is said that Sarapo drove her body back to Paris secretly so that fans would think she had died in her hometown. She is buried in Père Lachaise Cemetery in Paris next to her daughter Marcelle, where her grave is among the most visited. Buried in the same grave are her father, Louis-Alphonse Gassion, and Théo (Lamboukas) Sarapo. The name inscribed at the foot of the tombstone is Famille Gassion-Piaf. Her name is engraved on the side as Madame Lamboukas dite Édith Piaf.
Although she was denied a funeral Mass by Cardinal Maurice Feltin because of her lifestyle, her funeral procession drew tens of thousands of mourners onto the streets of Paris and the ceremony at the cemetery was attended by more than 100,000 fans. Charles Aznavour recalled that Piaf's funeral procession was the only time since the end of World War II that he saw Parisian traffic come to a complete stop.
Since 1963, the French media have continuously published magazines, books, television specials and films about the star often coinciding with the anniversary of her death. In 1973, the Association of the Friends of Édith Piaf was formed followed by the inauguration of the Place Édith Piaf in Belleville in 1981. Soviet astronomer Lyudmila Georgievna Karachkina named a small planet, 3772 Piaf, in her honor.
A concert at The Town Hall in New York City commemorated the 100th anniversary of Piaf's birth on 19 December 2015. Hosted by Robert Osborne and produced by Daniel Nardicio and Andy Brattain, it featured Little Annie, Gay Marshall, Amber Martin, Marilyn Maye, Meow Meow, Elaine Paige, Molly Pope, Vivian Reed, Kim David Smith, and Aaron Weinstein.
Piaf's life has been the subject of several films and plays.
(1998) “Tu Es Partout” Saving Private Ryan
The following titles are compilations of Piaf's songs, and not reissues of the titles released while Piaf was active.
Car on a souvent présenté cette femme, Emma de son prénom véritable, née en France d’un père marocain, comme une Kabyle, ce qu’elle n’était certainement pas, la Kabylie se trouvant en Algérie. Ces Berbères du Sud marocain sont appelés Chleuhs, avec un parler berbère qu’on.....
Chansons d’Édith Piaf is an album by the group Tethered Moon, comprising pianist Masabumi Kikuchi, bassist Gary Peacock and drummer Paul Motian, recorded and released on the Winter & Winter label in 1999. The album is a tribute to the French cabaret singer Édith Piaf.Hippopotamus (album)
Hippopotamus is the 23rd studio album by American rock group Sparks. It was released on September 8, 2017 through BMG Records, their first record issued on a major label for decades.Following the 2009 radio musical The Seduction of Ingmar Bergman and Sparks' subsequent collaboration with Franz Ferdinand in FFS, the release of Hippopotamus marked a return to the traditional Sparks format of "short, literate, witty pop songs", mixing elements from the band's various stylistic periods.Hippopotamus was met with critical acclaim, and entered the UK Albums Chart at no. 7, Sparks' first UK top-ten appearance in over 40 years.Hymne à l'amour
"Hymne à l'amour" (French pronunciation: [imn a lamuʁ]; French for "Hymn to Love") is a popular French song originally performed by Édith Piaf.L'Accordéoniste
"L'Accordéoniste" is a song made famous by Édith Piaf. It was written in 1940 by Michel Emer, who then offered it to her.La Foule
"La Foule" (French pronunciation: [la ful]; "The Crowd") is a song sung by famed French singer Édith Piaf, released in 1957. The song was composed by Ángel Cabral with lyrics written by Michel Rivgauche.La Vie en rose
"La Vie en rose" (French pronunciation: [la vi ɑ̃ ʁoz]; French: Life in pink) is the signature song of popular French singer Édith Piaf, written in 1945, popularized in 1946, and released as a single in 1947. The song became very popular in the US in 1950 with no fewer than seven different versions reaching the Billboard charts. These were by Tony Martin, Paul Weston, Bing Crosby (recorded June 22, 1950), Ralph Flanagan, Victor Young, and Louis Armstrong.A version in 1977 by Jamaican singer Grace Jones was also a successful international hit. "La Vie en rose" has been covered by many other artists over the years, including a 1993 version by American singer Donna Summer. Harry James also recorded a version in 1950 on Columbia 38768. Bing Crosby recorded the song again for his 1953 album Le Bing: Song Hits of Paris.La Vie en rose (film)
La Vie en Rose (French pronunciation: [la vi ɑ̃ ʁoz]; French: La Môme) is a 2007 French biographical musical film about the life of French singer Édith Piaf. The film was co-written and directed by Olivier Dahan, and starred Marion Cotillard as Piaf. The UK and US title La Vie en Rose comes from Piaf's signature song.
Cotillard's performance earned her several accolades including the Academy Award for Best Actress — marking the first time an Oscar had been given for a French-language role — the BAFTA Award for Best Actress in a Leading Role, the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the César Award for Best Actress in a Leading Role for her performance. The film also won the Academy Award for Best Makeup, the BAFTA Award for Best Makeup, Costume Design, Film Music, four additional César Awards and grossed $86.3 million worldwide.Les Mômes de la cloche
"Les Mômes de la cloche" is a song which became the first studio recording made by Édith Piaf. It was written by Vincent Scotto (music) and André Decaye (lyrics).Milord (song)
"Milord" (French pronunciation: [milɔʁ]) or "Ombre de la Rue" [ɔ̃bʁə də la ʁy] ("Shadow of the Street") is a 1959 song (lyrics by Georges Moustaki, music by Marguerite Monnot), famously sung by Édith Piaf. It is a chanson that recounts the feelings of a lower-class "girl of the port" (perhaps a prostitute) who develops a crush on an elegantly attired apparent upper-class British traveller (or "milord"), whom she has seen walking the streets of the town several times (with a beautiful young woman on his arm), but who has not even noticed her. The singer feels that she is nothing more than a "shadow of the street" (ombre de la rue). Nonetheless, when she talks to him of love, she breaks through his shell; he begins to cry, and she has the job of cheering him up again. She succeeds, and the song ends with her shouting "Bravo! Milord" and "Encore, Milord".
The song was a #1-hit in Germany in July 1960. In UK it reached #24 (1960), in Sweden #1 during 8 weeks (15/6-1/8 1960), in Norway #6 (1959), and in the United States #88 (Billboard Hot 100 in 1961).Mon Dieu
"Mon Dieu" (my God in French) is a 1960 song by Édith Piaf. The lyrics are by Michel Vaucaire and the music is by Charles Dumont. Édith Piaf sang this song originally in French, but recorded it in English as well. The song has been sung by many other singers, such as Mireille Mathieu, too.
Elaine Paige covered the song on her 1994 album Piaf.Mon légionnaire
"Mon légionnaire" is a French song introduced in 1936 by vocalist Marie Dubas, with lyrics by Raymond Asso and music by Marguerite Monnot. Marie Dubas toured the United States with this song in 1939.Musée Édith Piaf
The Musée Édith Piaf is a private museum dedicated to singer Édith Piaf located in the 11th arrondissement at 5, rue Crespin du Gast, Paris, France. It is open by appointment; admission is free.The museum was created by Bernard Marchois, author of two Piaf biographies, and occupies two rooms within a private apartment. It contains memorabilia including her china collection, gold and platinum records, dress and shoes, photographs, fan letters, sheet music, posters, and recordings.Non, je ne regrette rien
"Non, je ne regrette rien" (French pronunciation: [nɔ̃ ʒə nə ʁəɡʁɛt ʁjɛ̃], meaning "No, I regret nothing") is a French song composed by Charles Dumont, with lyrics by Michel Vaucaire. It was written in 1956, and is best known through Édith Piaf's 1960 recording, which spent seven weeks atop the French Singles & Airplay Reviews chart.Padam, padam...
"Padam, padam..." is a song originally released in 1951 by Édith Piaf. It was written for her by Henri Contet (lyrics) and Norbert Glanzberg (music).Panazol
Panazol (Occitan: Panasòu) is a commune in the Haute-Vienne department in the Nouvelle-Aquitaine region in west-central France.
Panazol is the third largest town in the department (by population), after Limoges and Saint-Junien. It can be considered as a commuter town.
Theo Sarapo, the singer, actor, and second husband of Édith Piaf died at Limoges on
August 28, 1970 on RD 941 at the Panazol exit, direction Saint-Léonard-de-Noblat (Haute-Vienne). His car, a blue Citroen ID19, left the road at high speed and struck a tree the approximate height of Chateau de la Rue. He was removed from the wreckage and rushed to the Limoges hospital, where he died as a result of his injuries at the age of 34. He was buried in Paris at Père-Lachaise cemetery alongside Édith Piaf.
Inhabitants are known as Panazolais.Piaf (play)
Piaf is a play by Pam Gems that focuses on the life and career of French chanteuse Edith Piaf. The biographical drama with music portrays the singer as a self-destructive, promiscuous alcoholic and junkie who, in one controversial scene, urinates in public.
The original production starred Jane Lapotaire in the title role, and included Ian Charleson as Pierre. It premiered in 1978 at Royal Shakespeare Company's The Other Place in Stratford-upon-Avon, after which it moved to the Donmar Warehouse in London, the Aldwych Theatre, the Piccadilly Theatre, and then Wyndham's Theatre, before going to the United States.
In the U.S. the play began in Philadelphia. After six previews the show opened on Broadway at the Plymouth Theatre on February 6, 1981 with its original star, Jane Lapotaire. It ran for 165 performances, and Lapotaire won the 1981 Tony Award.Sous le ciel de Paris (song)
"Sous le ciel de Paris" is a song initially written for the 1951 French film Sous le ciel de Paris, directed by Julien Duvivier.
In the film the song was sung by Jean Bretonnière. In the same year it was recorded by Anny Gould and by Juliette Gréco. Thanks to Juliette Greco and subsequent recordings by renowned artists like Édith Piaf and Yves Montand the song became a symbol of Paris and France for the whole world.What Can I Do? (Edith Piaf song)
Mais qu'est-ce que j'ai ? is a French popular song composed in 1947 by Henri Betti with the lyrics by Édith Piaf. The English lyrics were written in 1949 by Harold Rome.Édith et Marcel
Édith et Marcel is a 1983 French film directed by Claude Lelouch.
|Ancestors of Édith Piaf|